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A large group of exhibition catalogues and miscellaneous reference books Comprising: Miho Museum, 1997; Sculpture Collection of the Cincinnati Art Museum, 1970; Kunsthalle Basel, Meisterwerke Griechischer Kunst, 1960; K. Schefold, Basler Antiken Im Bild, 1957; Stiftung zur Förderung der Hamburgischen Kunstsammlungen, 1961; Stiftung zur Förderung der Hamburgischen Kunstsammlungen, 1970; Ny Carlsberg Glyptotek, Antik Kunst i Dansk Privateje, 1974; Antikenmuseum Basel + Sammlung Ludwig, Etrukische Kunst, 1988; Antikenmuseum Basel + Sammlung Ludwig, Orient und Fruehes Griechenland, 1990; Antikenmuseum Basel + Sammlung Ludwig, Münzen, 1988; Masterpieces of the J Paul Getty Museum, Antiquities, 1997; Institut der Universität Zürich, Das Tier in der Antike, 1974; Antikenmuseum Berlin, Antiken aus Berliner Privatbesitz, 1976; Miho Museum, Connaissance des Arts, 1997; Sotheby's, Classical Antiquities from the Private Collections of Great Britain - a Loan Exhibition, 1986; Handbook to the Nicholson Museum, 1948; J. Chittenden and C. Seltman, Greek Art: A Commemorative Catalogue of an Exhibition held in 1946 at the Royal Academy, Burlington House, London, 1946; Nelson Gallery of Art, Atkins Museum, Handbook, vol II, 1973; Nelson Gallery of Art, Atkins Museum, Handbook, vol I, 1973; P. Getz-Preziosi, The Obsidian Trail, Museum of Cycladic and Greek Art, 1987; J.L. Zimmermann, Ancient Art from the Barbier Mueller Museum, 1990; G. Ortiz, In Pursuit of the Absolute; Art of the Ancient World, the George Ortiz Collection, 1996; B. Fleischman, No Substitute for Quality; the Many Worlds of Larry Fleischman, 1995; D. Scott Fox, Mediterranean Heritage, 1978; Bob Hecht by Bob Hecht; J. van der Kiste, Kings of the Hellenes, Greek Kings 1863-1974, 1994; R.H. Randall jr., Masterpieces of Ivory from the Walters Art Gallery, 1985; D.M. Wilson, Anglo-Saxon Ornamental Metalwork, 700-1100; Catalogue of Antiquities of the Later Saxon Period, British Museum, Vol. I, 1964; M. Artamonov, The Dawn of Art, The Hermitage Collection, 1974; S. Moscati (eds.), The Celts, 1991; J. Durand, Byzance; L'Art Byzantin dans les collections Publiques Francaises, 1993; Gens Antiquissima Italiae, Antichita dall'Umbria a New York, 1991; V.R. Desborough, The Last Mycenaeans and their Successors; an Archaeological Survey c1200-c1000 BC, 1964; L. Marangou, Bone Carvings from Egypt; I. Graeco-Roman Period, 1976; J. Nells, The World of Ceramics; Masterpieces from the Cleveland Museum of Art, 1982; H. Froning, T. Holscher & H. Mielsch, Kotinos; festschrift fur Erika Simon, 1992; N. Kunina, Ancient Glass in the Hermitage Collection, 1997; B. Bergmann and C. Kondoleon, The Art of Ancient Spectacle, 1999; C. Wagner and J. Boardman, A Collection of Classical and Eastern Intaglios, Rings and Cameos, 2003; K. Kilian, Fibeln in Thessalien, 1975; S.M. Heim, Ladders to Heaven: Our Judeo-Christian Heritage 5000BC - AD 500, 1979; F. Edgu, The Anatolian Civilisations part I, Prehistoric/ Hittite/ Early Iron Age, 1983; N. Asgari and S. Atasoy (eds), The Anatolian Civilisations part II, Greek/ Roman/ Byzantine, 1983; N. Tapan and F. Cagman (eds), The Anatolian Civilisations part III, Seljuk/ Ottoman, 1983; J. Boardman, Intaglios and Rings; Greek, Etruscan and Eastern from a Private Collection, 1975 (x2); H. Shetelig (eds), Viking Antiquities in Great Britain and Ireland, part V, 1940; H. Shetelig (eds), Viking Antiquities in Great Britain and Ireland, part VI, 1954; E. Simon and M. Gawlikowski, Die Goetter am Trajansbogen zu Benevent & Aus dem syrischen Goetterhimmel, 1979/80; H. Wrede, Der Antikengarten der del Bufalo bei der Fontana Trevi, 1982; B.H. Krause, Iuppiter Optimus Maximus Saturnus, 1983; J. Boardman, Island Gems; a Study of Greek Seals in the Geometric and Early Archaic Periods, 1963; F. Baratte, East and West: A Central Asian Silver Hoard from the Parthian Era, 2002; K. Polinger Foster, Aegean Faience of the Bronze Age, 1979; F. Canciani and F.W. von Hase, La Tomba Bernardini di Palestrina, 1979; K. Lehmann and P. Williams Lehmann, Samothrace, Excavations Conducted by the Institute of Fine Arts, New York, part 3, The Hieron, Text II, 1969; Samothrace, Excavations Conducted by the Institute of Fine Arts, New York, part 3, The Hieron, plates, 1969; Samothrace, Excavations Conducted by the Institute of Fine Arts, New York, part 4, The Altar Court, 1964 (58)For further information on this lot please visit Bonhams.com
A pair of Edwardian ivory gaming counters, hand pointers, numbered 0-9, on turned ebonised bases, approx 4cm diam; a treen marquetry turned cylindrical box, marquetry cover, enclosing gaming tokens, approx 4cm high; another similar, enclosing a measure tape, approx 2.5cm high; a Victorian black lacquered box, containing a quantity of gaming tokens; a Chinese mother-of-pearl canted rectangular box and cover, approx 5.5cm
A late 19th century Persian ivory and silver bracelet, seven painted ivory panels depicting the Seven Pleasures of Daily Life, silver clasp with safety chain, silver panel stamped with Arabic mark, approx 18cm long, gross weight approx 58.4gmsCondition report: losses to paint on each panel, stamped to back of clasp
Demetre Chiparus'Child with umbrella', circa 1925Patinated bronze, painted bronze, ivory, onyx. 22.5 cm highProduced by Etling, Paris, France. Umbrella incised Chiparus/ETLING PARIS.Footnotes:LiteratureAlberto Shayo, Chiparus: Master of Art Deco, Suffolk, 2016, p. 43This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Demetre Chiparus'Schoolgirl with satchel', circa 1925Patinated bronze, ivory, onyx. 19 cm highProduced by Etling, Paris, France. Reverse incised D. H. Chiparus/8 and underside incised 3233.Footnotes:LiteratureAlberto Shayo, Chiparus: Master of Art Deco, Suffolk, 2016, p. 235This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Demetre Chiparus'Schoolgirl', circa 1925Patinated bronze, ivory, onyx. 19 cm highProduced by Etling, Paris, France. Reverse and base incised D. H. Chiparus/ETLING PARIS.Footnotes:LiteratureAlberto Shayo, Chiparus: Master of Art Deco, Suffolk, 2016, p. 233This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Demetre ChiparusGirl holding elephant, circa 1925Patinated bronze, ivory, onyx. 18.5 cm highReverse incised Chiparus/8006/4.Footnotes:LiteratureAlberto Shayo, Chiparus: Master of Art Deco, Suffolk, 2016, pp. 232-237 for similar examplesThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Demetre ChiparusSchoolgirl, circa 1925Patinated bronze, ivory, onyx. 20 cm highReverse incised Chiparus/7893/2.Footnotes:LiteratureAlberto Shayo, Master of Art Deco, Suffolk, 2016, p. 235 for a similar exampleThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Three Japanese ivory okimono, Meiji period (1868-1912), comprising: a lady playing with a cat with a boy seated ber her feet, 13.5cm high, Hotei standing with a fan in his left hand, signed to base, 12.7cm high, a group of a samuri fighting against an oni, 9.5cm high, a Chinese snuff bottle and cover, early 20th century, carved with numerous luohan, signed Daming to base, 6.5cm high, and a ivory plaque, carved with cherubs 12.3 x 8.5cm (6)Condition report: Lady - ivory with small hairline cracks, minute chips to edges and a crack with a hole to the base. Lady's right hand restored and left foot chipped. Hotei - restored throughout. Cracks and chips to various locations. Samurai group - minute chips and cracks to ivory. Snuff bottle - cracks and minute chips to ivory. Plaque - one side drilled with holes, chipped in various locations, surface scratches.
Burrows, London 1801/1802, comprising teapot and stand, twin handled sugar basin and milk jug, all of oval form, bright-cut engraved decoration throughout and laurel cartouche to the centre of each, with threaded angular handles, the stand raised on four bracket feet, teapot with ivory handle and turned finial Height of teapot: 16.5cm, weight (all in): 30ozFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Joseph Steward, London 1768, (later spout marked), of conventional cylindrical form, the domed hinged cover with scroll thumbpiece, threaded detail to domed cover and base, lid fully marked, ivory inserts to handle and prick engraved initials to handleHeight: 20cm, weight: 28.6ozFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
John Payne, London 1759, of compressed bullet form, Chinoiserie style throughout with naturalistic handle and spout, allover chased scroll and foliate detail to body, the central cartouches with pastoral scenes, with budding finial, ivory inserts to finialHeight: 10cm, weight: 13ozFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Edward & Sons, Glasgow 1899, comprising teapot, hot water pot, cream jug, and twin handled sugar basin, each of baluster form, heavily chased depictions of Classical scenes in amongst cherubic masks and garland decoration, engraved monogram to the centre panel, S scroll handles, the domed lids with knopped finials, ivory insert to teapot and waterpot handles Height of waterpot: 27cm, combined weight: 60ozFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Edward & Sons of Glasgow, Birmingham 1938/9, comprising coffee pot, water pot, twin handled sugar basin and milk jug, all in the style of the 19th-century silversmith, Paul de Lamerie, each with a panelled body, chased shell and diaper border with ivory handles and knopped finialsHeight: 18.5cm, weight (all in): 53.8ozFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
The Barnards, London 1869/70, comprising coffee pot, teapot, twin handled sugar basin, and milk jug, all of pear form with chased floral and fan decoration within beaded borders and further engraved decoration, engraved initials to the centre of each, with C scroll handles and knopped finials, ivory insulators to handlesHeight of coffee pot: 24cm, combined weight: 65ozFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
A Heal's Arts & Crafts limed oak linen press, the pair of four panelled doors enclosing three slides over two short and three long drawers, ivory retailers label, width 106cm x height 178cm.Condition report: Very minor areas of wear throughout, small white paint flecks to sides which can be easily removed, this piece of well made furniture is solid and robust. The drawers operate in a smooth fashion, there is no evidence repairs or worm. Door lock missing
A Heal's Arts & Crafts oak square section side table, raised on circular turned legs with pad feet, ivory retailers label, width 61cm.Condition report: There are many light scratches to the table top, slight separation of joint also to the table top and some staining, the joints are stable and solid. Extra images on the David Lay website.
A collection of 19th and 20th Cenutyr treen and other collectables, to include two guitars and a lute of tortoiseshell and mother of pearl, an African tribal hair comb, a Chess set, a carved Norwegian wooden salt, a book mark, technical drawering items, including a Victorian ivory folding ruler by J. Rabone & Sons, and more (parcel)
A good collection of works of art and various items, including a early 20th Century tortoise shell cigarette case with gold cartouche, a leather cigarette case, another tortoiseshell example, and a Japanese inlaid curved cigarette case, plus a small glass micro mosaic photograph frame, a bronze medallion with bust of gentleman, a large antique key, a small late 19th Century Japanese carved ivory Netsuke, several small pottery figures and much more (parcel)
A large Japanese ivory okimono of the seven Gods of Happiness treasure ship the Takarabune, early Showa period,the deck surmounted by the figures of the seven Immortals sailing the ship, the exterior of the ship ivory overlaid and carved in low relief with floral mon on a wall would stand carved as as waves, presentation plaque dated 1939,Total height 42 cm, length 41 cm, slight faults
A cased WWI, WWII and Military C.B. medal group to Rear-Admiral John Dent R.N. (1899-1973) and a cased KCVO and Order of St. John to his son Sir Robin John Dent (1929-1999)including Order of the Bath neck badge, WWI trio, five WWII medals (1939-45 medal with bronze oak leaf), Naval GSM with S.E. Asia 1945-46 clasp and matching miniatures, together with two cased Chinese school watercolour portrait miniatures on ivory of John Dent and his wife and other various photographs, the KCVO and Order of St. John separately casedCase 45.5 x 36 cm
A Vizagatapatam ivory sewing casket, second quarter 19th century,of sarcophagus form with sunburst motif to the domed cover with reeded sides and lac decorated continuous leaf and flower banded borders, on four gadrooned bun feet, the sandalwood and ivory veneered interior with fitted tray containing lidded compartments and sewing accessories,width 35cm depth 28cm height 18cm
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239713 item(s)/page