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A Japanese Meiji (1868-1912) tusk section, having shibiyama and gilt decoration depicting birds amidst flowers and foliage, h.11cmCondition report: Total weight 389.3g.With one large section of damage.Some applied fruit missing.Gilt is quite rubbed in places.Splits are emerging to the ivory.
A 19th century Chinese Canton backgammon set, comprising of sixteen natural and sixteen stained ivory counters, with matching dice shakers, each piece profusely carved with figures beside a tree, all within a lacquered chess / backgammon boardCondition report: Considerable wear to outside of box - see extra pictures.Ivory set 127.7g.
The Ferrari 456 was the first front-engine Ferrari for 20 years and offered true performance touring for four occupants. The 456 GT was announced in September 1992, making its public show debut in Paris the following month. This was a positive and brave move by the company, as the prestige sports car markets were in recession after all the speculation and hype of the late eighties. However, they showed their commitment to broadening their range and to maintaining their position at the head of the list of the world's most desirable automobiles. The Pininfarina styled aluminium bodywork made for a pleasing design, particularly the modernised reflection of the fabled 365 GTB/4 Daytona with the long bonnet, featuring retractable headlight pods. Also inspired by the Daytona was the design treatment of the rear of the cabin envelope and tail. Thus although the shape was thoroughly modern, it contained retro trace elements to associate it with the company's history. Electronically adjustable self-levelling suspension gave positive handling and a comfortable ride, while the 442bhp, V12 made sure that performance had not been overlooked.Registered in March of 1999 this stylish Ferrari looks well in Nero Black paintwork with a contrasting Ivory leather interior. The file for this 456 contains a V5C registration document, a valid MoT test certificate and various service invoices, the most recent of which is for £3987. We are informed that recent servicing works have been undertaken by the vendors mechanic. The car certainly performed well on a recent test drive. The 456 model has the practicality of four seats combined with the perfect balance of aggressiveness and elegance. This handsome automatic transmission, example awaits a new owner to enjoy it to its fullest.
Continental printed and painted portrait miniature upon porcelain, of oval form depicting head and shoulder portrait of a young woman in pink dress with white flowers in her hair in gilt metal mount and rectangular ebonised frame with acorn and oak leaf mounted suspension ring, miniature H8cm W6cm, together with a further painted portrait miniature upon ivory, depicting a head and shoulder portrait of a gentleman, in similar ebonised frame, miniature H7cm W5.5cm, (2)
Carved beech and ivory model of a religious figure, after Franz Zelezny, donning robe with laurel crown standing upon turned base, signed 'F. Zelezny 1898', together with another beech and ivory figure of a man donning rags and missing a shoe, standing with his hand upon a walking stick upon carved square base, tallest H34cm
Melodion or reed organ by George Prince and Company, Buffalo N.Y., circa 1855, the case of rosewood, the four octave keyboard, C to c3, with ivory naturals and ebony accidentals, two bellows pedals, with hand stop, a brass surround inscribed Divided Swell Patented 22 May 1855, raised on a trestle stand with shaped legs and stretcher, the paper label inscription above the keyboard partly illegible (Geor Prince & C), height 73.5cm, width 77.5cm, depth 43.5cm
Square piano by Christopher Ganer, London, 1784, the mahogany case with wide multiple stringing and satinwood crossbanding, the fascia board of satinwood with chevron stringing, kingwood crossbanding and harewood swags, the five octave keyboard, FF to f3, with ivory naturals and ebony accidentals, single action with over-dampers, three brass-knobbed hand stops controlling damper-lift above and below f and buff stop, on frame stand with square tapered legs and shelf stretcher, inscribed on a boxwood plaque on the fascia board Christopher Ganer Londini Fecit 1784 Broad Street, Soho, length 155.5cm, width 53cm *This keyboard is sold with a copy of G.S. Gadd - The British Art Piano and Piano Design, Volume 1 and a bespoke account documenting the history of this pianoforte
19th century guitar shaped six string hurdy-gurdy, with satinwood back and sides, chevron banded spruce table and ebony box cover and wheel guard with boxwood stringing; also with ebony and ivory keyboard and diaper star scratch carved peg box with carved male head finial, within a fitted case
Interesting silver mounted violin bow with round stick, probably English circa 1850, the later German frog with silver rings enclosing pearl eyes and the later ebony adjuster with two silver bands, 58.5gm (later German mounts circa 1920) *Please check CITES regulations regarding export of bows containing elephant ivory prior to purchasing
A WILLIAM IV SILVER TEAPOT, by Paul Storr, London 1831, melon-shaped, the scroll handle with substantial leaf-form thumbpiece, numbered 114 and stamped 'STORR & MORTIMER'. 27cm long overall, 20.4 troy ouncesCONDITION REPORTMarks clear and well struck to base of pot, further marks to inside of hinged cover and to handle both lightly rubbed. Very slight wobble to foot. Cover hinge very sturdy. Handle firm, with ivory spacers. Scratched 'W' to left of top handle fixing. Very small split (approx. 3mm long) to raised ridge line to right of spout. Various minor dings, marks, pitting and light surface scratches throughout commensurate with age and use
A FRENCH GOLD-MOUNTED PAPIER-MÂCHÉ BONBONNIÈRE WITH INSET PORTRAIT MINIATURES, indistinct mark, possibly Paris 1809-1817, with watercolour on ivory portraits of a gentleman and of a boy, the amber lacquered body with tortoiseshell lining. The box 6.5cm diameter, the gentleman 3.5cm by 3cm, the boy 3.2cm by 2.5cmCONDITION REPORTSmall loss of lacquer to cover, overall condition good commensurate with age
A 9 CARAT GOLD LADY'S POCKET WATCH, the circular ivory enamel dial with blue enamel Roman index and floral decoration to centre, gilt hands, engraved case 36mm diameter, hinged case back with hinged internal metal cover, unsigned key wound movement with cylinder escapement, internally stamped 9KCONDITION REPORTWatch is currently functioning but timekeeping not tested.
A MICHEL HERBELIN NEWPORT STRAP WATCH, circular ivory dial with chronograph sub dials and date window at 12 o’clock position, steel case 40mm diameter with rose PVD bezel, fitted with brown leather alligator grain strap and central folding clasp, quartz movement, model no.36654/TR21MACONDITION REPORTNew and unworn, complete with original box and open 2 year guarantee.
A LADY'S 18 CARAT GOLD OMEGA WATCH, the ivory dial signed Omega with gilt index and hands, plain case 19mm diameter with snap-on back, internally stamped 18K 0.750, hand wound movement signed Omega Watch Co adjusted two positions, calibre 620, fitted with a black lizard grain Omega strap with an original 9ct Gold Omega buckle, 10.8 grams excluding movement; together with A 9 CARAT GOLD EVERITE WATCH, the square champagne dial signed Everite 17 Jewels with baton index and black/gilt hands, hinged textured link flexible bracelet with central snap & ladder catch, hallmarked 9ct Gold London 1979, hand wound movement signed Swiss Made. (2)CONDITION REPORTBoth watches are currently functioning but timekeeping not tested.
A GENT'S OMEGA BRACELET WATCH, the circular ivory dial signed Omega De Ville with baton index and black/gilt hands, plain oval case 36.5mm by 32.5mm with snap-on back internally hallmarked 9ct Gold London 1969, hand wound movement signed Omega Watch Co adjusted 2 positions, fitted with gold plated link bracelet with central snap signed NSACONDITION REPORTWatch is currently functioning but timekeeping not tested, slight deterioration of dial at 8 o'clock position, includes original Omega box and papers dated April 1969.
AN INDIAN PORTRAIT MINIATURE OF A HORSE'S HEAD painted on ivory, 10cm x 7.5cm (oval), framed and glazed. Condition Report : Good condition; in a later frame. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A Victorian Tortoiseshell Card-Case, oblong, the front with a reverse painted glass view of Crystal Palace, the hinged cover with ivory border, 10.4cm wideCondition report: The base section with two long cracks, near the hinge, clasp functioning, minor loss to the ivory slip, some slight lifting and cracking to the decorated panel, light surface scratches throughout
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239713 item(s)/page