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Click here to subscribeSIXTY TWO REGENCY IVORY AND BLACK INK LETTERS OF THE ALPHABET, EARLY 19TH C one side upper case, the other lower case, approx 1cm, 19th c card box with inscription to the underside of the lid Given by our Beloved Mary Hannah Boniface in 1843 ivory letters from which she learnt the alphabet. To be kept in remembrance of her (signed) A S Wellesley++Good condition
DERBYSHIRE. A VICTORIAN ASHFORD BLACK MARBLE THERMOMETER, WALKER MUSEUM MATLOCK BATH, 1853-C1870 the thermometer with ivory scale surrounded by inlaid hardstone fuchsia and other flowers, 17cm h++A good example retaining practically all of the original decoration, several small chips around the base
AN EDWARD VII MAHOGANY STATIONERY BOX, C1900-10 crossbanded in satinwood and line inlaid, the fully fitted interior retaining practically all of the accessories to include blotting book, ivory rule, pair of gilt brass capped glass inkwells and four leather bound books, brass carrying handles, 32cm h, the underside of the lid with engraved brass presentation tablet dated 1910++Veneer shrinkage cracks to both doors otherwise exterior and interior in unusually good and clean condition; no key
ANDREW PLIMER (1763-1837), A FINE AND INTERESTING OVAL PORTRAIT MINIATURE ON IVORY OF ROBERT COOPER LEE (1735-1794), in profile facing right wearing a powdered wig en queue and blue coat, 3" high, the reverse of the gold coloured metal mount engraved 'Robert Cooper Lee Esq', 1843 (?) Plimer. The sitter embarked for Jamaica in 1749 aged 13 years wuth a parcel of ribbons, later becoming a slave owner, returning to London in 1771. See: Anne M. Powers 'A Parcel of Ribbons - The Lee Family Letters', privately printed, 2012.
JOHN BOGLE (1746-1803), A GOOD OVAL PORTRAIT MINIATURE ON IVORY OF A YOUNG UNIFORMED OFFICER, signed with initials and dated 1775, contained in a gold mount, the reverse with locket of hair centred with gold cursive initials 'MES', swivelling with an outer silver frame set with ninety tiny rose cut diamonds
Mixed Lot: comprising two various Bakelite cased radios, the first Murphy Radio Ltd, AC Mains receiver type A547, the flared rectangular case with moulded inset, fabric covered speaker over a glazed dial flanked by control knobs and with push button selectors, width 46cm, the second GEC, Cat No BC5465, the rectangular brown case with ivory inset and fabric covered speaker to a glazed scale flanked by control knobs, width 45cm (2)
Mixed Lot: comprising two various wooden cased radios, the first Ekco, model U243, the rectangular case with moulded grille to a glazed rectangular panel flanked by control knobs, width 42cm, the second Bush, type AC41, rectangular case with recessed panel with fabric covered speaker and glazed panel over four ivory coloured Bakelite controllers, width 41cm (2)
Ï’ An Anglo Indian carved ivory group of an oxen-drawn carriage and attendants, second half 19th century, the double dome topped four-wheeler with two dignitaries within, the pair of oxen with driver behind, with three guards standing to each side, on an ebonised rectangular wood base Overall dimensions, 15cm high, 30.5cm long Housed within a later stained hardwood and glazed case, 21cm high, 36cm long Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’ A German carved ivory and silver plated metal mounted tankard, late 19th century, the frieze of Bacchic revelry in high relief and in places in the round, with classically draped figures, nude amorini, animals and birds amongst trees; the domed cover with berried finial above a fluted band and repousse foliate decoration, a conforming foot below, the foliate cast handle with putto head thumbpiece 23cm high, 19cm wide Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A French carved ivory rectangular diptych panel, the Crucifixion, mid 14th century, possibly by the Master of the Berlin Triptych of the Virgin in Glory, traditionally portraying Christ on the Cross, flanked by the robed figures of Mary of Clopas and Mary Magdalene, in recessed relief beneath a cusped and crocketed arch, with finials rising at each side above 12cm high, 7.5cm wide COMPARATIVE LITERATURE: See Joseph Natanson, Gothic Ivories of the 13th & 14th centuries, Alec Tiranti Ltd, 1951, plate 35 for a comparable example, previously held in Paris at the Collection Mège Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’A Continental sculpted ivory Corpus Christi, circa 1900, probably French, mounted on a wrought iron Crucifix, with stepped circular section iron base The ivory 21cm high, 13cm wide The height overall 50.5cm Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Carved wooden buzzard, Balinese carved wooden dragon , oak box, 2 leather boxes, framed Rugby school motto dated Sept 1928, decorative knife with ivory handle & sheath (damaged) and sgian dubh / Scottish dirk with Cairngorm type stone in crown mount (some damage) inscribed "T A M J Easter Duthil 1924"
Follower of Richard Cosway, c.1800 PORTRAIT BUST OF A YOUNG WOMAN Miniature on ivory Oval, 7 x 5.3cm, yellow metal and enamel frame Provenance: The Betty and Barry Power Collection; The Estate of Miss Doris Marsh, Nash’s Farm, Little Comberton, house sale held by Blinkhorn & Co., Worcestershire, 20th July 1983, Lot 320, £330.
An exhibition quality aneroid barometer, by Negretti & Zambra, London, the rosewood case profusely inlaid with ribbon-tied swags, pendant husks, mythical beasts and scrolling flowering foliage, the inlaid dial with a lightning rod hand within ivory plaques engraved with the seasons, below is an engraved ivory plaque depicting a village church, dial 18cm diameter case 93cm high Provenance: The Bryan and Valerie Steele Collection.
A 19th century Italian floral marquetry centre table of rectangular form raised on four ebony supports with spiral column detail, united by an X shaped and pierced stretcher incorporating a single frieze drawer, with further ebony and ivory banded borders, the top with geometric floral, bird and leaf detail, 115cm long x 76cm deep x 76cm high
A George III silver and ivory-handled dish, 'WS' possibly for William Stroud, London, 1809, of circular form, with a gadrooned rim with a turned ivory handle to either side raised on cast scrolling feet, the centre engraved with a crest, a collared and muzzled bear's head with the motto 'In Solo Deo Salus' the crest of the Earl of (Lascelles), Harewood House, Leeds, Yorkshire, further engraved with a crest beneath a coronet to each side, 32cm wide, 8cm high
A pair of Royal Worcester blush ivory cabinet plates, 1893, of rococo shell shape, painted with flowers by Edward Raby within moulded and pierced gilt borders, signed with initial 'E R', 21.5cm wide, and a Royal Worcester blush ivory leaf dish, 1899, printed marks, 16.5cm wide (3) Provenance: The Cranch Collection.
A Royal Worcester blush ivory jar and cover, 1899, the moulded cover with a gilt handle over a lobed body painted with flowers within gilt borders, 17cm high, and a pair of Royal Worcester blush ground vases, probably 1898, of ovoid shape with scrolled handles and pedestal bases, painted with flowers and insects within gilt borders, printed marks, 22.5cm high (4) Provenance: The Cranch Collection.
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