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A Victorian stiletto knife with ring turned ivory hilt (pommel missing), the acanthus chiselled crosspiece and double edged shallow diamond section 7in blade, with original leather lacquered brass mounted sheath, length overall 26.5cm; together with another knife with brass and bone handle and with diamond section leaf shaped 6.25in blade and with original velvet covered sheath with brass collar, length overall 27cm (2).
A good 19th Century Royal Worcester ornithological painted blush ivory part tea set, no. 8292, each piece with gilded and jewelled rims, each painted with bird studies amongst flowers upon a blush ivory ground, puce printed marks to the base, pattern no. 8292, comprising a lidded hot water jug, bowl, milk jug and eighteen tea cups and saucers (af)CONDITION - The hot water jug lid has two breaks, six cups with hairline cracks, three saucers with cracks and one saucer with body discolouration. The slop bowl has a firing crack? Five saucers have crazing.
A collection of costume, including a pink silk embroidered dress, two child's pinafores, a lace headdress, a middle eastern style gold thread embroidered jacket, trousers and waistcoat, a sequined eastern style hat with applied 'gems' by Josephine Smith, Theatrical Costumier, Glasgow and a 1920s ivory silk and lace petticoat.
A c.Late Victorian Sliding Pencil, leaf scroll engraved decoration, a c.early XX Century ivory cheroot holder in original fitted case, a small hallmarked silver and mother of pearl single blade folding fruit knife, novelty bookmark, vintage wooden box, pin badges, 'The Royal Mint Experience' £2 coin, etc.
A Pair of Part Hallmarked Silver Sugar Tongs, Peter & Ann Bateman, London 1799, with bright cut engraved decoration, initialled; together with a smaller pair of hallmarked silver sugar tongs (broken), a hallmarked silver fiddle patter teaspoon (damaged), late XIX / early XX Century fish knives and forks with ivory handles, further fish knives and forks, EPNS tea knives etc :- One Tray
Y A Franco-Flemish ivory Corpus Christi, late 17th/early 18th century, characteristically portrayed with crown of thorns and draped perizonium, the head inclined slightly to dexter, mounted to a later ebonised cross, 29cm high, 18.5cm wide overallProperty from the estate of the late Betty, Lady GrantchesterCondition Report: Some darkening and yellowing to the ivory, as well as vertical splits across the torso, legs and in one instance the face. Three of the fingers on the left hand are broken, and one on the right hand is also missing a section. A tiny section of the crown of thorns also appears to be lacking.The arms of the figure were carved as separate sections, and the pins holding these in place no longer fully catch, so they come away from the torso. The cross is later and has one or two chips, and some wear to the ebonised finish.The corpus measures 18cm from head to foot, 20cm overall (height including arms)Condition Report Disclaimer
Y A needlework embroidered and mahogany mounted fan or 'hand screen', second half 18th century, probably English, the shaped panel with flowerheads issuing from a central stem, on a blue ground, 40cm high, 28cm wide; three assorted hand fans, 19th century, one with carved ivory sticks and guards and painted landscape scene, another mother-of-pearl mounted and with central printed vignette; and four assorted metal shoe buckles, two inset with paste gemsCondition Report: The colours of the hand screen are relatively vibrant and well-preserved. Small areas of slight fraying to the outer border, and very small patches of loss, likely moth damage, particularly to the rear. Lesser losses to the front, and a few patches of slight unravelling (possible repair) to the blue ground. The mahogany handle has one or two shallow chips, and there is some residue to the yellow backing fabric where it was probably previously attached (the handle is still attached but the screen can now move sideways inside it). There is an old label to the rear, possibly a collection label.The other fans each have multiple tears and losses, one also has a break to the sticks.The belt buckles are a little rubbed, one missing a few paste gems.Condition Report Disclaimer
Y A French mahogany cased barograph, Bourgeois, Paris, early 20th century, the mechanism with seven segment aneroid chamber connected via a lacquered brass armature to an inked pointer for recording the change in barometric pressure on a rotating paper scale lined drum with ivory key, and with internal mercury thermometer the ivory dial with the usual observations, the case with hinged three panel bevel-glazed cover above square section and simple feet, the lid with label for the maker Bourgeois/ 27/ Rue des Pyramides / Paris, 17.5cm high, 29cm wide, 14.5cm deep Condition Report: Marks, knocks, scratches, abrasions, consistent with age and use, the case with marks and fading and would benefit from a clean and polish, old split/crack to one side.the metal base with old markings and pitting. The present chart with marks and signs of use The glass with scratches and marks,The lid is secured via hooks and eyes and these appear to be original and holding at time of report.This is sold as a decorative work of art only and Dreweatts make no comments or guarantees as to the mechanism working or give any indications of accuracy. We recommend having it looked over by a qualified restorer prior to useCondition Report Disclaimer
Y Two Chinese stained ivory snuff bottles, 19th or early 20th century, one carved to both sides with scenes from the Western Chamber, the other carved to one side with a scholar and his attendant, the tallest 8.8cm high; and a carved ivory snuff bottle and stopper, 5.2cm high (3)Provenance: Private collection晚清民国 染色象牙鼻烟壶两件及素色象牙雕鼻烟壶一件拍品来源:英国私人收藏Condition Report: some wear to paint and gilding on both bottles Condition Report Disclaimer
A French Art Deco rosewood and ivory mounted desk set,comprising:a desk clock, 15.5cm wide,a pair of bookends, 22cm wide together, 17cm high,a deskstand with inkwells, 30cm wide,two pens, 20.5cm long,an ashtray, 14.5cm diameter,a blotter, 16cm wide,a photograph frame base, 19.5cm wide, anda warthog tusk mounted stand, 14.5cm hightogether with a tray (11)
An Art Deco walnut chest of drawers,with an arrangement of four drawers, the curved chrome handles with faux ivory mounts, 75cm wide45cm deep114cm highCondition report: Overall good condition, minor scratches to the top. Minor veneer losses around the feet. Drawers running smoothly. Structure solid. Additional images uploaded.
Demétre Chiparus (Romanian, 1886-1947), 'The Dancer of Kapurthala', patinated and gilt-bronze and ivory, on a stepped onyx base, signed on the plinth and stamped 'Made in France and numbered 35', 57cm highProvenance: Private collection, East Sussex.See A Shayo, 'Chiparus: Master of Art Deco', Abbeville Press, 1999, pl.63, p.132.'The Dancer of Kapurthala' is believed to have been inspired by Anita Delgado (1890-1962), a flamenco dancer who captured the heart of the Maharajah of Kapurthala when he saw her perform at a café, while attending the wedding of Spain's King Alfonso XIII. They later married and she changed her name to Maharani Prem Kaur Sahiba.Demétre Chiparus (1886-1947), was born in Drohoi, Romania, went to study in Italy with the sculptor Raffaello Romanelli, and then enrolled at the École des Beaux-Arts in Paris. The distinctive sculptures he produced, in the Art Deco style, were frequently made with bronze and ivory - a tradition that had been used in ancient Greece and commonly known as chryselephantine.Chiparus, fascinated by the discovery of Tutankhamun’s tomb and influenced by Diaghilev’s Ballets Russes, was also inspired by the exotic - something that is very evident in this fantastic sculpture.Condition report: Stamped marks under foot, signed to the top of the marble behind the figure. Possibly re-silvered to the hat. Slightly loose on the base, can be tightened via nut underneath the base. In a private collection for 40 years, bought in the 1970s. See further images.
*Stefan Dakon (Austrian, 1904-1992),a cold-painted bronze and ivory figure of a dancer, signed 'Dakon', raised on an onyx plinth, lacking hands, 24cm high*Artist's Resale Right may apply to this lot.Condition report: Lacking both hands. Rubbing and wear to the finish of the figure. Chips to the base and edges of the plinth.
An Art Deco cold-painted bronze and ivory figure of a Pierrot,standing emptying her pockets, raised on an onyx plinth, 24cm highCondition report: Ivory - loss to the neck/chin area - possibly not set properly. Spotting to the back and the body. Later scratched to the reverse of the plinth - 'Lorenzl'. Chips to the plinth.
Bruno Zach (Ukrainian-Austrian,1891-1935),an Art Deco bronze and ivory figural sculpture, c.1925, depicting a cold-painted female dancer in 1920s dress. holding a large feathered fan behind her, raised on a square variegated marble base, signed in cast 'B ZACH',34.3cm highSee Alberto Shayo, 'Roland Paris, The Art Deco Jester King', ACC Art Books Ltd., Suffolk, UK 2016 - page 178, for examples of these models.Condition report: Some scratches to the arms. Brown hair colour worn.Loose on base. Can be tightened via nut underneath the plinth.Chips to three corners and centre of the marble plinth. See additional images.
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239691 item(s)/page