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Lot 209
A box containing a silver lidded mustard, a pair of Irish silver cauldron salts raised on three feet with lion mask decoration (Dublin, other marks rubbed), a cased set of six silver teaspoons, an Art Nouveau silver backed hand mirror and brush (by Walker & Hall, Sheffield 1910 and Chester 1907), together with a further silver backed hairbrush, an early 20th Century ivory backed hand mirror and brush, various silver teaspoons, a silver caster of lantern form, etc, weighable silver approx 15.6 oz
Lot 252
A leather cased set of seven ivory and steel cut-throat razors by William Garner, 11 Duke Street, St. James, each inscribed with a day of the week CONDITION REPORTS Case basically sound though with many scratches throughout and wear to the hinge. Split to one side approx 2 cm. Splits to the right and left top edges of the leather work and some damage to the bottom left front corner. Blades appear basically sound though with some spotting / oxidisation to the metalwork. the length of the blades is 8cm consistantly and when folded reach a total of 15cm approx
Lot 261
A box of sundry items to include a pair of 19th Century French brass and ivory mounted opera glasses, a brass plaque inscribed "The Faculty of Arts for the Federation of the Related Arts", awarded to Universal Pictures Cooperation for the greatest film of 1930 "All Quiet on the Western Front", a lion paw doorstop and three boxed sets of coloured lantern slides each inscribed "Primus Junior Lecturers Series, Peter Pan in three chapters"
Lot 1017
EARLY 20TH CENTURY CHINESE IVORY CONCENTRIC BALL ON STAND, the outer ball carved with flowerheads around inner balls, the outer 4.5cm diameter, the cylindrical stand carved and pierced with dragon serpents, 70g, 14.5cm high overall; along with an early 20th century ivory figure of a woman, modelled seated and holding a fan, 7.5cm high
Lot 1066
EARLY 20TH CENTURY JAPANESE WHITE METAL TRAY, embossed with Japanese geisha figures in a garden setiing with a pagoda and a bridge, 37cm wide; along with an early 20th century Japanese ivory okimono of a man, 8cm long; an early 20th century Chinese ivory cylindrical case, 15cm long; an early 20th century Chinese embroidered purse; and two Niello silver compacts, 8cm and 6cm diameter (6)
Lot 987
EARLY 20TH CENTURY CHINESE IVORY CONCENTRIC BALL ON STAND, the outer ball carved with dragon serpents around inner balls, the outer 6cm diameter, the stand comprising a turned support with standing male figure holding a stalk and leaf, on a circular base with stylised down-turned leaf border, 160g, 22cm high overall
Lot 35
A Ruskin high-fired flambé bowl, 1924, the circular bowl with slightly flared rim raised on a foot with clouded red-purple flambé glaze on ivory ground, impressed marks 7.50 x 20.50cm (3 x 8in) Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
Lot 37
A Ruskin high-fired flambé stem cup, the circular bowl with slightly flared rim raised on a spreading foot, all over purple-green and red flambé glaze on ivory ground, impressed marks 8.50 x 10cm (3 x 4in) Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
Lot 38
A Ruskin high-fired flambé stem cup, the circular bowl with slightly flared rim raised on a spreading foot, with all over purple-green and red flambé glaze on ivory ground, impressed marks 8.50 x 10cm (3 x 4in) Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
Lot 39
A small Ruskin high-fired flambé bowl, with a mottled and speckled red-purple flambé glaze on an ivory ground, impressed marks 6.50 x 9cm (3 x 4in) Exhibited: Ruskin Pottery Ferneyhough Collection Ex. W. Howson Taylor Collection Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
Lot 64
Demetre Chiparus (1886-1947), 'The Vested Dancer', circa 1925, an Art Deco patinated and cold painted bronze and ivory figure of a dancer, mounted to a veined onyx plinth base, signed in the marble 55cm (21in) Literature: Bryan Catley, Art Deco and Other Figures, Suffolk, 1978, p. 73 Victor Arwas, Art Deco Sculpture, New York 1992, p. 41 Alberto Shayo, Master of Art Deco, New York, 1999, p. 111
Lot 403
Japanese carved ivory figure of Hotei holding a fan with two small children, signed to base, carved wooden stand, 6.5cm, Meiji. CONDITION REPORT: Largest figure is missing three toes from left foot. Small chip to the rear of his gown. A few age cracks visible. Cracks to the hand fan. Dirty in places. Stand is worn and scuffed throughout. Couple of minor chips at edges.
Lot 464
Portrait miniature of a young lady on ivory, label verso, painted by A. Stewart '17 Princes Street, St Georges East, London 1822' 7.5cm x 6cm CONDITION REPORT: Portrait is dirty and discoloured in places. Chips to the edges of glass cover and some damage to frame. Bottom right corner and top right corner appear to be bubbling
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239713 item(s)/page