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Lot 1
Six Victorian and later parasols, a silver mounted parasol, London 1912; a continental gadrooned silver topped parasol with a hinged terminal, a Chinese sterling silver parasol, embossed with flowers; a 9ct gold and ivory mounted parasol; an Indian silver capped and monogrammed parasol, and an ivory and mother pearl inlaid parasol, with a jewelled shaft and loop terminal, 93cm longest (6)
Lot 1
A Pair of Royal Worcester Porcelain Plates, James Stinton, circa 1918, one painted with a pair of partridges, the other with nesting snipe, both beneath an impressionistic glowering sky within acid etched gilt neo-classical borders on an otherwise ivory ground rim, artist's signatures in each panel, printed retailer's mark "Mappin & Webb" and Royal Worcester mark incorporating date code, painted pattern number "C1473", 22.6cm See illustration
Lot 1
A Royal Worcester Highland Cattle Painted Porcelain Pot Pourri Vase and Cover, John Stinton, circa 1906, of two-handled squat pedestal shape, the fluted and domed cover with bud finial, painted with a a vignette of two longhorn cattle in a misty highland glen, signed, the reverse with rocky vignette, with pierced collar and applied with swags, against a blush ivory/peach ground, enriched in gilt throughout, puce printed crown and wheel and date code for circa 1906 (slight smudge), shape "1428", 33.5cm high See illustration
Lot 1
Lalage, A Part Glazed and Green Tinted Figure, after John Bell, Minton, 1868, the classical maiden sits on a rock clasping her right knee and holding a floral garland, a lizard at her feet, incised title and "John Bell", impressed "Minton" and year cypher, the base with old "Richard Dennis Parian Exhibition 1984" label (no.115), 39.5cm high See illustration This model is illustrated in The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.145. Lalage was shown by Minton at the International Exhibition 1862. This is probably a companion to Miranda. The figure is modelled after a statue commissioned by Lord Fitzwilliam which was exhibited at the 1856 RA. Lalage was one of Horace's mistresses. The marble was exhibited at the London International Exhibition 1862 with the following quotation from Horace (Ode 1.22.23) "Dulce ridentem lalagen amabo, dulce loquentem". This figure is recorded as shape 391 (available in parian, celadon and white, tinted and gilt, Persian turquoise, ivory) in Jones (Joan) MINTON-The First Two Hundred Years of Design and Production, pg.330.
Lot 1
Amazon, after Jean-Jacques Feuchere, Shape 246, Minton, 1867, energetically modelled as the horse rears and the Amazon aims a spear (now lacking), impressed "Minton" and year cypher, 36cm high A similar example is illustrated in The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.102, where it is described as exhibited by Minton at The Great Exhibition 1851 with its companion figure "Theseus". The group first appeared in a plaster version at the 1843 Paris Salon. Bronze versions are at Cleveland, Ohio and in The Louvre. In Jones (Joan) MINTON-The First Two Hundred Years of Design and Production Amazon is described as available in parian (spear extra), ivory and Persian multi-colours. It was also exhibited at The London Exhibition 1862. Jean-Jacques Feuchere (1807-1852). Born in Paris, studied under Cortot and Ramey, known principally for his architectural studies.
Lot 19
An unboxed canteen of silver, Sandringham pattern cutlery Emile Viner, Sheffield 1932 and 1934 to include; twelve forks weight 30oz, twelve dessert forks weight 20oz, twelve soup spoons weight 24oz, twelve dessertspoons weight 25 oz and four tablespoons weight 12 oz along with sixteen ivory effect handled knives and fourteen side knives, the stainless steel blades marked "Trustworthy, Mappin and Webb Sheffield" (82)
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