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Lot 346
T G Green - A quantity of Streamline range kitchen storage jars and similar, green banded against an ivory ground, jars include Lump Sugar, Icing Sugar, Castor Sugar, Demerara Sugar and similar, largest jar approximately 19 cm (h).Condition Report: All the jars appear fine, no chips, cracks, hairlines or restoration, several of the covers have damage. The covers from the smaller jars - one has hairline crack, the other has been restored, medium sized jars - restoration to one, hairline crack to one, other three appear fine, large jar - cover appears fine, the sugar shaker has a chip to the rim of the base, the large beaker / jar has hairline cracks.
Lot 347
T G Green - A quantity of Streamline range kitchen storage jars and similar, green banded against an ivory ground, jars include Wholemeal, Flour, Pepper, Barley, Rice, Lentils and similar, largest jar approximately 19 cm (h).Condition Report: The egg separator is cracked and has restoration. the bowl has two chips to the raised portion at the centre, cup has a couple of small chips and slight hairline crack to the rim, flour shaker appears fine. All jars appear fine, the covers to the two large jars appear fine, two covers from the medium sized jars have hairline cracks and two of the covers from the small jars have hairline cracks.
Lot 134
A quantity of Royal Worcester and Hadley's blush ivory, including a twin spout centre piece, pattern no 479 (a.f), a small flower decorated vase with handle, pattern no 916, a flower posy vase, pattern no G352, a small flower decorated vase, patterno no 1907, a Hadley's Worcester vase decorated with a Peacock, (a.f), a Hadley's Worcester vase and cover decorated with flowers, (a.f), (6)
Lot 89
A Cased Set of Victorian Silver-Mounted Ivory Fish knives and forks, by Mappin and Webb, each with pistol-grip handle; Together With: another set of silver plate mounted fish knives and forks and a set of fruit knives and forks with mother-of-pearl handles (qty) Silver set - knives are 21.5cm. Plated mother of pearl set - knives are 21.5cm. Other plated set - knives are 22.5cm.
Lot 268
Italy (some Ivory Coast) in an old Crown loose leaf Stamp Album with approx 430 Mint & Used Stamps from 1860s to 1960s Includes 1862 Newspaper Stamp, Express Stamps for Local and Foreign letters, Centenary of Volta's death, Holy year, Postage Due Stamps, 300th Anniversary of the Death of Galileo, Allied Military Government Issue (P. M. overstamp) Album is in good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 15
Y† BROADWOOD; A 7'4'' BARLESS GRAND PIANODATED 1904The Arts and Crafts case design attributed to CR Ashbee, the mahogany case with pierced and floral embossed strapwork hinges, on tapered square legs158cm wide, 102cm highProvenance:Sidney Leetham, Esq. Elm Bank, YorkHaslam & Whiteway, LondonJed Johnson, designer and boyfriend of Andy WarholAlan Wanzenberg, New York architectForbes Collection Catalogue Note:Originally supplied to Mr Sidney Leetham, Esq , of 'Elm Bank', York. The Leetham family were wealthy mill owners. The hand-wrought hinges are most certainly the work of the Guild of Handicrafts which was established by CR Ashbee. C R Ashbee was a prime mover in the Arts and Crafts Movement. He founded the Guild of Handicraft in London in 1888. The Guild soon established an international reputation for design and workmanship. In 1902, believing that 'the proper place for the Arts and Crafts is in the country' Ashbee and the Guild moved to Chipping Campden. The only other known grand with a similar case design is in the Cheltenham Art Gallery and Museum. That instrument was designed as a wedding present for Ashbee's wife and is considered to be of such cultural significance that it featured in the BBC program 'A History of the World in 100 Objects'. The Broadwood 'Barless' grand was an important development in piano design, using a single cast steel frame without crossing frames, to create a freer more responsive instrument. It was highly successful, but they were only made for a short time as it proved too expensive to produce. They are now highly sought after. 布洛德伍德; 一架7'4'' 無杆三角鋼琴標注日期1904藝術和工藝琴箱設計歸因於CR Ashbee，紅木琴箱與穿孔和花卉壓花的肩帶鉸鏈，下麵是錐形方腿 寬158cm wide, 高102cm拍品來源：西德尼裡瑟姆收，榆樹銀行，約克哈斯拉姆&懷特維，倫敦傑德詹森，安迪·沃霍爾的設計師兼男友艾倫· 萬澤伯格，紐約建築師《福布斯》收藏品目錄注解: 最初提供給西德尼·裡瑟姆先生，榆樹銀行，約克。利瑟姆家族是富有的磨坊主。手工製作鉸鏈是手工藝行會最肯定的工作，手工藝行會是由CR阿什比建立的。CR阿什比是工藝美術運動的主要推動者。1888年，他在倫敦成立了手工藝行會。行會很快在設計和工藝方面建立了國際聲譽。1902年，阿什比和行會認為"鄉下是藝術和工藝的合適地方"，於是搬到了切平坎普登。另一家已知的擁有類似琴箱設計的大鋼琴位於切爾滕納姆美術館和博物館。那件樂器是為阿什比的妻子設計的結婚禮物，被認為具有文化意義，在BBC節目"100件物品中的世界史"中有專題報導。布羅德伍德"無杆"鋼琴是鋼琴設計的一個重要發展，它使用了一個沒有交叉框架的鑄鋼框架，創造了一個更自由更靈敏的樂器。這是非常成功的，但它們的製造時間很短，因為它的生產太昂貴。到後來，它們現在很受歡迎。 Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium. Condition Report: Original condition. PlayableCondition Report Disclaimer
Lot 16
Y† BLUTHNER, LEIPZIG; AN EARLY GRAND PIANO1854The rosewood case with pierced music rest, on turned and faceted legs and castors, with unique Bluthner patent action213cm long, 136cm wide, 94cm high Provenance:Cobbe CollectionCatalogue Note:This is a very early Bluthner grand piano by this important maker who started manufacturing only the previous year, 1853. This piano has an intriguing history as it is signed by some of the great musicians of the time, including Annette Essipoff-Leschetizky, Emil Liebling, Ignace Paderewski, Georges Pitsch, Frances Planté, Erwin Schulhoff. It was rumoured to have spent time in Auguste Rodin's home, but that is not verified.Annette Essipoff-Leschetizky, was the daughter of a high Russian official, Esipova entered the St. Petersburg Conservatory, where she was a pupil of Theodor Leschetizky (whom she married in 1880). From 1871 to 1892 Esipova lived mainly in western Europe. Her London debut took place in 1874, her first Paris appearance in 1875. In 1876 she toured the United States. Esipova's repertoire included works by Chopin, Schubert, Mozart, and Beethoven. In later years she taught at the St. Petersburg Conservatory; among her distinguished pupils was Sergey Prokofiev. Emil Liebling was a German-American pianist and composer.Jan Paderewski was a famous virtuoso Polish pianist and composer who became a spokesman for Polish independence. In 1919, he was the new nation's Prime Minister and foreign minister during which he signed the Treaty of Versailles, which ended World War I. Francis Planté was a French pianist famed as one of the first ever recording artists. Planté was born in Orthez. He studied piano under Antoine Marmontel, his career beginning at the age of seven in Paris. Erwin Schulhoff was a Czech composer and pianist. He was one of the figures in the generation of European musicians whose successful careers were prematurely terminated by the rise of the Nazi regime. 博蘭斯勒, 萊比錫; 一架早期三角鋼琴1854紅木琴箱與穿孔琴譜架，下面是旋轉多面腿和腳輪，有獨特的博蘭斯勒專利活動長213cm, 寬136cm, 高94cm拍品來源:科布收藏目錄注解: 這是一架非常早期的布魯斯納三角鋼琴，由一位重要的製造者製造，他在1853年才開始製造。 這架鋼琴有著有趣的歷史，因為它是由當時的一些偉大的音樂家簽名的，包括安內特·艾希波夫·萊謝蒂茨基, 埃米爾·列伯陵, 揚·帕德路斯基, 喬治·皮奇, 佛朗西斯·普蘭特，埃爾文·舒爾霍夫。據傳它曾在奧古斯特·羅丹的家中呆過一段時間，但這並未得到證實。安內特·艾希波夫·萊謝蒂茨基,俄羅斯一位高級官員的女兒，她進入聖彼德堡音樂學院，在那裡她是希歐多爾· 萊謝蒂茨基的學生(在1880年與他結婚)。從1871年到1892年，艾希波夫主要生活在西歐。1874年，她在倫敦首次亮相；1875年，她在巴黎首次亮相。1876年，她在美國巡迴演出。艾希波夫的曲目包括蕭邦、舒伯特、莫札特和貝多芬的作品。後來，她在聖彼德堡音樂學院任教；她傑出的學生中有謝爾蓋·普羅科菲耶夫。埃米爾·利布林是一位德裔美國鋼琴家和作曲家。揚·帕德路斯基，一位著名的波蘭鋼琴家和作曲家，也是波蘭獨立的代言人。1919年，他擔任這個新國家的首相和外交部長，期間他簽署了凡爾賽條約，結束了第一次世界大戰。佛朗西斯·普蘭特是法國鋼琴家，是最早錄製唱片的藝術家之一。普蘭特出生在奧爾蒂斯。他師從安東莞·馬蒙泰爾，七歲時在巴黎開始了他的鋼琴生涯。 埃爾文·舒爾霍夫是捷克作曲家和鋼琴家。在那一代歐洲音樂家中，他是其中之一，他們成功的事業因納粹政權的崛起而過早地終止了。 Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium. Condition Report: Original hammers. Requires restoration. Not in playing condition. Condition Report Disclaimer
Lot 18
Y BROADWOOD; A 5 OCTAVE FF-F3 SQUARE PIANO1786, NUMBER 475The mahogany case with inlaid ebony stringing enclosing a single action with brass underdampers and rare original full length interior pine 'dust cover'158cm wide, 54cm deep, 84cm high布羅德伍德; 一架5 八音 FF-F3 方形鋼琴1786, 編號 475紅木琴箱，帶有鑲嵌黑檀木弦包圍一個單一擊弦機，與黃銅減震器和原始全長內部松木"防塵罩"寬158cm, 深54cm, 高84cm Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.Condition Report: Restored by Clayson and Garrett approximately 30 years ago. Now requires updating.Various marks/fading to case consistent with age - case with some old marks and stains. Playable. Condition Report Disclaimer
Lot 2
Y† FREY, PARIS; A 5 ½ OCTAVE SQUARE PIANO1811The Empire style mahogany and burr elm case with ormulu mounts, the faciaboard inset with verre eglomise nameplate inscribed 'Joseph Frey, elevé du plus grand maitre à Paris, 1811', on tapered turned legs, the lyre with four pedals controlling dampers, buff stop, bassoon and moderato168cm wide, 66cm deep, 84cm highCatalogue Note:Pierre and Joseph Frey were a firm of father and son piano makers based at Rue Vieille du Temple, Paris. Their instruments are known for exceptional decorative detail. 弗雷, 巴黎; A 5 ½ 八度方形鋼琴1811帝國風格的桃花心木、毛刺榆樹箱與歐姆魯銅錫鋅合金底座，招牌牌匾嵌有刻著"Joseph Frey, elevé du plus grand maitre à Paris, 1811" （約瑟夫·弗雷，由巴黎最偉大的大師撫養長大，1811）的verre eglomise銘牌, 在錐形車枳型桌腿上，七弦琴與四個踏板控制製音器、弱音器、低音管和中板寬168cm, 深66cm, 高84cm目錄注解: 皮埃爾和約瑟夫·弗雷是一家父子鋼琴製造商的公司，總部位於巴黎寺院古街。他們的樂器以獨特的裝飾細節而聞名。 Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium. Condition Report: Casework restored by Period Piano co. and repolished. Requires restoration. Not in playing condition. Condition Report Disclaimer
Lot 26
Y† GABRIEL GAVEAU, PARIS; A 4'4 " GRAND PIANO BY GAVEAU, PARISCIRCA 1932The Art Deco case later veneered in macassar ebony and maple, on square legs and with tubular chrome lyre141cm wide, 99cm high 加布裡埃爾 佳沃, 巴黎; 一架巴黎加沃 4'4 " 三角鋼琴約1932這個裝飾藝術風格的琴箱後來用馬卡沙黑檀木和楓木貼面，下麵是方形腿和管狀鉻七弦琴寬141cm, 高99cm Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium.Condition Report: Casework repolished. Partially restored: Strings removed and prepared for restringingCondition Report Disclaimer
Lot 27
Y† CLEMENTI, LONDON; A 5 ½ OCTAVE CABINET PIANOCIRCA 1825The upright mahogany case with silk panelled front, the rosewood facia board inscribed and with gilt decoration on reeded tapered turned supports172cm high, 110.5cm wide, 56cm deep Catalogue Note: Clementi was a great composer and piano maker, he was called "The father of the modern pianoforte" and is buried in Westminster Abbey 克萊門蒂,倫敦; 一架 5 ½ 八度櫃式鋼琴約1825直立的紅木琴箱與絲綢面板正面，紅木面板題字和鍍金裝飾，蘆葦錐形轉柱高172cm, 寬110.5cm, 深56cm目錄注解: 克萊門蒂是一位偉大的作曲家和鋼琴製造者，他被稱為"現代鋼琴之父"，葬在威斯敏斯特教堂 Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium.Condition Report: Original condition, requiring restoration.Condition Report Disclaimer
Lot 28
Y A 4 OCTAVE SEWING TABLE PIANO, GERMAN OR AUSTRIANCIRCA 1835The rosewood case with hinged lid enclosing a fitted interior with original turned bobbins and silk covered pin cushion above a keyboard on tapered turned hexagonal legs 82cm wide, 51cm deep, 78cm high Catalogue Note:These lovely instruments served a dual purpose as a small instrument for a lady's boudoir and also a sewing table. 一架 4 八度縫紉台鋼琴 , 德國 或 奧地利約1835帶鉸接蓋子的紅木內部裝有原始的旋轉線軸和絲綢覆蓋的針墊，下面有一個鍵盤在錐形旋轉六角形腿上。 寬82cm, 深51cm, 高78cm目錄注解: 這些小巧的工具有雙重用途，既可以作為女士閨房的小工具，也可以作為縫紉台。 Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.Condition Report: Original condition. Requires restoration. Condition Report Disclaimer
Lot 32
Y† AN ENGLISH SQUARE PIANO CIRCA 1795 Possibly by Clementi, the satinwood and Kingwood crossbanded case inlaid with marquetry banding and brass beading and inset with Wedgwood blue jasperware plaques depicting classical figures, on fluted tapered legs with ormolu mounts, the 4 ½ octaves action with two hand levers controlling dampers and buff stops, with original green silk dust cover110cm wide, 50cm deep, 80cm highCatalogue Note:This beautiful little piano, only 42 ¾ " by 19 ½" was most likely a special commission or exhibition instrument. The 7 inset Wedgwood plaques are of the highest quality and are set-off the fine case. The Wedgwood pale-blue Jasper plaques sprigged with white ornament: The nation's greatest potter, Josiah Wedgwood's (1730-95) working life coincided with the 18th century's great love of all things 'Antique'. The splendours of Pompeii and Herculaneum were discovered in this century and the great 18th century Scottish architect Robert Adam had the ruins of the Emperor Diocletian's Palace in Split surveyed in the 1760s. In the ancient world, much extravagant ornament, embellishments for furniture and elaborate vessels were made from polished stones or glass so Wedgwood developed a variety of dry stoneware bodies that could be worked and polished in the lapidary manner to resemble jaspers, basalts, marbles etc. of the type that was being excavated all over the Greaco-Roman world. Wedgwood commissioned work from many of the best designers and artists of the day and collaborated with other manufacturers such as Matthew Boulton and architects like Robert Adam. 'Domestic Employment', seen here on the central medallion of the piano, was realized by his modeller William Hackwood after designs by Elizabeth, Lady Templetown from her cut paper patterns. The Potteries Museum and Art Gallery in Stoke on Trent has confirmed such attribution. In addition to Lady Templetown, Wedgwood used the designs of two other talented amateur female artists for designs for the new Jasper body perfected in 1776, namely Lady Diana Beauclerk and Miss Emma Crewe. It may seem unusual for the period for Wedgwood to commission female artists, but for the potter and his business partner Bentley, patronage of fashionable people, be they male or female, made perfect commercial sense. 英式方形鋼琴 約1795可能是通過克萊門蒂，緞木和黃檀樹交叉頻帶的琴箱，鑲嵌著細工鑲嵌條帶和黃銅卷邊，嵌入插圖韋奇伍德藍色浮雕玉石匾牌描繪著古典人物，加上鍍金支架槽錐形腿，4½八度擊弦機帶有兩個手杠杆控制減緩器和緩衝停止，加上原來的綠色絲綢防塵罩寬110cm, 深50cm, 高80cm目錄注解: 這架漂亮的小鋼琴，只有42又3 / 4英寸長，19½英寸寬，很可能是一個特別委託或展覽樂器。7個鑲嵌的韋奇伍德牌匾擁有最高品質，突出的精細琴箱。 韋奇伍德淡藍色的碧玉牌匾上點綴著白色裝飾: 英國最偉大的陶工喬賽亞·韋奇伍德(1730-1995年)的職業生涯與18世紀對 "古董"的熱愛不期而遇。龐貝和赫庫蘭尼姆的輝煌在本世紀被發現，18世紀偉大的蘇格蘭建築師羅伯特·亞當在18世紀60年代對位於斯普利特的戴克裡先皇帝宮殿的廢墟進行了勘察。在古代，很多奢侈的裝飾品，傢俱和精緻的器皿都是由拋光的石頭或玻璃製成的，所以韋奇伍德開發了各種乾燥的炻器，可以用寶石的方式加工和拋光，類似碧玉，玄武岩，古希臘羅馬世界各地都在挖掘的大理石等。 韋奇伍德委託當時許多最優秀的設計師和藝術家進行設計，並與其他製造商合作，如馬修博爾頓和羅伯特亞當等建築師。這架鋼琴的中央大獎章上的"Domestic Employment"是由他的模特威廉·哈克伍德根據伊莉莎白·坦普爾頓夫人的剪紙圖案設計出來的。除了鄧普頓夫人之外，韋奇伍德還使用了另外兩位才華橫溢的業餘女性藝術家的設計，他們是戴安娜·博克拉克夫人和艾瑪·克魯小姐，在1776年為賈斯珀設計了完美的新身體。在那個時期，韋奇伍德委託女性藝術家似乎是不尋常的，但對陶工和他的商業夥伴賓利來說，贊助時尚人士，無論是男性還是女性，都具有完美的商業意義 Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium.Condition Report: Case has been repolished at some time in the past. Wedgwood plaques restored. Instrument requires minimal musical restoration. Condition Report Disclaimer
Lot 34
Y† A GEORGE IV ROSEWOOD MUSICIAN'S CHAIRCIRCA 1830The back with curved top rail and pierced foliate splat above an embroidered upholstered adjustable circular seat on stiff leaf carved tapered turned front legs united by a stretcher88cm high, 36cm diameterProvenance:From the private collection of Cecil Beaton喬治四世玫瑰木音樂家椅子約1830背部帶有彎曲的頂部欄杆和穿孔葉板，下麵是刺繡軟墊和可調圓形座位，硬葉雕刻錐形旋轉前腿由延伸器結合。高88cm, 直徑36cm起源: 塞西爾·比頓的私人收藏 Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium.
Lot 37
Y† BROADWOOD, A 5 ½ OCTAVE SQUARE PIANO, NUMBER 190601815The mahogany case with crossbanding inlay, brass beading and decorative cast brass mounts to case, with integral drawers to underside of the case, on 6 reeded legs capped with decorative brass rings, the original interior painted 'dust cover'168cm wide, 64cm deep, 84cm high 布羅德伍德, 一架 55 ½ 八度方琴, 編號190601815紅木琴箱帶有交叉鑲嵌，黃銅珠飾和裝飾性黃銅底座，琴箱底部有完整的抽屜，有6個凹槽腿上，上面蓋著裝飾性黃銅環及之前的內部漆 "防塵罩"。寬168cm, 深64cm, 高84cm Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium.Condition Report: Restored approximately 25 years ago. Now requires some repairs, restoration/adjustment. Pedal lever absent. Case in good overall condition consistent with age. Split to sound board. Hitchpin rail pulling away from case. Condition Report Disclaimer
Lot 38
Y† ERARD, PARIS; A 5 OCTAVE FF- F3 EARLY SQUARE PIANO1798, NUMBER 3915The mahogany case with inlaid brass mouldings, the facia board inscribed Erard Freres & Co, raised on tapered fluted legs148cm wide, 56cm deep, 81cm highProvenance:Originally supplied to Viscount du Bouchage, Grenoble. Du Bouchage was an important high-ranking military officer and politician who received the Legion d'Honneur from Napoleon I. Catalogue note:François Joseph de Gratet, Vicomte du Bouchage (1 April 1749, Grenoble - 12 April 1821), The Vicomte du Bouchage was an artillery general, politician, and French Minister of Marine in 1792 and 1815, and Minister of Foreign Affairs 1792. Born into a noble family of Bugey, he was the fourth child of Claude-Francois de Gratet, Vicomte du Bouchage, who was barrister and honorary knight in Parliament of the Dauphiné. Like his brother Marie-Joseph, he embraced a military career in 1763, at the age of fourteen. Considered a brilliant officer, he was appointed brigadier on 1 November 1784 during the creation of the corps of Colonial Royal Artillery.On 1 May 1786, he was Deputy Director at Brest naval artillery. Becoming a Director at the beginning of the revolution in 1791; he published a paper on the organization of the Marines which inspired a legislative decree June 1792. By 1792 he had been created Field Marshal and Inspector General of Artillery and accepted the position of Portfolio Minister of the Navy, after the dismissal of Roland, then as Minister of Foreign Affairs. He was dismissed in August 1792 for being anti-revolutionary. He advised Louis XVI in resistance. 艾拉爾, 巴黎; 一架 5八度 FF- F3 早期方形琴1798, 編號3915紅木琴箱鑲嵌黃銅模具，面板上刻的Erard Freres & Co在錐形凹槽腿上凸起寬148cm, 深56cm, 高81cm拍品來源: 最初供應給格勒諾布爾的維孔特·杜布夏。杜布夏是一位重要的高級軍官和政治家，他獲得了拿破崙一世授予的榮譽軍團勳章。 杜·布夏子爵在1792年和1815年曾任炮兵將軍、政治家和法國海軍大臣，1792年任外交大臣。 他出生在布熱的一個貴族家庭，是克勞德-弗朗索瓦 德 格雷特的第四個孩子，克勞德-弗朗索瓦 德 格雷特是杜布夏的子爵，他是Dauphiné議會的律師和榮譽騎士。 像他的哥哥瑪麗-約瑟夫一樣，他在1763年14歲時開始了軍旅生涯。1784年11月1日，他被任命為準將，他被認為是一名才華橫溢的軍官。1786年5月1日，他擔任布列斯特海軍炮兵部副主任。在1791年革命之初成為董事;他發表了一篇關於海軍陸戰隊組織的論文，這激發了1792年6月的立法法令。 1792年，他被任命為陸軍元帥和炮兵總長，並在羅蘭被解職後擔任海軍部長，當時他是外交部長。 1792年8月，他因反革命而被革職。他建議路易十六發起反抗。 Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium. Condition Report: Original condition with original strings. Hammers original (now requiring re-hinging). 1 hammer missing. Soundboard and bridge in good condition. Pedals and controlling levers missing. Case with some stains and marks. Action in non-playing original condition. No restoration history. Condition Report Disclaimer
Lot 4
Y† A MID VICTORIAN ROSEWOOD PIANO STOOLCIRCA 1870The circular adjustable seat in velvet upholstery above a foliate carved apron and cabriole legs with scroll feet53cm high minimum, 42cm diameter維多利亞中期花梨木鋼琴凳約1870圓形可調節的天鵝絨座椅，下麵是葉狀雕刻的刀座帷和帶滾輪的彎腳最低53cm, 直徑42cmY indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium.
Lot 8
Y† PLEYEL, PARIS; A RARE 7'6'' 'AUTO PLEYELA' GRAND PIANO, NUMBER 17839 1925 The model is a traditional Pleyel Trois Bis grand, fitted into a special case accommodating the auto Pleyel piano roll mechanism. The Chinoiserie case decoration signed Leo Huillard, the scarlet lacquered and gilt gesso decoration depicting birds and flowering branches the underside to the top painted with birds and landscape on an old gold ground on 6 cabriole legs 145cm wide, 109cm high; together with a selection of 65 original piano rollsClick here to see the Pleyel playing a foxtrot, ‘Ce jeune et ça ne sait pas’, on an original piano roll, contemporary with the piano.Click here to see the Pleyel playing Stravinsky’s, 'Le Sacre du Printemps' ('The Rite of Spring') which premiered in 1913. It was arranged for piano roll and played by Igor Stravinksy himself. Provenance: Originally supplied to Monsieur Roger Sudreau in 1929Catalogue Note: The 'Auto Pleyela' was Pleyel's most sophisticated pianola mechanism offering considerable personal control of dynamics and tempi. The system runs both by pedalling and via an electric motor. Very few examples can still be found, the present lot is likely to be the only example in UK.The piano has been restored to playing condition, and all of the main components of the pianola mechanism have been restored.Roger Sudreau Roger Sudreau was a well know figure within New York and Parisian society during the early 20th century. His scandalous marriage to Jacqueline Lebaudy, daughter of the notorious sugar magnate known as the Emperor of the Sahara. He was a fabulously wealthy figure and the toast of the New York and Paris society in the early 20th century. 普萊耶爾，巴黎; 一架稀有的 7'6'' '自動普雷耶' 三角鋼琴, 編號178391925該模型是一個傳統的普雷耶三人重複演奏三角鋼琴，安裝了一個特殊的琴盒，可以容納自動普雷耶鋼琴滾動裝置。中國風格的琴箱裝飾上有利奧·於亞爾的簽名，紅色漆和鍍金的石雕裝飾描繪了鳥和開花的樹枝，從底面到頂部，畫著古老的金色地面上的鳥和風景，下面是6個彎腳寬145cm, 高109cm; 帶有精選的65個原版鋼琴捲簾拍品來源:最初是1929年供應給羅傑·蘇德羅先生目錄注解: "自動普雷耶"是普雷耶最複雜的自動鋼琴機制，提供相當大的個人控制動力和節拍。該系統通過腳踏和電動馬達來運行。現在已經很少有這樣的例子了，現在的這批可能是英國唯一的範例了。羅傑·於亞爾羅傑·於亞爾是20世紀初紐約和巴黎社會的知名人物。他和賈桂琳·勒波迪有著不體面的婚姻，賈桂琳·勒波迪的父親是臭名昭著的糖業大亨，被稱為撒哈拉大沙漠的皇帝。他極其富有，祝酒的人都來自20世紀初的紐約和巴黎社會。 Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium. Condition Report: Case decoration/gilding restored. Musically restored. New strings and hammers, voiced and regulated. Pianola mechanism restored. Functions with foot pedals or electricity. Electrical system reconfigured to work with modern electrical vacuum pump rather than outdated electrical motor driven bellows. Condition Report Disclaimer
Lot 734
A Grainger & Co Royal China Works Worcester reticulated ivory vase and cover, decorated with a view of Worcester with gilt ivy frame to the one side and swallows to the other, attributed to C H C Baldwyn, with pierced cover, rim, handles, and band to the lower body, raised on a square pedestal foot, height 11.5ins
Lot 595
Locke & Co Worcester blush ivory porcelain cruet set on plated stand, matched factory stamps to the undersides, stand 5.5" high; together with a Locke & Co blush ivory pot pourri bowl, 2.5" high and a Royal China Works Worcester Grainger & Co posy vase, 2.75" high; also a Bovey Tracey Jennylind pattern cup, 3" high (4)
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