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A Japanese Silver, Cloisonné Enamel, Ivory and Shibayama Vase, Meiji period, of square section baluster form, decorated with birds amongst branches and vases within foliate borders, 21cm highAs per images the silver foot is substantially bent out of shape. The metal does not appear to have split at this point and so could be repaired. Slight misshaping to the silver top. Very minimal loss to the enamels on the metal, only under close scrutiny. Dent to one of the canted shoulders of the main body. Ivory free from cracks. Two panels with minor loss to Shibayama, specifically one flower head and one corner of the table top.
A Japanese Ivory Netsuke, Meiji period, carved as a recumbent horse, 5cm; A Similar Netsuke, as a monkey with a turtle, bears signature, 5cm long; A Similar Antler Netsuke, as a mussel shell, 9cm long; and Another, as a figure emerging from a sack being carried by a man, bears signature, 6cm high (4)
A Japanese Lacquer Inro, Meiji period, in the form of a fruit, decorated with a leaf, 7.5cm, with a red lacquer Ojime; An Ivory Netsuke, carved with an elephant; An Ivory Netsuke, Meiji period, as two partridge in a basket, 3.5cm wide; and A Stained Ivory Netsuke, as two hares, signed, 4cm wide
A Japanese Ivory Okimono, Meiji/Taisho period, as a clam shell, the interior with figures in a river landscape, signed, 6.5cm wide; A Similar Okimono, as a seated figure on a table base, 6cm wide; An Articulated Netsuke, as a chicken in an egg, 4cm long; and A Similar Box and Cover, as a bird, 6cm long (4)
Recipe Book.- Collection of domestic recipes, manuscript, 81pp. excluding blanks, 9pp. newspaper cuttings laid down and a 4pp. pamphlet "The Foundling" tipped-in, 6ff. at beginning loose, slightly browned, original vellum, slightly yellowed and soiled, 8vo, 1776-1826.⁂ Recipes include: "Strops for Razors"; "Black Writing Ink"; "Composition for making Moulds from Medals"; "Mr Gossetts Composition of Wax imitating Ivory"; "Wash-Balls"; "Lip Glue for extemporaneously Cementing Paper, Silk, Thin Leather &c."; "Shaving Powder"; "To mend craked Glasses"; "Mead"; "Orange Wine"; "Blew enamel" etc.
Duchamp (Marcel).- Ford (Charles Henri, editor) View: The Modern Magazine, Series V, No.1: Marcel Duchamp Number, number 86 of 100 deluxe copies, lacking the print 'Pharmacie' issued with the special copies but with the folding triptych on ivory paper with cut-outs & flaps intact and loosely inserted, illustrations, original pictorial colour wrappers designed by Duchamp of a bottle of wine with Duchamp's name on the label, signed by 18 of the contributors (except Duchamp) on rear endpaper, original cloth-backed boards with "86%" stamped in red on upper cover, a little rubbed, scuff to lower cover, corners bumped or slightly worn, 4to, New York, March 1945.⁂ The photographic triptych is Les Larves d'Imagie d'Henri Robert Marcel Duchamp by Frederick J.Kiesler, of the artist in his studio, and is printed on ivory paper for this special edition and loosely inserted; for the ordinary edition it was on white paper and stapled in. The contributors and their signatures include André Breton, Nicolas Calas, Joseph Cornell, Maya Deren, Max Ernst, Charles Henri Ford, Frederick Kiesler, Julien Levy, Mina Loy, Man Ray, Yves Tanguy, and James Thrall Soby.
A pair of Victorian silver topped bottle stoppers, Birmingham, 1865 (minor damage to corks) together with an Asian laquered cribbage marker with inlaid ivory markers inside with insects; an early 20th Century gilt metal egg shaped thimble holder with silver thimble; brass pill box; glass scent bottle (stopper lacking)
A group of early 20th Century Locke & Co Worcester blush ivory EPNS mounted table ware to include: two various biscuit barrels and a jam/condiment jar, all painted with Pheasants, each signed by William Stinton & numbered 1028 and 972 (one stamped circa 1898-1902, two with Shrub Hill Works stamp - circa 1902-1914) (3)
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239713 item(s)/page