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Click here to subscribeA Mid 19th Century Chinese Export Black Lacquer Tea Chest, rectangular, each panel painted with mandarin figures gathered in a palace complex within a scroll frame and foliate ground with butterflies in tones of gilt, side carrying handles, internally with pewter hinged lidded single container, the lid with turned ivory mushroom handle, and engraved with three Daoist gods, (20.5cm high, 35cm wide)
An Edwardian Tea Urn, the oval stand on five scroll supports, the oval moulded urn with a band of stylised leaf work, moulded tap with ivory handle, tapering neck, detachable oval domed lid and flame finial, double wirework scroll handles with three bead spacers, (by Ramsden & Carr, London 1903, 32cm high, 36oz)
circular shape, on four scroll supports, the body part wavy lobed, with gadrooned and foliate borders, ivory insulators, (maker's mark rubbed, London 1825); A Sugar Bowl, of similar pattern, (maker's mark rubbed, London 1819); and A Cream Jug, to match, (by Naphthali Hart, London 1816, gross weight 41oz) (3)
A George III Ivory and Gilt Metal Mounted Octagonal Toothpick Case, the hinged lid centred with an octagonal glazed cartouche enclosing a hair locket, mirrored internally, and containing a Georgian carved bone toothpick with soldier finial, (the case 9.1cm wide); Another Similar, of oval section, (9cm) (internal mirror damaged); and A Small Horn Example, with an edge band of pique inlaid stars, the cartouche engraved with the initials 'SL', (6.1cm) (3)
An Early Victorian Rosewood Card Tray, rectangular, with outward angled sides edged with scrolls and with anthemion pointed motifs to the angles, split bobbin edging to two sides (two lacking), raised on bun feet, (29cm by 21.5cm); A 19th Century French Brass Inlaid Rosewood Pen Box, rectangular, the lid inscribed in brass "Filet" within foliate spandrels and ivory line inlay, ripplework borders, internally with a lidded pen and ink compartment, (22cm wide); and A Mahogany Small Square Box, a single drawer with compartmented lift-out internal tray, on bun feet, (13cm wide) (3)
A Victorian Turned Ivory Trinket Box and Cover, of oval section and with ogee sides, with pin cushion hinged lid, (12cm wide); Another, smaller, (10.5cm); and A Chinese Carved Ivory Cylindrical Trinket Box and Cover, the lid (with mirrored underside) and body decorated with densely arranged roses, circa 1900, (8cm high) (3)
A George III Mahogany Single Compartment Tea Caddy, rectangular section with "fiddle-back" grain and edged in boxwood, with bronze hinged loop finial and ivory narrow lozenge key escutcheon, (11.5cm high) (minor repairs); and a George IV Rosewood Two Division Sarcophagus Tea Caddy, edged in boxwood, with twin lion masks and ring side handles, flat lids with turned bone knops, upon gilt brass bun feet, (21cm wide) (2)
A Victorian Rosewood and Mother of Pearl Inlaid Workbox, the lid with foliate cartouche within pewter string frame punctuated by mother of pearl roundels, internally with compartmented lift-out tray, a catch on the rim releasing a fascia slim writing slope drawer, (30. 5cm wide); containing an assortment of 19th century sewing accessories and items, briefly including a Stanhope tape measure, a root ivory acorn shape bodkin case, a papier mache spectacle case, a purse, a shoe shape pin cushion, a bone snow flake pin cases, croquet hooks
A Late Victorian Ivory Framed Easel Back Mirror, oval, the bevelled plate within a beaded edge moulded frame, peg feet, engraved with the monogram ECF, (21.5cm high); and A Pair of Turned Ivory Candlesticks, with bucket shape nozzles and tapering cylindrical stems upon solid circular section bases engraved with monograms, (20. 5cm high) (2)
D.H. Chiparus, "Oriental Dancer", a patinated bronze and ivory figure, cast and carved from a model by D.H. Chiparus of a young female dancer wearing an elaborate beaded costume and skull cap posing on one foot, upon a brown marble base mounted with three silvered and gilt plaques each depicting dancers, 40cm high, signature on marble.
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