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HIGHLANDER (1986) - Ramirez's (Sean Connery) Katana Juan Sanchez Villa-Lobos Ramirez’s (Sean Connery) hero katana from the Russell Mulcahy fantasy-adventure Highlander. The Spanish-Egyptian immortal used his sword to train Connor MacLeod (Christopher Lambert) to face The Kurgan (Clancy Brown), eventually falling to the barbarian and losing his head in the Scottish Highlands. The mysterious sword was passed to MacLeod, and was a key plot device throughout the series, becoming his signature weapon through the ages. Custom-made for the production, this hero sword boasts a polished stainless steel blade, a machined aluminium guard, a cast resin grip and a red leather-covered wooden scabbard. The blade is blunt and smooth to ensure safety during use on set. The grip features relief detailing of Japanese dragons, lions and Japanese samurai and has a faux-ivory finish. The guard is finished in faux-gold, as are the scabbard’s cast metal side and end caps. The piece displays some scrapes, pitting and corrosion across the guard, grip and scabbard from production use, with the blade clean and displaying minimal wear. Also included is an 11" x 14" lobby card used in the promotion of the movie. Dimensions (sheathed): 103cm x 10 cm x 10 cm (40 ½" x 4" x 4") VAT Status - Margin
IN THE HEART OF THE SEA (2015) - Owen Chase's (Chris Hemsworth) Whale Pin Necklace Owen Chase’s (Chris Hemsworth) whale pin necklace from the action-adventure film In the Heart of the Sea, directed by Ron Howard. Chase and his fellow seamen wore their whale pins throughout the film as they sailed the seas hunting whales. The pins were awarded to sailors as a symbol of successfully killing the largest whales. The necklace pin is cast in resin with a metal armature, and resembles scrimshaw ivory featuring a ball of twine detail secured to a length of brown leather thong. Accompanying it are four other whale pins with nautical-themed carved headpieces, including a whale’s tale, a conical shell, a harpoon point and another ball of twine. The necklace shows a break in the pin’s length and leather wear. Dimensions (longest pin): 15 cm x 3 cm x 1.5 cm (6" x 1 ¼" x ½")This lot is supplied with a Warner Bros. certificate of authenticity in place of a Prop Store certificate. Payment plan on this item is restricted to a duration of one month. Please contact us for further information. VAT Status - DAGGER
A Japanese Shodhana, rectangular form, carved and fretted panels and borders, dragon panel spandrels with mother of pearl highlight inlay, the stand within a carved frieze and on scrolled feet, gold lacquered panels inlaid with carved ivory, mother of pearl and coral depicting various scenes, width 153cms, depth 46cms, height 205cms.PLEASE NOTE: Due to ivory content, this lot is subject to CITES restrictions and regulations.
A Regency Scottish silver three-piece teaset, by Robert Gray & Son, Glasgow, probably 1820, each piece of circular pedestal form, chased foliate shoulders, teapot with fruit finial, 51oz in total, the teapot 17cm, (3).PLEASE NOTE: Due to ivory insulators, this lot is subject to CITES restrictions and regulations.
George IV silver three piece tea set - comprising teapot of panelled octagonal form, chased scroll and foliate decoration and engraved initial, foliate decorated scroll handle with ivory insulation and hinged panelled domed cover with acorn and oakleaves finial, on a petal-shaped foot, matching sugar and cream (London 1827), William Bateman II. All at approximately 53ozs, teapot 28cm across
Collection of 19th century Cantonese carved mother of pearl gaming counters, comprising approximately twenty-eight fish-shaped counters, twenty-five navette form counters, ten shaped circular counters, together with a large number of plain ivory disc counters and other ivory items, housed within a Regency painted box with sliding cover
Very fine mid-19th century Cantonese carved ivory and painted fan, retailed by Volong, Canton, with finely carved and pierced sticks detailed with figures in landscapes, the paper fan with continuous frieze of courtiers in pagodas, applied with painted ivory faces, 28cm high, housed within japanned black lacquered case with painted silk lining and trade label for Volong. N.B. Volong are known retailers of high quality fans, a similar example bearing the same trade label to the box is in The Queen's Collection, Collection no. RCIN 25072 CONDITION REPORT Box- very minor wear to outside extremities and slight staining to interior. Fan- typical wear at folds, some losses/deterioration where the sticks are fixed to paper, some becoming detached. Ivory is slightly stained otherwise ok
William IV silver Argyle of baluster form, with side-mounted silver handle with ivory insulators and narrow spout, hinged domed cover and centrally-mounted internal compartment, on a circular foot (London 1832), Robert Hennell. All at approximately 13ozs, 12.5cm overall height CONDITION REPORT General overall condition good. Some minor surface scratching and denting commensurate with age and use. No signs of major damage or repair however, there are marks inside where dents have been rubbed out and these are transposed on outer surface. Lower end of spout is slightly distorted. Handle ivory insulators are cracked. Cover has a dent just below knop. Separate internal compartment has been surface cleaned but otherwise good condition. Marks are clear
Finely carved 19th century Chinese ivory paper knife, carved in low relief with figural terminal and precious objects, 26.5cm long, together with a good 19th century gilt metal and relief carved Chinese ivory box and a Chinese ivory aide-memoire (3) CONDITION REPORT Paper knife: very slight chips to terminal, minor discolouration, otherwise ok. Box tarnished to the metal, ivory stained but good condition. Aide memoire- slight discoloration to ivory but good condition
Victorian silver chocolate / sauce pot of conical form, with engraved coronet and monogram, side-mounted turned ivory handle and detachable domed cover with engraved coronet and monogram and ivory finial on a domed circular base with integral drip tray (London 1838), William Eaton. All at approximately 16ozs, 18cm overall height
19th century gold mounted, enamelled ivory counter box of cylindrical form, screw cover, the slightly domed top centred by depiction of a playing card within borders, housing five ivory counters CONDITION REPORT Box 3cm wide, counters 2.6cm wide. Some of the enamel cells are not entirely filled on cover, unclear whether these are slight losses or just absent since construction, otherwise ok. Tokens are smaller than cylinder and do not fit snuggly but stylistically in keeping.
Georgian silver-lidded tankard of baluster form, with later chased scroll and floral decoration and engraved presentation inscription, converted to a hot water jug, with added Victorian silver mask-head pairing lip and ivory insulators, original tankard (London 1776), possibly John Denzilow, added pairing lip (London 1862), maker - R. H. All at approximately 22ozs, 20cm overall height
William IV silver teapot of compressed form, with wavy borders, engraved armorial crest, domed hinged cover with similarly decorated finial, loop handle with acanthus leaf terminal and ivory insulators, on circular pedestal foot, together with a matching coffee pot (London 1834), maker - M. S. All at approximately 45ozs, teapot 28cm across (2)
Fine quality Victorian four piece silver tea set - comprising teapot of oval drum form, with engraved fern decoration, scroll handle with ivory insulators and flush-fitting hinged cover with pineapple finial, matching tall coffee pot, sugar and cream, underside stamped - Mappin & Webb (Sheffield 1881), John Newton Mappin. All at approximately 66ozs, teapot 28.5cm across
COMMEMORATIVE MEDALS, BRITISH HISTORICAL MEDALS, William Pitt, the Younger (1759-1806), Prime Minister (1783-1801, 1801, 1804-1806), Glazed Miniature Rectangular Silhouette, painted on ivory and in gold brooch setting, by John Miers (1756-1821), bust to right, signed below, 20mm x 14mm; Oval Profile Portrait, to left, printed to resemble ‘en grisaille’, after Nollekens in glazed maroon papier maché frame with leaf suspension ring, portrait 110mm x 90mm, frame 181mm x 163mm, in good order; Brass Cliché Portrait, 1806, unsigned, bust left, WILLIAM PITT, beaded border, 52mm (BHM -), good very fine. (3) The latter is most often found incorporated into the lid of a brass box; similar boxes are found of Nelson, Charles James Fox and others.
OROLOGIO DA TASCA FRANCESE A CHIAVETTA CON SMALTI E CHÂTELAINE, PERIODO 1800 Cassa a due corpi in oro liscio, sul retro medaglione smaltato entro una decorazione circolare raffigurante scena a tema l’amicizia; collarino circolare e anello ad arco. Châtelaine a due sezioni decorata con raffigurazioni di putti su avoriolina, annessa chiave e porta sigillo. Quadrante in smalto bianco con carica frontale, numeri romani e suddivisione della minuteria a quinti con numeri arabi; lancette squelette. Meccanica anonima con carica a conoide, scappamento a verga, coq traforata e incisa, colonnini circolari. Diametro Ø: 32,5 mm Note: funzionante. FRENCH KEY-WINDING POCKET WATCH, ENAMELS AND CHÂTELAINE, 1800 Two body polished case, enamel scene themed friendship on the back. Châtelaine with putti painted on ivory past, attached key and signet. White enameled dial, roman numbers; skeleton hands. Anonymous fusée movement, verge escapement, pierced and engraved cock, cylindrical columns. Diameter Ø: 32,5 mm Note: working. € 2000
Anon. PORTRAIT MINIATURE OF LOUIS XVI, KING OF FRANCE (1754-93) watercolour on ivory; (set in a black frame with gilt metal inset) 2¾ x 2in. (6.99 x 5.08cm) King Louis XVI is shown wearing blue velvet coat with gold embroidered borders and the silver breast-star of the Royal French Order of the Holy Ghost, with white stock and lace cravat, powdered wig and black wig-bag. P
19th Century Irish SchoolPORTRAIT OF DANIEL O'CONNELL, 1847 watercolour on boneindistinctly inscribed and dated [1847] lower left; with Patrick Fenlon Carver & Gilder Manufacturer label [62 Great Britain St., Dublin.] on reverse43A mid 19th century miniature half-length portrait, on rectangular ivory panel of The Liberator seated in an armchair, his left hand across his chest. Based on the portrait by Thomas Heathfield Carrick (1802-1874), which was widely disseminated in the engraving by William Holl Jr. In gilt frame bearing label verso for Patrick Fenlon, Carver and Gilder, 62, Great Britain Street, Dublin.A miniature of 'The Liberator' c.1820 by John Comerford can be found in the National Gallery of Ireland [NGI 2924]. 4 x 3in. (10.16 x 7.62cm) P
Anon. FRANCIS EDWARD RAWDON-HASTINGS, 1ST MARQUESS OF HASTINGS, KG, PC (1754-1826) watercolour on ivory; (set in a black frame with gilt metal inset with foliage clasp) with sitter's title and details on reverse 3 x 2¼in. (7.62 x 5.72cm) Born in Moira, County Down, Francis Edward Rawdon-Hastings was an Anglo-Irish British politician and military officer who served as Governor-General of India (1813-23) and with British forces during the American Revolutionary War (from May 1774) and the French Revolutionary Wars. Rawdon-Hastings was an advocate of Irish political issues and a patron of the arts. Thomas Moore was among his those to benefit from his patronage while Wolfe Tone described him as "The Irish Lafayette" in relation to his support for Catholic Emancipation. Portraits of Hastings were painted by both Sir Joshua Reynolds (c.1812) and by Hugh Douglas Hamilton (c.1801). P
Anon. HONORA EDGEWORTH watercolour on ivory; (set in a black frame with gilt metal inset and decorative star clasp) with sitter's name on reverse 2¼ x 1¾in. (5.72 x 4.45cm) Two portraits of a Charlotte Edgeworth (1783-1807), 5th daughter of Richard Lovell Edgeworth by Elizabeth McCausland (act. 1806-1807) can be found in the NGI (their reference 7549 & 7550).The Edgeworth family estates in Ireland were at Edgeworthstown, County Longford. P
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239713 item(s)/page