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Lot 1307
An Amanda Wyatt Wedding dress, 36" waist/38" bust and a stole, 86" x 16". The ivory dress having boned bodice, V shape to waistline, chiffon over satin and silver embellishment to the bust line and the spaghetti crossover straps and also to the back of the train; back opening having zip and diamonte buttons.
Lot 7038
Persian ivory ground carpet, the central floral pole medallion surrounded by interlacing foliate decoration, the spandrels with scrolling flower heads, the guarded borderer decorated with repeating stylised plant motifs and trailing patternsDimensions: Length/Width: 360cm Depth/Diameter: 249cm
Lot 1522
Epiphone Bandmaster Recording four string banjo, stamped ser. no. 5740 (year 1932), Patent Applied For on the metal resonator flange, with 11" skin, engraved mother of pearl shaped diamond inlay to the fretboard, ivory pegs, scale length 27", case ** Ivory sale submission reference 5SW4NBA7
Lot 1552
Interesting early 19th century French mahogany square piano, inscribed L'Epine, Boulevard Montmartre no. 10 á Paris, 1806 on the satinwood fascia board; also inscribed internally on the sound board Jean Caspar Kiening, Rue St Martin, no. 245 á Paris, 1805, the five and a half octave keyboard, FF to C3, with ivory naturals and ebony accidentals, double action with overdampers, also with two foot pedals attached to a cross stretcher controlling the damper lift in the bass and treble, supported upon circular brass bound tapering legs, 60.5" wide - *This piano also bears a partially legible label stuck to the pine sound board cover inscribed Lement Dan... - *Ivory sale submission reference XCNDPBE5
Lot 1553
Good mahogany and ebony strung square piano by Clementi & Co of London, the fascia board inscribed New Patent, Clementi & Co, Cheapside either side of stylised scrolling foliage, ser. no. 12015, fitted with a single pedal and supported upon seven turned tapering legs terminating in brass caps and castors, 68" wide, 25" deep, 33" high ** Ivory Sale Submission reference WJWBYCXM *This piano has undergone professional restoration and is in good playing condition. It also retains the original strings and hammer leathers and, overall, is in reasonable original condition
Lot 1554
Square piano by John Melly, Dublin, circa 1800, the case lid veneered in handsomely-figured mahogany, the sides similarly veneered in panels with rosewood and kingwood crossbanding, the centre and corner panels each with a marquetry plaque, the satinwood fasciaboard painted with scrollwork and foliage, the cheeks with an ebony oval plaque inset with Prince of Wales feathers, the five octave keyboard, FF to f3 omitting FF♯ , with ivory naturals and ebony accidentals, single action, the dampers now absent, the soundboard covered by a five-panel Venetian swell, the mechanism now disconnected and the pedal absent, on frame stand with square tapered legs veneered en suite with case and inlaid with a floral motif, 63.25" wide, 22" deep, 31.5" high ** Ivory sale submission reference AJJY3K6M ***We believe that the case is very much in the style of the Irish cabinet maker William Moore ****An original damper has been retained which could be a useful template in any future restoration
Lot 1555
Interesting round fronted English square piano c1800 by G. Dettmer and Son, the fascia board enamel plaque inscribed 'New Improvement by G. Dettmer and Son, Patent Pianoforte Makers, No.7 Gresse Street, Rathbone Place, London', the mahogany case with ornate holly and stained fruitwood stringing and chevrons, ivory naturals and ebony accidentals supported upon the original French style square tapered stand with inlaid matching shelf stretcher, 5 and a half octaves FF - c4, double action, width: 71.5", depth: 24.5" *Ivory sale submission reference DJBB15LJ *This piano was made circa 1800 by George W. Dettmer with his initials G.W.D still inked and evident on the soundboard. It is a very unusual design, having rounded corners on such an early instrument ***Dettmer was a quality maker and this instrument shows potential of being a good playing instrument as well as a stunning piece of furniture, after careful restoration
![Antique Late Ming Dynasty 17th century White jade Toad. Comes with letter of authenticity. [7.5cm in length] Also comes with](https://cdn.globalauctionplatform.com/2afa8013-4455-4b2d-9d3c-afb901095e0c/5c267348-498a-4762-8bdd-afbd011a275e/468x382.jpg)
Lot 6152
French School (Early 19th century): Half length miniature portrait on ivory of a lady, wearing a tulle shawl and holding a book, signed Bordes and indistinctly dated, in a circular gilt metal easel frame, with beaded border and ribbon cresting, D6.5cm. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: ZJ2V3BJG
Lot 6153
Early 20th century cased miniature portrait, half-length watercolour on ivory of an elderly woman wearing a white lace cap, grey hair and wearing a black dress 7cm x 5.5cm, in the original leather easel back case. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: FNT3C4NK
Lot 372
A SMALL QINGBAI FLORAL CUP, SONG DYNASTYChina, 960-1279. Superbly potted, supported on a spreading foot, with a foliate rim, the sides lobed to the interior, the exterior with incised vertical ribs along the upper half, covered overall in a pale bluish-white glaze except for the rim and foot ring, revealing the ivory-white ware.Provenance: New York trade. By repute from a local private estate. Condition: Very good condition with minor wear and minuscule nibbles along the rim.Weight: 62.1 g Dimensions: Diameter 9.2 cmAuction result comparison: Type: Closely related Auction: Sotheby's Hong Kong, 25 November 2022, lot 447 Price: HKD 107,100 or approx. EUR 13,000 converted and adjusted for inflation at the time of writing Description: A qingbai 'floral' cup and carved 'lotus' dish, Song dynasty Expert remark: Compare the closely related form and glaze with the similarly unglazed rim. Note the related size (10.2 cm) and that the lot comprises a cup and a dish.Auction result comparison:Type: Closely relatedAuction: Bonhams London, 6 November 2014, lot 164Price: GBP 6,875 or approx. EUR 10,500 converted and adjusted for inflation at the time of writingDescription: A Qingbai six-lobed stem cup, Song DynastyExpert remark: Compare the closely related form and glaze. Note the related size (10.5 cm). Also note the glazed rim.宋代青白釉花口小高足杯中國，960-1279年。杯呈五瓣花式，敞口，深弧腹，高足微外撇。通體施青白釉。 來源：紐約古玩交易，據説購於當地私人收藏。 品相：狀況極好，邊緣有輕微磨損和微小磕痕。 重量：62.1 克 尺寸：直徑9.2 厘米 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2022年11月25日，lot 447 價格：HKD 107,100（相當於今日EUR 13,000） 描述：宋青白釉秋葵高足盃及刻蓮紋折沿盤一組兩件 專家評論：比較非常相近的外形和露胎杯沿。請注意相近尺寸(10.2 厘米) ，以及此盤有兩件相應的杯和盤。 拍賣結果比較： 形制：非常相近 拍賣：倫敦邦瀚斯，2014年11月6日，lot 164 價格：GBP 6,875（相當於今日EUR 10,500） 描述：宋青白釉瓣口高足碗 專家評論：比較非常相近的外形和釉面。請注意相近尺寸(10.5 厘米)，以及杯沿有上釉。
Lot 290
A LARGE AND MASSIVE HUANGHUALI SCROLL POT, BITONG, LATE MING TO EARLY QING DYNASTYChina, 16th-17th century. Modeled in a cylindrical form and gently flaring toward the mouth rim. The attractively figured surface is of a warm brown color with dark fluid streaks and distinct 'ghost eyes'. Note the elegant luster and grain of the wood.Provenance: New York trade. Condition: Very good condition with minor wear, few light surface scratches, minuscule nicks, with a loose plug.Weight: 3,680 g Dimensions: Height 23.8 cm, Diameter 26.5 cm Auction result comparison:Type: Closely relatedAuction: Sotheby's Hong Kong, 5 October 2016, lot 3009Price: HKD 500,000 or approx. EUR 66,500 converted and adjusted for inflation at the time of writingDescription: A large huanghuali brushpot, late Ming - early Qing dynastyExpert remark: Compare the related form and color of the wood. Note the similar size (26 cm).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK.明末清初大型黃花梨筆筒中國，十六至十七世紀。柔和圓柱體造型，精美的金棕色表面帶有深色條紋和獨特的“鬼眼”。請注意木料的優雅光澤和紋理。 來源：紐約古玩交易。 品相：狀況極好，輕微磨損，表面輕微劃痕、細微刻痕，鬆動。 重量：3,680 克 尺寸：高 23.8 厘米，直徑26.5 厘米 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2016年10月5日，lot 3009 價格：HKD 500,000（相當於今日EUR 66,500） 描述：明末至清初黃花梨大筆筒 專家評論：比較相近的外形和黃花梨顏色。請注意相似尺寸(26 厘米)。Ɏ: 此物品含有象牙、犀牛角、龜甲，或某些類型的熱帶木材，出口到歐盟之外需要申請CITES證書。此類物品通常無法出口到歐盟以外的國家，包括英國。
Lot 360
A SMALL MOLDED DING 'POMEGRANATE' BOWL, NORTHERN SONG TO JIN DYNASTYChina, 12th-13th century. Thinly potted with deep, gently rounded sides supported on a short circular foot. Finely molded to the inner cavetto with a central whorl surrounded by a band of pomegranates on leafy stems below a key-fret band encircling the rim. The bowl is covered in an ivory-white glaze darkening in the recesses and accentuating the fine molding, with attractive pooling to the exterior forming vitreous and bubble-suffused areas.Provenance: New York trade. Condition: Very good condition with minor wear, and manufacturing irregularities including dark spots and pottery lines. The rim may once have been covered by a metal lining.Weight: 75.5 g Dimensions: Diameter 10.6 cmMolded decoration on Ding wares was adopted in the latter part of the Northern Song dynasty and flourished during the Jin dynasty. The molding technique allowed the Ding potters to adopt more complex and formal designs. The molds used were meticulously crafted and similar to those used to cast decoration on gold and silver works of art.Auction result comparison:Type: RelatedAuction: Christie's Hong Kong, 7 December 2021, lot 3249Price: HKD 150,000 or approx. EUR 18,000 converted and adjusted for inflation at the time of writingDescription: A moulded ding 'lotus pond' bowl, Northern Song dynastyExpert remark: Compare the related form, fine molding, and glaze. Note the metal lining to the rim and the much larger size (18.3 cm).北宋至金定窯中國，十二至十三世紀。碗敞口，弧腹，圈足。內外施白釉。外壁光素，內印花石榴紋，碗中央螺旋紋。通體施白釉，不均勻地停在圈足上方，露出內胎。 來源：紐約古玩交易。 品相：狀況極好，有輕微磨損，製造不規則，包括黑點和陶紋。邊沿可能曾經被金屬墊覆蓋。 重量：75.5 克 尺寸：直徑10.6 釐米 定窯紋飾始於北宋後期，盛於金代。成型技術使設計更複雜。所用模具製作精良，與金銀工藝品鑄造裝飾的模具相似。 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2021年12月7日，lot 3249 價格：HKD 150,000（相當於今日EUR 18,000） 描述：北宋定窯白釉印花荷塘魚藻紋盌 專家評論：比較相近的外形，塑形精美和釉面。請注意碗沿嵌金屬，以及尺寸較大(18.3毫米)。
Lot 355
A SANCAI-GLAZED 'FLORAL' DISH, LIAO DYNASTYChina, 907-1125. Well potted with shallow sides rising from a short foot, the interior molded with a single chrysanthemum surrounded by peony blossoms picked out in amber and with emerald-green leaves against a creamy ivory ground, the exterior glazed in amber stopping well above the foot, revealing the buff gray ware. Provenance: From the collection of R. Marian Hicks, OBE, who was a professor at the School of Pathology and Department of Oncology at Middlesex Hospital Medical School, London. She was an avid collector of Tang and Song dynasty ceramics and her noted collection also included Chinese bronzes, textiles, and rank badges. Condition: Very good condition with minor wear, light surface scratches, minuscule glaze losses, and manufacturing flaws including spur marks, glaze crackling, and pottery lines.Weight: 778.1 g Dimensions: Diameter 24.9 cmLiterature comparison: Compare a related sancai dish found in Chifeng, Inner Mongolia, illustrated in Complete Collection of Ceramic Art Unearthed in China, vol. 4, Beijing, 2008, p. 72. Compare also with a related dish, illustrated in Tsugio Mikami, Ceramics Art of the Word, volume 1981, page 19, pl. 9. Auction result comparison:Type: Closely relatedAuction: Christie's New York, 6 December 2017, lot 65Price: USD 6,875 or approx. EUR 7,800 converted and adjusted for inflation at the time of writingDescription: A sancai-glazed pottery dish, Liao dynasty, 10th centuryExpert remark: Compare the closely related form, decoration, glaze, and size (24.5 cm)遼代三彩花卉紋盤中國，907-1125年。敞口，斜腹，圈足。碗心模印團菊一朵，周圍環繞牡丹花紋，飾葉紋，盤內施黃，綠，白三色釉彩，盤外施半釉。 來源：R. Marian Hicks私人收藏，她是倫敦米德爾塞克斯醫院醫學院病理學院和腫瘤學系的教授。她特別喜歡收藏唐宋陶瓷，收藏中還包括中國青銅器、紡織品和軍銜徽章。 品相：狀況極好，有輕微磨損、表面劃痕、極小的釉料缺損、製造缺陷、釉面裂紋和陶紋。 重量：778.1 克 尺寸：直徑24.9 厘米 文獻比較： 比較一件相近的內蒙古赤峰市出土的三彩盤，見《Complete Collection of Ceramic Art Unearthed in China》，卷4，北京，2008年，頁72。比較一件相近的彩盤，見 Tsugio Mikami，《Ceramics Art of the Word》，第1981期，頁19，編號9。 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2017年12月6日，lot 65 價格：USD 6,875（相當於今日EUR 7,800） 描述：遼十世紀三彩印花牡丹紋盤 專家評論：比較非常相近的外形、裝飾、釉面和尺寸 (24.5 厘米)。
Lot 608
A RARE HORNBILL 'COURT LADIES' SNUFF BOTTLE, EARLY 19TH CENTURYOpinion: The superb color and excellent polish of the present bottle suggest that it was created by using the ancient and today lost method of treating hornbill (see detailed note below), giving the material a rich translucency and protecting it from cracking over time. The carved decoration is well rendered and rare to find in such an elaborate manner on hornbill snuff bottles. Finally, the ovoid form, quite different from the rectangular forms commonly found, indicates that this is an early yet fine example from this rare group.China. Well hollowed, the ovoid body supported on a short oval foot and rising to a cylindrical neck with everted rim. Finely carved in relief to one side with a lady drawing curtains to the side and looking out an oval window, framed by a prunus tree. The reverse with another lady resting in a pavilion, a willow tree to her right. The short sides with trees and rockwork, retaining the characteristic deep red color of the outer sheath layer of the hornbill, creating a unique contrast to the inner layer of translucent honey-yellow to pale cream tone.Provenance: Collection particuliere, Eure-et-Loir, France. Condition: Good condition with significant old wear, natural imperfections to the material, few microscopic age cracks, minuscule nibbling to the foot ring. Magnificent natural patina overall.Stopper: Hornbill with black platelet, fine hornbill spoon. The present stopper is most likely original to this bottle.Weight: 23.3 gDimensions: Height including stopper 64 mm, Diameter neck 16 mm and mouth 5 mmHornbill was a highly valued material in China well before snuff bottles came into fashion in the Qing dynasty, after tobacco was introduced from the West in the early 18th century. The precise value is listed in the official regulations of the Ming dynasty, which set it for a single piece of 'ho-ting' (the term given to the material by Ming scholars, writing it with the characters for 'crane' and for 'head') at a thousand cash, the same amount given for half an ounce of precious coral beads, or a fifth of an ounce of rare seed pearls. This also shows that hornbill was worth far more than elephant ivory at that time, for the latter was valued at five hundred cash per pound, while it would have taken a great many pieces of ho-ting to make a pound, especially since the term was sometimes applied to the red sheathing alone.It is thought that there were once two distinct methods of treating hornbill, the solid casque with the tough red sheath that sits atop the upper beak, protecting the brain of the bird. The secret of the first method appears to have been lost but may have involved heating and perhaps permeating the material with some preservative. All known early pieces seem to have been handled this way, including snuff bottles. This treatment preserves the material very well, giving it a rich translucency and strength. We can only infer this preliminary manipulation from the finished product since no direct information about the techniques of treating hornbill ivory has been recorded. Any special methods used by Chinese craftsmen were always kept as closely guarded secrets by the guilds involved to forestall outside competition. The second method involved carving the material directly, which left the surface prone to cracking.Auction result comparison:Type: RelatedAuction: Christie's New York, 10 September 2007, lot 707Price: USD 67,000 or approx. EUR 82,700 converted and adjusted for inflation at the time of writingDescription: A Very Rare and Superbly Carved Hornbill Snuff Bottle, 1820-1840Expert remark: Compare the material, carving and treatment technique, as well as the characteristic deep red color of the outer sheath layer, creating a unique contrast to the inner layer of translucent honey-yellow to pale cream tone.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.十九世紀初罕見鶴頂紅雕“美人圖”鼻煙壺 中國。壺口外翻，圓柱形頸部，橢圓形壺體，橢圓形圈足。一側精美浮雕樹下窗内美人拉開窗簾；另一側涼亭中美人休憩圖。巧妙利用犀鳥角層特有的深紅色與半透明的蜜黃色至米色，形成獨特的對比。專家注釋：本瓶的絕妙的顏色運用和極佳的拋光，説明它是使用古老但如今已失傳的處理鶴頂紅的方法製成的，賦予材料豐富的半透明性並防止其隨著時間的推移而開裂。鶴頂紅鼻煙壺上的雕工精細，實屬罕見。橢圓形壺身與常見的方形截然不同，更佳體現其稀有。 來源：法國 Eure-et-Loir省私人收藏。 品相：狀況良好，有明顯磨損，材料的天然瑕疵，極少的細微老化裂縫，圈足有微小的磕損。整體包漿自然。 壺蓋：鶴頂紅，黑蓋片，精美小勺。壺蓋應為原裝。 重量：23.3 克 尺寸：含蓋高64 毫米，頸部直徑16 毫米，壺口5 毫米
Lot 121
A FAMILLE ROSE PORCELAIN 'LINGZHI' RUYI SCEPTER, MID-QING DYNASTYChina, 1770-1850. The biscuit handle finely modeled as a gnarled branch with a twisting vine bearing leaves, blossoms, and peaches, the ruyi head in the form of a large lingzhi fungus, the head and lower end of the handle each with a gilt-decorated bat.Provenance: From the collection of a gentleman in London, United Kingdom, who has been collecting Asian works of art for the last 50 years, and thence by descent. Condition: Good condition with expected old wear and some firing irregularities, few tiny losses, little rubbing to gilt and enamels.Weight: 452 g Dimensions: Length 32 cmWith a fine silk tassel dating from the same period. (2)The ruyi scepter, meaning 'as you wish', expresses the desire that someone's wishes come true. As such, it was considered a most suitable gift for an honored friend or high ranking official, particularly on the occasion of a birthday.Ruyi scepters were made in the widest range of materials, from jade and hardwoods to gilt bronze, semi-precious stones and organic materials such as lacquer, ivory, and bamboo. It is particularly rare, however, to find a ruyi scepter made of porcelain, perhaps due to its natural fragility making it a less suitable material for such a long, slender shape.Auction result comparison: Type: Related Auction: Christie's New York, 24 March 2011, lot 1610 Price: USD 18,750 or approx. EUR 23,500 converted and adjusted for inflation at the time of writing Description: An unusual famille rose ruyi scepter, 19th centuryExpert remark: Compare the related form, modeling, famille rose enamels, and size (30 cm).清代中期粉彩靈芝福壽如意杖中國，1770-1850年。陶瓷堆塑成多節桃枝，藤蔓纏繞，鮮艷玲瓏的壽桃和桃花，如意頭是一株大靈芝，描金蝙蝠飛舞期間。 來源：英國倫敦紳士收藏，其亞洲收藏至少超過五十年歷史，保存至今。 品相：狀況良好，有磨損和一些燒製不規則，輕微小缺損，描金和琺瑯有輕微摩擦。 重量：452 克 尺寸：長 32 厘米 來自同期的細絲流蘇。 (2) 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2011年3月24日，lot 1610 價格：USD 18,750（相當於今日EUR 23,500） 描述：十九世紀粉彩如意杖 專家評論：比較相近的外形、堆塑、粉彩和尺寸(30 厘米)。
Lot 286
A HUANGHUALI THREE-DRAWER DESK, 19TH CENTURYChina. The top is set in a rectangular frame above three drawers, each with metal handle and keyhole, raised on square-section legs terminating in hoof feet with a low stretcher centered by two overlapping circles.Provenance: Valdemar's Castle, TÃ¥singe, Denmark, previously in the Baron's sleeping room (LS I 01). A private collection in Germany, acquired from the above. Valdemar's Castle was commissioned in 1639 by King Christian IV and was intended as the home for his son Valdemar Christian, who died before the castle was completed. In 1677, Denmark's great naval hero Admiral Niels Juel (1629-1697) was given the title to the castle and the land on TÃ¥singe after his victory over Sweden in the Battle of Køge. The estate was transferred to him as payment for the Swedish ships captured in the battle. Here, his family has remained for 12 generations and almost 350 years. The present owner, Baron Juel-Brockdorff, who is the 11th generation of the Juel family, took over his childhood home from his father in 1971 and resides in the castle with his wife and family. The family's collection includes important paintings, furniture, weaponry, and porcelain from all over the world. Condition: Very good condition with expected age cracks, small splits, minor losses, a repair to the central drawer, small nicks, some shallow surface scratches, old wear, and traces of use. Superb, naturally grown patina. Dimensions: Height 91 cm, Width 126.4 cm, Depth 55.2 cmLiterature comparison: A related example, dated to the early 18th century, is illustrated in R.H. Ellsworth, Chinese Furniture, New York, 1974, p. 226, fig. 139. Auction result comparison:Type: RelatedAuction: Christie's New York, 19 March 2021, lot 753Price: USD 72,500 or approx. EUR 72,000 converted and adjusted for inflation at the time of writingDescription: A huanghuali three-drawer desk, late Qing dynastyExpert remark: Compare the related form and wood. Note the similar size (81.4 x 138.5 x 61.6 cm).Auction result comparison:Type: RelatedAuction: Christie's New York, 29 March 2006, lot 271Price: USD 28,800 or approx. EUR 38,500 converted and adjusted for inflation at the time of writingDescription: A huanghuali six-drawer partners' pedestal desk, 18th/19th centuryExpert remark: Compare the related form, wood, and openwork details. Note the larger size (88.3 x 182.8 x 86.4 cm).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK.十九世紀黃花梨三屜桌中國。桌面攢邊打槽鑲獨板面心，桌面下幾寸處格肩裝橫豎材，造抽屜架，另以兩根短柱間隔，設三具抽屜。抽屜臉光素，中間安銅把手。方腿直足，上下同樣粗細。 來源：丹麥措辛厄島Valdemar城堡，放置在男爵的睡房裏 (LS I 01)；德國私人收藏。Valdemar城堡於1639 年由國王克利斯蒂安四世下令建造，並打算作為他的兒子Valdemar Christian的家，他在城堡完工前就去世了。1677 年，丹麥偉大的海軍英雄海軍上將Niels Juel（1629-1697 年）在克厄海戰中戰勝瑞典後，獲得了措辛厄城堡和土地的所有權。財產被轉移給他，作為在戰鬥中俘獲瑞典船隻的報酬。在這裡，他的家族已經延續了十二代，將近 350 年。現任主人 Juel-Brockdorff 男爵是 Juel 家族的第十一代傳人，他於 1971 年從父親手中接管了他兒時的家，與妻子和家人一起居住在城堡中。 該家族的藏品包括來自世界各地的重要繪畫、傢俱、武器和瓷器。品相：狀況極好，有老化裂縫、小裂縫、輕微缺損、中央抽屜有小修補、小刻痕、小劃痕、磨損和使用痕跡。自然細膩的包漿。 尺寸：高 91 厘米，寬126.4 厘米，深 55.2 厘米 文獻比較： 一件相近的十八世紀初期例子，見R.H. Ellsworth，《Chinese Furniture》，紐約，1974年，頁226，圖139。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2021年3月19日，lot 753 價格：USD 72,500 （相當於今日EUR 72,000） 描述：晚清黃花梨三屜書桌 專家評論：比較相近的外形和木頭材質。請注意相似的尺寸(81.4 x 138.5 x 61.6 厘米)。Ɏ: 此物品含有象牙、犀牛角、龜甲，或某些類型的熱帶木材，出口到歐盟之外需要申請CITES證書。此類物品通常無法出口到歐盟以外的國家，包括英國。
Lot 289
AN INLAID ZITAN 'IRIS' WRIST REST, QING DYNASTYChina, 18th-19th century. Of rectangular form, the domed top finely carved in relief with iris and grass growing from rockwork, the flowerheads neatly inlaid in ivory. The zitan wood of an attractive grain with characteristic crab claw marks and an elegant and dark reddish color.Provenance: Old Dutch private collection. Condition: Very good condition with minor wear, a natural flaw in the wood with a minor touchup. Good, naturally grown patina. The wood case with nicks and expected age cracks, lacking the lid.CITES certificate: A stamped and signed CITES certificate - valid in the EU - issued by the Ministry of Agriculture, Nature and Food Quality, CITES Management Authority, in The Hague, Netherlands, no. 22NL307763/20, dated 8 May 2022, was granted and a copy of the document accompanies this lot.Weight: 199.2 g Dimensions: Length 21.7 cmWith an old paulownia wood case. (2)Auction result comparison:Type: RelatedAuction: Sotheby's Hong Kong, 1 June 2018, lot 329Price: HKD 32,500 or approx. EUR 4,300 converted and adjusted for inflation at the time of writingDescription: An inscribed zitan 'luohan' wristrest, late Qing dynasty.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.清代紫檀鑲嵌鳶尾花紋臂擱中國，十八至十九世紀。臂擱呈長方形，精緻浮雕鳶尾花和草，鳶尾花鑲嵌著象牙。紫檀紋理迷人，具有典型的蟹爪紋和優雅的暗紅色色澤。 來源：荷蘭私人舊藏。 品相：狀況極好，輕微磨損，木材有天然缺陷，稍有修飾。自然包漿。木箱帶有刻痕和預期年齡裂縫，缺蓋。 CITES 證書: 隨附一份荷蘭海牙2022年年5月8日《瀕危物種公約證書》複印本，22NL307763/20號。 重量：199.2 克 尺寸：長 21.7 厘米 梧桐木盒子。 (2) 拍賣結果比較： 形制：相近 拍賣：香港蘇富比，2018年6月1日，lot 329 價格：HKD 32,500（相當於今日EUR 4,300） 描述：清末 紫檀刻詩文十八羅漢圖臂擱
Lot 72
AN EXTREMELY RARE DINGYAO PETAL-LOBED DISH, SONG DYNASTYChina, 960-1279. Finely potted with flaring sides neatly divided into twelve lobes, covered overall with an exquisite ivory-tinged transparent glaze except the foot ring exposing the fine white body.Provenance: From a noted dealership in London, United Kingdom. Condition: Very good condition with expected old wear, traces of use and shallow surface scratches overall. Some firing irregularities, pottery marks, minor fritting, tiny glaze flakes. Some of the lobes with smoothened tips, possibly inherent to manufacture.Weight: 229.5 g Dimensions: Diameter 20.2 cmLiterature comparison: Large Ding petal-rim dishes or washers of such size are very rare. Compare a related Ding foliate-rimmed dish incised with plantain, rocks and insects, Northern Song/ Jin dynasty, illustrated in Tsai Meifen, Decorated Porcelains of Dingzhou: White Ding Wares from the Collection of the National Palace Museum, Taipei, 2014, no.II-72. Compare also with a Qingbai dish with a foliate rim, 11th century, of similar form to the present lot, illustrated in B. Gray, Sung Porcelain & Stoneware, London, 1984, pl. 123.Auction result comparison: Type: Near identical Auction: Bonhams Hong Kong, 28 May 2019, lot 115 Estimate: HKD 800,000 or approx. EUR 102,000 converted and adjusted for inflation at the time of writing Description: A very rare Dingyao petal-lobed dish, Song dynastyExpert remark: Note the near identical form, glaze, and size (20 cm)宋代罕見定窯花口盤中國，960-1279年。盤呈花口，敞口，淺腹，斜壁內收，平底。內外壁施白釉，釉色純正口沿無釉。 來源：英國倫敦知名經銷商。 品相：狀況極好，有磨損、使用痕跡和表面淺劃痕，一些燒製不規則、陶印、輕微的熔塊、微小的釉面開片。 重量：229.5 克 尺寸：直徑20.2 厘米 文獻比較： 大型定窯花口盤或筆洗很罕見。比較一件相近的北宋至金代定窯山竹山石昆蟲花口盤 ，見Tsai Meifen，《院藏定窯系白瓷特展．定州花瓷》，台北，2014年，編號II-72。比較一件非常相近的十一世紀花口盤，見 B. Gray，《Sung Porcelain & Stoneware》，倫敦，1984年，圖123。 拍賣結果比較： 形制：幾乎相同 拍賣：香港邦瀚斯，2019年5月28日，lot 115 估價：HKD 800,000（相當於今日EUR 102,000） 描述：宋定窯花口碟 專家評論：請注意幾乎相同的外形、釉面和尺寸(20 厘米)。
Lot 361
A FINELY MOLDED DING 'PEONIES' BOWL, NORTHERN SONG TO JIN DYNASTYChina, 12th-13th century. Thinly potted with deep, gently rounded sides supported on a short circular foot. The interior crisply molded with a central flowerhead surrounded by blossoming peonies borne on leafy stems encircled by a key-fret border below the metal-bound rim. Covered overall with a pale ivory glaze.Provenance: From the collection of Felix Tikotin, and thence by descent within the family. Felix Tikotin (1893-1986) was an architect, art collector, and founder of the first Museum of Japanese Art in the Middle East. Born in Glogau, Germany, to a Jewish family, his ancestors had returned with Napoleon from Russia from a town named Tykocin. He grew up in Dresden and after World War I, he traveled to Japan and immediately fell in love with the culture. In April 1927, he opened his own first gallery in Berlin. The entire family survived the holocaust, and in the 1950s Tikotin slowly resumed his activities as a dealer in Japanese art. He became, once again, very successful and prominent, holding exhibitions all over Europe and the United States. When he first visited Israel in 1956, he decided that the major part of his collection belonged in that country. In 1960, the Tikotin Museum of Japanese Art was opened in Haifa. Condition: Excellent condition with minor wear and firing irregularities, including pottery lines, the metal-bound rim with few minuscule nicks. The exterior of the bowl with remnants of a lacquered inscription.Weight: 80 g Dimensions: Diameter 12.4 cmMolded decoration on Ding wares was adopted in the latter part of the Northern Song dynasty and flourished during the Jin dynasty. The molding technique allowed the Ding potters to adopt more complex and formal designs. The molds used were meticulously crafted and similar to those used to cast decoration on gold and silver works of art.Literature comparison: A molded Ding bowl with a similar design in the National Palace Museum, Taipei, is illustrated by Tsai Meifen, Decorated Porcelains of Dingzhou: White Ding Wares from the collection of the National Palace Museum, Taipei, 2014, p. 150, no. II-95. See, also, another Dingyao conical bowl of similar design from the Qing Court Collection, illustrated in The Complete Collection of Treasures of the Palace Museum - 32 - Porcelain of the Song Dynasty (I), Hong Kong, 1996, p. 62, no. 54.北宋至金定窯印花牡丹紋盞中國，十二至十三世紀。圓侈口，帶銅扣，淺壁圓底，小圈足。內壁模印纏枝牡丹花紋，花紋工整繁密。通體施淺象牙白釉。 來源：Felix Tikotin收藏，在同一家族保存至今。Felix Tikotin (1893-1986) 是一位建築師、藝術收藏家，也是中東第一家日本藝術博物館的創始人。他出生在德國格洛高的一個猶太家庭，他的祖先隨拿破崙從俄羅斯一個名叫提科欽的小鎮返回。 他在德累斯頓長大，第一次世界大戰後前往日本旅行，並立即愛上了它的文化。1927 年 4 月，他在柏林開設了自己的第一家藝廊。二戰時，整個家庭在大屠殺中倖存下來。1950 年代，Tikotin 慢慢恢復了他作為日本藝術品經銷商的活動。 他非常成功，在歐洲和美國各地舉辦展覽。當他在 1956 年第一次訪問以色列時，他決定把他的大部分收藏都捐贈給以色列。1960 年，Tikotin 日本藝術博物館在海法開放。 品相：品相極佳，有輕微磨損和燒製不規則，包括陶紋、輕微邊緣刻痕。碗的外壁有漆文的殘餘。 重量：80 克 尺寸：直徑12.4 釐米 文獻比較： 一件有相似設計的定窯白瓷碗，收藏於臺北故宮博物院，見蔡玫芬編，《定州花瓷-院藏定窯系白瓷特展》，臺北，2014年，頁150，編號II-95。另一件有相似設計的清廷收藏定窯白瓷碗，見《故宮博物院藏文物珍品全集‧32‧兩宋瓷器（上）》，香港，1996年，頁62，編號54。
Lot 21
A LIMESTONE 'LION' MAT WEIGHT, HAN DYNASTYChina, 206 BC to 220 AD. Carved as a recumbent lion with its feet tucked underneath, the head resting on his paws, the face with bulging eyes and a ruyi-shaped snout, finely incised with a central ridge along the face and scrolling fur. The stone of an even blackish-brown color.Provenance: From a noted Czech private collection. Originally acquired in Japan. Condition: Good condition, commensurate with age. Small nicks, cracks and losses, light surface scratches, few little chips, remnants of pigment, signs of weathering and soil encrustations. Overall exactly as expected for an authentic Han dynasty limestone sculpture.Weight: 358 g Dimensions: Length 9.5 cmAuction result comparison: Type: Related Auction: Christie's New York, 27 March 2015, lot 8267 Price: USD 27,500 or approx. EUR 33,000 converted and adjusted for inflation at the time of writing Description: A pair of ivory-colored stone recumbent lion-form mat weights, China, Western Han dynasty or later Expert remark: Note the size (8.3 cm), the ivory-colored stone, and that this lot comprises two mat weights. Auction result comparison:Type: RelatedAuction: Christie's New York, 22 June 2011, lot 436Price: USD 8,125 or approx. EUR 12,500 converted and adjusted for inflation at the time of writingDescription: A Chinese soapstone figure of a recumbent tiger, Han dynastyExpert remark: Compare the closely related pose, central ridge at the head, and size (10.2 cm). Note the different material.漢代石灰石臥獅席鎮中國，公元前206年至公元 220年。席鎮成臥獅形，其雙足夾在身下，頭枕在爪子上，面部雙眼圓睜，如意形鼻子，面部中央有一道脊線，毛皮捲曲。石料呈均勻黑褐色。 來源：捷克私人收藏，購於日本。 品相：品相良好，有小刻痕、裂縫和缺損，表面有輕微的劃痕，顏料殘留，有風化跡象和土壤結殼。 重量：358 克 尺寸：長 9.5 厘米 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2015年3月27日，lot 8267 價格：USD 27,500（相當於今日EUR 33,000） 描述：石獅子形蓆鎮一對 專家評論：請注意尺寸 (8.3 厘米)，象牙色石，以及此席鎮為一對。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2011年6月22日，lot 436 價格：USD 8,125 （相當於今日EUR 12,500）描述：漢代皂石臥虎專家評論：比較非常相近的姿勢、面部中央有一道脊線，以及尺寸 (10.2 厘米)。請注意材質不同。
Lot 11
A LARGE INLAID LACQUER 'HUNDRED BIRDS WORSHIP THE PHOENIX' ZITAN-FRAMED HANGING PANEL, QIANLONG PERIODChina, 1736-1795. Masterfully inlaid on a misty sky-blue lacquer ground with 11 different materials: Spinach green jade, lapis lazuli, malachite, carnelian, turquoise, soapstone, coral, wood, stained bone and tortoise shell, altogether depicting a phoenix perched under a wutong tree, surrounded and worshipped by a myriad of birds including a peacock, magpies, cranes, pheasants, and mandarin ducks, some perched on the tree, some in flight and others resting on rockwork, amid peonies, lingzhi, and bamboo. Provenance: UK trade. Formerly in a European private collection. Condition: Displaying remarkably well, with no restoration or replacement work worth mentioning, making this one of the best-preserved wall panels from the Qianlong period ever to be recorded. Some old wear, expected age cracks to lacquer with associated losses, only two small pieces (!) of the many hundred inlays lost. Light scratches. The frame with few minuscule chips, expected minor age cracks with an associated small touchup to the upper right corner. The suspension is made from gilt-bronze and is original to frame and panel.Dimensions: Panel size 67.5 x 100.5 cm, Size incl. frame 76 x 109 cmWith a well-carved zitan frame mounted with a gilt-bronze suspension in the form of finely incised lingzhi-shaped clouds.Paintings and embroideries with phoenixes surrounded by various birds, including cranes, mandarin ducks, and pheasants, are a common motif in Chinese culture. Phoenixes are regarded as the king of the birds, as they represent power, virtue, and grace. This large and impressive inlaid panel is an outstanding example and possibly of imperial origin. Literature comparison: A related example of an inlaid screen was exhibited in Tributes from Guangdong to the Qing Court, Chinese University of Hong Kong Art Gallery, 28 February to 12 April 1987, no. 86.Auction result comparison:Type: Closely relatedAuction: Christie's 11 July 2006, lot 73Price: GBP 131,200 or approx. EUR 261,000 converted and adjusted for inflation at the time of writingDescription: An ivory and hardstone inlaid zitan hanging panel, Qianlong (1736-95)Expert remark: Compare the closely related motif, material, frame, and size (81 x 118 cm).Auction result comparison:Type: RelatedAuction: Bonhams London, 7 November 2013, lot 339Price: GBP 122,500 or approx. EUR 193,000 converted and adjusted for inflation at the time of writingDescription: A rare pair of jade and hardstone-inlaid wall screens, 18th/19th centuryExpert remark: Compare the related motif, material, and size (82.5 x 111 cm). Note that this is a pair.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.乾隆時期大型《百鳥朝鳳》鑲寳漆屏，紫檀木框中國，1736-1795年。以十一種不同材質巧妙鑲嵌在天藍色地漆面上：碧玉、青金石、孔雀石、紅玉髓、綠松石、皂石、珊瑚、木頭、彩色骨質、玳瑁，共同描繪了一隻鳳凰棲息在梧桐樹上，在牡丹、靈芝和竹子之間，孔雀、喜鵲、鶴、雉鷄和鴛鴦等無數鳥類圍繞，有的棲息在樹上，有的飛翔，有的立在岩石上。 來源：英國古玩交易，之前來自一個歐洲私人收藏。 品相：品相極佳，無顯著修復或更換，是有史以來保存最完好的乾隆時期掛屏之一。一些舊磨損，兩塊鑲嵌中丟失。 輕微劃痕。框架輕微缺損，右上角有小修。原裝懸扣由鎏金青銅製成。 尺寸：掛屏67.5 x 100.5 厘米，總 76 x 109 厘米 紫檀木框，銅鎏金靈芝形金屬掛扣。 《百鳥朝鳳》這個題材在繪畫和刺繡中經常出現。鳳凰被視為百鳥之王，至高至上，美好吉祥。這塊巨大且令人印象深刻的掛屏是一個傑出的例子，可能是御製。 文獻比較： 一件相近鑲嵌的屏 ，曾展於《Tributes from Guangdong to the Qing Court》，香港中文大學 中國文化研究所文物館，1987年2月28日至4月12日，編號86。 拍賣結果比較： 形制：非常相近 拍賣：佳士得，2006年7月11日，lot 73 價格：GBP 131,200（相當於今日EUR 261,000） 描述：乾隆硬石象牙紫檀木框掛屏 專家評論：比較非常相近的主題、材料、木框和尺寸(81 x 118 厘米)。
Lot 232
A RARE MARBLE LINGA WITH FOUR FACES, PANCHAMUKHALINGA, HINDU SHAHINorthwestern India, c. 8th century. Finely carved with four faces of Shiva around a central domed shaft, all supported on a square base, each head with a slightly different hairstyle, headdress, and jewelry.Provenance: From the collection of Anthony d'Offay. Christie's New York, 19 September 2002, lot 127. A private collection in the United States, acquired from the above. Copies of two handwritten labels, confirming provenance and dating, accompany this lot. Georges Anthony d'Offay (b. 1940) is a retired British art dealer, collector, and curator. In 1965, at the age of 25, he opened his first gallery in London. His personal art collection, valued in excess of £100 million, was donated jointly to the National Galleries of Scotland and the Tate in 2008 with the assistance of the Scottish and British Governments. The various exhibitions of his pieces have been seen by a total of over 29 million visitors. Anthony d'Offay has received The Prince of Wales Medal for Arts Philanthropy (2011).Condition: Good condition, commensurate with age. Extensive wear and weathering as expected, some losses, nicks and scratches. Signs of erosion, minor fissures and encrustations. Nicely grown natural patina with a beautiful ivory tone overall.Weight: 3,684 g Dimensions: Height 16.5 cmLingas such as the present lot are extremely rare and were produced under the Shahi dynasties (6th-11th centuries), which ruled in the lands formerly known as the ancient region of Gandhara under the Kushan empire. The most recent analysis of this subject is found in Michael Henss, The Mystery of the 'Hund Statues': An Unknown Chapter of Central Asian Statuary, Arts of Asia, January 2016, pp. 28-43. As exemplified in this sculpture, the hair and regalia still echo the visual apparatus of Gandhara, while the rounder facial features are informed by the Gupta style.The linga is the sign of Shiva, a column connecting heaven and earth representing creative power. This form is thought to indicate a five-faced linga (panchamukhalinga), but the fifth face is invisible as it cannot be comprehended by mortals, so lingas of this type always show just four faces. The linga is the main object of worship in Hindu temples.Auction result comparison: Type: Related Auction: Bonhams New York, 19 March 2018, lot 3069 Price: USD 75,000 or approx. EUR 83,500 converted and adjusted for inflation at the time of writing Description: A marble mukhalinga, Hindu Shahi, circa 9th centuryExpert remark: Note the larger size (25.9 cm)
Lot 4
A HUANGHUALI LOW TABLE, KANGZHUO, 17TH-18TH CENTURYChina. Superbly carved with the top panel set within a rectangular frame with a beaded 'ice-plate' (bingpanyan) edge above a shaped, beaded, and cusped apron, all raised on elegant cabriole legs carved with lion masks at the corners and terminating in claw feet, the wood of an attractive grain and color.Provenance: From the private collection of Jean-Pierre Rousset, acquired in the 1980s, and housed in his famous Parisian home ever since (see in-situ photograph). Jean-Pierre Rousset (1936-2021) was a French art dealer and the nephew of Robert Rousset (1901-1982), one of the most prominent pioneers of the Chinese art market in Paris. With no children of his own, Robert took his nephew Jean-Pierre under his wing and began grooming him to eventually take over the gallery. He loved to wander with Jean-Pierre through the gallery's exhibitions and storerooms, telling stories about each piece while cultivating his protege's eye. Jean-Pierre was also sent by his uncle to train with the great expert in Asian art and Robert's close friend, Michel Beurdeley, whose numerous publications are still commonly referenced today. When Robert passed away, his private collection was divided between Jean-Pierre and his sister, Anne-Marie, whose part was sold with great success after her death in 2019. Condition: Good condition with some wear and traces of use, expected minor age cracks, some with associated old fills, small chips, light scratches, the joints possibly reinforced.Dimensions: Size 96.5 x 59 x 29.5 cmExpert's note: Kang tables were typically used on top of a platform, kang, or a couch-bed or daybed. For a discussion on kang tables, see S. Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley, 2001, pp. 169-171. See Wang Shixiang, Connoisseurship of Chinese Furniture: Ming and Early Qing Dynasties, vol. I, Hong Kong, 1990, pp. 48-52, for a discussion of different forms of kang tables.Auction result comparison: Type: Related Auction: Christie's Hong Kong, 31 May 2017, lot 3239 Price: USD 875,000 or approx. EUR 123,500 converted and adjusted for inflation at the time of writing Description: A Large Huanghuali Kang Table, Qing Dynasty, 18th CenturyExpert remark: Compare the closely related form, material, and size (94.3 x 63.5 x 25 cm)Auction result comparison: Type: Related Auction: Christie's New York, 19 March 2021, lot 742 Price: USD 37,500 or approx. EUR 37,500 converted and adjusted for inflation at the time of writing Description: A Huanghuali Kang Table, 17th Century Expert remark: Compare the related form, material, and size (104.7 x 67.6 x 32 cm). Note the related animal masks at the four corners.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK.十七至十八世紀黃花梨三彎腿炕桌中國。黃花梨三彎腿小炕桌，桌面拼板，矮束腰，桌面四周設有攔水線、冰盤沿，牙板為壺門之形，弧線圓轉自如。壺門中央處浮雕如意雲紋，兩側作卷雲紋。三彎腿，馬蹄外翻。牙板內緣起陽線，順延至腿足，隨之彎曲，至底端收卷為卷珠狀，與外翻馬蹄合為一體。 來源：Jean-Pierre Rousset收藏，購於上世紀八十年代，之後一直放置在他巴黎的家中 (見照片)。Jean-Pierre Rousset (1936-2021年) 曾是一位法國藝術經銷商，他的叔叔Robert Rousset (1901-1982) 是巴黎中國藝術市場最著名的開拓者之一。由於沒有自己的孩子，Robert把他的侄子Jean-Pierre置於其翼下，並培養他藝廊。他喜歡和 Jean-Pierre 一起逛藝廊和儲藏室，講述每件作品的故事，同時培養他的眼光。Jean-Pierre 還被他的叔叔派去師從亞洲藝術專家Michel Beurdeley，他也是Robert 的密友，他的眾多著作至今仍被廣泛引用。Robert去世後，他的私人收藏由Jean-Pierre和他的妹妹Anne-Marie平分，Anne-Marie的部分藏品在她於 2019年去世後成功售賣。 品相：狀況良好，有一些磨損和使用痕跡，年代裂痕、一些相關小修補、小刻痕、輕微劃痕，接縫可能曾加固過。 尺寸：96.5 x 59 x 29.5 厘米 專家注釋：炕桌一般會放置於炕上，詳見 S. Handler，Austere Luminosity of Chinese Classical Furniture，Berkeley，2001，169-171頁；見王世襄 《明式傢俱研究》，第一冊，香港，1990年，頁48-52。 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2017年5月31日，lot 3239 價格：USD 875,000（相當於今日EUR 123,500） 描述：清十八世紀黃花梨炕桌 專家評論：比較非常相近的外形，材料和尺寸(94.3 x 63.5 x 25 厘米)。Ɏ: 此物品含有象牙、犀牛角、龜甲，或某些類型的熱帶木材，出口到歐盟之外需要申請CITES證書。此類物品通常無法出口到歐盟以外的國家，包括英國。
Lot 139
Early to mid 19th Century shagreen-cased etui, of seven divisions containing a drawing set with folding rule stamped Dollond London, second scale rule, dividers etc, inscribed within hinged cover to a 'Miss Capel', 16.8cm highContaining two ivory rules and sold with APHA exemption permit D8SJDFKH.Successful bidders must organise their own shipping, and any documentation (including resale where applicable)
Lot 158
Early Victorian tortoiseshell tea caddy, of concave-sided octagonal form, the hinged domed cover, with eight moulded pewter-strung channels framing later mother-of-pearl oval cartouche, enclosing a single compartment with wooden cover, the body of confirming design with ivory rim and four ball feet, 15cm x 11cm x 11.5cm high (sold with APHA ivory permit DHYTZFEA)
Lot 166
Victorian brass-bound figured games box, the hinged cover with cross crosslets motif between studded strapwork, enclosing an upper tray containing full sets of red-stained and natural draughts and chess pieces brass cribbage board and pegs, plus two markers numbered 0-9, over a reversible folding chess/draughts and backgammon board and assorted counters plus two dice and two shakers, the box 31.5cm x 24cm x 16cm highPlease note - due to ivory content this item is sold with APHA Permit No. 4U6CNRJF.Successful bidders must organise shipping and any necessary documentation.
Lot 236
A Georgian officer's Mameluke sword, curved single edged 31" blade with traces of engraving, regulation gild hilt with two piece riveted ivory grips. One grip missing a piece at the pommel, three rivets missing as are the two sword knot rings, in its steel scabbard with three bronze mounts (a/f)Ivory within the handle and sold with APHA exemption permit: NXKKWBN7Successful bidders must organise their own shipping and any documentation (including resale where applicable).
Lot 281
Royal Worcester gilded ivory and shot silk figure, Bather Surprised, after Sir Thomas Brock, modelled as a classical figure against a tree bough, puce printed factory mark with date code for 1919 and '846', 25cm highThere is a loss of the gilt on both sides of the head band and a mark close to her mouth. The base and tree have gilt wear all over. There is a large hairline crack that is around 2 inches up from the base and currently goes around most of the tree and legs. There is also a patch that looks to have been restored or patched up on the top of her right leg. The piece would benefit from a clean.
Lot 383
George III miniature portrait on ivory of a gentleman, the portly figure depicting half-length, dressed in red jacket and buttoned waistcoat, holding a letter or document, before a shelf with books initialled to spines C.B. and D.B., unsigned, 9.2cm x 6.8cm (truncated oval), beneath gilt-edged convex oval glazing in black lacquered frame with acorn suspension, 16.5cm highSold with submitted and confirmed AHPA permit HHSNSQ6M.Buyers are responsible for onward shipping and any export or permit papers including for customs or resale.
Lot 385
Early 19th Century English School - Oil on ivory - Half-length portrait miniature of a lady, circa 1830, in finely cast ormolu frame under glass, 10cm x 8cmSold with AHPA ivory permit V8VEU7YU.Successful bidders must organise shipping and any relevent documentation (including for resale if applicable)The ivory has not been removed from the frame as it is securely fixed behind a piece of board. From the front, we are unable to see any cracks. The ivory appears to be fairly flat, with just a little rippling. The colours look good, though we assume there is some slight fading. We can make out some light surface scratches to the surface of the painting.The frame has damage to the back around one of the screw fixings. Some light wear, which is heavier to the back, but the finish is generally in good order. The back has a stamped mark reading 'JA'.
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