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A HERIZ PERSIAN CARPET, on ivory field with large terracotta panel enclosing a large dark blue star motif and smaller pale blue star, the whole filled with leaves and flowers in typical angular Heriz style, surrounded by a midnight blue border of shield and curled leaf design, two pale gold minor borders, 8ft. 2in. x 11ft. 2in. (250 x 340cms) (damaged area in one corner)
A SEVEN-PIECE IVORY CRACKLE-GLAZE AND PAINTED BEDROOM SUITE by Marsh Jones & Cribb, painted in pale green and painted with floral sprays and garlands comprising:- chest of five drawers, serpentine fronted and on cabriole legs; pair of single bedsteads with scrolled and arched head and foot boards; a cabinet with open compartment and single door; a dressing table having an arrangement of five drawers, a set of triple mirrors, a dressing stool and a single chair, circa 1935
A pair of Royal Worcester blush-ivory-ground vases. YEAR CYPHER FOR 1881, PRINTED PUCE AND GREEN MARKS. Of compressed globular form, richly-gilt and silvered with raised and tooled decoration in the Japonaiserie style with asymmetrical cranes and butterflies in flight, trailing flowering prunus, reeds and flowers, the square handles surmounted by a frog above flowering lilies and reeds, enriched overall in shot-silk, supported on four gilt shell-moulded bracket feet (slight chipping to handles and areas of regilding, slight rubbing to gilt rims). 6s in. (16.6 cm.) high (2).
A pair of Royal Worcester ivory-ground posy-vases. DATE CODES FOR 1901, PRINTED GREEN CROWNED MARKS, SHAPE 1242. Modelled as figures of children in the Kate Greenaway style, standing by cylindrical bowls moulded to simulate fence-work, enriched in shades of matt-green, orange and gilding. 5s in. (14 cm.) high (2).
PAIR OF AUSTRIAN OR GERMAN SILVER MOUNTED IVORY MODELS OF FARM GIRLS, last quarter C19th, one portrayed with rake and wheat- sheaf the other with flowers and a pitcher, both on domed, oval section bases with openwork foliate decoration, with continental stamps to the undersides, 9"H overall.( Illustrated on inside front cover).
SET OF THREE SCULPTED IVORY TABERNACLE FRAMES FOR MINIATURES, probably French, c.1870 each of architectural form with caryatids and herms supporting architrave, frieze and pediment, and decorated overall with Bacchantes, grotesques, and other Renaissance motifs, each containing a miniature. painting on ivory depicting further classical iconography, one signed A. Topart, the frames further carved and inscribed to the reverses 7 1/4" H,( Illustrated on inside front cover).
PAIR OF CENTRAL EUROPEAN SCULPTED IVORY MODELS OF SUMMER AND WINTER AS MAIDENS, circa 1875 the former with flowers and a dove clasped to her drapery, the latter with a bundle of sticks, a tree stump at her feet inscribed with the monogram J.A.S, both on waisted, circular marmo rouge griotte bases, 16 3/4"H.( Illustrated on inside front cover).
IMPORTANT AND VERY FINE GERMAN SCULPTED IVORY AND SILVER MOUNTED EWER AND STAND, circa 1870 the ewer profusely carved overall with Bacchic figures, the handle as a maiden with amorino, the central register of the ovoid body with a portrayal of the Marriage of Dionysus and Ariadne, including satyrs, maenads, and the tiger drawn chariot, the lower register with winged grotesques above a stem with further satyrs and a domed base with fluted silver foot, 20 3/4" H, the circular dished stand with conforming decoration portraying the marriage feast around a central relief of Venus and Cupid, the sculpted ivory laid onto an oak base, 19 3/4" D.(Illustrated on inside front cover).
A George IV mahogany and boxwood strung drop leaf work table, the rectangular top with rounded corners above two drawers with ivory handles opposing two false drawers, and an upholstered wool bag on a 'U' shaped support with a round platform base and four ebony strung sabre legs with brass bun feet, 72cm high, the top 53 x 70cm
A French ormolu-mounted contre partie green and red stained ivory balloon-shaped bracket clock, the eight-day two-train movement with anchor escapement and outside countwheel strike on two bells, the enamelled circular dial with Roman numerals and inscribed LE ROY A PARIS; and a wall bracket ensuite, 125cm high See Britten's Old Clocks & Watches (9th Ed.), various Le Roys are listed, mostly in the second half of the 18th century until the revolution in 1789.
A Ceylonese Calamander Sewing Box, probably Galle District, circa 1840], of ripple moulded rectangular shape, opening to reveal a lift-out fitted tray of compartments and reels, marquetry inlaid, ivory veneered and tortoiseshell veneered lids, ten further lidded compartments in diverse woods including palm and satinwood below surrounding small compartments, 38cm wide
A Vizagapatam Ivory Mounted Sandalwood Clock Case, 19th century], of architectural form surmounted by a fluted tablet with point and sphere turned ivory centre finial and angle finials, edged all over with engraved interwoven leafy tendrils rubbed with black pigment, internally with hinge and catch secured watch recess, on fluted bun feet, 20cm high
Two Carved Walrus Ivory Plaques, late 19th century], one worked in high relief with a continuous Bacchanalian procession with the god of love pulled by panthers in a chariot, the retinue including Silenus, 6.5cm by 17cm, the other of Venus in a dolphin drawn vessel surrounded by a retinue of Tritons, 7cm by 15.2cm, each in ebonised wood ripple-moulded frames
A Carved Ivory Candlestick Nozzle Fragment, 18th century or earlier], of ovoid form, carved with three infants dissolving into acanthus leaves and linked by swags of husks, 5cm high; [An Italian Polished Black Slate and Cameo Mounted Paperweight, circa 1850], the oval shell cameo worked in high relief with Juno in a chariot with attendants on clouds, the cameo 6.5cm, 13cm overall; and [An Italian Small Bronze Figure of Venus], on a rectangular stand with paw feet, 14cm high (3)
A Rosewood Inlaid Striking Mantel Clock, signed Laine a Paris, circa 1860], the case with brass and ivory inlay of floral decoration, engine-turned silvered dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, silk suspension, backplate stamped "693 417", dial and movement signed, 23cm high
A Pair of Large George III Pier Glasses, each with a rectangular plate surmounted by a painted panel of wheat-ears, rinceaux, husks and swans in gold and grey on an ivory ground, within gilt raffle-leaf borders, the coved frame carved with a laurel-leaf repeat with spiral paterae in the upper corners, 241cm by 124cm
A Pair of Doulton Burslem Pottery Vases], with trumpet necks and scroll handles to the mallet shape bodies, each decorated in Japanaiserie taste with sprays of lilies to one vase, chrysanthemums to the other, both signed "Kelsall", against delicately sponged ivory grounds, floral detail to the neck and solid gilded handles, brown printed crown and wheel marks, 20.3cm high
A Pair of Royal Worcester Porcelain Orchid Dessert Plates, 1904], each of petalette circular form, transfer printed and painted with orchids named on the reverse "Aerids Zuinquervulnererum" and "Cypripedium Niveum", against ivory grounds, puce printed crown and wheel mark and date mark, shape No. 1348, 22cm diameter
A Royal Worcester Porcelain Blush Ivory Hors d'Oeuvres Dish, 1912], three lobed divisions, of arched handle, printed and painted with sprays of summer flowers, enriched in gilt, puce printed crown and wheel mark and date mark, shape No. 1994, 26.5cm wide; and [A Similarly Decorated Tray], rectangular, date code for 1912, 26.8cm wide (2)
A Collection of Five Royal Worcester Porcelain Blush Ivory Trinket Jars and Salts], circular and elongated oval shape, three having covers, variously painted with sprays of flowers, all with green or puce printed crown and wheel marks, circa 1900-1910, ranging 2.3cm to 3cm high; and [A Small Blush Ivory Model of a Hand], wearing a bracelet, picked out in gilt, printed mark in green and shape No. 392, 8cm high (6)
A Royal Worcester Porcelain Toy Teapot and Cover, 1908], of compressed ovoid form with short spout, painted and printed with sprays of flowers against a blush ivory ground, puce printed crown and wheel mark and date mark, 6.5cm high; [A Similarly Decorated Ewer, 1903], 12cm; and [A Similar Two-handled Vase, 1906], of conical form with scroll pierced handles, 11.7cm high (3)
A Group of Four Royal Worcester Blush Ivory Porcelain Vessels, circa 1890-1910], comprising a square section two-handled jarlet and cover, 11cm; [Two Similar Graduated Ovoid Jugs], each decorated with sprays of flowers and enriched with gilding, various puce and green printed crown and wheel marks, date codes, 12.2cm and 10.5cm high and a cylindrical spill vase with pierced rim, 8.8cm; and [Two Royal Worcester Coffee Cups, circa 1924], both enamelled in blue and with neo-classical gilded decoration, one with associated silver and enamel coffee spoon, date codes for 1924 and 1925 (6)
A Pair of Royal Worcester Porcelain "Tusk" Jugs, 1913], each printed and painted with sprays of carnations, daisies and other summer flowers, in soft colours and gilt against a blush ivory ground, the handles fashioned as antlers, puce printed crown and wheel mark and date mark, shape No. 1116, 28cm high
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239691 item(s)/page