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Lot 177

A carving knife by Harvey & Gore, London. The ivory handle carved with animals

Lot 208

A collection of miniature Royal Worcester blush ivory porcelain

Lot 484

A Victorian relief moulded jug depicting Robbie Burns along with a Royal Worcester blush ivory jug ( both A/F) and a small collection of Jasperware

Lot 580

A collection of Royal Worcester blush ivory and similar pieces- some A/F

Lot 249

JAPANESE IVORY NETSUKEof a sleeping buddha wearing a decorative robe, 4cm high

Lot 250

IVORY NETSUKEof a tortoise with an octopus on it's back, with character marks to base, 5.5cm long

Lot 119

MID VICTORIAN ELECTROPLATED TEA & COFFEE SERVICE, date coded for 1864 by Elkington & Co, embossed acanthus and rococo decoration, blank cartouches, coffee and tea pots with ivory insulators, and a similar tray (5) Condition: tray plate worn, otherwise very good overall

Lot 1065

Jardinieres, character jugs, blush ivory bowl etc:- Two Boxes.

Lot 185

A Japanese Silver, Cloisonné Enamel, Ivory and Shibayama Vase, Meiji period, of square section baluster form, decorated with birds amongst branches and vases within foliate borders, 21cm highAs per images the silver foot is substantially bent out of shape. The metal does not appear to have split at this point and so could be repaired. Slight misshaping to the silver top. Very minimal loss to the enamels on the metal, only under close scrutiny. Dent to one of the canted shoulders of the main body. Ivory free from cracks. Two panels with minor loss to Shibayama, specifically one flower head and one corner of the table top.

Lot 189

A Japanese Bronze Model of an Elephant, Meiji period, naturalistically modelled standing with carved ivory tusks, three character signature, 28cm high, on wooden plinth. Some staining to tusks. One tusk slightly loose.

Lot 190

A Japanese Stained Ivory Mounted Walking Stick, Meiji period, the handle carved as a pair of frogs on a lily pad, 91cmTiny chips to the rim of the leaf. Ivory collar vertically cracked. Shaft in good order. TImber unknown.

Lot 193

A Japanese Ivory Netsuke, Meiji period, carved as a recumbent horse, 5cm; A Similar Netsuke, as a monkey with a turtle, bears signature, 5cm long; A Similar Antler Netsuke, as a mussel shell, 9cm long; and Another, as a figure emerging from a sack being carried by a man, bears signature, 6cm high (4)

Lot 194

A Japanese Ivory Flower Okimono, Meiji/Taisho period, in the manner of Nakagawa Ryuei, naturalistically carved and stained as a water lily, 16cm long, on a hardwood table base. Typical minor surface staining and splitting.

Lot 195

A Japanese Ivory Flower Okimono, Meiji/Taisho period, in the manner of Nakagawa Ryuei, naturalistically carved and stained as a tree lily, 16cm long, on a hardwood table base. Typical minor surface staining and splitting

Lot 196

A Japanese Ivory Flower Okimono, Meiji/Taisho period, in the manner of Nakagawa Ryuei, naturalistically carved and stained as a chrysanthemum, 16cm long, on a hardwood table base. Typical minor surface staining and splitting

Lot 197

A Japanese Ivory Fruit Okimono, Meiji/Taisho period, naturalistically carved and stained as an apple partially peeled, 6cm high. Shrinkage crack around top. Some fading and staining. Minor surface splitting.

Lot 198

A Japanese Ivory Fruit Okimono, Meiji/Taisho period, naturalistically carved as an apple, internally carved with fishermen drying nets, 8cm high. Shrinkage splits to top of apple. Minor splits to internal decoration. Some fading and staining. Minor surface splitting

Lot 199

A Japanese Ivory Fruit Okimono, Meiji/Taisho period, naturalistically carved and a stained as a persimmon fruit, a worm emerging from one side, 6.5cm wide. Some fading and staining and minor surface splitting.

Lot 200

A Japanese Ivory Okimono, Meiji/Taisho period, naturalistically carved and stained as a mussel with metal hinge enclosing scenes with figures in landscape, 9cm long. Minor surface splitting.

Lot 201

A Japanese Ivory Okimono, Meiji/Taisho period, naturalistically carved and stained as an iris, 9.5cm long; and Two Similar Flower Studies, 9.5cm and 10cm long (3). Some surface staining and fading. Minor surface splitting.

Lot 202

A Japanese Ivory Okimono, Meiji/Taisho period, naturalistically carved and stained as a group of six nuts in a leaf, 11cm long. Some fading, staining and minor surface splitting.

Lot 203

A Japanese Ivory Fruit Okimono, Meiji/Taisho period, naturalistically carved and stained with a banana, two cherries and an insect, 14cm long. Section of stalk and peel broken off and restuck. Some typical staining, fading and minor surface splitting.

Lot 204

A Japanese Ivory Fruit Okimono, Meiji/Taisho period, naturalistically carved and stained with two partially peeled tangerines, 11cm wide. Some surface splitting, fading and staining.

Lot 205

A Japanese Ivory Fruit Okimono, Meiji/Taisho period, naturalistically carved and stained as a partially peeled banana, the interior with a fishing scene, 13cm long. Some fading, staining and minor surface splitting.

Lot 206

A Japanese Ivory Box and Cover, Meiji period, of oval section, carved with a panel of a horse and rider on a foliate ground with scrolls and foliage, signed, 11cm wide. Lid does not fit properly. Some typical surface splitting and staining.

Lot 207

A Japanese Ivory Okimono, Meiji period, as a standing figure holding a banner with a dragon, his foot on a box, on a shaped rectangular base, 23.5cm high. Some typical surface staining, splitting and minor losses.

Lot 208

A Japanese Ivory Netsuke, Edo period, carved as a bald man standing on one leg holding a gourd, 5.5cm high. Split around head. Possible loss to item in right hand. Other minor splits, staining and surface wear.

Lot 209

A Japanese Ivory Netsuke, Meiji period, carved as a toad on a lily pad, its young on its back, signed, 4.5cm wide; and A Similar Netsuke, as two kneeling figures holding a Noh mask, 4cm (2)

Lot 210

A Japanese Lacquer Inro, Meiji period, in the form of a fruit, decorated with a leaf, 7.5cm, with a red lacquer Ojime; An Ivory Netsuke, carved with an elephant; An Ivory Netsuke, Meiji period, as two partridge in a basket, 3.5cm wide; and A Stained Ivory Netsuke, as two hares, signed, 4cm wide

Lot 211

A Japanese Ivory Okimono, Meiji/Taisho period, as a clam shell, the interior with figures in a river landscape, signed, 6.5cm wide; A Similar Okimono, as a seated figure on a table base, 6cm wide; An Articulated Netsuke, as a chicken in an egg, 4cm long; and A Similar Box and Cover, as a bird, 6cm long (4)

Lot 214

A Japanese Ivory and Shibayama Fan, Meiji period, the guards decorated with birds and insects amongst flowering branches, the paper leaf painted with birds amongst foliage before a mountain and with a wintry river landscape, guard length 21cm

Lot 216

A Japanese Ivory and Shibayama Fan, Meiji period, the guards decorated with insects, the paper leaf with figures in landscape and with flowers, guard length 27cm

Lot 217

A Japanese Ivory and Shibayama Fan, Meiji period, the guards decorated with insects, the paper leaf with figures in landscape and with flowers, guard length 27cm

Lot 620

LATE 19TH EARLY 20TH CENTURY JAPANESE IVORY CARVING, modelled as a man with boy, gathering grapes and with a bird, incised two character signature to base, 29cm high with a wood stand

Lot 12

ivory, wrought iron, 88 x 24 x 34 cm

Lot 186

ivory, semiprecious stones, wood, h=33 cm

Lot 23

carved ivory, hand painted, h=6 cm

Lot 46

steel, wood, 800 silver, ivory, l=41 cm

Lot 47

steel, carved ivory, 800 silver and gilded silver, 400g (brut), 37,5 x 12,5 cm

Lot 5

nutwood, ivory inlays, 48 × 56 × 25 cm

Lot 4311

A Danish ivory white ceiling light fitting

Lot 437

A Regency mahogany and crossbanded dressing table mirror, the shield plate with ivory urn finial, the bowfronted base with three drawers. 16¼' wide

Lot 133

A 19th century ivory four fold rule marked for Fenn, Newgate street. 12' extended. c.1900

Lot 213

Recipe Book.- Collection of domestic recipes, manuscript, 81pp. excluding blanks, 9pp. newspaper cuttings laid down and a 4pp. pamphlet "The Foundling" tipped-in, 6ff. at beginning loose, slightly browned, original vellum, slightly yellowed and soiled, 8vo, 1776-1826.⁂ Recipes include: "Strops for Razors"; "Black Writing Ink"; "Composition for making Moulds from Medals"; "Mr Gossetts Composition of Wax imitating Ivory"; "Wash-Balls"; "Lip Glue for extemporaneously Cementing Paper, Silk, Thin Leather &c."; "Shaving Powder"; "To mend craked Glasses"; "Mead"; "Orange Wine"; "Blew enamel" etc.

Lot 428

Duchamp (Marcel).- Ford (Charles Henri, editor) View: The Modern Magazine, Series V, No.1: Marcel Duchamp Number, number 86 of 100 deluxe copies, lacking the print 'Pharmacie' issued with the special copies but with the folding triptych on ivory paper with cut-outs & flaps intact and loosely inserted, illustrations, original pictorial colour wrappers designed by Duchamp of a bottle of wine with Duchamp's name on the label, signed by 18 of the contributors (except Duchamp) on rear endpaper, original cloth-backed boards with "86%" stamped in red on upper cover, a little rubbed, scuff to lower cover, corners bumped or slightly worn, 4to, New York, March 1945.⁂ The photographic triptych is Les Larves d'Imagie d'Henri Robert Marcel Duchamp by Frederick J.Kiesler, of the artist in his studio, and is printed on ivory paper for this special edition and loosely inserted; for the ordinary edition it was on white paper and stapled in. The contributors and their signatures include André Breton, Nicolas Calas, Joseph Cornell, Maya Deren, Max Ernst, Charles Henri Ford, Frederick Kiesler, Julien Levy, Mina Loy, Man Ray, Yves Tanguy, and James Thrall Soby.

Lot 3208

Early 20th century ebony and ivory dominos set in wooden box.

Lot 3333

A collectors lot to include; an early 20th Century drawing album, pewter spoon, bell, badges, along with an ivory elephant

Lot 73

A pair of Victorian silver topped bottle stoppers, Birmingham, 1865  (minor damage to corks) together with an Asian laquered cribbage marker with inlaid ivory markers inside with insects; an early 20th Century gilt metal egg shaped thimble holder with silver thimble; brass pill box; glass scent bottle (stopper lacking) 

Lot 1017

A Royal Worcester blush ivory vase, shape no: 991, the body painted with a Pheasant, signed by James Stinton, puce mark, date code for 1922, 7.5cm high 

Lot 1020

A group of early 20th Century Locke & Co Worcester blush ivory EPNS mounted table ware to include: two various biscuit barrels and a jam/condiment jar, all painted with Pheasants, each signed by William Stinton & numbered 1028 and 972 (one stamped circa 1898-1902, two with Shrub Hill Works stamp - circa 1902-1914) (3) 

Lot 1023

A Royal Worcester blush ivory vase shape no: G 779, the body painted with pheasant within landscape, signed by James Stinton, green mark to base, date code for 1906, gilt heightening (1) 

Lot 1024

A Royal Worcester blush ivory vase, shape no: G1010, the body painted with Pheasants, one on the ground, the other in flight, signed by James Stinton, gilt heightened, green mark, Reg No:382440, date code for 1903, approx 13cm high 

Lot 1025

A Royal Worcester blush ivory trumpet shaped vase, shape no: 706 / G, painted with cock Pheasant with landscape, another pheasant in flight beyond, signed by James Stinton, puce mark, date code for 1908, 16cm high 

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