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Lot 204
GEORGES OMERTH, FRENCH 1895-1925, A GILT BRONZE AND CARVED IVORY GROUP... GEORGES OMERTH, FRENCH 1895-1925, A GILT BRONZE AND CARVED IVORY GROUP FIGURE A whimsical study of a child upon a rush chair having lost a clog to a persistent duck, fending the duck off with a spoon, set upon a basalt and onyx marble plinth, signed G.OMERTH to bronze, 24cm in height.
Lot 207
ALBERT ERNST BELLEUSE, FRENCH 1824-1887, PAINTED BRONZE AND IVORY FIGURE LA... ALBERT ERNST BELLEUSE, FRENCH 1824-1887, PAINTED BRONZE AND IVORY FIGURE LA LISEUSE, THIRD QUARTER OF THE 19th CENTURY Modelled as the reader in Renaissance dress, set upon a stepped bronze plinth with plaque, cast signature to base, 40.5cm in height.
Lot 28
A GEORGE III SATINWOOD AND SABICU BONHEUR-DU-JOUR, ATTRIBUTED TO GEORGE SIMSON A GEORGE III SATINWOOD AND SABICU BONHEUR-DU-JOUR, ATTRIBUTED TO GEORGE SIMSON, CIRCA 1790 With finely figured West Indian satinwood and Caribbean Sabicu veneers and ebony stringing throughout, the superstructure with gallery top above an open bookshelf flanked by two convex doors and central drawer with ivory turned handles, the secretaire enclosing four small drawers and three arched architrave pigeon holes, the fall front with tooled green leather writing surface above fall front cupboard with plain interior, on square tapering legs with brass terminals and castors, 73cm width x 45cm depth x 120.5cm height. Lot notes: The attribution to George Simson is based upon an example bearing his label and illustrated in C. Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1996, p. 422, fig. 840. The labelled piece is closely related to the present lot and is after a design in Thomas Sheraton Cabinet-maker and UpholstererDrawing-Book, London, 1895, pl. 64. George Simson is recorded at 19 St. Paul Churchyard from 1780-1839 in G. Beard, Dictionary of English Furniture Makers 1660-1840, Leeds, 1986, p.817. In 1793 he subscribed to Thomas Sheraton Drawing-Book and in 1803 he was included in the list of master cabinet-makers in the Cabinet Director (G. Beard, op.cit., p. 817). Many pieces bearing his label feature fine figured timbers such as satinwood and sabicu, as with the current lot. A similar bonheur-du-jour, also attributed to George Simson, was sold anonymously, Christie, London, 7 June 2007, lot 15 (£ 13,200). Provenance: Purchased in 1983 from Palmer Antiques, Sydney.
Lot 475
A late 19th Century Thomas Webb & Sons Ivory cameo glass vase of rounded square section with dimple sides below a hexagonal collar neck, cut in the Chinese taste with large lotus blooms over a scroll ground, below a panel neck with alternate stylised flowers and foliage, acid mark, height 13cm.
Lot 533
A large late 19th Century Thomas Webb & Sons Ivory cameo glass vase of footed, shouldered ovoid form with collar neck, self-colour cased and cut with stems of lilies with butterflies, the whole enamel decorated over a green enamel ground between gilt and bronze borders, acid mark, height 31.5cm.
Lot 1165
A quantity of silver items, comprising; a Victorian photograph frame, decorated with cherubs, amidst foliage, William Comice, London 1893, 11 by 6.5cm, a silver Gothic knife and fork, London 1847, Francis Higgins, a silver handled ivory letter opener, Birmingham 1894, Adie and Lovekin, and a German silver swan salt dish with green glass bass, the wings opening to reveal the salt cellar.
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239691 item(s)/page