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A Japanese boxwood and ivory netsuke depicting Kyogen (comic mask) of Hyottoka, probably Meiji period (1868-1912). The carved boxwood frame, enclosing ivory mask, 3.5cm x 3.5cm, signed CONDITION REPORT: Small split to the wood at the upper edge, with small losses to the wood Small split to the wood throughout Ivory in good condition
A fine quality Hoshiapur Anglo-Indian octagonal topped occasional table, circa 1880-1890, the carved hardwood, probably shisham wood, inlaid with ebony and ivory, the folding and hinged arcaded base, supporting an eight sided top, heavily inlaid with central rosette roundel, encompassed by star and banded borders filled with meandering tendrils and vines, with chevron banding, 62.5cm high, 61.5cm diameter (illustrated)
A Japanese Satsuma teacup and saucer, Meiji period (1868 - 1912), the double saucer with solid gilt dragon cup holder, both similarly painted in polychrome enamels and gilt depicting chrysanthemum, peony and lotus blooms reserved against a crackled ivory ground, signed, 5cm high, saucer 20cm wide
A fine quality Japanese shibayama black lacquered panel, late Meiji period (1868-1912)/Taisho period (1912-1926), the rectangular plaque decorated with gilt chrysanthemum spandrels within claret borders, the central black lacquered reserve applied with ivory and mother of pearl, depicting an eagle perched in the branches of a Japanese maple tree, 110cm high 52.5cm wide (illustrated)
A tortoiseshell rectangular snuff box, having white metal and gilt floral inlaid decoration, length 9cm, together with a Victorian mother of pearl inlaid snuff box, length 4cm, also two early 20th century ivory dressing table pots CONDITION REPORT: Both ivory pots good condition taller pot 8cm, smaller pot 5cm Large box with light scratches Small box with light scratches
An early 20th century hand embroidered silk work panel, in the Aesthetic Chinese manner, the fragments embroidered after the hundred bird design textiles, depicting a series of birds in flight amidst bull rushes, chrysanthemum and lotus flowering branches, embroidered in muted blue, brown and ivory threads against a brown silk ground, 79x79cm CONDITION REPORT: Extensive liquid/water staining, stitching in good condition, no rips tears or obvious repairs Minor pulls, but generally good condition
A collection of three Japanese ivory okimono, late Meiji period (1868-1912), the figures including a street tea seller, 5.5cm high, signed, a figure of Hotei holding lotus leaf and rosary beads, 6cm high, unsigned, and a figure of a fisherman on naturalistic rocky base, holding a wicker basket, 9cm high, signed (3) CONDITION REPORT: Tea Seller - natural yellowing, indicative of age, otherwise sound Hotei - small age cracks, Yellowing indicative of age, otherwise sound Fisherman - Void to the right hand, possibly indicating a missing section, Natural yellowing indicative of age
A Locke & Co Worcester vase, circa1900, of amphora form mounted on a tri-form base with solid gilt acanthus scroll supports, the domed cover with flower bud finial, the central body with vignette with highland landscape, reserved against a matt ivory ground and further detail in cobalt and gilt scrolling designs, 15.5cm high, brown printed factory marks to base CONDITION REPORT: Both show chips to the lower back rim and further relief areas throughout, one has a hairline visible verso, extending approx. 5cm in length. Extensive glaze and enamel chips throughout. No pattern number
Two Chinese carved ivory brush pots, late Qing Dynasty (1644-1912), the first of cylindrical form with central holder, carved to the exterior with a series of Manchu people, 7.5cm high, 6cm diameter, the second a brush pot or napkin ring, carved to the exterior sides with blossoming lotus, 5.5cm high (2) CONDITION REPORT: First carved with manchu people - cracking to the top, small cracks to the base and exterior sides, remnants of pigment visible throughout Second - possibly a napkin ring, several small natural age cracks, small chips to upper edges, otherwise sound
A pair of Locke & Co Worcester vases, circa1890/1900, each of the bottle form vases with depiction of loch Achray and loch Lomond above a relief acanthus and stiff lappet knopped stem, rising to a reticulated flared neck with blush ivory ground, heightened with gilt throughout, 18 cm high (af) CONDITION REPORT: First vase has a large section missing from the upper rim, approx. 3cm x 2cm in size. Second vase has been restored at the knopped stem, and previously stuck back together. Gilt and enamel remain in good condition.
Two Royal Worcester blush ivory jugs of bulbous form, each having hand painted decoration of flower heads and foliate, each with puce factory mounts, the smaller jug with date code for 1893 to base, height of larger jug 18cm CONDITION REPORT: Each with light rubbing to gilding but good condition
A Royal Worcester blush ivory pot pourri and cover of large proportions, having hand painted decoration of thistles, Puce factory marks, numbered 1312 and date code for 1902 to base, height 25cm, complete with original bill of sale from February 4th 1935 for £4.00 CONDITION REPORT: Light rubbing to gilding, otherwise good condition
A Japanese sectional ivory 'vegetable farmer' okimono, Meiji period (1868-1912), the elderly farmer with jovial expression, dressed in embroidered kimono, roped vegetables supported over his shoulder, holding a brush in his hand, mounted on a circular plinth base, inlaid rectangular signature plaque to base, 31cm high (illustrated)
An African Loango coast carved ivory tusk or Oliphant, 19th/20th century, the tapered tusk carved in relief to the exterior with spiralling scenes of figures being beheaded, hunting and domestic scenes, 45cm long (illustrated) CONDITION REPORT: Large chips to the rim at the widest part of the tusk Overall natural minor cracking and yellowing to ivory, indicative of age Weight 1.54kg
An early 20th century Chinese carved ivory chess set, comprising sixteen pieces stained red to simulate cinnabar lacquer, the further plain ivory, all heavily carved in the form of officials, dignitaries, warriors on horseback and further attendants, all raised on lotus form bases, largest piece 9cm high, smallest piece 4.5cm high (32) CONDITION REPORT: All of the 32 are present, 3/4 of the pawns are missing an arm or their weapon, mostly in the plain unstained ivory set. All further pieces appear to be in good condition with only minor wear and loss to the staining. Overall condition is moderate to good, and the carved is of good quality.
A collection of Japanese Satsuma buttons, Meiji Period (1868-1912) comprising five larger and four smaller, depicting bijin within black dotted borders and reserved against a crackle glaze ivory ground, larger 2.5cm diameter, smaller 11cm diameter (9) CONDITION REPORT: All buttons have minor wear and crazing indicative of age Free from significant cracks and chips
An impressive Chinese ivory tusk vase, late Qing Dynasty (1644-1912), of cylindrical form gently sloping to the side with the natural formation of the tusk, the exterior sides elaborately and exquisitely carved in low and high relief, depicting conflict between Chinese and Burmese warriors, the battle scene is likely a representation of the Sino-Burmese war (1765-1769), depicting native soldiers engaged in battle, further carved with immortal gods and their attributes, mythical creatures, and figure astride a large four-clawed dragon, 32.5cm high, 15cm diameter (illustrated)
A Japanese carved ivory 'seven gods of fortune' figure group, late meiji period (1868-1912), each of the gods depicted with their personal attribute, all portrayed riding their ship The Takarabune, mounted on a carved hardwood stand modelled as stormy seas, 21cm high, 61cm long (illustrated) CONDITION REPORT: Overall natural yellowing and cracking to the boat and figures Several area of re-gluing and restoration visible throughout Significant surface dirt visible throughout Rudder section detached but present Small losses pieces missing throughout Stand with large split to front section
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239691 item(s)/page