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Lot 243

19th Century tortoiseshell and ivory hinged calling card case. (B.P. 24% incl. VAT) CONDITION REPORT: Wear to edges, some minor losses to tortoiseshell in corner areas.

Lot 7

Pair of Royal Worcester peach ground tusk shaped jugs with floral decoration and stylised horn handles. Printed marks with shape no. 1116. 16.5cm approx. Together with another ivory coloured horn shaped Royal Worcester jug with scenic painted decoration and loop handle, printed marks with registration no. 74149 and shape no. 1229, 17.5cm approx. (3)(B.P. 24% incl. VAT) CONDITION REPORT: All a little grubby but showing no obvious damage.

Lot 356

A 19th Century carved ivory Chinese card case, decorated with barbed panels of figures in stylised settings with pagodas, edges carved with scrollwork, 11 x 7cms.

Lot 284

A Royal Doulton series ware hunting themed planter; candlesticks; dishes and server; together with blush ivory ware; a musical tankard; and a Shelley cup by Mabel Lucy Attwell.

Lot 7

A Victorian silver cake knife, by Francis Howard, Sheffield, 1899, with ivory handle, in fitted case, 2.2oz gross.

Lot 65

Set of six cased ivory handled cake knives

Lot 69

Antique ivory and Chalcedony necklace parts

Lot 193

Vespasian. Gold Aureus (7.23 g), AD 69-79. Judaea Capta type. Lugdunum, AD 71. IMP CAESAR VESPASIANVS AVG TR P, laureate head of Vespasian right. Rev. TRIVMP AVG in exergue, emperor on triumphal quadriga right, holding palm and eagle-tipped scepter, being crowned by Victory standing behind him and accompanied by trumpeter; before horses, soldier escorting captive. Hendin 1475; RIC 1127; BN 17; BMC 397; Calicó 689. An important Jewish rarity. Very Fine. From the S. Moussaieff Collection. We sold a similar (but slightly inferior example in Goldberg 41 (27 May 2007), lot 2786) and again in Goldberg 90, lot 3044 which realized $78,000. This lot has been officially exported from Israel through the Israel Antiquities Authority. Simon bar Giora AureusThis very rare 'Judaea Capta' - themed aureus, minted to commemorate the recently concluded Jewish War, is most notable for its reverse type. The exergual inscription simply reads: TRIVMP AVG (Triumph of Augustus [Vespasian]). Depicted with particular clarity is the imperial quadriga in the way it would have appeared in the triumphal procession, preceded by a soldier who looks back at the emperor, while escorting a captive with hands bound behind. Robert Deutsch (BAR Jan/Feb 2010, 51-53) identifies the captive as the most important leader of Jerusalem in the Jewish War, Simon bar Giora.The triumph celebrated by Vespasian and Titus in 71 A.D. was a magnificent showcase of the abundance gleaned from the victory over the destroyed province. Booty taken back to Rome after the war was prodigious. When the Romans entered the Temple court, "so glutted with plunder were the troops, one and all, that throughout Syria the standard of gold was depreciated to half its former value" (Josephus, de Bello Judaico, 6.316-322).The triumph itself was described in vivid detail by Josephus, who was an eye-witness to the event (de Bello Judaico, 7.24): "…as dawn was breaking [Titus and Vespasian] emerged, crowned with laurel wreaths and wearing the time-honored purple clothes…. It is impossible to do justice in the description of the number of things to be seen and the magnificence of everything… For almost all the remarkable and valuable objects which have ever been collected … were on that day massed together, affording a clear demonstration of the might of the Roman Empire. The quantities of silver, gold and ivory, worked into every conceivable form, were not like those usually carried in a triumph, but resembled, as it were, a running river of wealth… The greatest amazement was by the floats… For many were three or four stories high… Standing on his individual float was the commander of each of the captured cities showing the way he had been taken prisoner… Spoil in abundance was carried past. None of it compared with that taken from the Temple in Jerusalem, a golden table [the showbread table], and a golden lamp stand [the menorah]… The Law [Torah; The Five Books of Moses] was carried last of all the spoil.The procession culminated at the Temple of Jupiter Capitolinus… where they still had to wait for the traditional moment when the news was brought of the death of the enemy leader. In this case he was Simon bar Giora, who had passed in procession with captives and had been dragged under the lash, with his head in a noose, to a spot near the Forum. That is the traditional place at Rome for the execution of those condemned to death for war crimes. When his end was announced and a general cheer had arisen, they started the sacrifices…."

Lot 192

Vespasian. Gold Aureus (6.98 g), AD 69-79. Judaea Capta type. Lugdunum, AD 72. MP CAES VESPAS AVG P M TR P IIII P P COS IIII, laureate head of Vespasian right. Rev. DE IVDAEIS, trophy. Cf. Hendin 1472; RIC 1179; BN 305; BMC 402; Calicó 627c. Very Rare. Fine. From the S. Moussaieff Collection, This lot has been officially exported from Israel through the Israel Antiquities Authority. This gold aureus belongs to the vast coin series struck to celebrate the victory of Vespasian (and his son Titus) in the First Jewish Revolt, a bloody conflict that rocked the eastern territories of the Roman Empire between AD 66 and 73. Although the last pocket of Jewish rebels was only defeated at the desert fortress of Masada in AD 73, the major fighting was over and Titus had captured the Judaean capital at Jerusalem in AD 70. The Holy City was besieged for seven terrible months, during which the defenders were decimated by starvation, disease, and factional conflict among the rebel leadership. At last, Roman forces stormed Jerusalem, slaughtering and enslaving the defenders and plundering the sacred wealth of the Second Temple. Slaves and treasure were carried off to Rome by Titus in AD 71 to adorn the great triumph that he was to celebrate along with his father. This procession, in which a variety of Temple instruments, including a menorah, were carried before the Roman people is immortalized in a famous frieze from the Arch of Titus in Rome. The trophy type on the reverse of the present coin, with the simple statement, DE IVDAEIS ("From the Judaeans") serves as shorthand for the vast booty that was taken from Jerusalem and especially from the Temple. The historian Josephus reports that the quantities of gold, ivory, jewelry, and purple cloth in Vespasian's triumph that the procession resembled "a running river of wealth." The emperor subsequently tapped this river to cover the expenses of a grand new project to reshape Rome itself. He ordered an artificial lake belonging to the palace complex of the dead and disgraced Nero to be drained and used as the foundation for an enormous amphitheater. This amphitheater was to be used for the display of the gladiator shows and wild beast hunts that were such popular entertainments for the Roman public. It was officially described as the Flavian Amphitheater, but came to be known as the Colosseum after its location near a colossal statue of Nero in the guise of the sun god. This aureus and other gold coins produced in the context of Vespasian's triumph very well may have been struck from the gold objects carried off from conquered Judaea. And some were struck in order to pay for the construction of the Colosseum, which in its own somewhat sinister way was also DE IVDAEIS.

Lot 156

A tortoiseshell, ivory and white-metal-mounted tea caddy, early 19th century, with a ball finial over a domed lid, opening to reveal a two-division interior, the front inset with two plaques and on ball feet, 14cm wide, 10cm deep, 15cm high

Lot 150A

A collection of late 19th Century Chinese carvings, to include an ivory figure of Shou Lao standing beside a peach tree with a bat and deer (some damages), a Canton carved ivory bodkin case, two Canton carved ivory brush pots and a carved soapstone figure of a woman

Lot 141A

A 19th century miniature portrait, signed Poilly, on ivory, depicting head and shoulders of a young woman in a red dress, within gilt metal frame, 11cm x 7cm

Lot 258

A Japanese carved ivory okimono of a farmer, Meiji, model standing with a hen, cockeril and sheath, 17cms.

Lot 256

A Japanese carved ivory okimono of a farmer, Meiji, modelled holding a grape vine, red seal mark, 16.5cms.

Lot 141

Late Victorian umbrella, carved ivory handle, yellow metal engraved collar, bamboo shafts, by S Fox & Co.

Lot 245

Set of six Victorian silver and ivory mounted fish knives and forks, Charles Boyton, London, 1892, presentation case, (case defective).

Lot 102

English School, 19th Century, miniature portrait of a military officer, wearing a red jacket with white starred epaulettes, on ivory, apparently unsigned, oval visible 9.5x7cm, another miniature military portrait, a miniature portrait of Lord Nelson, a mother of a lady and another of a boy, (5).

Lot 151

A Worcester blush ivory crescent form container and two blanc de chine items

Lot 241

A Japanese ivory Okimono formed as a figure with basket

Lot 160

AN EARLY 20TH CENTURY CARVED IVORY CARD CASE, of rectangular outline, with shaped carved sections to both sides depicting people within Oriental outdoor and street scenes, with detachable lid, length 84mm

Lot 139

TWO CASED 1897 VICTORIA JUBILEE MEDALS, together with another similar Edward VI, all diameter 5.5cm, a 2002 £5 coin, a late 19th Century ivory card case, carved decoration, the cover with splits, 11.3cm x 7.2cm, a small quantity of cutlery and flatware, late 19th Century Continental porcelain figural basket, s.d

Lot 143

AN EARLY 19TH CENTURY PORTRAIT MINIATURE OF A YOUNG LADY, painted on ivory, in a lacquered frame with gilt mounts, image 8cm x 6.3cm, together with a collection of silver napkin rings, teaspoons, etc, gross weighable silver 5.7ozt, 177.5 grams, etc (parcel)

Lot 122

FOUR SMALL BOXES OF MAINLY COSTUME JEWELLERY to include a malachite necklace, imitation pearl necklaces, paste costume jewellery, an early 20th Century graduated ivory bead necklace, a carved rose quartz bead necklace, a faceted red plastic bead necklace, two sequin waist belts, a sequin skull cap etc

Lot 133

A 19TH CENTURY WHITE METAL IVORY HANDLED FISH SLICE, engraved blade, shell and scroll decoration, length 33cm

Lot 75

An early 20th Century carved ivory elephant bridge AF

Lot 253

PAIR OF AFRICAN CARVED IVORY TUSKS, each carved in low relief with a four legged mammal and a snake, 8 ¼" (21cm) long, (2)

Lot 309

JAPANESE MEIJI PERIOD CARVED ONE PIECE IVORY FIGURE OF A GEISHA, 6" (15.2cm) high

Lot 263

FOUR CHINESE YIXING STONE CHINA TEAPOTS, in varying colour clays, also an INDIAN CARVED IVORY DANCING FEMALE FIGURE on wooden stand (5)

Lot 770

A Japanese tanto, untempered blade 9½”, mounts in the form of a dragon lacquered with ivory details, GC (some chipping to lacquer)

Lot 668

An officer’s mameluke hilted sword, curved blade 31”, DE at point, etched overall (pattern unclear) panelled gilt crossguard with langets and stylized rosette to centre ivory (chipped) pistol grip with rosettes, panelled backstrap. Basically GC (blade worn).

Lot 615

A German Forestry Service Assistant Forester’s dress cutlass, plated blade 13½ etched with scenes of stags and hunter in woodland setting, game dog etc, the gilt brass hilt with shell guard, hoof finials to knucklebow and quillon, and ivory effect celluloid grips with gilt acorns, in its gilt brass mounted leather sheath. GC, the blade VGC, the gilt good (slight scuffing to leather) Plate 9

Lot 266

Two 19th century Meiji period carved ivory figures

Lot 275

Two 19th century ChInese ivory horses with inset gem stones, on stands

Lot 294

Two 19th century carved ivory Chinese cribbage boards and an ivory thermometer (3)

Lot 61

A cased ivory handled silver collared carving set

Lot 286

A mixed group of collectables, including Derby and other ceramics, carved ivory and a watercolour miniature portrait of a gentleman, early 19th century

Lot 284

A Chinese ivory concentric ball on figural stand

Lot 263

A pair of carved ivory Chinese vases and a carved ivory card case (3)

Lot 300

A collection of mixed ivory including a netsuke, pin tray and a cheroot holder

Lot 305

An Oriental carved ivory figure on wooden stand, a pair of boxed ivory glove stretchers, napkin ring, etc. (5)

Lot 759

A modern carved mahogany suite on the Louis XV style covered in ivory brocade, comprising settee, bergere, stool and a pair of side chairs

Lot 268

An early 20th century Japanese articulated ivory crayfish

Lot 4

Three Royal Worcester blush ivory vessels tallest 15.5cm

Lot 14

SOFA, contemporary, in an ivory finish, 85cm H, together with a matching ottoman. (2)

Lot 15

ARMCHAIRS, contemporary, in an ivory finish, 85cm H. (2)

Lot 412

FINE PERSIAN PART SILK SIGNED NAIN CARPET, 525cm x 337cm, central medallion on an ivory field of palmettes and vines within corresponding spandrels and borders.

Lot 17

19th/20th C Japanese carved ivory figure of a fisherman on rock, on hardwood base (26cm high)

Lot 644

A Japanese ivory figure group depicting elder and child 13 cm. NO RESERVE.

Lot 673

A quality early 19th Century hand painted portrait miniature of a lady and one other conforming of a gentleman, on ivory, (one damaged). Size approx 7cm x 9cm, unsigned.

Lot 716

A collection of bone and ivory items plus a vintage notebook and pencil.

Lot 254

A silver bangle, a small gold brooch with floral design, a carved ivory brooch depicting deer and a vintage purse a/f. - NO RESERVE

Lot 273

Persian rug, the red field with a foliate design within triple ivory border, 120 x 170cm

Lot 93

Royal Dux blush ivory figure on a circular base, 27cm high

Lot 67

Early 20th century carved ivory monkey group, 8.5cm high

Lot 116

Royal Worcester blush ivory Eagle vase and a candelabra, (both a/f), tallest 22cm

Lot 48

George V silver spirit kettle on stand by Mappin & Webb, with bright cut shell decoration and ivory handle, complete with burner, Sheffield 1932, 34cm high

Lot 62

Early 20th century ivory Okimono of a kneeling man and his cat playing with a mouse, signed to base, on shaped hardwood stand, 11cm high (a/f)

Lot 434

Collection of early 20th century ivory to include two vases, two napkin rings, and three elephants, (a lot)

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