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GEORG JENSEN: A DANISH STERLING SILVER THREE-PIECE TEA SERVICE, CIRCA 1915-1930 by Georg Jensen, import marks, George Stockwell, London 1924, 1925 and 1927, probably designed by Johan Rohde, comprising a teapot and cream jug, both no. 181, and associated sugar bowl, no. 42B, all lightly planished, each standing on a decagonal foot with applied ball decoration, the teapot with leaf-chased detachable domed cover with bud finial, and with presentation inscription around the foot edge dated 1929, the teapot and cream jug with bifurcated handles, all three with leaf-form pedestal stems. (3) Teapot 12.5cm high, 21.5cm handle to spout, 20.8 troy ounces grossTeapot presentation inscription reads: PRESENTED TO MR HENRY MALTBY ON THE OCCASION OF HIS 50TH BIRTHDAY 17TH APRIL, 1929, BY PARTNERS IN THE SWE-DAN CORPORATIONTeapot and cream jug with CFH guardian stamp. Teapot has had original ivory insulators removed from the handle, trace evidence of work and repair. Teapot c.1915-30, import 1924; cream jug c.1925-30, import 1927; sugar bowl c.1925-30, import 1925. Minor dings and light surface marks and scratches throughout commensurate with age and use.
A LONGINES CONQUEST AUTOMATIC BRACELET WATCH the circular ivory dial signed Longines Automatic Swiss with gilt baton index and outer minute track with 5-minute markers, date aperture at 3 o'clock position, steel case diameter 25mm with a yellow metal engraved bezel and matching yellow crown, fitted with integral steel and yellow bracelet with central deployant butterfly clasp, exhibition case back revealing the movement, model no. L1.120.3.Watch is currently functioning but timekeeping has not been tested, light scratches to case and bracelet commensurate with normal wear and tear.
Collard & Collard: An Early Victorian Rosewood Cased 6'8" Concert Grand Piano, circa 1870, with an ivory and ebony keyboard, on turned tapering legs with brass-capped toes and castors (restored), A Late Victorian Walnut Revolving Piano Stool, circa 1870, the overstuffed seat recovered in close-nailed geometric fabric, on a ring-turned gadrooned support with three cabriole legs38cm by 51cm (minimum) (2)With non-transferable standard ivory exemption declaration number WW985AQBSeveral keys sticking, piano need's retuning some splits in sound board case has been recently fully restored therefore excellent cosmetic condition ivory keys yellowed
A French Mahogany Musical Necessaire, circa 1880, of a piano, the hinged cover with ivory keys enclosing a fitted interior with mirror and gilt metal accoutrements, on turned baluster legs, the cylinder musical movement playing on a comb29cm longWith non-transferable standard ivory exemption declaration number F4BDN9K1In restored condition
Late Victorian Royal Worcester Persian style vase, of globular form with floral moulded flared rim, the ivory ground heightened in gilt with Butterflies, flowers and foliage, on moulded foot, with puce printed marks beneath including shape number 1257, and date code for 1888, H21.5cm Condition Report:Loss of gilding throughout, some restoration to the feet and other areas of damage to the gilding. General surface wear.
Late Victorian Royal Worcester Persian style, vase of globular twin handled form, the ivory ground painted with Butterflies, flowers and foliage, on circular moulded foot, with puce printed marks beneath including shape number 1574, and date code for 1892, H25.5cm, together with a similar style vase, with twin mask handles, with puce printed marks beneath including shape number 1626 and date code for 1894 (2)Condition Report:Shape 1574: restored neck. The other vase has restoration to the rim and small areas of the neck. Both have loss of gilding and surface wear.
Late Victorian Royal Worcester twin handled ovoid form vase, painted and gilded with floral sprays, with puce printed marks beneath including shape number 1021, H15.5cm, together with two early 20th century Royal Worcester blush ivory vases including shapes 1021 and 2151 (3)Condition Report:All have general surface wear and some loss of gilding.
SALEROOM ANNOUNCEMENT - Please note, the inlay could contain some ivory. As a result the lot comes with an ivory exemption certificate numbered R61M8H3S. A 19th century Anglo-Indian mahogany and bone inlaid writing slope, by Edwards of London, bone peony spray and lotus borders, lift open top, makers name on the underside, the back edge with a lift open small top enclosing white metal topped glass inkwells with a fitted central interior, 11.5cm H x 42cm W x 33cm D Provenance: Purchased from Harrods Antique and Fine Furniture Department in 2002
A 19th century Derby Aesthetic Movement ovoid vase and cover, gilded with birds amongst flowers on ivory ground, reticulated cover, 28cm high; a Coalport two handled pedestal vase and cover; a Royal Worcester blush ivory jardiniere, date cypher 1903; a Royal Crown Derby pedestal vase and cover; all restored or in need of restoration (4)
A 19th century oval miniature on ivory depicting a scene of the Battle of Ulm featuring Napoleon receiving a sword from the defeated army, watercolour, 6.5 by 8cms, in an ornate gilt metal strut frame bearing a plaque 'Reddition D' Ulm', 12cms wide. (exemption submission reference CCQEKDDE)
An Inuit art collection of woodblocks / linocut prints from the late 1960's and 70's comprising Bernart Katexa 'Old Ivory Etchings' no. 13/50 and 'Launching Whale boats' no. 9/100; Ron (?) 'Sunning Walrus' no. 12/20; Charles M Kokuluk 'Livelihood' no.11/20; Norbert Thomas 'Seal Herd' no. 2/10; Isaac Koyuk 'Breeding' no. 16/20; Christopher Kagura 'Big Game Hunter' no. 7/20; Francis Pekongamie 'Keylanat' no. 14/15 and Peter Seagaura 'Uni-G-A-AK' no. 7/40, all unframed (9).
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239691 item(s)/page