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Lot 85
Make and Model: Jaguar XJR PortfolioRegistration: OU56 KVSYear : 2006Colour: BlackEngine Capacity: 4196CCChassis No: SAJAC73R97TH13622Engine No: 0606170912TGDocuments: V5C. full Jaguar main dealer service history with invoices. Heritage certificate. 76,000 milesJaguar introduce the re-engineered third generation XJ (knows as X350) in 2003, featuring an all aluminium body. It was at its most potent in the form of the XJR, which in this incarnation boasted a supercharged 4.2 litre V8 producing 400BHP and 408lbs of torque. This was enough to propel this super saloon to a top speed of 155mph (limited) and the 0-60 mph dash in 5 seconds dead, all in near silence and sublime comfort with adaptive air suspension and smooth six speed ZF gearbox.The example offered today is the highly desirable Portfolio edition of which only 100 were offered in the UK. Looking particularly menacing in black livery, the car is equipped with every conceivable extra, to include heated ivory leather memory seats and electric rear blinds. The car has a full Jaguar main dealer history and was last serviced in January of this year. The car is well known to the cataloguer who can confirm that it drives without fault. The vendor informs us that it will have a full MOT in time for the sale.
Lot 257
*English School. Portrait of Julia Richmond (1811-1881), oval watercolour and gouache miniature on ivory, painted from a photograph taken in 1868, 48 x 38 mm (1.9 x 1.5 ins), set in a thin gold metal frame, glazed, and with maroon morocco backing and label of J. & W. Vokins, Miniature Frame Makers to H.R.H. The Prince of Wales & The Royal Family, 14 & 16 Gt. Portland St. W., housed in original maroon velvet-lined oval black leather case with clasp Provenance: Estate of George Richmond (1809-1893). Illustrated: A.M.W. Stirling, The Richmond Papers, 1926, page 88 (illustrated opposite). This work is likely to have been made following the death of Julia Richmond on 6th January 1881 (at the age of 69). An annotated copy of The Richmond Papers, by A.M.W. Stirling is enclosed with this lot. (1)
Lot 255
*Richmond (George, 1809-1896). Portrait of Charles Heathcote Tatham (1772-1842), after the portrait by Thomas Kearsley exhibited at the Royal Academy in 1799, circa 1830, miniature watercolour and gouache on ivory, 87 x 69 mm (3.5 x 2.75 ins), framed and glazed Provenance: George Richmond (1809-1896) thence by descent. The architect and designer Charles Heathcote Tatham (1772-1842), whose daughter Julia married George Richmond, was supported in his early career by the architect to the Prince of Wales, Henry Holland, by whom he was sent on a Grand Tour of Italy (1794-96), where he enjoyed the companionship and company of Joseph Michael Gandy, Antonio Conova, Sir William and Lady Hamilton, Angelica Kauffmann, Frederick Howard, 5th Earl of Carlisle, and Antonio Asprucci. The present work is a miniature copy of the portrait painting by Thomas Kearsley (1773-circa 1802), exhibited at the Royal Academy in 1799 as number 161, which was owned by George Richmond until sold at Christie's in 1897. Richmond's large oil on canvas version of the portrait, dating from 1874, was sold at Sotheby's London on July 4th 2001, lot 134. George Richmond eloped with Charles Tatham's daugther Julia to Gretna Green, and was married on January 24th 1831, having been lent £40 by Samuel Palmer. (1)
Lot 256
*Richmond (George, 1809-1896). Portrait of the artist's wife Julia Richmond (1811-1881), circa 1830, miniature oval watercolour and gouache on ivory, 38 x 32 mm (1.5 x 1.25 ins), set in an oval metal brooch, with thin gold frame and outer border of seed pearls Provenance: Estate of George Richmond; thence by descent. A fine small-scale portrait of Julia Tatham, daughter of Charles Heathcote Tatham (1772-1842), and sister of Frederick Tatham (1805-1878). George Richmond and Frederick Tatham were both members of the circle of artists formed around Samuel Palmer in Shoreham, who were influenced by William Blake in his final years. Around 1825, Julia's father appointed George Richmond as a drawing tutor to his daughter, the beautiful 14 year old Julia. The relationship was initially encouraged, but when a wealthy older suitor appeared, Charles Tatham changed his mind, forcing the young couple to elope to Gretna Green, where they were married on 24th January 1831. Samuel Palmer loaned George Richmond the substantial sum of £40 to aid their elopement. The father forgave the couple after he was reassured by the artist John Linnell that his daughter's new husband had a promising future in the art world. (1)
Lot 68
*Surgical Instruments. A large collection of mid-20th century surgical instruments, including recto-anal equipment used for diagnosis and treatment of piles, etc., including ivory protected clamp, mouth, tonsil, mastoid, thyroid and larynx instrumentation abdominal instruments, especially many varieties of clamps for the stomach, small and large bowel, wound retractors and other items (2 cartons)
Lot 102
*Opera coat. A black velvet opera coat, B. Altman & Co., Paris, New York, 1930s, full-length black silk velvet coat, with gathered blouson back, large collar, sleeves gathered at shoulders and tapering to cuffs, and two button loops (one button missing and consequent small hole), a short split in one seam, lined with ivory satin, with matching interior tie, and B. Altman label, length 146cm (57.5ins), bust 82cm (32ins), sleeve length 58.5cm (23ins) Glamorous opera coat made for luxury New York department store B. Altman & Company, in very good wearable condition. (1)
Lot 260
*Richmond (George, 1809-1896). A group of approximately 20 letters from and concerning various members of the Richmond family, including an autograph letter signed from John Richmond (1854-1918) to Joan Severn (wife of Arthur Severn, cousin and heir of John Ruskin) with copy of John Ruskin's letter written to final page, two letters from Robert Lowe, First Viscount Sherbrooke, to George Richmond, a letter from Walter Coleridge Richmond to his mother, 1878, 20th-century letters from Anthony Walter Richmond to Walter Coleridge Richmond, Ernest Tasham Richmond to John Sebastian Richmond and Mary, talking affectionately of his brother, a letter from Mary Richmond concerning George Richmond's character, plus other letters from S. Oram (x 3), G.E. Cokayne, Salisbury, Maria Thomas, etc., plus related ephemera including a manuscript titled 'The History of Little Fanny', three photographs (two not from life), news cuttings, and various artefacts including two desk seals with turned ivory handles, a snuff box (with George Richmond's initials), 5 scrap albums relating to William Blake Richmond, and an associated photograph album, three quill sharpeners (two ivory) and a bone letter opener, most with the crest of the Richmond family (2 file boxes)
Lot 254
*Richmond (Thomas, 1771-1837). Portrait of William, Duke of Gloucester, 1820, miniature watercolour and gouache on ivory, showing the Duke of Gloucester half-length in garter and robes, signed and dated to verso, 8.3 x 6.7 cm (3.3 x 2.7 ins), period black and gilt frame Provenance: Estate of the artist George Richmond (1809-1896). Additionally inscribed by George Richmond to verso with the sitter's identity, and with presentation inscription 'To Mary Farrer from her loving father GR 1888'. See A.M.W. Stirling, The Richmond Papers, 1926, page 116. (1)
Lot 104
A collection of mostly 19th and 20th century ceramics to include a Royal Doulton bowl having a yellow lustre finish with blue ground interior decorated with flowers, a Royal Worcester cobalt and gilt cup and saucer, a blue and white bone china cup and saucer, a Royal Worcester hexagonal trinket pot depicting cathedrals and castles, a 1933 ivory blush and gilt decorated Royal Worcester cup, an Oriental pin dish decorated with butterflies and flowers on a blue ground, small floral teapot, novelty nursery rhyme puss in boots cup, Royal Worcester floral pin dish, Cauldon yellow and gilt can and saucer, a Royal Doulton blue ground cup and saucer having white cartouche panels depicting exotic birds, Sutherland Imari style cup and saucer etc. Please see images.
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