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A Vizagapatam Ivory Mounted Sandalwood Clock Case, 19th century], of architectural form surmounted by a fluted tablet with point and sphere turned ivory centre finial and angle finials, edged all over with engraved interwoven leafy tendrils rubbed with black pigment, internally with hinge and catch secured watch recess, on fluted bun feet, 20cm high
Two Carved Walrus Ivory Plaques, late 19th century], one worked in high relief with a continuous Bacchanalian procession with the god of love pulled by panthers in a chariot, the retinue including Silenus, 6.5cm by 17cm, the other of Venus in a dolphin drawn vessel surrounded by a retinue of Tritons, 7cm by 15.2cm, each in ebonised wood ripple-moulded frames
A Carved Ivory Candlestick Nozzle Fragment, 18th century or earlier], of ovoid form, carved with three infants dissolving into acanthus leaves and linked by swags of husks, 5cm high; [An Italian Polished Black Slate and Cameo Mounted Paperweight, circa 1850], the oval shell cameo worked in high relief with Juno in a chariot with attendants on clouds, the cameo 6.5cm, 13cm overall; and [An Italian Small Bronze Figure of Venus], on a rectangular stand with paw feet, 14cm high (3)
A Rosewood Inlaid Striking Mantel Clock, signed Laine a Paris, circa 1860], the case with brass and ivory inlay of floral decoration, engine-turned silvered dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, silk suspension, backplate stamped "693 417", dial and movement signed, 23cm high
A Pair of Large George III Pier Glasses, each with a rectangular plate surmounted by a painted panel of wheat-ears, rinceaux, husks and swans in gold and grey on an ivory ground, within gilt raffle-leaf borders, the coved frame carved with a laurel-leaf repeat with spiral paterae in the upper corners, 241cm by 124cm
A Pair of Doulton Burslem Pottery Vases], with trumpet necks and scroll handles to the mallet shape bodies, each decorated in Japanaiserie taste with sprays of lilies to one vase, chrysanthemums to the other, both signed "Kelsall", against delicately sponged ivory grounds, floral detail to the neck and solid gilded handles, brown printed crown and wheel marks, 20.3cm high
A Pair of Royal Worcester Porcelain Orchid Dessert Plates, 1904], each of petalette circular form, transfer printed and painted with orchids named on the reverse "Aerids Zuinquervulnererum" and "Cypripedium Niveum", against ivory grounds, puce printed crown and wheel mark and date mark, shape No. 1348, 22cm diameter
A Royal Worcester Porcelain Blush Ivory Hors d'Oeuvres Dish, 1912], three lobed divisions, of arched handle, printed and painted with sprays of summer flowers, enriched in gilt, puce printed crown and wheel mark and date mark, shape No. 1994, 26.5cm wide; and [A Similarly Decorated Tray], rectangular, date code for 1912, 26.8cm wide (2)
A Collection of Five Royal Worcester Porcelain Blush Ivory Trinket Jars and Salts], circular and elongated oval shape, three having covers, variously painted with sprays of flowers, all with green or puce printed crown and wheel marks, circa 1900-1910, ranging 2.3cm to 3cm high; and [A Small Blush Ivory Model of a Hand], wearing a bracelet, picked out in gilt, printed mark in green and shape No. 392, 8cm high (6)
A Royal Worcester Porcelain Toy Teapot and Cover, 1908], of compressed ovoid form with short spout, painted and printed with sprays of flowers against a blush ivory ground, puce printed crown and wheel mark and date mark, 6.5cm high; [A Similarly Decorated Ewer, 1903], 12cm; and [A Similar Two-handled Vase, 1906], of conical form with scroll pierced handles, 11.7cm high (3)
A Group of Four Royal Worcester Blush Ivory Porcelain Vessels, circa 1890-1910], comprising a square section two-handled jarlet and cover, 11cm; [Two Similar Graduated Ovoid Jugs], each decorated with sprays of flowers and enriched with gilding, various puce and green printed crown and wheel marks, date codes, 12.2cm and 10.5cm high and a cylindrical spill vase with pierced rim, 8.8cm; and [Two Royal Worcester Coffee Cups, circa 1924], both enamelled in blue and with neo-classical gilded decoration, one with associated silver and enamel coffee spoon, date codes for 1924 and 1925 (6)
A Pair of Royal Worcester Porcelain "Tusk" Jugs, 1913], each printed and painted with sprays of carnations, daisies and other summer flowers, in soft colours and gilt against a blush ivory ground, the handles fashioned as antlers, puce printed crown and wheel mark and date mark, shape No. 1116, 28cm high
A Pair of James Hadley Worcester Porcelain Figures of Eastern Musicians, 1887], each full length, one holds a stylised lute, the other a tambourine, in typical "stained ivory" colours, both signed "Hadley", puce printed crown and wheel mark and year letter, figure No. 1084, also impressed marked, 32cm high
A Pair of Royal Worcester "Aesthetic Movement" Cylinder Vases, in the manner of Kate Greenaway, 1905], the blush ivory grounds moulded in relief with young women beside sunflowers and bulrushes, picked out in olive, copper and gilt, puce printed crown and wheel marks and date code, shape 2350, 12.5cm high,
A Royal Worcester Porcelain Highland Cattle Vase, John Stinton, 1906], the cupped neck pierced with panels of flowers, the front painted with two longhorn cattle watering beside a loch in a misty glen, signed, the reverse with a rocky outcrop beside a loch, within "stained ivory" borders, puce printed crown and wheel mark, date code, shape 1089, registered No. 27579, 25.5cm high
A Grainger & Co Worcester Reticulated Vase, circa 1900], painted with front and back shaped panels of cascades of pink and yellow roses against a scroll pierced ground, enriched with gilt throughout, green printed mark, indistinct year letter, possibly 1901, shape 963g, 20cm high; and [A Graingers Blush Ivory Tea Caddy and Cover, 1898], hexalobed form, worked in relief with roundels of leaves and trailing flowering branches in gilt and enamel, 10.5cm high (2)
A Set of Six Royal Crown Derby Porcelain Silver Mounted Coffee Cups and Saucers, circa 1907], each cylindrical vessel printed with Japanaiserie chrysanthemum designs in "Imari" colours, each in a open scroll pierced silver holder with C scroll handle (London 1907), and circular saucers, printed crown and interlaced D mark, year ciphers for 1906 and 1907, pattern No. 2649, in the original ivory silk lined case (water damaged)
A Japanese Shibayama Decorated Elephant Tusk Section, Meiji period (1868-1912)], inlaid in mother-of-pearl, stained ivory and tortoiseshell, on one side with a hawk and blossoming cherry tree flanked by a prunus shrub, further flowers to the reverse, 28.2cm high, upon a fluted wood base, 29.8cm high overall (numerous pieces missing)
A Composite Walrus Ivory Group of a Fruit Seller and Boy, Meiji period (1868-1912)], sitting on a trunk with a basket of gourds and fruit, the man holding a scythe, signed, 14cm; and [A Walrus Ivory Okimono Group of Grape Gatherers], fruit tumbling from the farmer's basket as the boy below reaches out for a cluster of fruit, 12.8cm (2)
An Ivory Okimono of a Dog with Two Puppies, Meiji period], the parent wearing a ruff as its litter play beneath its paws, unsigned, 6.3cm long; [An Ivory Okimono Netsuke of an Ornamental Helmet Maker, Meiji period], seated with a large Samurai battle helmet, 2.8cm; and [A Marine Ivory and Nut Group of Three Blind Men under an Umbrella] (restorations/additions) (3)
An Ivory Okimono Group of Fruit Gatherers, Meiji period (1868-1912)], the taller figure sanding with lowered axe, his lad reaching for the branch of fruit in his other raised hand, 11.7cm; [A Small Sectional Ivory Okimono of a Farmer, Meiji period], walking with a mattock over one shoulder; and [A Sectional Walrus Ivory Group of a Farmer and His Boy, Meiji period], 13.5cm (3)
An Ivory Okimono Netsuke Group of Chokwara and Company, Meiji period (1868-1912)], the magical pony released from its gourd to the astonishment of two boys, unsigned, 4cm; [An Okimono Netsuke of a Boy pushing a Split Drum, Meiji period], crawling along the ground, head turned to one side, unsigned, 4.8cm; [A "Toy" Ivory Carving of a Mother and Child, Meiji period], 3.5cm; and [A "Toy" Ivory Carving of a Lady adjusting her Hair in a Mirror, Meiji period], 3.5cm (4)
An Ivory Landscape Netsuke Depicting the Six Sages of the Bamboo Grove, 18th century], the diminutive figures inhabiting a self-contained house and its fenced compound with bamboo, pine and rocks, 3cm; and [An Ivory Netsuke Group of Four Fruit and Nuts, Meiji period], peach, citrus, hazel and pistachio, 4cm, (2)
An Ivory Cane Handle Ball of Masks, Meiji period (1868-1912)], fifteen various theatrical characters, signed, 4cm; [A Walrus Ivory Okimono Netsuke of a Boy with a Drum, Meiji period]; [A Small Canton Ivory Figure of Butai, 19th century], 4.5cm; and [A Bone Okimono/Netsuke of an Oni with a Drum, 19th century], 4cm (4)
A Canton Ivory Suspended Sphere of Spheres, mid 19th century], containing thirteen concentric balls within an outer ball filled with figures in gardens between clustered peach finial and the standing figure of Iron Crutch Li under a chain hung from a fish shaped suspension hook, ball 10cm diameter
A Walrus Ivory Okimono Netsuke of Three Puppies, Meiji period (1986-1912)], 3.5cm; [An Ivory Netsuke of a Boy with a Drum, Meiji period], seated with stick raised to the instrument grasped in the other hand, 3.5cm; and [An Okimono Netsuke of a Wood Cutter, Meiji period], a faggot on his back, 3.5cm (3)
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239713 item(s)/page