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Art Deco lady's platinum and diamond Rolex wrist watch. The watch having an ivory face with gold painted numerals and subsidiary minute dial 15mm, set with approx cts of dias, case nr 7611 stamped platinum, with 15 jewel Rolex movement, on a 9ct white gold bracelet, weight without movement is 11.3 gms. Note: moving forward at time of cataloguing, case in good condition. The ivory watch face showing signs of discoloration.
A LADY'S PARASOL with a fringed brown silk canopy, cream silk lining, ivory tip and suspension ring, and a folding sycamore handle, overall 69cm long. Condition Report : Generally good condition; some tears to lining, mainly around head of handle. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Royal Worcester Fine Pair of Hand Painted Twin Mask Handle Ewer's / Jugs. Each Decorated with Painted Images of Summer Flowers to Body on Ivory Ground and Embellished In Gold to Handles, Bases and Neck and Spout. Date 1887 Both Jugs. Each Jug Stands 11 Inches - 27.5 cms. Some Restoration to 1 Jug at Base Area.
Royal Worcester Huge and Impressive Hand Painted Twin Mask Handled Lidded Urn Shaped Vase of Majestic Proportions / Form. Beautifully Decorated with Painted Floral Images on Ivory Ground and Emerald In Gold to Mask Handles, Neck Area and Base Area. The Whole Making a Superb Centrepiece / Vase of Exhibition Quality. Shape No 1572 & Date 1890. Stands 18 Inches - 45 cms. Excellent Condition In All Aspects.
Royal Worcester Hand Painted ' Roses ' Specimen Vase of Tapered Form. ' Roses ' Stillife. Date 1922 & Shaped 1931. Height 6.5 Inches - 16.25 cms. Excellent Condition In All Aspects + A Royal Worcester Hand Painted Blush Ivory Specimen Vase. Decorated with Painted Images of Summer Flowers to Body. Date 1900, Reg No 171451. Shape No 1528. Height 6.75 Inches - 16.90 cms. Excellent Condition In All Aspects.
Royal Worcester Porcelain Co Hand Painted Blush Ivory Lidded Vase, Decorated with Painted Images of Summer Flowers to Body of Vase with Painted Gold Highlights, Worcester Standard Printed Mark for 1876 - 1891. Printed Marks to Base Read ' The Stuart ' Manufactured Specially for Stonier & Co, Lord St, Liverpool by The Worcester Royal Porcelain Co. Height 5.5 Inches - 13.75 cms.
Royal Worcester Pair of Hand Painted Porcelain Vases of Pleasing Form and Proportions. Each Decorated with Naturalistic Painted Images of Butterflies, Flowers and Foliage on Ivory Ground. Royal Worcester Printed Stamp for 1889. One Vase with Chip to Top Rim Area. Heights 6.75 Inches - 16.90 cms. Please Confirm with Photo.
Royal Worcester Trio of Hand Painted Assorted Blush Ivory Porcelain Pieces ( 3 ) Comprises 1/ Royal Worcester Hand Painted Cabinet Plate, Decorated with Painted Images of Summer Flowers. Date 1900, Shape No 1416. Diameter 8.25 Inches - 20.60 cms. 2/ Royal Worcester Hand Painted Basket Weave Floral Twin handle Basket / Bowl of Small Proportions. Date 1909 & Shape No 441. Size 4.75 Inches - 11.90 cms. 3/ Royal China Work Blush Ivory Basket Weave Twin Handle Small Bowl. Date 1890 & Shape No 441, Size 4.75 Inches - 11.90 cms.
Japanese - Fine Quality Tokyo School Meiji Period 1864 - 1912 - Okimono Carved Ivory Figure Group, Depicting a Group of Small Boys Playing Around a Large Temple Area, The Lidded Urn with Figural Elephant Handles, The Whole Finely Carved and Engraved to the Body on An Oblong Shaped Base. Signed to Underside of the Base with a Red Seal Mark. 7 Inches - 17.5 cms High, 6 Inches - 15 cms Wide & 4 Inches - 10 cms Depth. Lovely Condition and Quality - Please Confirm with Photo.
A full length strapless ball gown style wedding dress by Amanda Wyatt, in ivory tulle & black lace. New dress, ex bridal shop stock. Shaped neckline with full black lace decorated bodice and bead detail throughout. Multi layered ivory tulle shirt with short train. Size 16, bust 43", waist 36".
A Japanese ivory okimono carved as a man carrying his son with his left foot resting on a toy horse, standing on an oval base with red lacquered rectangular tablet, signed Toshiyuki, Meiji period (1868-1912) 16 cm high The terminals on the right hand side of the rocking horse supports are missing, and the item that the child was holding in his right hand is detached but with the lot loose in a small bag, otherwise good condition
A 19th century Japanese ivory tusk-section brush pot, Meiji period (1868-1912) profusely carved in high-relief with a continuous scene of dancing oni, kappa and other demons from Japanese folklore, possibly depicting setsubun festival, with tall pine trees and background dwellings, oval signature cartouche and square seal with red pigment, loose base, 14 cm high x 11.5 cm wide
An 18th century oval portrait miniature on ivory of a lady with powdered hair tied with a blue scarf and with matching dress, unsigned, 5 x 4 cm label verso inscribed 'Lady Sophie Jocelyn Sister to Lady Stratton English school 1790', in brass pendant frameNo significant damage, some paint imperfections on edge of bottom left quadrant, covered by previous framing
Heinrich Friedrich Füger (1751-1818) - a portrait miniature on ivory of a lady with powdered hair under a black shawl, holding a closed fan, signed H Füger, 8.5 x 6.5 cm, in white metal curled wire pendant frame, the back inset with glazed tortoiseshell and gilt metal frame enclosing 'CB' monogram and backed by silver foil
Julien Dillens (1849-1904)WarriorIvory sculpture representing a feminine figure in warrior pose Of classical inspiration the figure is represented holding a gun handle at the left hand and with the right arm raised Head with gold diadem with star at the centre and left arm with gold armband set with thirteen small brilliant cut diamonds Body covered with silver loincloth and classical sandals Signed (losses)Height: 41 cm
A handheld fan commemorative of King João VI acclamationPierced and part gilt ivory sticks and guards with cartouches depicting Chinese daily scenes Parchment leaf with allegory inscribed "EM MEMORIA DA ACLAMACAO D J.VI" and "No Dia 6 De Fevereiro De 1818" Friezes with armillary sphere, red shield with gilt castles and silver shield with the five bezants each with the five wounds of Christ which together compose armorial for the United Kingdom of Portugal, Brazil and Algarve China, 19th century (minor faults)Length: 55 cm
An Indo-Portuguese cabinetMughal inspired Teak of sissoo, teak, white and green dyed ivory marquetry depicting trees of life, flowers and foliage motifs ending in five-pointed stars Gilt, pierced and chiselled copper hardware First-half 17th century (minor restoration, faults and later feet)27,5x41,5x28,5 cm
Two Indo-Afro-Portuguese ChairsEbony structure Disassembling sides, arms and feet rest Triangular pediment crest of ivory and bone inlay with geometric, floral and abstract elements Rectangular caned and cotton thread woven seat and feet resting surface Wooden and caned panels to arms Wooden and cotton thread woven front panels Africa, Mombasa region 17th century (losses and faults) Known as Mombasa chairs, these objects are to be found in areas of Portuguese presence along the Eastern Coast of Africa, often the trading ports in the Goa to Lisbon sea route. Their straight lines draw inspiration from 16th century Spanish and Indo-Portuguese prototypes, while their exotic decoration mirrors a fusion of Indo-European and African styles. Related to court ceremonial, this particular chair typology was associated to representations of power, both in the kingdom mainland and in its overseas territories, becoming favoured diplomatic gifts from the earliest days of Portuguese expansion. Often referred as Indo-Afro-Portuguese, they were exclusively produced in Northern India, as it is suggested by comparative studies with other contemporary furniture typologies that adopt identical raw materials and decoration. The evidenced foot rest reveals their importance as symbolic of royal status. 125x72x49 cm
A Child Jesus as the Good ShepherdIvory Indo-Portuguese sculpture Sleeping Child, dressed in a sheep skin costume with the gourd resting right arm holding the head, while the left arm holds a sheep The figure sits on a heart which in turn is supported by a three tier stand with a running fountain from where two birds drink on the top, foliage, flowers and grazing sheep in the middle and, on the lower tier, a reclining Mary Magdalene, flanked by two lions 17th/18th century (losses, faults and restoration)Height: 22,5 cm
ROLAND PARIS (1894-1945)A bronze and ivory figure of Mephistopheles, mounted on a carved alabaster rocky outcrop, 24cm high** Please note that this lot contains ivory and is subject to CITES regulations when exporting outside of the EU. The United States Government has banned the import of ivory into the USA.**
A CHINESE CARVED IVORY CARD CASE, 19th century of rectangular form with detachable top, carved with figures on a garden terrace amongst willow, prunus and other foliage, 11cm high** Please note that this lot contains ivory and is subject to CITES regulations when exporting outside of the EU. The United States Government has banned the import of ivory into the USA.**
A 19TH CENTURY ANGLO INDIAN TORTOISHELL PEN BOX, of rectangular form, the hinged top with overlaid ivory panel inscribed with a dragon, enclosed within a series of inked and pierced ivory strapwork, the sides overlaid with conforming pierced ivory panels, opening to reveal a baise lined interior, raised on stylised ivory paw feet.** Please note that this lot contains ivory and is subject to CITES regulations when exporting outside of the EU. The United States Government has banned the import of ivory into the USA.**
A COLLECTION OF THIRTEEN VARIOUS MINIATURE PORTRAITS, mainly comprising 19th century examples, including an Indian example on ivory, of the others examples, some painted on ivory and others on card. (13) ** Please note that this lot contains ivory and is subject to CITES regulations when exporting outside of the EU. The United States Government has banned the import of ivory into the USA.**
Alois Wagner1765 Hall (Tirol) - 1841, zugeschriebenBildnis der Anna Maria von GodinDreiviertelfigur. Im Profil nach links sitzend, einen Fächer haltend. Rücks. auf altem Klebeetikett Identifizierung der Dargestellten als "Gräfin Anna Maria v. Godin" und bezeichnet "Wagner pinx. 1796". Aquarell und Gouache auf Elfenbein. BA 7,1 x 5,7 cm (im Oval). Rahmen mit verg. Messingblende. Alois Wagner1765 Hall (Tirol) - 1841(attributed to)Portrait of Anna Maria von GodinIdentification of the sitter as "Gräfin Anna Maria v. Godin" and inscribed "Wagner pinx. 1796" on an old adhesive label verso. Watercolour and gouache on ivory. Image size 7.1 x 5.7 cm (in the oval). Frame with gilt brass bezel.
Jean Petitot1607 Genf - 1691 Vevey, Art desAnne Marie Louise d'Orléans (?)Brustbild nach rechts, den Kopf nach links gewandt. In reich besticktem blauem, antikisch geschnittenem Kleid. Aquarell und Deckfarben auf Elfenbein. 6,4 x 5 cm (im Oval). Messingrahmen. Physiognomische Ähnlichkeiten lassen ein Mitglied des Hauses d'Orléans vermuten. Besonders ausgeprägt sind Übereinstimmungen mit Bildnissen der Anne Marie Louise d'Orléans, Herzogin von Montpensier (1627 Paris - 1693 ebenda). Diese war eine Nichte König Ludwigs XIII. und Cousine Ludwigs XIV. Sie war bei Hofe die zweitwichtigste Dame, ihr Beiname war "La Grande Mademoiselle". Auf einem Klebeetikett auf der Rahmenrückseite (20. Jh.) wird die Dargestellte als Königin Henrietta Maria von England identifiziert. Jean Petitot1607 Geneva - 1691 Vevey(in the style of)Anne Marie Louise d'Orléans (?)Watercolour and opaque paints on ivory. 6.4 x 5 cm (in the oval). Brass frame. The sitter can possibly be identified as Anne Marie Louise d'Orléans (1627 - 1693), Duchess of Montpensier, "La Grande Demoiselle". The sitter is identified as Queen Henrietta Maria of England on an adhesive label on the frame (20th century) verso.
Hubert (Jean-Paul Hubert, 1732 Genf - 1803 ebenda, ?)18. Jh. HerrenporträtHüftbild nach rechts. Vor Wolkenfond. R. u. signiert "Hubert". Aquarell und Deckfarben auf Elfenbein. 6,3 x 5,2 cm (im Oval). Min. besch. Messingrahmen. Hubert (Jean-Paul Hubert, 1732 Geneva - 1803 ibid., ?)18th century Portrait of a manSigned "Hubert" lower right. Watercolour and opaque paints on ivory. 6.3 x 5.2 cm (in the oval). Minor damage. Brass frame.
Deutschum 1780 Bildnis einer jungen DameBrustbild nach rechts in großzügig dekolletiertem Kleid. Aquarell und Deckfarben. Elfenbein 4,5 x 3,7 cm (im Oval). Messingrahmen. German Schoolcirca 1780 Portrait of a young ladyWatercolour and opaque paints. Ivory. 4.5 x 3.7 cm (in the oval). Brass frame.
Samuel Shelley1750 o. 1756 Whitechapel (London) - 1808 o. 1810 London, zugeschriebenDamenbildnisHüftbild nach rechts, vor Wolkenfond.. Rücks. (eigenhändig?) bezeichnet "Samuel Shelley / N°. 6 George Street / Hanover Sqe [= Hannover Square]". Aquarell und Deckfarben auf Elfenbein. 7,2 x 5,8 cm (im Oval). Kupferrahmen bronziert. Auf der Rahmenrückseite Nummerierung 413 in Lackfarbe. Samuel Shelley1750 or 1756 Whitechapel (London) - 1808 or 1810 London(attributed to)Portrait of a lady Inscribed (by own hand?) "Samuel Shelley / N°. 6 George Street / Hanover Sqe [= Hannover Square]" verso. Watercolour and opaque paints on ivory. 7.2 x 5.8 cm (in the oval). Bronzed copper frame. Numbered 413 in lacquer paint on the frame verso.
Englandum 1800 Bildnis einer jungen DameHüftbild nach links. Vor Wolkenfond. Aquarell und Deckfarben auf Elfenbein. BA 7,4 x 5,7 cm (im Oval). Rahmen RG. Rücks. guillochierter Einsatz mit Haararbeit. English Schoolcirca 1800 Portrait of a young ladyWatercolour and opaque paints on ivory. Image size 7.4 x 5.7 cm (in the oval). Red gold frame. Guilloche insert with hair work verso.
FrankreichEnde 18. Jh. Junge Dame in ParklandschaftHalbfigur nach links, mit verschränkten Armen. Aquarell und Deckfarben auf Elfenbein. D. 7,8 cm. Min. besch. Messingrahmen verg. Auf der Rahmenrückseite bezeichnet "Vendredi prochain / chez / Mlle Merecier / rue de Bonde / N° 24". French Schoolend of the 18th century Young lady in park landscapeWatercolour and opaque paints on ivory. Diameter 7.8 cm. Minor damage. Gilt brass frame. Inscribed "Vendredi prochain / chez / Mlle Merecier / rue de Bonde / N° 24" on the frame verso.
FrankreichEnde 18. Jh. Bildnis einer jungen Dame mit blauem KopfputzBrustbild nach links. Vor Wolkenfond. Aquarell und Deckfarben auf Elfenbein. D. 6,3 cm. Aufgezogen. Min. besch. Messingrahmen verg.. French Schoolend of the 18th century Portrait of a young lady with a blue headdressWatercolour and opaque paints on ivory. Diameter 6.3 cm. Mounted. Minor damaged. Gilt brass frame.
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239713 item(s)/page