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Lot 513
Victory: A boxed Victory Industries, Surrey, battery operated, MGA, ivory white with red interior, some warping to vehicle, untested for working order, original box and internal packaging complete tape to one end flap and some foxing.Provenance: The vendor is a descendent of one of the founding members of Victory Industries Ltd.
Lot 527
Victory: A boxed Victory Industries, Surrey, battery operated, 1:18 Scale, Morris Minor Saloon, ivory white body with red interior, vehicle in need of a clean, missing front bumper, usual warping to roof, rusty hub caps, original box with general wear and tear, with instructions.Provenance: The vendor is a descendent of one of the founding members of Victory Industries Ltd.
Lot 534
Victory: A boxed Victory Industries, Surrey, battery operated, 1:18 Scale, MG Series TF, ivory white body with brown interior, vehicle in need of a clean, usual warping to body, missing windscreen, original box with general wear and tear, missing one end flap, tape to other end flap.Provenance: The vendor is a descendent of one of the founding members of Victory Industries Ltd.
Lot 536
Victory: A boxed Victory Industries, Surrey, battery operated, 1:18 Scale, Triumph TR3 Sports Car, ivory white body with red interior, vehicle in need of a clean, missing windscreen, front grill loose bur present, original TR2 box with yellow TR3 tape, general wear and tear to box, with instructions.Provenance: The vendor is a descendent of one of the founding members of Victory Industries Ltd.
Lot 58
THOMAS HARDY INTEREST: A SILVER PLATED TEAPOT with ivory fittings, inscribed "Used by Thomas Hardy at Max Gate 20 years, and given by Emma Hardy to their Vicar Ri. Grosvenor Bartelot 7 July 1912", with further scratched inscription on the bottom by the recipient, confirming that Mrs Hardy gave the teapot as a momento in 1912.Thomas Hardy was a neighbour at Max Gate and parishioner of Grosvenor Bartelot's for 22 years. Rev. Bartelot attended regular teatimes with Mrs Hardy who was keen for her husband to take a greater interest in the church.Provenance: The Bartelot Family Collection, mostly the property of Rev. Richard Grosvenor Bartelot FSA, Rector of Fordington, Dorchester 1907-1939, or his son Major R St G G Bartelot.Grosvenor Bartelot was born in 1868 and went to Crewkerne Grammar School and Wadham College, Oxford, in the 1880s. In the next two decades he served as curate at Corfe Castle, Anglican chaplain in Turin, and as the Bishop of Salisbury's missioner covering duties of other clergy all over Dorset. He became a noted antiquarian and genealogist and was elected FSA. Having been born a Bartlett, in 1898 he changed his name to the original Norman form, Bartelot. In 1906 he became Vicar of Fordington St George, Dorchester, and next year he married Evelyn, daughter of Alfred Pope Esq of South Court and Wrackleford House, founder of the Eldridge Pope brewery. Having retired in 1936 to Timsbury, Somerset, he died in 1947.
Lot 156
* Box. Japanese ivory box, Meiji period (1868-1912), finely carved in relief with tigers fighting an elephant, with red seal mark to the lower right, the base with an old manuscript label, 5cm high x 12cm wide x 7.8cm deep, together with two ivory netsuke, one carved as a sumo wrestler, 3.5cm high, the other as a scroll with face of a man and spider, both signedQty: (3)
Lot 170
* Vestas. Japanese vesta case, Meiji Period (1868-1912), the horn vesta in the form of a book with ivory and mother of pearl shibayama panels depicting a geisha girl and the opposite side with flowers, 6 x 4cm together with another similar but the opposite side with insects, each with signature to the spineQty: (2)
Lot 288
* Children's clothes. A christening cape, late Victorian or Edwardian, hand-stitched fine cream wool cape, two-layered and with a collar, all edges hand-embroidered with flower, berry, and leaf sprays, worked in cream silk thread in satin and stem stitch and french knots, and scalloped with fringed edging, some scattered small holes (with slight loss of threadwork on collar), lined with cream satin and ivory glazed linen, lining spotted and with a water-stain, together with: A child's bonnet, circa 1910, hand-stitched and machine-stitched cream silk faille, crown with rose spray within a circle of dots embroidered in pale gold silk thread, front with double band of ruching, and large cream satin rosette, brim trimmed with pleated cream satin ribbon, lower edge with cream knotted fringe, lined with silk, and with satin ties, some scattered very small holes and marks, 22cm (including fringe) x 14.5cm, An infant's dress with Irish crochet, circa 1920, hand-stitched white fine cotton lawn baby dress, with puffed sleeves, and tucks and inserts of handmade Irish crochet lace, 4 tiny buttons at rear, without the inserted ribbon at waist, and 10 other items similar, comprising: a fine cotton lawn sleeveless baby dress or petticoat with Irish crochet insertions, a few small holes and marks; 4 pairs of white cotton bloomers and 2 white cotton buttoned combination vests; 2 late 18th or early 19th century fine lawn infants' shirts; and a hand-stitched white cotton bib embroidered with lily-of-the-valley flowers, accompanied by a bookmark with hand-drawn posy and inscription in a calligraphic hand in blue ink 'The bib has a design of lilies in compliment to the baby's grandmother', plus a child's white sunhatQty: (14)
Lot 52
* Fan. A hand-painted fan, Chinese, mid 19th century, folding double-sided paper fan, painted with a variety of vignettes, including landscapes, interior scenes, courtly figures, the latter with applied painted ivory faces, rubbed, with some splitting and fraying to folds, mounted on lacquered and gilt pierced wooden sticks, with tissue paper inserts painted with floral decoration, 21.5cm (8.5ins), contained in a lacquered wooden fan box, hinged lid decorated with gilt flower spray, opening to reveal blue silk lining painted with a bird and flowers (slightly frayed at one end)Qty: (1)NOTESA highly decorative and finely detailed fan in accompanying box.
Lot 58
* After John Henning (1771-1851). Parthenon Frieze, early-mid 20th century, copper electrotype relief panel, with 2 hanging chains on verso, 33.9 x 132.3cm (13.25 x 52ins)Qty: (1)NOTESDuring the 18th and 19th centuries interest in classical sculpture was at its height, and the famous Parthenon frieze was part of Lord Elgin's collection of Greek sculpture, displayed at his London home from 1808 to privileged guests. Scottish artist John Henning was one of the first to access the collection and he embarked on a project of making models of the Parthenon frieze, first in ivory and subsequently in plaster, which were widely copied and reproduced, usually on a much smaller scale than the present work.
Lot 92
* Folding Square. Early 18th-century brass folding square by Butterfield of Paris, signed and engraved with different scales, hinged with aperture probably for string and a cut-away cavity, 11cm long (folded), together with a George III folding pocket magnifier, brass with turned ivory handle plus a George III brass fleam with 3 steel blades (one signed Jessop), 9.5cm long and other itemsQty: (5)
Lot 169
Works of art, to include an early 20th Century silver dish, marked Birmingham, white metal dish decorated with animals, mid 20th Century matchbox, Combat pocket watch, Cyma ladies wristwatch, two pairs of scissors, collection of keys, Middle Eastern style brass dishes, small ivory elephant, collection of silver plated spoons, and others (qty)
Lot 100
A 19th century Japanese netsuke from Edo period. Not signed. In carved elephant ivory portryaing a Shishi resting over a sphere, with the mouth open and a mobile ball inside, 37,5x39,7x25 mm. 28 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 102
A 19th century Japanese netsuke from Meiji period. Signed Kotekisai-Rakumin on the base. In carved elephant ivory portraying the offering of a fisherman to a group of marine deities, 32,2x32,5x20,3 mm. 8 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 104
A 19th century Japanese netsuke okimono from Meiji period. Not signed. In carved elephant ivory portraying an elder man drinking sake, a child next to him, pours the drink from a flask, 46,5x44x37,2 mm. 45 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 105
A 19th century Japanese netsuke from Meiji period. Signed Masakazu on the base. In carved elephant ivory portraying a takarabune with the Seven Gods of Fortune sailing, 20x44,9x15,5 mm. 10 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 109
An 18th century Japanese netsuke from Edo period. Not signed. In carved elephant ivory depicting a Mandarin character lying on the floor and resting his head on his right hand while holding a fan with the left one, 3x3,5x2,1 cm. 17,4 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 11
A late 19th century Japanese netsuke from Meiji period. Not signed. In carved ivory portraying a mask sculpteur sat on the floor next to his child, who is helping him,m 41x41,7x24,3 mm. 20,61 gr. With an expert's report issued by the Spanish Federation of Antique dealers attached. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 114
A 19th century Japanese netsuke from Edo period. Not signed. In carved elephant ivory portraying two ONis over the clouds, one playing the drum while the other holds a big sack, 41,3x40,2x32,2 mm. 47 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 12
A Japanese netsuke from Meiji period circa 1850-1875. Signed Mumitsu on the back. In carved ivory portraying a standing 'Shoki' grabbing an 'Oni' with his left hand and hiding a sword with the right one, 52,7x25,9x16,4 mm. 14,17 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 120
A 19th century Japanese netsuke. Signed Tomomasa, In carved elephant ivory portraying 'Eji' sat on the floor, smoking in his 'kiseru' and grabbing a 'kinchaku' with his left hand, 3,98x3,08x2,26 cm. 19,6 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 124
A 19th century Japanese netsuke okimono from Meiji period. Signed Tadahide on a red kanji on the base. In carved elephant ivory portraying a kneeling mother carrying her child over her shoulders, 43,7x37,5x31,5 mm. 22,9 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 127
A mid 18th century Japanese netsukefrom Edo period. Not signed. In carved elephant ivory portraying a Sennin sat on a Shishi qho is lying over a rectangular base, 38,2x36,6x23,3 mm. 27,98 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 129
A mid 19th century Japanese netsuke from Edo period. Signed Tomochika with a kakihan on the back. In carved elephant tusk portraying a standing kid helping his father to carry a gigant pumpkin over his shoulders, 42,9x30,1x21,2 mm. 15,75 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 13
A 19th century manju. Signed Hosai on the base. In carved and patined elephant ivory with metal inlays portraying a locust resting over a leaf sorrounded by a curved angled frame, 48,4x36,8x6,6 mm. 9,22 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 16
A Japanese netsuke from Edo period circa 1800. Not signed. In carved ivory portraying a wolf sat on the floor with the head turned to his right and the tail between his back paws, 31x45x24,7 mm. 25,49 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 17
An early 19th century Japanese netsuke from Edo period. Not signed. In carved icory portraying a horse trying to get out from a pumpkin, 33x43,9x21 mm. 19,92 gr. Published on Mateu Guillem, "NETSUKE. Las grandes miniaturas de la escultura japonesa", Barcelona: 1998. Page 134. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 2
A Japanese netsuke circa 1870-1880. Not signed. In carved ivory portraying an Oni sat on the floor resting over a big rolling pin and playing three drums with his right hand, 21,4x30,3x30,8 mm. 7,27 gr. Published on Mateu Guillem, "NETSUKE. Las grandes miniaturas de la escultura japonesa", Barcelona: 1998. Page 47. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 23
A mid 19th century Japanese netsuke from Edo period. Signed Tomochika on the base. In carved elephant ivory portraying a chemist grinding curative herbs in a mortar, 34,8x28,6x20 mm. 13,81 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w. Similar pieces published on Schwartz Karl M.:"Netsuke Subjects Addendum: A Supplementary Study on Netsuke Themes with Reference to Their Interpretation and Symbolism", Akademische Druck- und Verlagsanstalt, vol II, pág. 47, nº 141.
Lot 24
A mid 19th century Japanese netsuke from Edo period. Signed Ryomin on the base. In carved elephant ivory portraying a child sat on the floor, covering the eyes of the mask he is grabbing with his left hand and holding a wet brush with the right one, 37,4x27,7x36,3 mmm. 15,69 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 29
A Japanese netsuke from Edo period, Tokio,1820-1880. Signed Hikaku on the base. In carved elephant ivory portraying a group of two karakos sat on the floor playing with a Daruma doll, 25,8x42,7x28,6 mm. 19,47 gr. Published on Mateu Guillem, "NETSUKE. Las grandes miniaturas de la escultura japonesa", Barcelona: 1998. Page 75. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 3
A late 18th century Japanese netsuke from Edo period. Not signed. In carved ivory and silver portraying a coiled cord with a silver hen in the middle, 33,6x71x14,3 mm. 15,86 gr. Similar pieces on Schwartz Karl M.: "Netsuke Subjects Addendum: A Supplementary Study on Netsuke Themes with Reference to Their Interpretation and Symbolism", Akademische Druck- und Verlagsanstalt, 2001. Page 113, Image nº 312. With an expert's report issued by the Spanish Federation of Antique dealers attached. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w
Lot 34
A mid 18th century Japanese netsuke from Edo period. Not signed. In carved ivory portraying a wolf sat on the floor with the tail between thepaws while eating something, 30,2x47,7x21,6 mm. 21,46 gr. Published on Mateu Guillem, "NETSUKE. Las grandes miniaturas de la escultura japonesa", Barcelona: 1998. Page 135. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
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239713 item(s)/page