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English School, 19th Century Portrait miniature of an officer in regimental uniform, possibly of the North Hants Militia, watercolour on ivory, 6 x 4.5; together with Joseph Bowring (circa 1760-1817), Portrait miniature of a gentleman in a blue coat and white cravat, initialled 'JB' (lower right), watercolour on ivory, 6 x 4.5cm (2) (each 11 x 9cm framed)These items are offered for sale in accordance with the Ivory Act 2018 and have been assigned exemption certificate, Ref. Nos. 9S62K2F4 and MQSCKVMW.
Attributed to George Engleheart (1750-1829) Portrait miniature of an elderly gentleman, facing right in a dark jacket, his hair worn en queue watercolour on ivory, oval, in a gold frame with plaited hair to the reverse4.5cmProvenance:Elle Shushan, Philadelphia, from whom acquired in 2013 as 'George Engleheart' by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. U4CNEXCK.Minor loss along the top. Otherwise in good condition.
Attributed to Richard Collins (1755-1831) Portrait miniature of a gentleman, thought to be Charles Paxton (1707/8-1788) in a grey coat and matching waistcoat, frilled white cravat, his hair worn en queue watercolour on ivory, oval, in a gold frame set with old cut diamonds 4cm Provenance: Sotheby's, London, 30 May 1977, lot 63; Christie's, London, March 1985, lot 298; Lyon & Turnbull, Edinburgh, 14 May 2019, lot 53, as 'Attributed to George Engleheart and of Charles Paxton'; Ellison Fine Art, from whom acquired in 2019 as 'by Richard Collins of Charles Paxton' by the late Barry Lock (1934-2021) Charles Paxton was an American Loyalist whose early career is largely unknown. In 1760, he became Customs Surveyor in Boston Harbor, Massachusetts. Despite his thankless job of searching ships for contraband and enforcing customs duties, he was perceived as living extravagantly and currying favour with the British, making him immensely unpopular in Boston. In 1766, Paxton was chased out of the country by an angry mob. The following year, in London, he helped form a Board of Commissioners to enforce British customs laws in Boston and returned to Massachusetts with increased power. By 1768, however, he called for British troops to be sent to Boston after the merchants openly defied the law, leading to an effigy of Paxton being hung from the Liberty Tree. His call for military support is considered one of the earliest actions leading to the hostilities of the Revolutionary War. Once the war began, he was officially banished from Boston and fled to England in 1776, where he submitted claims to the crown for his losses during the war and settled in Norfolk. A portrait of Charles Paxton dated 1751, which shows him at a younger age and before him fleeing to England in 1776, is at the Smithsonian National Portrait Gallery, Washington. This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. 36E69MP6.
A Dutch ebony marquetry inlaid cabinet on stand, late 17th/18th Century and later, florally inlaid throughout incorporating plain and green stained ivory foliage, the pediment with turned urn finials, over a bank of drawers with gilt metal escutcheons around a central cupboard opening to an inner compartment with mirrored uprights, till drawers, and trompe-l'oeil room with chequerboard floor, on a stand with a single long frieze drawer, chinoiserie fretwork frieze and open and blind-fret block legs, 169cm high, 107cm wide, 44cm deep. Provenance: by descent through the Inigo Jones family. Note: Ivory Exemption Certificate No.C8X4U2XT
Charles Hart for Royal Doulton, a pair of rose painted cabinet plates, circa 1920, painted with pale pink blooms and rose buds with daisies and forget-me-nots within tooled gilt circular border, the ivory glazed broad rim with raised foliate scroll and floral decoration, signed. 26cm diameter (2)
Ernest Phillips for Royal Worcester, a set four floral painted cabinet plates, circa 1917, painted with sprays of summer flowers, forget-me-nots and daisies to an ivory ground, within wide rimmed celadon glazed borders, overlaid with raised foliate and floral gilding, signed, puce printed marks, produced for Ovington Brothers Co, New York (4)
MAHOGANY BOW FRONTED CHEST OF DRAWERS, with ivory key escutcheons and box wood inlayThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference G8HPYZDX 114cm wide Several escutcheons damaged. One brass handle damaged. Large splits to both side panels. Repair to one of the bracket feet. Top has been stripped. Normal signs of wear as per age and use. Mid 19th century.
TROOP OF THREE ELEPHANTS, MANTEL CLOCK in stained woodThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference A1LBCVEB. 44cm high
SET OF CHILD'S BAGPIPES, in original box by Peter Henderson, GlasgowThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference U5RN7YRH. More images have been added to the website
A large red simulated leather backgammon case belonging to Sir Roger MooreUsed during breaks on set of the filming of James Bond with Cubby Broccoli, the hinged case with carrying handle and brass plaque mounted to one corner engraved ROGER MOORE, opening to reveal a fitted interior and twenty-nine red and ivory coloured resin gaming counters, 60.5cm wide, 42cm deep, 8.5cm high (23 1/2in wide, 16 1/2in deep, 3in high) Footnotes:'We used to play during all the breaks from shooting and the directors always had a terrible job getting me back into the set when we were in a middle of a game; if Cubby was winning he absolutely would not let me go.' - Sir Roger MooreSir Roger Moore was an avid backgammon player, and often used to while away the hours onset playing with Cubby Broccoli, the producer of all of Moore's Bond films. According to the family, the present lot was used regularly on set.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Royal Worcester Collection of Hand Painted Blush Ivory Small Vases ( 5 ) In Total. Various Shapes, Sizes and Designs. All Dated Between 1891 - 1910. All In 1st Quality and Excellent Condition. Together With - Japanese Cloisonne Tea Set, comprising six small cups and saucers, lidded sugar bowl and milk jug. Decorated with colourful designs of figures in bright robes. Together with four vintage pink and gilt coffee cups and saucers.
Y AN INDIAN HARDWOOD AND IVORY INLAID CABINET GUJERAT OR SINDH, LATE 17TH/EARLY 18TH CENTURY The doors enclosing nine drawers, the inlay to five sides, on a walnut notch carved stand in the Cotswold School taste The cabinet 25cm high, 38cm wide, 29cm deep; the stand 75cm high, 38.5cm wide, 30.5cm deep Provenance:Purchased by George Byng Esq MP (1764-1847) and by descent until sold, Christie's, London, Two Late Regency Collectors: Philip John Miles and George Byng, 9th June 2005, lot 173 where purchased by Robert Kime. Literature: 5 St James's Square, 1847 Inventory: 'BACK DRAWING ROOM a small India Cabinet enclosed by 2 doors and drawers inside.' Cabinets of this general type, inlaid with flowers in ivory onto a hardwood ground were made in north western India, in the provinces of Gujarat or Sindh, from the late 16th century. A similar cabinet is in the Victoria & Albert Museum, but with a fall front. The use of doors in this example may denote a European commission, reflecting as it does the more usual use of doors on a cabinet (see: https://collections.vam.ac.uk/item/O115588/cabinet-unknown/ and A. Jaffer, Luxury Goods from India..., London, 2002, no. 25). The cabinet was bought by George Byng, whose collecting reflected high fashions of the 1820s -1840s, in company with great collectors such as George Watson Taylor, William Beckford and the king, George IV. Byng's manuscript 'List of Furniture, Porcelain, Paintings &C. purchased by George Byng for Wrotham Park, 1816-43', testifies to his avariciousness for superb objects, paintings and furniture. He lived at Wrotham Park, begun by his great-uncle, the unfortunate naval officer executed following the loss of Menorca in 1757, completed by his father George Byng (d. 1789) and extended by his son, the collector, George Byng MP (d. 1847). Saleroom notice:This lot contains elephant ivory and is therefore subject to both CITES regulations and the UK Ivory Act 2018. Goods containing African elephant ivory cannot be imported to the USA, while other countries have in place wide-ranging restrictions on exporting and importing property containing elephant ivory. Prospective buyers are advised to familiarise themselves with the export and import restrictions prior to bidding. We will not be able to cancel your purchase if your lot may not be exported, imported or it is seized for any reason by a government authority. Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref: KCT1C37J) Condition Report: Correction to the original catalogue description - there are seven interior drawers, not nine as stated in the catalogue description, as the top drawer is inlaid to simulate three drawers but is in fact one long drawer.Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The ivory has a light applied staining.Overall there are wood and ivory veneers that are missing.There are some areas, including the lower border of the back that are painted instead of inlaid - this is probably a repaired section, and there are other small areas of repair including some filler.The gilt metal escutcheons and hinges have good engraved detail, as do the ivory flowers which are finely engraved to the front, sides and the interior, though not to the back.The base is missing a section of the border.A notch to the edge of one door and a later lock to the other door, there is no key.There is some evidence of worm.Some drawers are missing handles.There is some later black paint around the edge of the interior.The stand shows few signs of wear.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer
Y A RARE UNRECORDED SILVER MUSTARD POT ATTRIBUTED TO CHARLES ROBERT ASHBEE, FOR THE GUILD OF HANDICRAFTS, UNMARKED, CIRCA 1910-1920 With a circular thumb piece to the domed cover, a turned ivory handle, the body pierced with foliate decoration, on a circular spreading base, scratch engraved to underside 1920 9.5cm (3 3/4in) high 143g (4.6 oz)Literature: Modern English silverwork: an essay by C R Ashbee, plate 39, figure B, published Essex House Press and B T Batsford, London 1908/1909 where described by Ashbee as a "MUSTARD-POT.. is also chased and perforated but is of circular form with an ivory handle and contains a deeper glass vessel: it stands upon eight ball feet"Saleroom notice: This lot contains elephant ivory and is therefore subject to both CITES regulations and the UK Ivory Act 2018. Goods containing African elephant ivory cannot be imported to the USA, while other countries have in place wide-ranging restrictions on exporting and importing property containing elephant ivory. Prospective buyers are advised to familiarise themselves with the export and import restrictions prior to bidding. We will not be able to cancel your purchase if your lot may not be exported, imported or it is seized for any reason by a government authority. Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref: JS2FWXAL) Condition Report: UnmarkedIvory handle tight with no playExcessive play to the hingeCover sits wellSlightly wobbles due to minor knock to the foot rimNo engravingLight scratches and wear commensurate with age and use Condition Report Disclaimer
A George IV silver matched teapot and milk jug, the teapot by 'DM', Glasgow 1822, the milk jug by William Stroud, London 1821, the teapot of circular squat form with profuse embossed flowers, c-scroll and empty cartouche, scroll handle with ivory spacers, on four scrolled paw feet, the jug similarly designed, teapot 29 cm long, combined weight 1080 gramsIvory declaration ref: W18TX1UT
A George III silver teapot by Solomon Hougham, Solomon Royes & John East Dix, London 1818, rounded rectangular form with scroll handle mounted with ivory spacers, the top with egg and dart rim, the side with engraved monogram and inscription, on ball feet, 29 cm long, weight 640 gramsIvory declaration ref: YLUTKU24
An unusual pair of Coalport vases, late 19th centuryof ovoid form with a shell moulded and pierced upper border, raised on three feet, blush ivory ground with enamelled and raised gilt decoration of foliage and berries, printed factory mark in green, numbered V843, 15cm high (2)Provenance: Ivor Southorn Collection.Condition:One vase has some restoration the underside of the base to cover or stabilise a T-shaped crack which is still visible to the interior of the vase (along with some black speckling and crazing). This same vase has a hairline to the inner upper rim and a re-attached section of one shell, which also has some interior over-painting visible. No further damages or repairs.
An assorted group of British ceramics, late 19th and early 20th centurycomprising various coffee cups and saucers, including a Doulton Burslem coffee cup and saucer, circa 1890, decorated with a small bird on branches with fruit, printed factory marks, artist's monogram, saucer 11cm wide; a Coalport imari coffee can and saucer, circa 1885; a can and saucer with raised gilt decoration and printed flowers, retailed by Ovington Brothers; Royal Worcester can and saucer, prink ground with enamelled flowers, with matching cream and sugar bowl; and others, together with four cream jugs including Foley China; a quantity of Royal Worcester and Locke Worcester blush ivory; Royal Doulton, Coalport and Copeland single plates and a Lladro figure (qty, two trays)
An Austrian porcelain centrepiece, circa 1900, of Ernst Wahliss or Riessner, Stellmacher & Kessel type, blush ivory tones, modelled as two women supporting a circular bowl on a classical style base, impressed model number 1025 and 'Made in Austria', overall width 25cmCondition:Tiny nibble to the one corner edge of the base, hairline to the underside of the base. Otherwise generally good. Bowl rings true when tapped.
An assorted group of Coalport, comprising an early 19th century slop basin, painted with birds and flowers, a blue batwing miniature cream jug, sugar bowl and oval pin dish, a small blush ivory basket decorated with flowers, a plate painted with a view of The Wrekin from Garmston by Percy Simpson, artist signed, 22cm diameter; a limited edition 'Ironbridge' plate by J. Mottram, with certificate; sold together with a Wedgwood plate, a Crummels English Enamels pillbox with a view of the Ironbridge and another of the Liverpool and Manchester Railway, both boxed etc Condition:Birds bowl - cracked, rim chipped Meat platter, circa 1805-10 - some rubbing to flowers Miniature basket- some crazing to glaze One of the pair of blue floral plates - crazing to glaze No other damages or repairs
Service à thé, café et chocolat en argent 925°/°°, manches en ivoire. Vers 1920/1930Comprenant une théière, une cafetière, une chocolatière, une verseuse à lait et un pot à sucre à motif de coquilles et feuilles d'acanthes, les anses et manche en ivoire.Poinçon MinerveOn joint un plateau en argent 800°/°° à bords chantournés.Poids brut total : 3992.31 gManches elephantidae spp - CIC n°FR2307508753K établi le 26 juin 2023. A Louis XIV style silver service, IVORY handles. This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
λ λ A REGENCY TORTOISESHELL TEA CADDYEARLY 19TH CENTURYof sarcophagus shape and inlaid with pewter stringing, the pagoda shape hinged lid with a vacant silvered cartouche, revealing a twin lidded interior with ivory banding, on ball feet14cm high, 16.5cm wide, 9.6cm deepProvenanceKenneth Neame: An Enduring Legacy.*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
λ λ A MAHOGANY CASED TWO DAY MARINE CHRONOMETER LATE 19TH CENTURYthe brass movement on a four inch silvered dial with Roman numerals, subsidiary seconds and fifty six hour Down / Up dials, inscribed 'SHARMAN D. NEILL LTD / Donegall Place, Belfast / 13548 / Kew A', in a brass bound twin hinged case with a glazed upper section and flush mounted side carry handles, with an ivory retailer's plaque, with original keys18.7cm high, 18.1cm wide, 18.9cm deepCatalogue NoteSharman D Neill Ltd is a retail jeweller establised in London in the mid-19th century and in Belfast in the late-19th century. Initially on Donegall Place, Belfast more recently they were found on Royal Avenue.*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.
λ λ THREE TREEN DRAPER'S ELL RULES LATE 18TH / 19TH CENTURYtwo in boxwood and mahogany with chequered decoration, one with an ivory ball finial, the other with a bone collar, each with a turned handle, the other in hardwood with a turned handle and a tapering shaft (3) 85.3cm long (max)Provenance The Adler Collection of Treen.Catalogue NoteUntil the early 19th century the ell was a common measure for cloth on the continent. For a similar example see Sotheby's, the W. J. Shepherd Collection of Treen, 30th November / 1st December 1983, lot 93.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.
λ λ A REGENCY TORTOISESHELL TEA CADDYEARLY 19TH CENTURYof pagoda shape with pewter stringing, the twin lidded interior with ivory edging and on ivory bun feet15.3cm high, 19cm wide*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.
λ λ A LATE REGENCY TORTOISESHELL TEA CADDY EARLY 19TH CENTURYinlaid with pewter stringing, the twin lidded interior with ivory edging, on ivory bun feet, together with a late George III mahogany tea caddy, now with a later baize lined interior (2)16.5cm high, 20cm wide (max)*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.
λ λ A REGENCY BLONDE TORTOISESHELL TEA CADDYEARLY 19TH CENTURYof pagoda shape and inlaid with pewter stringing, the lid with a rectangular plaque engraved with initials 'HHC', the twin lidded interior with ivory handles and horn edging14cm high, 19.2cm wide*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.
λ λ A CHINESE PAINTED PAPER FAN19TH CENTURYthe leaf painted with figures, the faces ivory, their clothes silk, within a border of auspicious emblems with carved wood sticks and guards, in a later glazed gilt fan shaped frame50 x 73cmProvenanceKenneth Neame: An Enduring Legacy. *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
λ λ A VICTORIAN EBONY AND GILT BRASS MOUNTED BONHEUR DU JOUR IN LOUIS XVI STYLE, C.1860-70inlaid with ivory and mother of pearl swags, squirrels, birds, serpents and urns of flowers, the pair of panelled doors enclosing a shelf, above a pair of drawers, the frieze drawer with a slide inset with a blue velvet writing surface, all interiors veneered with bird's eye maple 155cm high, 82cm wide, 53cm deep*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.
A FRENCH BRONZE GRAND TOUR FIGURE OF ATHENA PARTHENOSAFTER THE ANTIQUE, EARLY 19TH CENTURYstanding, wearing an elaborate helmet, holding a figure of a female angel, a shield to her side, on a circular marble base56cm highCatalogue noteThis figure is a copy of the original 12m tall statue that once stood in the Parthenon. Made of ivory, gold and wood, the statue embodied the city’s prosperity. Athena is depicted hold a small figure of Nike (Victory), symbolising the triumph over the Persians.
A QASHQAI RUGSOUTH WEST PERSIA, C.1880the deep indigo field with columns of stylized flowerheads and latch hook medallions surrounded by tribal and zoomorphic motifs enclosed by ivory compartmentalised borders of geometric and stylized flowerheads flanked by barber poles and guard stripes, retained damaged kilims at both ends260 x 150cmProvenanceField Marshal Earl Kitchener of Khartoum (1850-1916) and thence by descent.
λ λ AN ANGLO-INDIAN EBONY AND SPECIMEN WOOD CENTRE TABLE GALLE DISTRICT, CEYLON, SECOND QUARTER 19TH CENTURYthe circular tilt-top inlaid with various exotic specimen woods in a radiating design including: palmwood, jackwood and calamander, with a central ivory rondel engraved with an elephant, with ivory parquetry stringing and an engraved Greek key edge, the carved and turned ebony base with peacock head terminals on brass castors 76cm high, 110cm diameter*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.Catalogue NoteFor similar tables that have sold at auction see Christie's, Robert Kime-An Eastern Perspective and Property from a Cotswold Manor House, 27th October 2010, lot 250 which fetched £30,000 (including commission). Also Mallams, 29th April 2009, lot 324, £18,000 (hammer).
λ λ A CHINESE EXPORT LACQUERED PAPIER-MÂCHÉ TEA CHEST19TH CENTURYof bombé form, with gilt exotic bird and foliate decoration, the interior with a pair of pewter canisters and covers, on lion dog head feet15.5cm high, 24cm wide, 17cm deep*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.
A HERIZ RUGNORTH WEST PERSIA, C.1890the abrashed terracotta field with a large octagonal panel containing a salmon pink medallion framed by stepped ivory and sky-blue spandrels enclosed by abrashed pale indigo borders of polychrome rosettes and angular vines flanked by salmon pink guard stripes190 x 137cm
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239691 item(s)/page