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Lot 243

Indian Art. An ivory carving of a palanquin on an elephant Anglo-India, 19th century . Provenance: Adriano Moscatelli Collection, Rome. . Cm 8,50 x 10,00.

Lot 244

Indian Art. An ivory carved figure of standing Ghandi Anglo-India, 19th century . Provenance: Adriano Moscatelli Collection, Rome. . Cm 15,00.

Lot 245

Indian Art. An ivory carving of a palanquin and servants Anglo-India, 19th century . Provenance: Adriano Moscatelli Collection, Rome.. Cm 13,50 x 5,50.

Lot 255

Islamic Art. A pair of possibly Fatimid ivory chess pieces . the tallest measures 4,2 cm . Cm 4,20.

Lot 270

Islamic Art. Fatimid ivory molar flask Egypt, 11th century . Cm 10,00.

Lot 330

Islamic Art. An orientalist print and a Persian miniature on ivory . The print depicting a musician (25 X 18 cm) and the miniature depicting polo players (11 X 4 cm) . Cm 18,00 x 25,00.

Lot 370

A 19th Century Chinese ivory cased parlour game/amusement with interchangeable costumes/fashions, representative of months of the year (seven calendar costumes) hand painted

Lot 210

A Victorian silver tea kettle on stand, bullet shaped form with a cane wrapped handle, raised on four hoot feet, the hinged cover with ivory pagoda finial and engraved with a crest, with angular support and spirit burner, Mappin & Webb, Sheffield 1887, 32.39 ozt CONDITION:the hinged cover engraved with a crestall three components marks, all marks goodthe original screw for finial has been replaced overall condition good

Lot 351

A Carl Theodore Golde of Dresden flute, mid 19th Century, of rosewood and ivory construction with nickel fittings, in three sections, stamped mark below a lyre surmounted by a star and a star below, length 70cmNote: C.T. Golde (1803-1873) was a German clarinet maker working in Dresden.  It is believed that he made only two flues.  An example of a horn by Golde can be found in the MET Museum, New York CONDITION:Generally good overall, no obvious cracks to the wood

Lot 350

A late 19th Century Chinese ivory calling card case, of rectangular from, extensively carved in high relief with figures and pagodas in a wooded landscape, 10cm by 5.5cmCONDITION:Good overall with no obvious issues

Lot 349

A late 19th century Chinese ivory calling card case, of rectangular form ,extensively carved in high relief with figures and pagodas within a wooded landscape, 11.5cm by 7.5cmCONDITION:Good overall with no obvious issues, approx 84g

Lot 723

A 19th Century ebonised table top collector's cabinet, the whole inlaid with ivory/bone to include figures in 17th Century costume, ogee moulded frieze, fall-front with an inset leather writing surface revealing a series of till drawers around a central cupboard, height 70cm, width 54cm

Lot 387

A Regency oval portrait miniature of a young gentleman on ivory, circa 1820, half length wearing a blue tunic, initial M l.r., in a gold plated pendant frame with blue enamel border and a lock of hair verso, 8cm by 6.5cm

Lot 343

A late 19th Century Chinese ivory calling card case, central cartouche carved in high relief with pagodas and figures within landscapes to each side, scroll carved border, 11cm by 7.5cmCONDITION:Good overall condition with no obvious issues, approx 110g

Lot 21

A tray of ivory mounted opera glasses, Ronson lighter, playing cards, AA badge Festival of Britain coin, etc

Lot 183

A Late-Victorian four-piece silver-mounted and ivory-handled carving set by Joseph Rodgers & Sons, in fitted case.

Lot 191

A Late-Victorian walnut work box with ivory and brass stud-work decoration, 28cm wide, an oak two-bottle Tantalus, a metronome, a small oak nest of five drawers, 26cm wide, 36cm high and an oak barometer, (5).

Lot 188

Walnut cigarette box with the Jaguar Marque on the lid, pair of pewter mugs with Jaguar handles and a silver plated coffee pot with chased decoration and ivory finial (4) 

Lot 2

Pair antique Anglo-Indian ivory inlaid hardwood hall chairs, each with ornate oval back, panelled seat, all inlaid with stylised flowerheads and dash borders, on shaped arched panel, front and back supports and curved X-stretchers

Lot 249

Mid 19th century silver lozenge-shaped tea caddy with ivory domed disc handle above the engraved top, the body with central armorial surrounded by floral swags, George Angell & Co, London 1862, 9.5 troy oz

Lot 38

19th century Indian ivory/bone inlaid hardwood wall cabinet with arcaded interior, having pair folding doors to reveal four arched compartments, two drawer to base, all with floral foliate quatrefoil and chequered inlay, 43cm x 64cm

Lot 47

George III mahogany serpentine-fronted sideboard with central curved drawer and flush fitting arched drawer below, flanked by cellarette drawer and cupboard, all cross-banded, with stringing, ivory shield-shape escutcheon plates, brass octagonal handles and stamped backplates, on four bulbous and tapering reeded supports, 188cm wide overall Re: Enquiry - Toys, Dolls, Models, Antiques & Interiors (4th and 5th December)Please see attached images. I am unable to photograph underneath. The drawer on the right hand side the compartments are loose and possible damaged. There are many very small deep surface scratches to the top and not discoloured .  One ivory escutcheon on the right hand drawer has loss. 

Lot 94

Inlaid Georgian mahogany tea caddy, sarcophagus-shaped with line inlay to the borders, brass ring side handles, the interior fitted with two sliding covered tea caddy boxes, etched glass mixing bowl, having ivory escutcheon plate, on tab feet, 32cm wide 

Lot 72

 MASON JAMES: (1909-1984) English Actor. A correspondence collection of thirteen A.Ls.S., James, (and one with his full signature), eight pages and eight written to picture postcards and a few correspondence cards, 8vo and 4to, various places (London, California, Ireland, Switzerland etc.), 1965-83, all to Marion Leigh of the National Film Board of Canada. Mason writes and interesting series of letters to his friend, stating, in part, 'Many months seem already to have gone by and a clobber of not very stimulating work. The entire cast usually assembles at some airfield where the cameraman recommends what should be shot to suit best the everchanging weather' (written on the printed stationery of the Dublin Intercontinental hotel and accompanied by the original envelope featuring a printed logo for the British war film The Blue Max in which Mason starred in the role of General Count von Klugermann, 18th October 1965), 'I spent two weeks in Huddersfield, no ten days, but it felt like two weeks in an igloo. I came back Monday with a streaming cold & forced myself with various miracle drugs & infusions to keep the frogs in my throat at bay and perform two days of looking as the fat & now guffunal German General in the Blue Max……soon I shall be plunging into the Los Angeles smog bowl where my sinuses will take a further beating' (7th January 1966), 'This is my favourite ghastly postcard…..Southern California does not seem to improve, but there are some nice people, my children for instance' (written to the verso of a colour picture postcard depicting Kirk Douglas adding his signature to the wet cement outside Grauman's Chinese Theatre in Hollywood, California, 14th January 1966), 'Many thanks for the full info about the piano. I paced out the salon of this suite and figured it was about the same size as my future Swiss salon. Six foot ten inch of piano threatens to take a heck of a lot of its floor space, but still….Anyway, I can't make up my mind at the moment….', (Hotel Imperial, Vienna, 11th December 1967), 'I so enjoyed getting a fan letter from you! I too thought it was a dear little film, a great credit to Ivory & Ruth whats her name who wrote the script for him' (5th February 1976), 'I just want you to know that our Jackie McGowan was marvelous (sic) in the film as I knew he would be. Might even be a rather marvelous (sic) film. Great place, Sydney' (Sydney, Australia, 9th May n.y.), in others hoping to meet his correspondent in London or Paris, sending Birthday greetings etc. Five of the letters are accompanied by the original envelopes hand addressed by Mason (one signed by him in the return address panel to the verso). Also including a postcard photograph signed by Mason, the image depicting him outdoors in a half length pose. Boldly signed with his name alone to the lower white border. Generally VG, 14   Marion Leigh worked as a documentary film executive with the National Film Board of Canada in London and was the partner of A. J. 'Con' Leventhal, living in Paris with him until his death in 1979. Leventhal, formerly a lecturer at Trinity College, Dublin, was one of Samuel Beckett's oldest and most intimate friends, spending much time with the writer in Paris during the 1960s and 1970s.  

Lot 154

A pair of early 20th Century silver mounted and ivory glove stretchers; 3 fans (AF); a Chinese stand etc

Lot 155

A box containing early 20th Century stained ivory draft pieces; a whist marker etc

Lot 343

A Victorian papier maché and mother of pearl inlaid bowl; and an early 20th Century Indian and sandalwood and ivory mounted book cover (with losses)

Lot 74

A West Persian Malayer runner, repeating stylised petal and geometric motifs on a terracotta field, within stylised ivory floral border, 330 x 73cm

Lot 188

A large Chinese ivory group of Shou Lao, early 20th century

Lot 265

A Japanese gilt decorated lacquer four case inro, Meiji period, finely decorated in low relief with a haystack, bowl and vases of flowers, some areas picked out in abalone, 8cm, together with an ivory netsuke of Daikoku and two rats, engraved two character mark, 4.4cm

Lot 271

A Japanese ivory okimono of two boys with a Buddhist lion, Meiji period, both holding a scroll, three character signature to a red lacquer tablet, height 5cm

Lot 272

A 19th century Japanese carved ivory figure of an Oni height 20cm

Lot 274

Late 18th century English School, oil on ivory miniature, portrait of an officer (a.f.) and another of a gentleman (2)

Lot 282

A mixed group of collectables, including Derby and other ceramics, carved ivory and a watercolour miniature portrait of a gentleman, early 19th century

Lot 298

A collection of mixed ivory including a netsuke, pin tray and a cheroot holder

Lot 301

Five Japanese ivory netsuke of monkeys, Meiji period

Lot 302

A Japanese ivory manju netsuke, 19th century, carved as curled lotus with flowers, buds and dragonflies, 5.4cm

Lot 303

A Japanese ivory manju netsuke of a flower and three various ojime, 19th century

Lot 304

Three Japanese ivory netsuke, 19th century carved as mushrooms inlaid with a beetle, nuts and a cucumber

Lot 306

Two Japanese ivory netsuke of old men and two ivory okimono of immortals, late 19th/early 20th century

Lot 308

An Indian ivory backscratcher and three paperknives

Lot 311

A Japanese ivory okimono of a fishermen mending a net

Lot 49

A 19TH CENTURY CHINESE CANTON IVORY CARD CASE, the sides decorated with detailed scenes of diminutive figures on garden terraces, approx 6.5cm x 10.8cm (damage to lid of case A/F)

Lot 95

Turn Vienna Blush Ivory Vases. Height 25cm

Lot 423

Indian Art. A Chandraketugarh ivory comb carved with yakshini among vegetal motifs West Bengal, Sunga dynasty, 2nd century b.C.-1st century AD. Cm 12,00 x 9,50.

Lot 422

Indian Art. A group of four fine ivory figures from the Ramayana India, 19th century . Cm 12,00.

Lot 135

Chinese Art. A marine ivory lady figure China, Qing dynasty, 19th century . Cm 6,00 x 25,00.

Lot 219

Chinese Art. An ivory vase and lid carved with dragons chasing the flaming pearl China, late 19th - early 20th century . Cm 6,00 x 20,00.

Lot 421

Indian Art. An ivory carving depicting two apsaras India, early 20th century . Provenance: ex Alfio Nicolosi Collection, Mantova, Italy. Cm 8,00 x 25,50.

Lot 420

Indian Art. A Nayak carved ivory figure of Krishna playing the flute Southern India, Tamil Nadu, 17th century . Cm 7,70.

Lot 130

Japanese Art. An ivory figure of Hotei holding a fan. Two character signature at the base Japan, Meiji period. Cm 10,30.

Lot 132

Japanese Art. Two ivory netsuke: one depicting Budhai and the other depicting two animals Both signed at the back Japan, 19th century . Cm 4,60.

Lot 450

Indian Art. Two miniature paintings on ivory depicting Mughal courtly scenes India, early 20th century . Cm 20,00 x 11,00.

Lot 419

Indian Art. An ivory carving portraying Lord Krishna as a child playing the flute India, 19th century . Cm 5,00 x 20,50.

Lot 345

Indian Art. Two ivory carved figures Tibet, 19th-20th century . Provenance: Adriano Moscatelli collection, Rome..

Lot 142

Chinese Art. An ivory figure of Guanyin China, 19th century . Provenance: Adriano Moscatelli Collection, Rome.. Cm 7,00 x 15,00.

Lot 143

Japanese Art. Lot composed of three wooden netsuke Japan, Meiji period. Japanese mushrooms group comprising two large and one smaller growth (3.5 cm) Provenance: Sotheby's 1969 wood netsuke of a man carrying an enormous mask on his back (4.5 cm) An ebony and ivory netsuke of Okame dancing (6 cm) .

Lot 136

Chinese Art. Two Chinese ivory carvings: one depicting Lohans, the other courtly scenes China, Qing dynasty, 19th century . Cm 5,50 x 6,00.

Lot 135

A rare Meiji period ivory Netsuke of a Bactrian camel. The head of the camel turned back standing on four feet. Signed to rear leg with goodÿ colour and patina. Measures 4.75cms tall

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