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A late 18th Century carved mahogany and inlaid settee in the Hepplewhite taste:, the shaped curved upholstered panel back in ivory lattice damask fabric, having a reeded top rail with ribbon tied foliate ornament, having padded arm supports with acanthus scroll terminals, the upholstered stuff over seat with reeded seat rail inlaid with harewood ground, oval fleur de lys panels, on reeded and foliate decorated tapered legs, headed with paterae, terminating in brass cappings and castors (replacement back legs).
A Damascus hardwood, ivory inlaid and mother of pearl heightened rectangular games table:, with all over geometric hexagonal panels, stellar and kaleidoscopic flowerhead designs, the hinged top enclosing a similar interior with wells decorated for backgammon and with a detachable folding chess board, having geometric frieze and apron on cabriole legs, united by an undertier, 71.5cm (2ft 4 1/4in) wide, together with boxes of discs, dice, tumbler and backgammon accessories.
Four assorted Victorian walking sticks, late 19th century, comprising a palmwood example with sculpted ivory grip modelled as a faun with Pan pipes, 88.5cm high; another with carved bone grip modelled with a deer’s head in relief, 90.5cm high; a third with carved antler grip above a belted collar and malacca shaft, 83cm high; and a “system” walking stick containing a nip glass and a glass flask, 89cm high
A Victorian turned ivory cased cut glass scent bottle, circa 1860, the domed top with penwork monogram, the cut glass bottle within with faceted stopper, 10cm high overall; a Victorian ivory page turner, late 19th century, 36.5cm long; and two African carved ivory tusks, possibly Yoruba, each with a spiral band of figures in low relief, 30 and 21cm high respectively
A VICTORIAN ASPREY OF BOND ST ROSEWOOD LADIES DRESSING CASE, crossbanded, brass bound and strung case with inlaid `M.W` monogram, flush side handles, the fully fitted interior comprising looking glass and blotter to the inner lid, hobmail clear cut glass cosmetic vessels with silver gilt bright cut engraved scrollwork covers, (marked Asprey and hallmarkes of Abraham Brownett and John Rose, London 1859), mothers of pearl and steel implements, Asprey/Finnigans ivory backed brushes, lift-out jewel tray and two concealed drawers, Bramah lock (key), width 36cm
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239691 item(s)/page