A LATE 19TH CENTURY CHINESE CARVED IVORY PUZZLE BALL ON CHAIN, with fish hook, carved links above a figure seated on a five layer ball, the outer ball carved with figures in landscapes, the base carved with two peaches, approximate length 26cm, together with another late 19th Century carved ivory puzzle ball on stand, carved with dragons, incomplete, ball diameter 6.5cm, stand height 22.5cm, a late 19th Century Chinese carved ivory boat, lacks flags and with glued repairs, length 21cm, on an ebonised stand, a 19th Century Chinese carved ivory handle (possibly for a parasol) and an Indian ivory chess piece on a puzzle ball base (7) Condition Report The boat has what looks to be a repair piece broken off and has been adhered back on. Puzzle ball has damage together with stand which has damage to base and thread
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Italian wooden chest covered in silk and decorated with gilded cast metal plaques. Possibly Venetian. First half of the 14th century.8,5 x 25 x 14,5 cm. Oak wood box decorated with plaques of cast and gilded pewter on a pink silk base. The edge has a delicate border of four-lobed motifs, with ivy leaves and berries inside, with a central rose, and in the corners are ribbed leaves. The lid is decorated with two large geometric roses with fleurons and ivy leaves in a frame with medallions which surround griffins, dragons, eagles and other fantastical animals. The handle, which is mobile, is made of gilded bronze and ends in a dragon’s head at each side, with a rhomboidal knot in the centre and two ivory beads, which also adorn the corners of the chest. The lock is made of wrought iron and the lid and base are fringed with silk tassels. It rests on four gilded bronze, spherical feet.This lot comes from importation and therefore has the export license from spanish culture guaranteed.
Imposing writing cabinet set with its "contador". Lima. Viceroyalty of Peru. 18th century. This piece of furniture is decorated with inlaid shells - a technique known as "enconchado." The interior is made of red cedar covered with marquetry made from contrasting woods, tortoiseshell, stained bone and mother of pearl. Total measurements: 114 x 110,5 x 33 cm. Lower body: 70 x 110,5 x 33 cm. Upper body: 55’5 x 78,8 x 25 cm. Important example of Peruvian “enconchado” furniture. On each of its faces, as well as on the doors of the central body, there is a tortoiseshell and mother of pearl coat of arms of the Order of Our Lady of Mercy in an octagonal compartment in relief. Both bodies of the desk have three sides each and are topped with various pinnacles which give them a marked architectural character. The lower one has two doors at the sides and a double central door, which hides four drawers behind it. The central section has another drawer. The upper body follows the same scheme as the lower, but the sides do not open out with doors. Among old inventories we find a definition for this type of furniture, which was very probably sold accompanied by a gaming table. As the curator Jorge Rivas describes (2007), "the highest strata of Colonial society in Latin America had an excessive taste for luxury. Enormous sums of money were invested in sumptuous items which came from all around the world. The merchandise from Europe and the Far East were in competition with local products, which were often even more luxurious than those which were imported." Rivas adds that this type of luxurious furniture was considered to be indispensable in showing a family’s social status. With regard to the technique used, "inlay was one of the most employed decorative techniques for decorating desks and writing cabinets. Generally, they were inlaid with precious materials such as bone, ivory, mother of pearl, ebony and tortoiseshell.” Jorge Rivas, who we quote, is currently the curator of the Frederick and Jan Mayer Center in the Denver Art Museum, and head of the Latin American Art department. He has correctly identified this furniture set as being originally from Peru, and, as we can read in Professor Gustavo Curiel’s interesting article: “it has been repeated, without any kind of basis, that this type of furniture was made in Mexico City, the Philippines, the Indo-Portuguese coast and continental Asia. Recently, Jorge Ribas has confirmed, after meticulous study and many comparisons, that these pieces were made in the Viceroyalty of Peru”. There are some comparable examples to this piece of furniture in the Dallas Meadows Museum, the Museo Pedro de Osma in Lima, the Museo Soumaya in Mexico and in the Buenamuerte church and convent in Lima. Finally, there is an example with two body sections which is practically identical to ours which was sold at auction in Sotheby's in New York on the 5th November 1998 for $1690. Reference bibliography: - Campos Carlés de Peña, M. (2013). Un legado que pervive en Hispanoamérica. El mobiliario del Virreinato del Peru de los siglos XVII y XVIII. (pp. 241-287). Ediciones El Viso. - Curiel, G. (2009). Mostrador limeño. Imágenes, del Instituto de Investigaciones estéticas de Mexico. Http://www.esteticas.unam.mx/revista_imagenes/imago/ima_curiel05.html - Rivas, J. F. (2007). Observaciones sobre el origen, desarrollo y manufactura del mobiliario en América Latina. In J. J. Rishel y S. Stratton-Pruitt (Comps.), Revelaciones. Las artes en América Latina, 1492 – 1820. (pp. 498-499). Fondo de Cultura Económica.This lot comes from importation and therefore has the export license from spanish culture guaranteed.
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