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A Group of Three Japanese Carved Ivory Okimono, circa 1910], one depicting three figures making saws, another of three figures making bats, the other of two barrel makers, the figures standing amongst the tools or products of their trades, on rectangular dished bases with peg feet, the tallest 5.5cm high
A Japanese Carved Ivory Okimono as a Mother and Child Feeding a Cockerel, late Meiji period (1868-1912)], the mother wears her hair in a chignon, a decorative kimono and sandals, a child on her back, on a shaped oval base, 10.3cm high; and [An Okimono Group], of a mother and two children, seated while examining a spray of chrysanthemums, 6cm high (mother's head reglued) (2)
A Japanese Carved Ivory Okimono of a Box Maker, late Meiji period (1868-1912)], the kneeling craftsman wielding a mallet in his right hand, plane in his left, fronted by an assortment of his wares, on a flat oval plinth, peg feet, signed on inset red kakihan, 11.3cm high; and [Three Netsukes], one of a smiling demon holding a wine bottle and cup, one as a labourer heaving a heavy sack, the other as a pedlar with a basket on his shoulders (4) (a/f)
A Japanese Carved Ivory Figure of a Smiling Fisherman, late Meiji period (1868-1912)], the slightly stooping figure holding a hand net over his right shoulder, his catch of two fish in his left hand, wearing traditional costume and straw "skirt", on a rustic oval base, indistinctly signed on inlaid red kakihan, 40.5cm
A Japanese Carved Ivory Figure of a Fruit and Flower Seller, late Meiji period (1868-1912)], the bonneted tradeswoman holding secateurs toward a spray of lilies, holding a basket of vegetables and fruits supported by a shoulder strap, in traditional costume, on a shaped circular flat base, 36cm high
A Japanese Carved Ivory Tusk Vase, late Meiji period (1868-1912)], worked in high relief with an all-round frieze of seven of the Gods of Good Fortune, three admire a scroll in the presence of a stork, the others gather around a rat, with cloud carved rim, the flat cover carved in low relief with recumbent stag flanked by a ruyi sceptre and flaming pearl, and with rat handle, the base applied with a white metal mount, flat carved stylised seal mark on the base, 25cm high
A Japanese Carved Ivory and Shibayama Small Table Screen, Meiji period (1868-1912)], the rectangular plaque within a white metal bamboo effect frame worked to the front with three doves flying near and alighted upon a flowering prunus tree with chrysanthemums and camellias growing beneath, in mother of pearl, stained ivory and tortoiseshell, the reverse intaglio carved with a heron amongst flag iris at the end of a pool in which two koi carp swim beneath wisteria, upon a stand similarly carved with goldfish, the foliate pillars flanked by dragons, on arched support enriched with chrysanthemums, 23cm high
A Japanese Carved Ivory Figure of a Basket Vendor, Meiji period (1868-1912)], the smiling pedlar holding a vast array of graduated baskets, utensils and drums, some detailed in mother of pearl, suspended from a large section of bamboo slung across his right shoulder, wearing traditional dress and coire sandals, a basket at his feet, on an oval flat plinth, indistinctly signed on a stylised seal mark on an inlaid red kakihan, 30.5cm high
A Victorian Four Piece Teaset], circular, comprising tea and hot water pots, sugar bowl and milk jug, on four scroll supports, each elaborately chased with scrolling decoration, scrolling handles, the tea and hot water pots with ivory insulators and finials, maker's mark "WH&Co", London, 1898, tea pot 26cm long, total weight 66oz
A William IV Teapot], circular, on four scroll supports with moulded apron, the bulbous teapot with textured and fluted decoration, faceted hinged domed lid with leaf and bud finial, leaf capped scroll handle, ivory insulators; and [A Matching Sugar Bowl], maker's mark obscured, London 1832, teapot 29cm long, 37oz
Ferdinand Preiss: A Bronze and Ivory Figure of a Female Javelin Thrower, late 1920's], the finely poised athletic figure about to launch a javelin held in her left hand, with concentrated expression, wearing a scanty silvered sports outfit fastened with a belt, on a black slate and alabaster coffin shape plinth, signed on the base "F Preiss", 27.5cm high (damaged)
A Carved Wood and Ivory Mounted Triptych Figure of a Bishop, Central European, circa 1910], standing holding a crozier and Bible, his richly ornamented garments hinged at the front to reveal an ivory mounted triptych, centrally with the Madonna and Child flanked by a bishop and saint figure, within arched niches, the figure inset overall with glass pastes, upon an octagonal plinth, 76cm high; upon [An Associated Oriental Carved Wood and Marble Topped Stand], 46.5cm high (2)
A Victorian Tortoiseshell Veneered Single Division Tea Caddy, circa 1840], of rectangular "pagoda roof" form, the upswept lid centred by a white metal tablet engraved with initials "EGG", with white metal rectangular key escutcheon, pewter wire stringing throughout, the angles of the box with ivory string, on turned bone sphere feet, 15cm high, 19cm wide (lock and tea compartment lid both missing) See illustration
A Regency Period Tortoiseshell Veneered Two-Division Tea Caddy, circa 1830], of bow fronted octagonal form, the slightly domed lid edged with a string of ivory, and with pewter string lines to brass sphere finial, internally with two compartments with flat lids and small turned ivory knops, the horizontally fluted fascia of the caddy with white metal key escutcheon over a tablet engraved with a griffin head and lion crest, with Latin legends, horn rim and brass sphere feet, 18cm high, 20cm wide
A Pair of Floral Petit Point Face Screens with Ivory Handles, circa 1830], the oval screens worked with sprays of summer flowers, with multiple knopped engine turned handles, 27.5cm; and [A Pair of Painted Face Screens, circa 1835], each shield shape card screen pierced with roses and scrolls painted with a central vignette of a putto wailing at an altar, marbled backs, with parcel gilt and ebonised turned wood slender handles, 38cm high (2 pairs)
A Shagreen Mantel Clock Timepiece, circa 1930], the shagreen case (faded) with arched pediment and ivory carrying handle, raised on ivory feet, 3-1/2-inch silvered dial with Arabic numerals, single barrel movement with platform escapement, backplate stamped "Buren" and numbered "81221", 28.5cm high, together with matching garniture bookends
A Rosewood Two-Day Marine Chronometer, signed John Walker, 68 Cornhill & 230 Regent St, London, No.60, circa 1870], three tier rosewood case with brass stringing, carrying handles to the sides, the front depicting a circular ivory plaque with retailers name "J & W Mitchell, 119 Buchanan St, Glasgow" and a similar plaque bearing the number "2747", 3-3/4-inch silvered dial with Roman numerals signed "John Walker, 68 Cornhill & 230 Regent St, London, No.60", two subsidiary dials for seconds and up/down power indicator, spade hands, the fusee movement with “Harrisons” maintaining power, “Earnshaw's'”spring detent chronometer escapement with free sprung blued helical hairspring, temperature compensation balance with triangular weights and timing screws, the whole movement contained in a brass bowl set within a gimbal, the bowl numbered "60", 19cm high
A Mahogany Two-Day Marine Chronometer, signed Frodsham (Successor to Parkinson & Frodsham, Maker to the Admiralty, Liverpool & London, No. 2281, 1880], the three tier brass bounded case with side carrying handles, the front with a ivory plaque inscribed, 4-inch silvered dial with Roman numerals signed "Frodsham (Successor to Parkinson & Frodsham)", two subsidiary dials for seconds and up/down power indicator, spade hands, fusee movement with “Harrisons” maintaining power, “Earnshaw's” spring detent escapement with diamond endstone, free sprung blued helical hairspring, temperature compensation balance with weights and timing screws, movement contained in a brass bowl and set within a gimbal, 19cm high
A French Boulle and Ormolu Bracket Clock, Mynuel a Paris], the waisted case surmounted by a seated figure of Diana, the dial with black and white enamel tablet numerals, the central field chased with a profile head portrait of a king amongst military trophies and a crown, with lower tablet "Mynuel a Paris", the “later” twin fusee movement with striking on a bell, whole case highlighted in stained ivory and mother of pearl, the lower case with eagle and viper mount amongst scrolls, on scroll form feet, 71cm high, conforming wall bracket, 95.5cm high overall
A Mahogany Barograph, signed Richard Frères, Paris, circa 1890], the rectangular case with glazed panels, the top with carrying handle and a silvered plaque inscribed "self-recording apparatus, Richard Frères, 43 London Wall.EC.London", the drum containing 8-day jewelled movement, ink bottle and container, ivory scaled fahrenheit thermometer, the pen controlled by a stack of eight vacuum discs mounted on a brass lacquered base stamped "RF, Paris" and numbered "10194", 16cm high, 30cm wide
A Mahogany Bow Fronted Stick Barometer, signed Batchelor, Harrogate, circa 1820], the bow fronted case with swan neck pediment, the concealed tube with single vernier ivory dial signed "Batchelor, Harrogate", the trunk with inset bow fronted thermometer box, ebony urn cistern cover flanked by geometric inlaid canted corners, 99cm high
A French Ebonised Mahogany Cabinet on Stand, in 17th century Italian Style], with broken pediment flanking an arcadial recess, with two doors enclosing a central cupboard with four secret drawers enclosed by twelve drawers, all profusely inlaid in ivory and mother of pearl with classical figures, demons and swans, and two oval inscribed panels, inlaid with wirework, all on a fitted stand with turned tapering supports, bobbin turned stretcher, 19th century, 94cm by 52cm
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239220 item(s)/page