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A Mixed Lot of Assorted Plated Cutlery, including serving spoon with Middle Eastern style handle, allover scroll engraved; a teaspoon, inscribed "18-5-37", a pair of XIX Century ivory handled dessert forks, a set of twelve mother of pearl handled tea knives (cracks), a cased pair of mother of pearl handled preserve spoons, boxed cake/pastry servers, Coalport ceramic handled butter knife/pastry fork/teaspoon, modern gilt metal grape scissors, etc.
A GENTLEMAN'S PIGSKIN LEATHER TRAVEL CASE BY LEUCHARS, PICCADILLY, LONDON containing ivory-backed hair and clothes brushes, boot pulls, toilet bottles with plated tops, an inkwell, and other items, many with an armorial crest bearing the motto 'J'Attend', the case with a canvas weather cover, overall 35cm high, 43cm wide, 28cm deep (canvas cover with tears and lacking leather fastening straps).
Grafton China 'Lilleshall' pattern part tea set, comprising cream jug, bowl, five cups and saucers, serving plate 9" diameter, and six plates 6.5" diameter; Also a Bone China floral and foliate border part tea set, comprising two plates 8.5" diameter, eleven plates 7" diameter, bowl, cream jug, seven cups and twelve saucers, a Gibson & Sons Ltd. teapot, New Hall porcelain bowl and an oval miniature on ivory, 4.5" x 3.5"
A late 18th / early 19th Century Georgian ivory and silk fan having sixteen ivory sticks with pierced decoration, the silk being hand painted with florals and insects together with another later paper and wooden fan (AF). Some cracks to the ivory but still functions well, some damage to the silk to the verso, damage to stick and paper on the second fan.
A collection four 19th century antique Victorian and Edwardian parasols / umbrella of small proportion with colourful fabric canopy, fringe to the edges, metal stretcher and ribs. Three having a wooden shaft with a folding joint to the middle and one with bone ivory shaft with barley twist decoration and joint to the middle of the shaft together with a Chinese oriental white bone fan.
A collection of four 20th century Royal Worcester blush ivory ceramic ware to include a small water jug having hand painted floral motifs Rd. No. 20115, a small vase with scrolled neck and floral motifs Rd. No. 957, small stem vase of baluster form and a ceramic cat figurine. All with makers stamp. Measures 16cm tall.
A twelve place dessert knife and fork set, by Roberts & Belk, with ivory handles and plated tines and blades, in fitted mahogany canteen; an oak canteen by Reed & Sons, part filled; other cased items, including: teaspoons; preserve spoons; vanity items; nutcrackers; and a silver cigarette box.
A VICTORIAN GILT LACQUERED AND PIERCED BRASS AND OAK BOOK SLIDE, LATE 19TH C, ON CHAMFERED BASE, 39CM L AND ANOTHER, DECORATED WITH STUDDED, PIERCED BRASS STRAPWORK AND IVORY (2) The first a particularly good quality example in good condition with minor edge knocks and small losses to veneers near corners. The second generally rather worn and chipped around base
A VICTORIAN MARBLE WOOD SCENT CASKET, C1870, WITH COFFERED LID, THE STUDDED BRASS STRAPWORK AND GARTER MOUNTS OVERLAID ON IVORY, THE SILK LINED INTERIOR FITTED WITH THREE FACETED GLASS BOTTLES AND STOPPERS WITH SILVER PLATED SCREW CAPS, 17.5CM L Complete and in good condition, save for slight chipping of the glass stoppers. Mounts all present and original, heavily encrusted with old dust and polish
ENGLISH SCHOOL, EARLY 19TH C, A GENTLEMAN IN BLACK STOCK AND COAT WITH GOLD SEAHORSE PIN, SKY BACKGROUND, IVORY, OVAL, 51 X 42MM, GILTMETAL FRAME, THE BACK INSET WITH QUILLED HAIR APPLIED WITH WIRE AND SPLIT PEARLS IN ENGRAVED BORDER Good condition with slight disturbance of medium extreme left, frame possibly associated at an early period, tiny hole on edge of frame top and bottom
A SMALL COLLECTION OF INUIT SCULPTURE, MID 20TH C COMPRISING A SERPENTINE WALRUS AND SIX OTHER ANIMALS, A FIGURE, FOUR WALRUS IVORY ANIMALS, INCLUDING A POLAR BEAR AND A DECORATED BONE BOX AND COVER, LARGEST 30CM L (13) Fish - tale chipped, whale and bird both chipped. Ivory box (?), ear chipped and cracked. Human figure - arms damaged
A Soldiers Daughter Never Cries approx 30x40 Quad movie poster from the 1998 drama film starring Kris Kristofferson, Barbara Hershey and Jesse Bradford. A Soldier's Daughter Never Cries is a 1998 drama film directed by James Ivory and written by James Ivory and Ruth Prawer Jhabvala. It stars Kris Kristofferson, Barbara Hershey, Leelee Sobieski and Jesse Bradford. The film is a fictionalized account of the family life of writer James Jones and is based on Kaylie Jones' novel by the same name. Grade A condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Y FOUR MINIATURE TABLES 19TH CENTURY to include a pedestal table with an octagonal top, a pedestal table with a circular top, a tilt-top tripod tea table, and a sofa table with ivory pulls and bun feet(Largest 19cm diameter, 13.5cm high)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y FLORENTINE EBONY AND IVORY INLAID MIRROR LATE 19TH CENTURY the rectangular mirror plate in a moulded ebony frame, the margins inlaid with birds, cats, urns, and folaite scrolls(31cm high, 38cm wide)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y FRENCH SCHOOL, MINIATURE PAINTING OF A LADY AS DIANA THE HUNTRESS EARLY 19TH CENTURY on rectangular ivory panel, depicting a young woman with a bow and arrows reclining in a landscape, in an ormolu frame applied with rocaille scrolls(11.5cm high, 17cm wide)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y FRENCH KINGWOOD, IVORY, EBONISED, PARQUETRY BOX LATE 19TH CENTURY of serpentine outline, crossbanded panel sides with diaper pattern parquetry outlined with ebonised fruitwood, opening to a silk lined interior, raised on brass feet(29cm wide, 11cm high, 24cm deep)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y ANGLO-INDIAN VIZAGAPATAM IVORY CASKET EARLY 19th CENTURY outlined with foliate penwork with a silver gilt metal clasp and hinges(26.5cm wide, 8cm high, 8.5cm deep)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
PONDICHERRY CARPET SOUTHEAST INDIA, MID 19TH CENTURY the ivory field with allover floral pineapple and grape 'chintz' pattern, within blue rose cartouche border; and a strip section, possibly removed from a pendant carpet (2)(carpet 650cm x 600cm; strip 600cm x 70cm)Footnote: Provenance: The Right Honourable Sir George Clerk, 6th Baronet of Penicuik (1787-1867); Thence by descent to the present owners. Note: Little has been written on the history of the carpet industry of Southeast India beyond noting that it is the oldest centre of carpet weaving in India, with weavers arriving from Persia some time before 1550. Also mentioned is that some of the better carpets on the subcontinent were woven here prior to the late 19th century. Of Ellore, a little further up the coast from Pondicherry, Walter Hawley writes: “here in former times were produced some of the best rugs in Southern India; and even as late as 1883, Mr. E. B. Havell wrote that he had seen pieces woven to meet special orders which were equal in point of interest and material to the old specimens in the hands of connoisseurs.” (Hawley, Walter. Oriental Rugs, New York 1913, p260) Murray Eiland Jr. comments on Indian carpets that: “in the nineteenth century there were a number of carpet centres that are not significant producers now…it is difficult, if not impossible, to identify them with specific carpets” (Eiland, Murray. Oriental Rugs, London 1998, p295-296). It is wonderful therefore to have the family provenance in this instance, which indicates that this example was produced in Pondicherry in the mid-19th century. On Pondicherry carpets, Jack Franses notes that: “the French bought Pondicherri [sic] in 1702...and a small workshop, which produced the most delightful Indo-French designs in the latter part of the eighteenth century and all the nineteenth century, which are much sought after today.” (Franses, Jack. European and Oriental Rugs, London 1970, p82-83). That ‘Indo-French’ style can be seen very much in evidence in this example, with its cross-cultural chintz field design and European rococo cartouche border. Western interest in Indian carpets was aroused by the impressive examples on display at the Great Exhibition of 1851. They drew considerable admiration from the viewing public, which led to their increased popularity and production from the 1850s onwards. The choice of an Indian carpet would thus have been the height of fashion for the grandest room in the newly remodelled Penicuik House in the mid-19th century. By family repute, this carpet was commissioned or purchased in Pondicherry and brought back from India by Edward Clerk (1824-1917) who was serving with the 4th Madras Cavalry, latterly becoming a major. He was a younger son of The Right Honourable Sir George Clerk, 6th Baronet of Penicuik (1787-1867), and bought the carpet as a gift for his father. Sir George had extended Penicuik House in 1857, with two large wings added by the eminent Victorian architect David Bryce, and would have been refurbishing the interiors thereafter. It is presumed that this carpet was in situ at the house sometime between 1857 and Sir George’s death in 1867. It was certainly given pride of place by the time Carelli painted this watercolour of the grand interior of Ossian’s Hall in 1878, showing it on the floor (see image). Penicuik House had been built in the 1760s by Sir James Clerk, 3rd Baronet, and decorated in lavish style. The most impressive room was the grand saloon, known as Ossian’s Hall. Sir James had commissioned Scottish artist Alexander Runciman (1736-1785) to decorate the ceiling of this room with themes from the recently published Poems of Ossian (1765) by the Scottish poet James Macpherson. Sadly, Penicuik House was destroyed by fire in 1899 and Runciman’s ceiling became one of Scotland’s greatest lost artworks. During the fire a great deal of effort was channelled into salvaging the furnishings and the majority, including this carpet, were saved and rehoused in the Clerks’ new home in the nearby converted stable block, spending the 20th century there. By family tradition, there is thought to have been a second carpet, which may have ended up in an American museum collection subsequent to sales from Penicuik House in the late 19th century. At present we have been unable to discover any evidence as to its whereabouts. It may be that the additional section offered here came from that second carpet.
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239713 item(s)/page