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A rare 19th century Indian Bowie (hunting) knife with turned ivory handle and silver mounts by Arnachellum, Salem in original brown leather sheath, the silver pommel engraved ' Presented to the Zemindar of Suptour by Captain Burne SFG, May 1870'. Active in the mid to late 1800's in the city of Salem, Tamil Nadu, India, Arnachellum was considered a top producer of knives for the Indian market as well as overseas travellers. The ivory on this knife shows some signs of wear commensurate with its age and use but is of the finest quality.
A Late C18th English oyster veneered collectors cabinet on stand with later bracket feet. A fully fitted interior with fine marquetry inlay of floral and bird detailing. The inlay of ivory, laburnum , walnut, amboyna, ebony and kingswood. With tulipwood and boxwood banding. The top draw with three cartouches above panel doors with fitted interior consisting of a multitude of pine drawers and panels above single draw on later bracket feet. In need of restoration.
A Fabulous 17th Century North Italian Table Cabinet of rectangular form. The cabinet clad in exotic veneers and inlaid with panels of scrolling foliage and figures silhouetted against an ivory ground. The corners mounted with pierced scrolling brackets. The sides fitted with ornately cast swing handles on face mask mounts. The fall front opening to reveal a marquetried interior fitted with drawers surrounding a central arcaded cabinet enclosing further drawers within. The facades enriched with engraved ivory inlay and edged in moulding. The piece standing on turned and ebonised feet 14½ ins (37 cms) high, 17 ins (43 cms) wide, 12½ ins (32 cms) deep.
A Group of Four 19th Century Walking Sticks to include one composed of vertebrae with a scrimshaw ball finial engraved with sailing ship, initials LF and date 1842, 33½ ins (85 cms) in length. The other three of various striped designs composed of sections of bone alternated with rings and bands of horn and ivory.
A Regency Oil on Canvas: Full Length Portrait of a Gentleman in landscape leant against a wall, with a boat in the distance. The gentleman depicted wearing a black frock coat over an ivory waistcoat with lace cravat, holding a letter; his hat resting on the wall beside him, 30 ins x 25 ins (76 cms x 64 cms), in a gilt frame with scrolling ornamentation to the corners, 27 ins x 31 ins (94 cms x 79 cms).
Attributed to John Michael Wright (1617-1694). A Fine Mid 17th Century Oil on Canvas: Three Quarter Length Portrait of a Lady wearing a blue satin drape over an ivory dress with a string of pearls around her neck and her pet spaniel by her side. The subject sat in landscape, 46 ins x 36 ins (117 cms x 91 cms) contained in a gilt frame 50 ins x 41 ins (127 cms x 104 cms)
- Treated to a 'money no object' mechanical and cosmetic restoration - 1 of just 2,717 Cloud II Standard Steel Saloons made - Cream hide interior, PAS, automatic transmission Further Info: Introduced in 1959, the Silver Cloud II may have looked nigh on indistinguishable from its predecessor but the familiar sheetmetal clothed an all-new alloy 6.2 litre V8 engine, standard-fit power steering and improved ventilation system. Just 2,418 standard wheelbase examples were built between 1959 and 1962. A going concern when purchased by the vendor for £22,000 in 2013, chassis SXC473 was nevertheless treated to a thorough restoration ahead of his wedding. Intended to ensure that the Rolls-Royce helped make the day as special as possible, the work was carried out by JK Engineering Services Ltd of Biggleswade at a reported cost of over £88,000. As well as a bare metal respray and full interior retim in Black and Ivory respectively, the refurbishment included overhauls of the Silver Cloud II's 6.2 litre V8 engine, automatic transmission and differential etc. Attention was also paid to its brightwork, interior woodwork, radiator, wiring, brakes, power assisted steering and suspension etc. The results speak for themselves and this decidedly smart Rolls-Royce is worthy of close inspection. Offered for sale with V5C Registration Document, current MOT certificate and restoration paperwork.
A Doulton Lambeth stoneware biscuit barrel, dated 1883, decorated by Edith Lupton and Rosina Brown, with plated mounts, incised marks to base, together with two oak biscuit barrels, a blush ivory biscuit barrel, a Royal Doulton Series Ware candlestick and an early 20th century inlaid mother of pearl cigarette box.
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239713 item(s)/page