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Lot 467
A BELL PUNCH COMPANY AUTOMATICKET MACHINE, serial No 126230/6, missing keys, height approximately 48cm, width approximately 18cm, depth approximately 28cm, with a G.P.O. Model 741 wall mounted dial telephone in ivory, wired for modern use, a cased Prinz 300 projector and some accessories and a wall mounted brass bell (4)
Lot 180
A selection of ceramics including blush ivory Royal Worcester trinket pot with lid,around 1907, and a cabinet cup,around 1902,also included is a similar unmarked cabinet cup with raised enameling to mint green ground with handpainted floral pattern, a Beleek vase, two Crown Devon footed vases and more.
Lot 1058
Bronze sculpture after Affortunato Gory. Lovely shape of a female lunging and holding torches. Powerful depiction of the strength that a woman holds in her stance and her forth bringing. Gory was a French-Italian artist who specialized in Art Deco figurative sculpture, often combining materials such as bronze, ivory, and marble to dazzling effect. Born in 1895 in Florence, Italy, Gory emigrated to France after studying with noted sculptor Augusto Rivalta at the Accademia di Belle Arti in his home city. He continued to practice and learn from the French artist Victorien-Antoine Bastet after his move to Paris, and exhibited at the Salon des Artistes Français on multiple occasions. Little else is known about the artist, who died in 1925. Size: 43 1/2 x 20 in.Please note that all sales are final. No refunds will be given under any circumstances.
Lot 2062
A William IV Silver Coffee-Pot, by John Wrangham and William Moulson, London, 1833, tapering cylindrical and on spreading foot, the lower body chased with foliage scrolls and rocaille on a matted ground, with a cartouche on each side, engraved with two crests below a baron's coronet, with ivory insulated handle, 27cm high, gross weight 31oz 11dwt
Lot 2080
An Edward VII Silver Card-Case Cum Notebook, by Mitchell Bosley and Co., Birmingham, 1901, oblong, the hinged cover engraved with foliage and flowers on an engine-turned ground, the back engine-turned and with a vacant cartouche, the interior fitted with a compartment for cards and with an ivory tablet, with associated silver plate pencil, 9.2cm high
Lot 2082
A Victorian Silver-Mounted Notebook, by Nathaniel Mills, Birmingham, 1840, oblong, the hinged cover and base each engraved with foliage, the front further engraved with initials, with associated silver propelling pencil, the interior fitted with ivory tablets, engraved with the days of the week, 8cm high
Lot 2093
A Three-Piece Victorian Silver Tea-Service, by Edward, John and William Barnard, London, 1850, each piece tapering octagonal and on conforming foot, the sides engraved with foliage and flowers, comprising: a teapot with ivory insulated handles; a cream-jug and a sugar-bowl; Together With: An Edward VII Silver Coffee-Pot, by Moss Morris, London, 1904, made to match and with ivory-insulated handle, the coffee-pot 24cm high, gross weight 74oz 14dwt (4) . The Three-Piece Victorian Service: each piece is fully marked underneath. The teapot is teapot further part marked on handle and inside cover. The marks have some minor wear but are generally still legible. There are some overall surface scratches and wear, consistent with age and use. The wear is noticeable as a minor softening to the high points. There are some bruises to some pieces. The Coffee-Pot, fully marked near rim, further part marked on cover bezel and on handle. The marks are generally clear. There are some minor surface scratches, consistent with age and use.
Lot 2148
A Five-Piece Chinese Export Silver Tea and Coffee-Service, by Luen Wo, Shanghai, Late 19th/Early 20th Century, Each With Craftsman's Mark, comprising: a teapot with ivory insulated handle; a cream-jug and a sugar-bowl, the body of each applied with birds among prunus flowers and foliage, the cover of the teapot engraved with bamboo; a hot water-jug, with ivory insulated handle, the body similarly decorated, the cover applied with prunus and a coffee-pot, with ivory insulated handle, the body decorated with prunus flowers and foliage, each with cast bamboo handle, the coffee-pot 21cm high, gross weight 72oz 9dwt (5)
Lot 1122
Circle of Samuel Cooper (c.1608-1672) Portrait of a gentleman, half length, wearing a white lace cravat, brown jacket and blue sash Watercolour on ivory, 8cm dia. (oval) Contained in a decorative tortoiseshell and gilt metal frame See illustration . Images of frame and verso will be uploaded in due course.
Lot 109
Kashan Rug Central Iran, circa 1940 The ivory field of vines and flower heads enclosed by similar borders flanked by guard stripes, 203cm by 135cm. Both ends are complete with fringes, selvedge’s complete. Pile full and thick, has abrashed as per image. Light surface dirt - would benefit from cleaning.
Lot 158
An Ivory and White Metal Mounted Tortoiseshell Tea Caddy, early 19th century, of canted rectangular form, the hinged cover with vacant plaque within a broad cavetto border enclosing two lidded compartments with turned knops over a flared base, on bun feet, 18cm wide. Cover with section of veneer broken out and restuck. Other minor losses to veneer and typical surface wear and scratching.
Lot 248
A Japanese Shibayama, Carved Hardwood and Ivory Decorated Shodana, late 19th century, of rectangular form with a carved frieze of flowers and birds above a cupboard door flanked by two sliding panels with two drawers below, all decorated with ivory and mother-of-pearl amongst gilt painted foliage, on a stand with carved apron and scrolled bracket feet, 145cm by 43cm by 107cm
Lot 255
A Late 19th Century Rosewood, Ivory and Penwork Inlaid Kidney Shape Writing Desk, labelled Wallis & Co Ltd, Holborn Circus, London, the superstructure with pierced brass three-quarter gallery above a central cupboard door inlaid with a classical figure and flanked by two rectangular panels above a leather writing surface and central frieze drawer, on square tapering legs joined by an elegant stretcher, brass capped feet and castors, 113cm by 63cm by 107cm
Lot 31
A Royal Worcester Porcelain Bottle Vase, by Harry Stinton, circa 1910, with scroll moulded flared rim, painted with Highland cattle in landscape within gilt and blush ivory borders, signed, printed mark in green, 14cm high See illustration. Some typical minor surface wear, particularly to gilding on rims.
Lot 5
A Royal Worcester Porcelain Plate, by William Bee, 1924, painted with a still life of fruit on a mossy bank on a ivory ground within a blue border highlighted in gilt with lattice and foliage, signed, printed mark in puce, 23cm diameter; and A Similar Plate, by Michael Morris, 2nd half 20th century, painted with a still life of fruit on a mossy bank on a tooled gilt ground, signed, printed mark in gilt, 23.5cm diameter (2). Both in good condition.
Lot 73
A Rosewood Two Day Marine Chronometer, signed T.J.Williams, 2 Bute Docks, Cardiff, No.1765, circa 1860, three tier brass bound case with side carrying handles, lid with a vacant brass plaque, front with an ivory plaque signed and numbered, 4-inch silvered dial with Roman numerals, two dials for seconds and 56 hour power reserve display, dial signed and numbered, single fusee movement with a detent escapement, maintaining power, free sprung blue helical hairspring, bimetallic balance with timing screws and weights, diamond endstone, contained in a brass gimbal, 19cm high, sold with a book titled ''The Marine Chronometer'' by Rupert Gould see illustrations 01.10.20 Case slightly faded in parts, lid with some cracks, lid with the front two brass corners are slightly separating from the case, case with rub marks in places, front plaque with cracks, brass mounts are discoloured, dial is discoloured, movement in going order.
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239713 item(s)/page