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Lot 275
An Art Deco burr maple dining table and six 'Cloud' dining chairs, attributable to the Epstein Brothers, the rectangular table with rounded ends on U-shape supports and base, 183 cm long, 91.5 cm wide, 76 cm high; the single chairs with suede type upholstery and slightly out-swept legs, seat height 47 cm (7)The table has some shrinkage that can be seen on the frieze edge and on one corner has caused the veneer to lift, see the images.The top has been re-polished but is in full polish and has been well done.The chairs are very expensively upholstered in ivory-coloured suede and this has some very light soiling, see images.The frames are tight but a couple of the chairs have some small sections of cross grain edge veneering missing, see the images supplied.
Lot 276
A Victorian single-ended mahogany chaise lounge with scroll end and serpentine back rest with moulded and carved decoration, covered in ivory stuff over the upholstery. On globular turned supports with brass socket castors, 195 cm long x 67 cm deep x 90 cm overall height, 44 cm height to seat.Old repair to the castors/legsUpholstery has some stains
Lot 4264
Säbel für Offiziere der Kaiserlichen Marine Klinge mit beidseitig geätztem maritimen Dekor, auf der Fehlschärfe geätzte Herstellermarke "C.K. Co.- Garantie" sowie Punze "Propatria". Feuervergoldetes Bügelgefäß, das Stichblatt mit reliefiertem Dekor und Chiffre "W" unter Kaiserkrone, Löwenkopfkappe mit farbigen Glasaugen, Elfenbeingriff mit Drahtwicklung, silbernes Portepee mit schwarz-roten Durchzügen. Schwarze Lederscheide mit vergoldeten Beschlägen (der obere Beschlag lose). Gesamtlänge ca. 97 cm, Klingenlänge ca. 81 cm.Kein Versand in die EU möglich.USA-Los – weitere Infos hier Navy Officer Sword with Knot Maker C.K. Co., nickel-plated blade with etched floral and Naval pattern, gilt hilt, decorative crossguard with crown, lions head pommel with green and red glass inset eyes, ivory grip with brass wire wrap. Black leather wrapped scabbard with gilt fittings, top fitting disconnected. Overall length ca. 97 cm, blade 81 cm.Shipping not possible to EU.USA lot - more info here
Lot 2239
Große Gründerzeit-Kanne. Villeroy & Boch. Ungemarkt. Modell-Nr. 269. Elfenbeinfarbenes Steinzeug, farbig staffiert. H 36,5 cm. Konische Form mit historistischem Reliefdekor und einer fröhlichen Gasthausszene. Fassonzinndeckel mit Muscheldrücker. Large founder's jug. Villeroy & Boch. Unmarket. Model no. 269. Ivory stoneware, colorfully decorated. H 36,5 cm. Conical form with historicist relief decoration and a cheerful inn scene. Fasson tin lid with shell pusher. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2240
Prunkvolle Gründerzeit-Blumensäule mit Cachepot. Rheinisches Steinzeug. Ungemarkt. Modell-Nr. 184 und 223. Elfenbeinfarbenes Steinzeug, Bemalung in Braun, Grün und Blau. Gesamt H ca. 122,5 cm. Historistischer Reliefdekor mit den Darstellungen historischer Könige, männlichen Maskaronen, musizierenden Satyrn, Harpyien und stiltypischem Friesschmuck. Übertopf mit seitlichen Handhaben und Rundfuß, am Boden ein Montageloch (H 38,5 cm, Ø 36,5 cm), Blumensäule mit nodiertem Schaft und Rundsockel (H 84,5 cm). Jeweils am Stand bestoßen. Shipping not available.Splendid Wilhelminian flower column with cachepot. Rhenish stoneware. Unmarket. Model no. 184 and 223. Ivory stoneware, painting in brown, green and blue. Total H approx 122,5 cm. Historistic relief decoration depicting historical kings, male mascarons, music-making satyrs, harpies and friezes typical of the style. Cachepot with side handles and round base, at the bottom a mounting hole (H 38.5 cm, Ø 36.5 cm), flower column with nodded shaft and round base (H 84.5 cm). Each bumped at the stand. Shipping not available..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2417
Großer Herati-Teppich. 1. H. 20. Jh. Wohl Nordwestpersien. Wolle, feine Handknüpfung. Polychromdekor auf kirschrotem Fond mit vorwiegend Blau, Gelb und Elfenbein. Ca. 333 x 415 cm. Im Endlosrapport floral durchgemusterter Teppich. 5-reihige Herati-Bordüre mit Fransenabschluss, mit Bleiplombe. Alters- und Gebrauchsspuren, restauriert. Large Herati carpet. 1st h. 20th c. Probably northwest Persia. Wool, fine hand knotting. Polychrome decoration on cherry red background with predominantly blue, yellow and ivory. Approx. 333 x 415 cm. Carpet florally patterned in an endless repeat. 5-row Herati border with fringed finish, with lead seal. Signs of age and wear, restored. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 739
PREISS, Ferdinand(1882 Erbach - 1943 Berlin) "Mohrenknabe"Bronze patiniert, Ivorine(?), teils lackiert, Marmorsockel. Bezeichnet. H 19 / 26 cm. Ein Getränk auf dem Tablett bringender Knabe mit Turban. Verfärbung an der Bronze-Plinthe. Der gelernte Elfenbeinschnitzer gründete 1906 mit Arthur Kassler die Firma Preiss & Kassler, die für ihre Chryselephantine- Figuren international bekannt wurde.. PREISS, Ferdinand(1882 Erbach - 1943 Berlin) "Mohrenknabe"Bronze patinated, ivorine(?), partly lacquered, marble base. Inscribed. H 19 / 26 cm. A drink on the tray bringing boy with turban. Discoloration on the bronze plinth. The trained ivory carver founded in 1906 with Arthur Kassler the company Preiss & Kassler, which became internationally known for its Chryselephantine figures... *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1064
Officer’s Sabre of 1796 Type Pattern, curved single edge blade cut with a single fuller and etched with flowers, foliage, martial trophies and the figure of Victory, gilt brass stirrup hilt retaining approx. 80% chased with acanthus foliage in relief, ferule with flowers in relief, one piece carved ivory grip (chipped at top), in its leather scabbard with acanthus engraved brass mounts retaining traces of gilding, locket engraved with R J Blackford Manufacturer Lombard St LONDON within rectangular frame. Blade 77cms. Good condition, some age wear overall. Ivory exemption certificate reference: WXJNAG15. PLEASE SEE AUCTION INFORMATION IN RELATION TO THE SHIPPING OF SWORDS AND BAYONETS BEFORE BIDDING. PLEASE NOTE THIS ITEM CAN NOT BE EXPORTED OUTSIDE OF THE UK
Lot 623
A Royal Worcester flat sided jug, painted with autumn leaves and blackberries, gilt loop handle, gilt line borders, 10.5cm high, printed mark in puce, date code for 1929; a similar blush ivory coopered jug, printed and painted with flowers and foliage, gilt line rims, 6.5cm high, printed mark, date code for 1901; a Graingers and Co coffee cup and saucers, in blush ivory, printed mark in green (5)
Lot 624
A Royal Worcester globular pot pourri and cap cover, painted with flowers on a blush ivory ground, 12.5cm high, printed mark in puce, shape no. 1039, date code for 1912; a Royal Worcester ewer, enamelled with flowers on a blush ivory and green ground, 12cm high, shape no. 1136 date code for 1899 (2)
Lot 652
A set of three Royal Worcester moulded plates, painted with a strawberry and folaige, raised gilt stems, gilt borders, 23cm diam, printed mark in puce, made for Osler, date code for 1890; a pair of Royal Worcester plates, painted with flowers on on a blush ivory ground, 21cm diam, printed mark in puce, shape no. 1416, date code for 1892 (5)
Lot 8
Pair of Royal Worcester blush ivory urn shaped two handled vases of baluster form, hand painted with floral sprays. Puce marks to the base, shape no. 1910. (2) (B.P. 21% + VAT) Some wear to gilding on handles, otherwise good. 15.5cm widex11.5cm high (highest and widest point to top of handles) approx.
Lot 43
An engraved silver-plated brass casket Andalusia, probably 15th/ 16th Centuryof decagonal form, with lifting convex lid surmounted by a circular boss, on three compressed globular feet, engraved to the lid and each side with an interlace of split-palmettes overlaid with flowerheads on a hatched ground 27 cm. highFootnotes:ProvenanceFormerly in a private French Collection.Large polygonal boxes are not common in Islamic metalwork whilst decagonal boxes are rarer still. However, intriguing parallels with the shape of the present lot can be drawn with taracea boxes produced in Spain during the Nasrid period in the mid 14th Century which rest upon small globular feet. One example of such a pyxis is in the church of Villasandino near Burgos (see José Ferrandis Torres, Marfiles árabes de Occidente, Madrid 1935–40, vol.II, p.268, cat.170, pl.lxxxviii). Two large decagonal taracea boxes are known, one in a private London collection, and another in the Victoria and Albert Museum, London (270-1895), which is dated to the first half of the 15th Century and has a similar diameter to the present lot. Parallel hatching became common in Andalusian metalwork in the 11th century AD. Metalworkers used a thin rectangular tool with five circular indents that, when punched into the surface of the metal, left a row of raised dots. The primary intention was to create a textured background of dots, but the rectangular tool led to a secondary effect of lines that were often parallel (see the study by Mirco Bassi in A. Contadini (ed.) The Pisa Griffin and the Mari-Cha Lion, Pisa, 2018; see also J. Raby's contribution to the same volume on the oil lamp from Montefrio and other related metalwork of the 11th century.) This form of rectangular stamp tool became less common in the 13th and 14th centuries, but by then parallel hatching for the background of metalwork was a well established aesthetic, and was produced by engraving as well as punching. It occurs, for example, on the lock plate of the Nasrid 13th or 14th Century ivory box in Zaragoza (see J.D. Dodds (ed.), Al-Andalus, The Art of Islamic Spain, New York, 1992, pp. 266-267, cat. no. 52). ), and its influence even extended to late 13th Century ceramics from Murcia (ibid, cat. 107). It also occurs in some of the roundels on one of the finest examples of Nasrid metalwork, the bucket in the Museo Arqueologico Nacional in Madrid, attributed to the second half of the 14th century (ibid, cat. 59). Another example is the Nasrid silvered and gilded copper pyxis sold at Sotheby's (Arts of the Islamic World, 8 October 2014, lot 92).The tradition of using rectangular punches to create a textured background spread to Christian silversmithing in Spain and continued well after the Reconquista. Yet, even where punches were not used, the use of engraved parallel hatching was widespread and long-lasting in Spain, as for example on a ciborium made in Saragossa in 1573 offered at Christie's, Five Private Collections, 5-19 July 2022, lot 211.In summary, the decagonal shape and size of the present lot relate to wooden boxes from 15th Century Nasrid Andalusia, some earlier examples of which rested on small oblate feet. The rather loose scrollwork has parallels in Nasrid and Mudéjar work, though it is arguably more florid, and the use of dense parallel hatching as a ground for the scrolls is an argument in favour of an Andalusian origin. As there are no metal counterparts yet known, it cannot be placed in a developmental sequence, which makes it difficult to date precisely, though a range from perhaps 1450-1550 seems probable.This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 464
λAn Edwardian silver four-piece tea set, by James Dixon & Sons Ltd, Sheffield 1904, circular bellied for, part-fluted decoration, scrolling foliate and shell borders, on raised tapering circular bases, leaf-capped scroll handles, the tea and coffee pots with ivory insulators, height of coffee pot 21cm, approx. weight 83oz. (4) Ivory Act registration number: NQYKF8GQ
Lot 570
λAn 18th century silver-mounted shagreen etui, unmarked, circa 1750, with a later French import mark, tapering rounded rectangular form, applied with foliate scroll decoration, the hinged cover opens to reveal a spoon, two tapering knife handles, two knife blades, a steel two pronged fork, a pencil, a pair of compasses, a ruler, a pair of scissors, and an ivory note sleeve, length 9cm. Provenance: A Private Collection. Purchased from Studio Antiques, Solihull Antiques Fair, 30 April 1975. Ivory Act registration reference: U56ZHF75
Lot 602
λA William IV silver coffee pot, by Paul Storr, London 1830, also stamped Storr and Mortimer, baluster form, leaf capped scroll handle with ivory insulators, foliate and fluted capped spout, foliate scroll border, the hinged cover with a pumpkin finial, (part-marked with a lion passant only, possibly later), on three foliate capped scroll feet, height 24cm, approx. weight 30.5oz. Provenance: A Private Collection. Purchased from Nicholas Shaw Antiques, Petworth, West Sussex, 16 March 2005. Ivory Act registration reference: UKGVWG6J
Lot 659
λA George IV Scottish silver teapot, by Robert Gray & Son, Glasgow 1825, circular form, scroll handle with ivory insulators, flush-hinged cover with a cauliflower finial, the spout with anthemion decoration, on a raised circular fluted foot, length handle to spout 27.2cm, approx. weight 25.8oz. Ivory Act registration reference: A4WCKKY6
Lot 728
λA mid 18th century silver-mounted etui, unmarked circa 1740, tapering shaped rectangular form, plain mounted, the inside of the hinged cover engraved with a mask and foliate decoration, the interior fitted with an ivory sleeve, two tapering knife/fork handles, two steel knife blades, a two tined fork, a pair of scissors, a pair of tweezers and ear/dental scraper, a ruler, a pair of compasses, a bodkin, and a pencil, length closed 8.7cm. Ivory Act registration registration: 69KGLUMZ
Lot 775
λA Victorian silver tea pot, by Joseph Angell I & John Angell I, London 1839, tapering circular form, scroll handle with ivory insulators, raised hinge cover with an acorn finial, on four scroll feet, with a crest, length handle to spout 28cm, approx. weight 22.5oz. Ivory Act registration reference: HHYLHSWQ
Lot 836
λA pair of Victorian silver ewers, by Martin, Hall and Co., Sheffield 1856, baluster form, embossed foliate and scroll decoration, leaf capped scroll handles with ivory insulators, hinged covers with acorn finials on raised circular bases, engraved with a crest and motto, height 34cm, approx. weight 52oz. (2) Ivory Act registration reference: WB4XEPGB
Lot 189
An Art Deco cold-painted and ivory figure of a Pierrot, attributed to Josef Lorenzl, raised on an oval onyx plinth, inscribed 'Austria',24.5cm highIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 3 March 1947 with less than 10% ivory by volume. Ivory declaration submission reference: EZNJQBQT.Condition ReportSome rubbing to painted areas on the thighs and legs, arms and knees. Missing one finger on right hand. Spelter base. Chips to the base underside wear bolts are fixed.
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239713 item(s)/page