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Lot 127
Good early George III South Staffordshire enamel etui, circa 1770, of tapering form with gilt metal mounts, the hinged cover decorated with three panels of sheep in landscapes, opening to reveal a full set of six requisites; scissors, ivory aide memoire, pencil in metal sleeve, penknife, needle and toothpick, the main body finely painted with two portraits, a lady and gentleman respectively, reserved on a bleu de roi ground with gilt floral decoration, 9.5cm highSold with APHA licence:UC451VMT
Lot 136
Pair of mid-17th century cuffs, possibly from a pair of gauntlets, worked in silk threads, metal crinkleplate, metal twist, smooth purl and spangles to ivory silk ground with stylised foliage and two mirror image birds. Top cuff having a looped metallic braid along the bottom edge and part of one side, each 26cm at widest point, mounted on mauve plush ground, framed in faux tortoiseshell and ebonised frame and glazed. With various printed and handwritten notes and labels verso: One, apparently 19th century, reads 'Lent by Sir Digby Wyatt, Pairs of Embroidered Gauntlets, Old English Work 1650' and a later note 'Cuffs of a pair of gauntlets worn by one of the family of Russell of Little Malvern, who took part in the Battle of Worcester 1651'
Lot 756
* Lace. A Flemish flounce of 'cauliflower' lace, 2nd half 17th century, hand-made ivory lace edging, with design of ovals with pairs of circles and volutes between worked in a 'cauliflower' pattern, 3 joins, scattered foxing, occasional small holes, 7 x 342 cm (3 x 134.5 ins), together with:A Flemish lace lappet, 2nd half 17th century, hand-made cream lappet, with a cherub to each end, and crown devices above, rust stain to ends, 2 holes to edge of middle (largest 2.5 x 1 cm), 15 cm (6 ins) wide at ends x 88 cm (34.75 ins) longQTY: (2)
Lot 769
* Sewing Accessory. George III steel pincushion clamp in original box, late 18th century, steel clamp with gilt metal highlights, with bead and leaf decorated circular frame, and drawer handle screw terminal, supporting a flower-form finial containing a crimson velvet domed pincushion, 21 cm (8.25 ins), contained in original pink velvet-lined hinged shaped box, with additional compartment for a sewing stiletto (not present), exterior covered with textured green paper, slightly rubbed, red paper and gilt beaded edging missing in places, 21.5 x 9 cm (8.5 x 3.5 ins), together with a Victorian ivory satin pincushion, with pinwork flower urn and lettering 'Welcome To The Little Stranger', fringed edging, 15 x 17 cm (6 x 6.75 ins)QTY: (2)NOTE:An attractive sewing clamp found, most unusually, in its original box.
Lot 480
* Coffee Pot. A George V silver coffee pot by Walker & Hall, Sheffield, 1921, of hexagonal tapered form with urn finial and pedestal foot, the handle with ivory spacers, 27 cm high, overall weight 867g, together with a three-piece silver decagon tea service by Walker & Hall, Sheffield 1930, comprising teapot, milk jug and sugar bowl, the teapot with ebonised handle and finial, 26 cm long, overall weight including the handle and finial 784g QTY: (4)NOTE:Ivory Act registration reference: BLPRABZK.
Lot 757
* Lace. A Flemish lace bertha, late 17th/early 18th century, hand-made ivory lace bertha, sometime partially backed with chiffon, occasional breaks in lace, and a few neat repairs, 20.5 x 101 cm (8.25 x 39.75 ins), together with:A Flemish lace baby cap, mid 18th century, fine white lawn baby cap with double edging of lace, a couple of faint marks to cap, lace becoming detached at nape, 14.5 x 15 cm (5.75 x 6 ins), plus:A Belgian needlelace and appliqué collar, 19th century, five-pointed dark cream collar of needlelace with appliqué on a net ground, patterned with flowers, leaves, and meshwork, 63 x 58.5 cm (25.75 x 23 ins), plus other white and cream Flemish lace items, including: a white stole of Brussels lace, 53 x 264 cm (21 x 104 ins);2 matching lengths of Mechlin lace, width 15 cm (6 ins), length 151 cm (59.5 ins) and 233 cm (92 ins), both contained with an old manuscript label in a Jays', Regent Street, box; a long wide flounce of Brussels lace, 51 x 448 cm (20 x 176 ins); 2 handkerchiefs edged with Brussels lace, one with early manuscript label attached 'from the Collection of Princess de Lusiman of Spain'; 2 matching wide flounces of Brussels needlelace with appliqué, each 38 x 364 cm (15 x 143 ins); a pair of cuffs and matching modesty panel; and a length of Brussels Point de Gaze lace, various condition and sizes QTY: (22)
Lot 696
* Passementerie. A collection of lengths of fringing, 17th-19th century, comprising: a royal blue knotted fringe, 9 cm x 6.5 m; a green and white knotted bobble edging, 9.5 cm x 1 m (2 lengths joined with stitching); a pale blue and cream knotted bobble edging, 8.5 cm x 1 m; a yellow knotted bobble edging, 8 cm x 3 m overall (5 separate lengths); a dark cream, green, yellow, and peach tasselled edging, 6.5 cm x 1 m overall (2 separate lengths); a terracotta and dark cream knotted fringe, 8.5 cm x 6.5 m overall (2 separate lengths); a pink and dark cream knotted tasselled edging, 7 cm x 5 m overall (4 separate lengths); a blue and gold fringe, 7 cm x 2.5 m; a wide scalloped cerise tasselled edging, 22 cm (at longest point) x 1 m overall (2 separate lengths); a cream knotted edging with green and terracotta tassels, 5 cm x 14 m; a pale blue and ivory tasselled edging 4.5 cm x 9.6 m; a scalloped gold and cream tasselled edging, 9 cm (at longest point) x 2.5 m, and another 3 short lengths similar (3 m total); and a terracotta edging knotted with blue and yellow, 8 cm x 8 m, measurements approximate, various condition QTY: (a carton)NOTE:Provenance: Collection of Peta Smyth
Lot 147
An Art Deco shagreen covered cigarette box. Height 6cm, width 17.75cm, depth 10cm , together with a Georgian shagreen covered etui with monogrammed cartouche to lid (lacking interior) (2).Ivory registration number: ZH1DGT8N. The ciggerette box has a small dent to one corner, a very tiny chip to handle, two tiny cracks to handle, also some staining, interior in good condition, otherwise no condition issues. The etui has loss to interior, damage to lid and body, with heavy loss to shagreen cover. Images of defects have now been uploaded to our website.
Lot 1111
Bill Robinson - A contemporary segmented woodturned footed bowl of ovoid form, decorated in a diamond pattern, formed of two hundred and sixty eight pieces of walnut, pink ivory, ash, oak, possibly Mexican rosewood (Dalbergia Palo-Escrito), signed, width 36cm. NB - Subject to CITES regulations, this item may be listed annex B and subject to an export permit if shipped outside mainland UK.
Lot 174
A collection of ceramics to include: Staffordshire pink lustre spill vase moulded with seated girl, lamb and piper by Cornucopia together with Royal Devon blush ivory table wares to include: large jug, vases, two handled rose bowl, bowl and cover, a Lippesldorf pattern 11753 figure of young girl feeding a calf, stamped and a similar figure of young boy and girl with puppy, Modern Spode meat platter, Limoge miniature teapot and small candle holder decorated with Our Lady of Lourdes (1 box)
Lot 319
A MANUEL ALCINO elephantSilver 925/000 sculpture Chiselled decoration Ostrich egg body and ivory tusks Oporto hallmark (1985-2020) and goldsmith's mark Manuel Alcino & Filhos Lda. (regd. 1986) (signs of wear) 1418 g 15x38x26 cmLiterature: VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nr. 4107 and 4887.CERTIFICATE NUMBER: 23PTLX04705CThis ivory cannot be sold in the UK
Lot 89
A Pair of dueling pistolsiron, with engraved decoration, screw-in barrels, folding triggers and ivory stocks Marked with Liège hallmark, serial number 491 Rosewood case, lined on the inside with velvet and leather, with several compartments containing a screwdriver, bullet case and powder flask. Belgium, 19th century (one of the hammer´s top is missing)Length.: 5,5 cm (pistol) CERTIFICATE NUMBER: 23PTLX08842CThis ivory cannot be sold in the UK
Lot 11
German 1919 1st (Peace) Pattern Deluxe Naval Officers Dagger with Damascus Blade, fine example of a 1st pattern naval offices dagger with flame pommel top, ivory grip with wire binding and cross guard with fouled anchor to both central cartouches. Housed in a deluxe pattern scabbard with fine hand chased decoration in form of oakleaves and acorns. The scabbard ring bands are deluxe roped pattern. Reverse of the scabbard has small hanging ring. Partially double edged blade with Damascus pattern the full length. Distributors trademark to the base of the blade being crossed swords and ‘G B &S’. Blade 24 ¾ cms, overall 41 ½ cms. Some denting to the scabbard, small stress crack to the grip towards the pommel and some general wear which is consistent with its age. Ivory exemption declaration B14ZQDK3. Please note, international bidders, make sure you can legally import items incorporating ivory into your nation.
Lot 10
Fine Deluxe Pattern Imperial German Naval Officers Blue, Gilt and Damascus Dirk, fine example produced by WKC, with gilt metal Imperial crown pommel and ivory grip having two bands of wire. Gilt metal cross guard having anchor to the centre cartouche, no release button to the cross guard. Attached to the grip is an original officers silver bullion wire dress portepee. Gilt brass scabbard with ornate roped scabbard ring bands, one side engraved with initials of the previous owner and the other side with an engraved anchor. The blade is of superior quality with fine Damascus pattern and blue and gilt decoration to three quarters. Blade decorated to one side with Imperial crowned trophy of arms, sailing ship and standard trophy of arms above. Reverse side of the blade etched with sailing ship, foliage and dedication in ribbon ‘FESTEN MUTH’S IN STURM UND GEFAHR’ (Firm Courage in Storm and Danger). Blade with small WKC knights helmet trade mark to the base. Overall the dirk is in good condition with nearly all of the blue and gilt finish remaining to the blade. The scabbard has some light wear and small dents with one screw missing to the throat. Blade 37 ¼ cms, overall 52 ½ cms. Ivory exemption declaration JVG9LJWW. Please note, international bidders, make sure you can legally import items incorporating ivory into your nation.
Lot 450
ART & ANTIQUES Women Painters of the World: From the Time of Caterina Vigri 1413-1463 to Rosa Bonheur and the Present Day Sparrow, Walter Shaw (ed.), Hodder & Stoughton, London, 1905, two differing editions, one in full leather with slipcase, the other in ivory cloth Horswell, Janet Bronze Sculpture of "Les Animaliers" Antique Collector's Club, 1971 Musee d'Orsay: Catalogue Sommaire Illustre des Sculptures Editions de la Reunion des Musees Nationeaux, Paris, 1986 The Later Etched Work of James McBey Etc. Condition Report:Available upon request
Lot 376
* Wyllie (William Lionel, 1851-1931). A Bird’s Eye View of Westminster Bridge and The City, etching with drypoint, an atmospheric impression, on thick cream wove paper, signed in pencil to lower left, the full sheet, plate size 225 x 375 mm (9 x 15 3/4 ins), sheet size 305 x 460 mm (12 x 18 ins), hinge-mounted, together with: Clausen (George, 1852-1944). The Barn Door, 1894-1904, etching, a fine, bright impression, on laid paper watermarked O.W.P. and A.C.L., signed 'George Clausen' in pencil lower right, with margins, old tape at the sheet edges, platemark 15.7 x 12.2 cm (6 1/8 x 4 3/4 ins), sheet 21.7 x 17.5 cm (8 1/2 x 6 7/8 ins), mounted, plus: Brockhurst (George, 1890-1978). The Artist’s Mother, 1920, etching on thick ivory wove paper, the full sheet, signed in pencil to lower right, a balanced and characterful impression, titled and numbered '55 proofs' in pencil in another hand to lower sheet edge, plate size 88 x 88 mm (3 1/4 x 3 1/4 ins), sheet size 230 x 195 mm (9 x 7 3/4 ins)QTY: (3)NOTE:F. Gibson Print Collector's Quarterly VIII, 1921, pp.203-227, no. 15.
Lot 419
* Hassall (Joan, 1906-1988). The Stricken Oak, 1937, wood engraving on ivory wove paper, signed and titled in pencil, image size 152 x 108 mm (6 x 4 1/4 ins), sheet size 247 x 177 mm (9 3/4 x 7 ins), together with five other wood engravings by Joan Hassall, all signed and titled, including Hannah Bint, Penthesperon, The Highland Widows Lament, Highland Mary, and Willie Brood a Pecko mount, sheet size 14 x 16.5 cm and smaller, plus other 20th century British wood engravings, including George Tute, Eric Jame Mellon (The Gardener, and The Dream), Young Man Carter (Labourers Loading Barrels), Katherine Mary Fryer (Farm near Harewood), all signed and titledQTY: (11)
Lot 445
AR * Poole (Monica, 1921-2003). Dry September, wood engraving on ivory white paper, from the edition of 75 impressions, signed, titled, and numbered 39/75 in pencil, image size 200 x 148 mm, sheet size 285 x 223 mm (11 1/4 x 8 3/4 ins), hinge-mounted to backing card with window mountQTY: (1)
Lot 180
JURASSIC PARK (1993) - Set of Three Production-Made Tyrannosaurus Rex Teeth - Three Tyrannosaurus Rex teeth from the production of Steven Spielberg's Jurassic Park. Freed from her containment pen after a power outage, the T-Rex attacked Tim (Joseph Mazzello) and Lex (Ariana Richards) while they toured their grandfather's dinosaur-filled theme park.Created by key artist Rob Hinderstein and Stan Winston Studio for the animatronic T-Rex, these dense resin teeth with saw-like serrated edges are applied with dental acrylic surfaces and hand-painted brown and ivory. Each features a drilled hole in the bottom for inserting into its allotted place in the dinosaur's jaw. The set exhibits minor fractures throughout from production. Dimensions: (largest) 5" x 5" x 3" (12.75 cm x 12.75 cm x 7.75 cm)Estimate: $6,000 - 12,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.
![Rembrandt Harmensz. van Rijn (1606-1669)The Ringball Player ["The Golf Player" or "Het Klosbaantje"]Etching, 1654, a good but](https://cdn.globalauctionplatform.com/95be0e09-81f0-4d0f-a1fd-b11f011e0606/51ef5205-f895-4588-8dd4-b12000821816/468x382.jpg)
Lot 303
Rembrandt Harmensz. van Rijn (1606-1669)The Ringball Player ["The Golf Player" or "Het Klosbaantje"]Etching, 1654, a good but later impression of New Hollstein's second state (of two), with the gaps shaded out, but only showing faint signs of rust in the upper left quadrant, on ivory laid paper without watermark, platemark 95 x 142 mm (3 3/4 x 5 5/8 in), sheet 104 x 154 mm (4 1/8 x 6 in), pencil number '121' in the lower left corner margin (unframed)Literature:Bartsch 125; New Hollstein 282 ii/ii
Lot 532
A pair of oval portrait miniatures of a young lady, second quarter, 19th century, both apparently the same sitter, head and shoulders, her hair in ringlets, in gilt metal frames, inset verso with an oval panel of plaited hair mounted with the initials ‘M A R’ and a further similar gilt metal glazed locket engraved with cursive initials ‘A G P W’, now containing an early 20th century photograph of young man, in late 19th century morocco leather case, portraits on ivory, lengths 6.3cm each (including suspensory loop). (3) £120-£200 --- Provenance: By family descent. Ivory Submission Reference: MW7QP845. Condition Report Glass cracked on one portrait miniature.
Lot 533
A 19th century portrait miniature, the oval portrait painted on ivory depicting a young gentleman in white coat, with blue collar, stock and cravat, his hair curled, the miniature mounted as a clasp, and later sewn to a red velvet sash, portrait length approximately 30mm. £150-£260 --- Provenance: Ivory Submission Reference QUFBYB3U. Condition Report Some small black specs under the glaze. Metal mount unmarked and untested.
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