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Lot 656
A Royal Worcester gilded ivory chamberstick, formed as a lily pad and flower, shape number 1088, height 5ins, together with a Royal Worcester blush ivory candle stick, formed as scrolling leaves, shape number 1478, height 8.5insCondition Report: Both pieces are free from any cracks or chips but they do have rubbing to gilding
Lot 245
A 19th Century scent bottle formed as a ceramic conch shell with brown painted decoration and a brass screw top fitting, length 7.5cm, together with a small ivory cased tape measure, a bone cotton reel, a white metal filigree chair, a pair of miniature scissors and a small red leather needle case. (6)
Lot 627
A Royal Worcester Graingers shape 995 vase decorated with a crimson and a pink rose against a pale ground, puce mark with date code for 1916, height 15cm, S/D, together with a Royal Worcester blush ivory biscuit barrel and cover of fluted form decorated with sprays of flowers, puce mark with date code for 1908, height 17.5cm. (2)
Lot 2069
German silver teapot, decorated with ribbon and swag border and vacant cartouche, stamped 800, the handle with ivory insulators, 16 cm high, 16.8 oz. (522 gr.), together with a German white metal bonbon dish, with pierced gallery and crossed serpent handles, 17 cm wide (2) PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbanks advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.
Lot 2032
Near matched George III/Victorian silver three piece tea service, comprising teapot, cream jug and sugar bowl with scrolling shell, foliate and gadrooned decoration, teapot maker's mark 'TH', cream jug and sugar bowl by Samuel Hayne & Dudley Cater, London, 1851, gross weight 50oz, 1555g,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.
Lot 2021
Victorian silver teapot with cartouches of engraved floral decoration, by Edward & John Barnard, London, 1861, gross weight 22.5oz, 699g,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.
Lot 2030A
Victorian silver three piece tea service, comprising tea pot, hot water jug and cream jug, with engraved and moulded scrolling decoration, on shaped feet, by Joseph & Albert Savory, London, 1849, gross weight 62oz, 1928g,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.
Lot 2051
Zick, Stephan (und Werkstatt) Nürnberg 1639 - 1715, Ende 17. Jahrhundert L. 16,2/20 cm Anatomiemodell einer Schwangeren aus Elfenbein. Vollrund gearbeitet, die Arme sind beweglich. Wenn die bewegliche Bauchdecke des Objekts abgenommen wird, werden die ebenfalls herausnehmbaren inneren Organe sichtbar: Herz, Lunge, Gedärme, Gebärmutter mit Fötus, der einst an einem Faden hing, der die Nabelschnur repräsentierte. Die Organe sind eher schemenhaft dargestellt. Die liegende Figur ist in eine spätere Holzschatulle mit Schublade gebettet, das ursprüngliche Kopfkissen aus Elfenbein ist nicht mehr vorhanden. Min. best. "Provenienz: Seit vielen Generationen im Besitz einer hessischen Arztfamilie. Die Figur war bis 2018 als Leihgabe im Deutschen Elfenbeinmuseum in Erbach ausgestellt. Stephan Zick war der Sproß einer Nürnberger Drechlserdynastie. Seine Werkstatt war auf die Anfertigung anatomischer Modelle spezialisiert, wobei die markante, anatomisch nicht richtig gestaltete Kniescheibe mit der Querspalte typisch für die Zick'sche Werkstatt war. Außer den Modellen der Schwangeren und Modellen von männlichen Figuren fertigte die Werkstatt auch Modelle von ausanandernehmabaren Ohren und Augen. Diese Elfenbeinmodelle sind keine Einzelstücke, jedoch heute begehrte Sammlerobjekte, da nicht mehr sehr viele Exemplare erhalten sind. Weitere Modelle finden sich im Medizinisch-Historischen Museum in Kopenhagen (diese gesichert von Zick), Ingolstadt, Moritzburg, Gotha, Halle und Braunschweig sowie im Bayerischen Nationalmuseum und in St. Petersburg. Lit. Eugen v. Philippowich, Elfenbein, S. 248/249; Philippowich, Antiquitäten/Kuriositäten, München 1966, Abb. 232, 233; P.W. Hartmann, Elfenbeinkust, S. 90." ZICK, STEPHAN (Nuremberg 1639-1715, and his workshop), Nuremberg, late 17th century. Anatomical model of a pregnant woman. Ivory, carved in full round, movable arms. The removable breastplate offers a view on the internal organs: heart, liver, intestines, uterus and the unborn child that was fixed with a thin string. The patella shows the typical lateral groove, wrong anatomical depiction but typical for the Zick workshop. Min. chips. The figure is later fixed on a wooden base with drawer, the original ivory pillow is missing. Provenience: Since several generations property of a Mid-German family of physicians. Until 2018 the figurine was item on loan in the German Ivory Museum in Erbach. Stephan Zick, descendant of a Nuremberg dynasty of ivory carvers was specialized in anatomical models, not only models of women and men, but also single body parts as eyes and ears. His works today are rare collector's items, some of his models are conserved in European museums
Lot 2150
Prächtiges Barock-Kabinett Italien/Florenz, 17. Jahrhundert 53x62x35 cm Freistellbar. Sockelschub. Zweitürig vor einer reichen Kabinettausstattung mit zehn Schüben und zentralem Türfach. Darin architektonische Miniaturausstattung mit Spiegeln. Aufklappbarer Deckel, innen mit Spiegelbesatz. Auf dem Deckel ein Sprungschub mit verborgenem Auslöser. Vergoldete Metallapplikationen. Marketerie in Palisander, Ebenholz, Elfenbein u.a. mit Einlagen von Carneol, Lapislazuli und Landschaftsachat. Vier vollrunde Säulen aus Marmor. Rest. Alterssch. Kunstvoll und mit edlen Materialien gearbeitetes Kabinett mit provenienztypischer Fassadengliederung. Vgl. M. Riccardi-Cubitt, Le Cabinet, S. 190, Nr. 34. A SPLENDID ITALIAN GILT METAL MOUNTED ROSEWOOD, EBONY AND IVORY MARQUETRIED CABINET, with carneol, lapis lazuli and agate inlay, Florence, 17th century. Minor restorations and additions, minor damages due to age.
Lot 2265
Goldtabatiere mit Miniatur 20. Jahrhundert 5,5x4,7x1,5 cm Ovale, partiell mit gravierter Ornamentik verzierte, flache Dose mit Klappdeckel. Im Deckel hinter Glas gerahmte Elfenbein-Miniatur einer Rokokodame, seitlich rechts signiert "Guérard". Punziert "750" und "EB". Glas mit leichtem Kratzer. Ca. 63,5 gr. Provenienz: Aus dem Nachlaß einer Dame. A FINE GOLD SNUFF BOX WITH A PORTRAIT MINIATURE OF A ROCOCO LADY, 1st half of 20th century. 750 yellow gold, gouache miniature painting on ivory, signed lower right "Guérard". Marked "750" and "EB". Total weight c. 63,5 g. Glass on miniature scratched.
Lot 2027
Grosse Barock-Kassette Indo-Kolonien, 18. Jahrhundert 14x56x39,5 cm Rechteckform mit Klappdeckel. Holzkassette mit Elfenbein- und Schildpatt-Auflagen, Silbermontierungen und Schließe mit Silberkartusche. Leichte Alterssch., l. erg. Provenienz: Aus dem Nachlass des Architekten Franz Hart (1910-1996) in Familienbesitz seit vor 1950. A BIG INDO-COLONIAL SILVER MOUNTED IVORY, TORTOISE SHELL AND WOOD CASKET, 18th century. Rectangular with turn up lid, wooden body decorated with tortoise shell and invory plaques. Mounts, clasp cartouche and handles made of silver. Minor restorations and minor damages due to age.
Lot 2018
Trauernde Muttergottes aus einer Kreuzigungsgruppe Wohl Spanien, 17./18. Jahrhundert H. 19,5/23,7 cm Elfenbein, vollrund gearbeitete Figur auf oktogonaler Plinthe. Späterer, violett-weißer Marmorsockel mit schwarzem Schieferrand. Leichte Alterssch. Provenienz: Don Torelló, Barcelona und danach im Besitz der Erben bis 2020. (Angabe des Vorbesitzers). MOURNING VIRGIN FROM A CRUCIFIXTION GROUP, probably Spanish, 17th/18th century. Ivory, carved in full round, on an octagonal black and mottled dark-red marble base. Minor traces of age. Provenance: Don Torellò, Barcelona and thence by family descent until 2020. (Information by the previous owner).
Lot 2048
Christus im Garten Gethsemane 18./19. Jahrhundert 10,5 x 15,5 cm Elfenbein, in mehreren Teilen vollrund bis im Hochrelief geschnitten. Detailreiche Gestaltung der Figuren und Pflanzen. Brauner Stoff-Hintergrund. Rahmen aus Bein. Leichte Altersschäden, min. rest. AN IVORY RELIEF CARVED SCENE OF CHRIST IN GARDEN OF GETHSEMANE, 18th/19th century. Several seperate pieces carved in full-round and with flattened back or as high-relief. Bone frame. Minor damages due to age and minor restoration.
Lot 2047
Deckelgefäss aus Elfenbein Deutsch, 19. Jahrhundert H. 17 cm Zylidrisch. Umlaufend Wilddarstellungen mit Figuren und Waldschloss im Relief. Auf dem Deckel plastischer Hund. Vergoldete Kupfer-/Messingmontierung. Leichte Alterssch. A GERMAN BRASSGILT MOUNTED CARVED IVORY CUP with game animals and a castle in a wood landscape, 19th century. Full round carved dog on the lid. Minor traces of age.
Lot 2050
Prunkvoller Elfenbeinhumpen mit Löwenjagdszenerie 2. Hälfte 19. Jahrhundert H. 24,8 cm Barockstil. Am Stand und am Rand Akanthusblatt-Bordüre. Die Wandung mit umlaufend geschnittenem Relief einer vielfigurigen Löwenjagdszene, aufwendig gestalteter Henkel mit bärtigem Herrenkopf, ein plastischer Löwe auf dem Deckel. Min. rest. Provenienz: Württembergischer Industriellenbesitz vor 1980. A SPLENDID CARVED IVORY TANKARD WITH LION HUNT SCENE, 2nd half of 19th century. Relief carved scene all around the body, a full plastic lion on top of lid. Min. rest. - Provenance: Property of a German Industrialist before 1980
Lot 953
Carved ivory plaque depicting the Descent from the Cross scene with The Virgin of Sorrows, pierced by sword being comforted by Saint John, Mary Magdalene and putti at the feet of Christ and crying Angels in heavenProbably Northern Europe, late 17th century Bronze stand frame and applied chiselled silver elements representing symbols of The Passion of Christ crowned at the top by two reclining angels flanking a label inscribed "INRI"Italy, 17th/18th century(losses and faults)Like amber and coral, elephant ivory is one of the few organic raw materials that was privileged in the competition with more precious materials, of entirely mineral origin, such as precious stones and noble metals. Its origin in distant places, durability and solidity, as well as its exoticism, identified in the whiteness and smooth texture, contribute to be appreciated throughout the human history. Most of these works were made for customers and collectors, who delighted in the rarity of the material and the quality of the sculpture. The integrity of the piece that we now present, is justified by the link that exists between the ivory relief (where the Descent from the Cross is represented) and the silver frame (decorated with the instruments of the Passion of Christ), the latter of which may have been executed for the first.This excellent example is very similar to another that we found in the collection of the Victoria & Albert Museum in London (A.30-1949). This same attributed to the German artist Balthasar Permoser (1651-1732). Without knowing for sure the iconographic font used by the artist, it is possible to identify some works that, hypothetically, will have served as a reference for a composition on this theme.As an example, we identified the altarpiece of the main altar in the chapel of the Monte di Pietà palace in Rome, made by the sculptor Domenico Guidi (1625-1701).17x10,5 cm (marfim)40x28 cm (total)
Lot 955
Indo-Portuguese part polychrome ivory sculptureUnmarked silver filigree lily, in compliance with Decree-Law 120/2017, art. 2º, nº.2 CDarkened wooden chair of textile upholstery17th century(losses and faults)Provenance: D. Manuel de Souza e Holstein-Beck Collection, Count of Póvoa. Height: 10 cm
Lot 958
Indo-Portuguese ivory sculptureThe child Jesus standing on a gold star painted wooden orbSilver cross staff unmarked in compliance with Decree-Law 120/2017, art. 2º, nº.2 C, with one coloured stone17th century(minor losses and faults)Provenance: D. Manuel de Souza e Holstein-Beck Collection, Count of Póvoa. Height: 19,5 cm
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239691 item(s)/page