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A Regency teak Davenport in the manner of Gillows, with pierced brass gallery, tooled leather slope, revealing a fitted interior having ivory handled drawers, swivel draw front, slides to each side and panelled door revealing four drawers with brass campaign handles, on turned feet, 90cm H, 49cm W, 55cm D.
A George III Sheraton flame mahogany dressing table mirror, with ivory roundel shaped supports to a ball finial shield shape and satin wood banded plate, the serpentine base crossbanded with rosewood and having three shaped drawers with ivory knob handles and escutcheon, on ogee bracket feet, 70cm H, 50cm W, 21cm D.
A small Regency mahogany pier glass by Hobster of Boston, with moulded and recessed pediment having ivory ball ornaments and a figured mahogany panel with lattice line inlay to the top, flanked by two reeded half pilasters, bears note verso for 'Hobster Upholsterer & Undertaker, General Cabinet Furnishing Warehouse, Emery Lane, Boston....', 68cm H.
A fine Victorian dining room side cabinet in the manner of Jackson & Graham, having string inlaid and parcel gilt ormolu moulded top, ivory and boxwood inlaid frieze and uprights, rounded ends with shelves and central mirrored door, with a mahogany adjustable shelf interior, 98cm H, 125cm W, 46cm D. Thomas Jackson and Peter Graham established their partnership at 37 Oxford Street London in 1836. They produced predominately high quality furniture and represented Britain at many of the international exhibitions. Their clients included Queen Victoria, Napoleon III, the Grand Khedive at Cairo and the royal palace in Siam. Their fine marquetry work, the use of Wedgwood plaques, ivory inlay, rare woods, and fine casting of gilt-bronze mounts were the benchmark of their cabinet making prowess. For design to be of the highest quality and in the latest taste and fashion they collaborated with the leading designers of the period, including Owen Jones, Alfred Lorimer, Eugene Prignot and Bruce Talbert until the company was acquired by Collinson and Lock in 1885. Jackson & Graham were exhibitors, and prize winners at many of the Great Exhibitions of the Victorian period including when, 'the workmanship is so perfect that even with the aid of a magnifying glass scarcely the slightest imperfection is to be found', was the view of their entry at the Paris International Exhibition of 1878.
A George III stick barometer by Bate of London, in a bowfront mahogany case with broken arched pediment with ivory finials and adjuster, with engraved steel barometric scales within a bowed glazed case, set with a thermometer below and urn shaped reservoir housing to the lower canted case, 100cm H
A 19th century Indian Bombay School work box, of rectangular domed form, the cedar wood exterior heavily carved with flowers with an ivory inlay, hinged to reveal a fitted interior set with various jars, bottles and lidded sections, with a mirrored back, the whole presented with exterior metal carrying handles, (when closed) 15cm H, 33cm W, 24cm D. (AF)
A Japanese Meiji period ivory and Shibayama miniature kodansu, of rectangular section carved with panels of figures, with white metal carrying handle and hinged door, opening to reveal three graduated drawers inlaid with a bird, insects and blossom in hardstone and mother of pearl, raised on a plinth base, unsigned, 13cm H, 11cm W, 13cm D.
A portrait miniature of Princess Charlotte, in a head and shoulders pose with raised left hand showing her wedding ring, 6.5cm x 5cm, oval, within a carved oval ivory frame and inscribed The Princess Charlotte verso with red seals to the backing card, and another head and shoulders portrait miniature of a lady in a feather headdress and white silk gown, 7cm x 5.5cm, signed SJP, also within a carved ivory frame. (2)
A Regency mahogany sofa table, with satinwood banding and rosewood cross banding to the top, having two frieze drawers and opposing dummies, with turned knob handles and ivory escutcheons, on a ring turned pillar with four reeded sabre legs terminating in brass paw toes with castors, 72cm H, 147cm W, 68cm D.Provenance: This was purchased by a Mr J T Sawday on 5th February 1979 from the Armagh Gallery Fine Art Dealers 60 North Street Broadway Worcestershire for £265.00
A group of appearing European carved ivory figures to include; goddess with flowers and cherub on socle base (overall 32cm high approx) ,figures of two street musicians and another also on ebonised socle bases. Individually 12cm high plus bases approx (possibly Dieppe). (4)(B.P. 24% incl. VAT) CONDITION REPORT: Significant damage particularly to the goddess figure who has been broken off at her ankles. Other figures are badly stained with losses, cracks and missing pieces.
Small simulated ivory or bone shrine having two doors revealing figure to the interior and overall carved decoration, together with a Chinese deeply carved cushion shaped circular box and cover decorated with continuous scenic designs and containing a collection of mother of pearl card counters or player disks. (2) (B.P. 24% incl. VAT)
A MID 19th CENTURY MAHOGANY TWO DRAWER SIDE TABLE having a rectangular top over drawers with turned wooden knobs and ivory escutcheons, on tapering turned and segmented supports, with brass cup and castors (top slightly marked, some losses to edge beading), 74.5 cms high, 54 cms wide, 40 cms deep
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239713 item(s)/page