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Japanese - Meiji Period 1846 - 1912 Nice Quality Okimono Carved Ivory Figure of a Japanese Noble Lady In a Flowing Robe Holding a Large Lotus Flower to One Hand and a Open Fan To The Other. Raised on Circular Wooden Plinth ( Period ) The Well Carved Figure Stands 13.25 Inches High. Condition - Age Related Patina to Figure, Otherwise Excellent Condition - Please See Photos.
1831 Pattern British Army General Officers Mameluke Sword with ivory handle/grip, bras mounts and steel scabbard. Features brass cross guard with the crossed batons of a General Officer. The blade is etched with crossed batons, Royal Crown Cyper. Total length 38.5 inches - 96 cms, blade and scabbard rust issues. Please see photos.
A Small Mixed Lot Comprising crested ware 'Blackpool, Gynn Inn' crested ware Blackpool Tower, two brass nautical interest pin dishes with medallions to centre, small brass Buddha, ivory elephant. Promotional pin dish with 'Doodles the clown' figure. Also military pipe, battle of Trafalgar Series ware plate plus one other and small Crown Derby Imari cup.
Japanese Pair of Superb Quality Carved and Signed Ivory Okimono Figures of Importance, Supported on Carved Wooden Stands. Meiji / Edo Period. Character Marks to Underside of Each Figure - Please See Photo. Each Figure 5 Inches High. Both Figures are Wonderful Condition and Quality. Low Estimate.
George III - Fine Quality Horn and Ivory / Bone Hinged Rectangular Shaped Snuff Box. The Cover Overlaid with Ivory / Bone Surrounded with a Marquise Horn Shaped Stepped Mount, With Applied Silver Figure Above. Nice Quality and Condition. 3 Inches - 7.5 cm In length. Excellent Condition - Please Confirm with Photo.
Two (2) Vintage Chunky Bead Necklaces. One with amber and carved ivory beads, silver clasp. The other with carved beads. Signed and unsigned. Measures 18" L and 21" L. We Will Not Ship This Item Out of State of Florida. Anyone Having This Item Shipped Must Have a Florida Address or the Item will not be Shipped. We will Not Knowingly Sell Endangered Species outside of Legal Channels. Domestic Shipping: $30.00 Min Est. $100.00 Max Est. $150.00 Condition: Good
An early Victorian oak and mahogany longcase clock by R. Johnson of Campo Lane, Sheffield, the hand painted enamelled dial with Roman numerals, the arched depicting a farmer with corn sheafs, royal blue spandrels with floral decoration, swan neck pediments terminating with carved daisy, ebony stringing throughout, turned pilasters, stepped to waist with central arched mahogany crossbanded door, ivory escutcheon, plinth base (with key)
A matched pair of Franglais gilt metal mounted, marquetry and ebonised side cabinets, in the Louis XVI taste, each with moulded top above a shaped panel door flanked by pillars and glazed doors, profusely inlaid in ivory and boxwood with fanciful creatures, fountains and scrolling foliage, turned feet, 112cm high, 187cm wide, c.1850
Ï’ A Japanese Two-Fold screen, ,early 20th Century, elaborately carved with squirrel amongst grapes, the lower register with panels pierced and carved with chidori above waves, the upper register set with lacquer panels inlaid in bone, abalone and wood with sparrows among peonies and chrysanthemums, overall dimensions 195cm by 173cm, together with a Japanese Wood and lacquer Two-Fold Screen, ,early 20th Century, the richly carved black wood frame decorated with Ho-o birds amid kiri leaves and tendrils, each fitted with a lacquer panel inlaid in bone, ivory, wood and abalone shell with an eagle and pigeons beneath a flowering cherry tree, carved signature seal to one panel, approximate overall dimensions 192cm by 170cm (2) Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’A George III tortoiseshell tea caddy, early 19th century, of rectangular form, the hinged cover and serpentine front with metal stringing, above coquilla nut feet, the interior with ivory banding and handles and twin subsidiary covers, 10.5 cm high, 14.5 cm wide and 10 cm deep; and two further George III tea caddies, one with ivory inlaid keyhole surround Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’A Japanese Ivory Figure, of a kneeling scholar surrounded by his inkstone and other accoutrements, signed on a stained green tablet Mitsunaga, height 4.7cms, late 19th Century Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’A Japanese Ivory Okimono' comprising a rounded rectangular base upon which a gardener kneels amongst potted plants which he is tending, signed on a red lacquer tablet Toshiyuki, length 9.7cms, Meiji-Taisho Era Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’An Ivory Sakezuki Stand, of circular form raised on three shaped legs, the whole decorated in gold lacquer, coral and shibayama inlays with poetry papers amid cherry blossoms and other formal images, height 5.7cms, diameter 9.9cms, Meiji Period Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Royal Worcester lobed jar and cover, printed and painted with spring flowers on a blush ivory ground, shaped gilt band to shoulders, slightly domed cover, gilt handle, printed crown and circle mark, shape no.1412, date code for 1893; a Royal Worcester Aesthetic Movement biscuit barrel, decorated with parakeet among foliage on black ground, plated domed cover, ball final, swing handle, 14.5cm high, printed mark, c.1890 (2)
A Royal Worcester lobed oval dish, painted by E. Baker, signed, with goldfinch perched on rose hips, gilt line rim, 28cm wide, printed crown and circle mark, date code for 1932; a similar bowl, printed and painted with the village of Cropthorne, 18cm diam, printed crown and circle mark, date code for 1941; a Royal Worcester pedestal ogee shaped vase and cover, printed and painted with fruit swags and foliage, blush ivory neck and foot, 26cm high, printed crown and circle mark, date code for 1903, 2426 (3)
A Royal Worcester tusk jug, printed and painted with wild flowers and foliage on a blush ivory ground, the borders picked out in gilt, 16.5cm high, printed crown and circle mark, date code for 1908, 1116; another, flat sided, date code for 1918, 1094; another, wrythen globular, with birds in flight, on a blush ivory ground, 8cm high, printed crown and circle mark in green, date code for 1912, G161; etc (4)
A SCOTTISH MAHOGANY FRAMED WALL CLOCK BY JAMES IVORY, DUNDEE LATE 18TH CENTURY the circular silvered dial with single train movement, inscribed JAMES IVORY/ DUNDEE, within a circular moulded case 40cm diameter, 14 cm deep Note: James Ivory (1729-1793) is probably the best known clock maker from Dundee in the 18th century. Apprenticed in London he returned to Dundee to set up what turned out to be a successful if not a large business. His output covered all types of clocks from pocket watches to the clock in St Andrews Parish Church in Dundee - still going to this day. His output was not prolific as he didn't employ a lot of staff and he was very much hands on in the workshop as well as at the front counter. He did produce a few watches and clocks whilst I London and signed pieces with London are well sought after. As well as a clock and watch maker he was a particularly competent engraver and this is shown by the individuality of decoration of his timepieces. The parts often made by hand in Dundee rather than 'bought in' There are various references to his work in many of the standard works on horology
DUNDEE - A COLLECTION OF PROVINCIAL TODDY LADLES WILLIAM CONSTABLE, JAMES DOUGLAS, JAMES IVORY marked, pot of lilies thrice marked WC, of Fiddle pattern; DOUGLAS, crowned heart, heart, ID of Celtic Point pattern, italic initials engraved to terminal; marked IJ BUSH, D, acorn, of Old English pattern italic J engraved to terminal (3)
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239691 item(s)/page