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A Victorian gold archaeological bangle by Robert Phillips, c. 1870, with an oval cabochon lapis lazuli within a frame of ivory coloured enamel circles with blue enamel centres and a twisted wire border, glazed locket verso to a tapered bangle, with the makers mark of Phillips of 23 Cockspur St, London Robert Phillips (d. 1881) was one of the first English jewellers to make 'Archaeological Revival' jewellery. The firm initially traded as Phillips Brothers at 31 Cockspur Street, then moved to no. 23 in 1855. In 1869 they traded as Phillips Brothers & Son, until Alfred Phillips took over in 1884. For further reading on Robert Phillips Cf: Geoffrey Munn 'Castellani and Giuliano, Revivalist Jewellers of the Nineteenth Century', 1984; Charlotte Gere and Geoffrey Munn 'Artists' Jewellery, Pre- Raphaelite to Arts & Crafts', 1989.
Five Chinese export ivory fans, early 19th Century, each finely carved and pierced, two with Chinese figures in landscape; one with carved spines in French, 'Si vous aimez ce que J'aime', one with an initialled shield, another with a blind shield, two with loss mounted in a single gilt frame, 37 x 182cm
Benjamin Cheverton (1796-1876) General Wolfe, an ivory bust, inscribed to reverse, on a low socle and a marble plinth (detached), bust and socle 9.5cm, 20.5cm overall and an ivory bust of a gentleman, after Behnes, inscribed and dated 1835, on a square marble plinth, 7.9cm bust, 28.8cm overall
19th Century mahogany secretaire bookcase having a moulded cornice and fitted four adjustable shelves enclosed by pair of glazed panelled doors having reeded arched tracery, the lower section with secretaire drawer having fitted interior with ivory knobs, the cupboard fitted three sliding trays enclosed by a pair of blind panel doors on plinth base, 127cm wide x 234cm high
Fine late 19th Century Neo-Classical satinwood Pembroke table, the oval top with painted medallion depicting classical female figures and amorini seated beneath a tree, the outer edge with a painted border of flowers, the frieze with painted swags fitted a drawer with turned ivory knob. Standing on four slender turned and tapered supports having brass terminals and casters united by an 'X' shaped stretcher with central urn design finial, 106cm x 77cm (open)
19th Century French brass Gothic style cathedral clock decorated with multiple crocketted finials and four small pottery statues, the pierced doors and windows having a silvered finish, the off-white enamel dial with blue Roman numerals and signed Dacosta Jnr, Paris, standing on a brass and ivory inlaid lacquered plinth and beneath a glass dome, clock height 53cm
A LATE 17TH CENTURY TORTOISESHELL AND EBONISED ANTWERP CABINET with eight moulded drawers each with ivory knob handle, flanking an architectural door with columns to each side surmounted by broken pediment and two ivory oriental busts atop each column, the door opening to reveal three further drawers with ivory handles above one frieze drawer, all on a later ebonised stand, 46" wide (see illustration)
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239713 item(s)/page