A group of assorted small boxes and objects d'art including ivory and tortoiseshellCONDITION: - late 19th century circular horn snuff type box with brass hound and coronet crest, 6cm - hairline crack to rim- Asian gilt white metal snuff box with gold and green enamel inset lid, 4.5cm - late 19th century French gilt copper, ivory and tortoiseshell circular snuff box, inset with a portrait miniature, 6cm - rubbed, portrait miniature comes away from the lid, discoloured stains and some cracking- Crummles enamel box with number 40 to the lid, 4.5cm - good- Aldara nickel plated ring shaped small candlestick, 5.5cm - Asian cinnabar lacquer circular box, 7.5cm - late 19th century gold pique inset circular clear orange box, 5.5cm - repaired breaks to the base- Canadian polished pewter stylised bird, 16.5cm - nickel plated conical container with threaded screw, perhaps once to house a corkscrew, 11.5cm- Asian soapstone pear shaped dish, 12.5cm - minor chips- ormolu picture frame with cartouche shaped aperture, height 16cm - some wear to gilding- small gilt gesso framed printed silk panel of Reynolds Angels - slight discolouration and some chipping, overall 11.5 x 14cm- TKS enamel box with view of Broadlands, Romsey, 4.5cm - W. Widdop gilt and chromed quartz timepiece modelled as a wrapped present, 3cm - some wear to gilding, movement not going- early 19th century gold mounted tortoiseshell patch box inset with a monochrome miniature, 10cm - large section of the base broken away and missing, further damage to the lid- late 19th century gilt metal mounted tortoiseshell oval snuff box inset with a miniature of a lady, 6cm - lid broken with sections missing, further sections missing from the sides- green plastic model of a hippopotamus, 17cm - a little rubbed- Asian jade model of a fish, 10cm - tail chipped- Chinese hardwood stand carved with scrolls, 10cm
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A burr wood cigarette box and three ormolu mounted ceramic caskets, largest 20cmCONDITION: - cigarette box with ivory and ebony inlay, a little rubbed and dirty at the corners, 12cm- ormolu mounted powder blue glazed porcelain casket, the lid now detached from the hinged upper rim, minor glaze flaws, otherwise good, 20cm- silver plated mounted Booth's 'Old Dutch' pattern casket, mounts oxidised, lid rubbed and crazed, minor chips to the lower edges, 19cm- gilt metal mounted Continental porcelain floral painted casket / cigarette box, one crack and discoloured marking to the lid, mount has come away from the main body and unevenly re-stuck, 11cm
A Victorian mahogany convalescence armchair by John Ward, London, late 19th century, the reclining back adjusted by a brass and ivory handled winder and with hinged arm-rests, the drop-in seat and frame on oversized brass spoked castors, now with red faux-leather cover, with traces of a printed John Ward label and stamped to the front seat rail with the serial number '3214'
A TUNBRIDGE WARE BOX AND SIMILAR CRIBBAGE BOARDS ETC. the rosewood box of rectangular form, the top decorated with a central panel of a butterfly flanked by further geometric panels, all within geometric borders, 7.5cm high, 24cm wide, a similar box with cribbage board lid, a Tunbridge ware cribbage board 23cm, another rosewood and ivory board and other similar items. (5)
A FINE INDIAN VIZAGAPATAM WORK BOX. A fine Indian ivory veneered and pen work box, the rectangular lid decorated with a central scene of a building by a fence and trees within a scrolling border, the sides similarly decorated. The sandalwood interior with lidded compartment and divisions, 9cm high, 31.5cm wide and 23cm deep.
AN INDIAN INLAID SANDALWOOD BOX. The rectangular lid inlaid with ebony and ivory or bone in radiating scrolling patterns and running border, the sides and front similarly decorated, with flush fitting carrying handles, on short bracket feet, the interior fitted with a mirror and divided compartments. 16cm high, 41.5cm wide and 26.5cm deep.
A CHINESE EXPORT LACQUER WORK SEWING CABINET, with a rising rectangular top decorated with typical Chinese scenes in gold against a black ground, the interior fitted with a selection of lidded compartments and ivory fittings, all similarly decorated, with a fabric basket, between twin pierced 'trestle' supports and platform stretcher, with carved and gilt animal paw feet, 70cm high, 63cm wide.
A FINE LATE VICTORIAN ROSEWOOD MIRROR BACKED SIDEBOARD, the elaborate back with a carved cresting above a central bevel edged mirror and seven similar surrounding plates amongst open shelves, and galleried rails, inlaid in ivory and satinwood with stylised dolphins amongst scrolls, the base with a central bow fronted mirror backed display shelf flanked by short drawers and cupboards, above an open shelf and short legs, 260cm high, 183cm wide.
KHAMSEH RUG, Fars, South West Iran, circa 1910. The indigo field of tribal and zoomorphic devices around three diamond medallions containing narrow polychrome columns enclosed by ivory lattice spandrels and narrow borders of hooked motifs flanked by pale lemon and ivory guard stripes, 322cm x 170cm.
A Collection of Silver Flatware, including a Victorian Silver and Ivory Cheese-Scoop, by Henry Atkin, Sheffield, 1893; a George III Silver Caddy-Spoon, by George Samuel Lewis and John Wright, Newcastle, 1818, Fiddle pattern, engraved with a crest and a cased set of Twelve Victorian silver cocktail-forks, by Wakely and Wheeler, London, 1891, weighable silver 4oz 4dwt, 130gr (14)
A Cased Pair of Victorian Silver-Mounted Ivory Handled Fish-Servers, by Cooper Brothers, Sheffield, 1898, the blade and tines engraved with foliage, the case 36.5cm wide, together with a pair of plated fish servers with composition handles, in fitted case and an Edward VII silver-mounted ivory crumb-scoop, by Thomas Levesley, Sheffield, 1902 (5)
A ivory and pique mounted malacca walking cane, dated 1700, and initialled I.B with a white metal ferrule, 93cm . Ivory cracked with one a large horse shoe crack, unsure as to whether a segment has been re attached, the crack has been filled. There are a number of other less significant cracks and smaller hair cracks. The inlays are complete. The shaft is fairly heavily marked but free from cracks and repair.
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