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An Anglo-Indian rosewood, marquetry specimen wood and ivory inlaid table casket depicting figures possibly of Vishnu and Lakshmi in landscape scenes, the top section opening to reveal a mirror and velveteen lined interior all raised on later carved elephant supports - Height 43cm x 55cm x 40cm
An Anglo Indian sandalwood and ivory mounted domed casket, decorated with three bands with applied roundel's and foliate engraved decoration, flanking pieced scroll work panels engraved with winged figure vacant rosettes and strap work - the hinged cover opening to reveal a compartmentalised interior and drawer on paw feet - Height 15 cm x Width 20 cm x Depth 10.5 cm - together with five embroidered silks/greeting cards
A novelty white and gilt metal three piece pencil set each modelled as a golf club in a bog, three various bone handled seals two bone handled drawing instruments, a plastic tape measure modelled as a camel, an ivory photo frame, a Raphael Tuck & Sons greeting card modelled as an Oriental four fold screen, three further cards etc
India - Large Sikh Inscribed Wootz bladed Pesh Kabz Dagger. Of huge proportions^ with Ivory Hilt. The blade is constructed of a dark Wootz blade known as Khorasan. These represent the finest Persian Wootz available and were highly prized. The T-Back blade carries a Sikh inscription which translates as follows: ""Sri Akaal Sahai"" (with God`s help)^ Baba Phula Singh (name of the highly venerated Sikh Akali Warrior)^ 1823. We have received the following statement from our vendor: Akali Phula Singh was a great warrior who served with Maharaja Ranjit Singh. Please search his name on the internet for a detailed history of his achievements. As the leader of the Akali sect of Warrior Sikhs I am convinced that following his death the inscription is symbolic and a veneration by one of his followers. I would date this dagger at about mid-19th c. Probably a replacement scabbard at some point in time as this appears to be later given the end chape fitting and style and the fabric utilised.
? A LARGE AND IMPRESSIVE ORNATE IVORY CENSER of sectional form, the lion finial above a concentric ball flanked by dragons with further concentric balls suspended, on a pierced dragon scroll top section, above a central band carved with dragons flanked by phoenix handles, on a conforming base with four outswept mask feet, the base with a seal mark, late Qing, 28"" high THIS LOT IS NOT AVAILABLE FOR ONLINE BIDDING. IF YOU WISH TO BID ON THIS LOT PLEASE CONTACT THE AUCTIONEERS.
? A LARGE PAIR OF IVORY THRONE FIGURES OF QIANLONG AND HIS CONSORT, the Emperor seated on a dragon throne and wearing a dragon robe and head-dress, the Empress seated on a phoenix throne and wearing a phoenix robe and head dress, each figure before a pierced screen with a Qianlong mark and further dragon and phoenix decoration, on stepped bases and wooden stands, late Qing/early Republic, 24"" high overall (2) Provenance: The Collection of the late Sonja, Lady McFadzean (1930-2013). THIS LOT IS NOT AVAILABLE FOR ONLINE BIDDING. IF YOU WISH TO BID ON THIS LOT PLEASE CONTACT THE AUCTIONEERS.
A GURI LACQUER INRO GROUP, the exterior of the inro with stylised scroll decoration, the interior with speckled gold lacquer, late Edo/Meiji, 3"" long; together with an ivory netsuke in the form of an Arhat mask, the reverse with a rosary and whip, signed Tani, with an old collectors label no.153, late Edo/Meiji, 1.75"" high; and a lacquer ojime measuring 0.5"" wide Provenance: Private collection, West Dorset.
A FINE LARGE IVORY OKIMONO OF A FISHERMAN AND BOY, the adult wearing a wide-brimmed hat and holding a cormorant being fed by the boy below, both figures with a pleased expression, signed Shuzan/Kozan, Meiji, 14.5"" high. Provenance: The Herbert Wallace (1890-1974) Collection of Japanese Ivory.
A FINE IVORY OKIMONO FIGURE GROUP showing a maiden holding a wing and wearing flowing gowns, with a man and boy below, signed Suzuki Nobuyuki, late Edo/Meiji, 7.75"" high. The scene depicted in this carving is probably from the traditional Japanese legend of the Grateful Crane. Provenance: Private collection, West Dorset.
AN EXCEPTIONALLY FINE IVORY OKIMONO OF AN ARHAT, the emaciated figure with fine facial details and wearing long robes decorated with dragons and scrolls, holding a ruyi sceptre and a bowl with a dragon below emanating from it, the base with an old collection label, signed Eyama/Kouzan, late Edo/Meiji, 9.5"" high Provenance: M. Papier Collection, no. 29. Private collection, West Dorset.
A FINE IVORY OKIMONO OF A MAN AND ONI, the figure holding a basket of soya beans in one hand and throwing some with the other, standing with one foot raised on top of the demon, wearing robes decorated with flowerheads and foliage and a sword to the reverse, old collection label underneath, signed Togyokusai Toshiaki, late Edo/Meiji, 8.25"" high This carving probably depicts the tradition of throwing roasted soya beans on the last day of winter to slay demons. Provenance: M. Papier Collection, no. 30. Private collection, West Dorset.
AN IMPORTANT IVORY OKIMONO FIGURE GROUP depicting six male and two female figures climbing on a giant conch shell with a dragon emerging from the opening, old collection labels underneath, signed Uyemura or Ueki, late Edo/Meiji, 5.5"" high This superb ivory carving was originally owned by Michael Tomkinson, who was one of the key Victorian collectors of Japanese art. It is recorded in the Tomkinson catalogue as a scene from the story of Shutendoji/Oeyama. However, it may also depict the spectre of `Shusse-bora`, the story of giant conch shells who live for three thousand years before being transformed into dragons. The figures climbing on the shell may be yamabushi (Shugendo practitioners) who are trying to capture some of the flesh in the hope of attaining long life. Provenance: The Michael Tomkinson Collection, no. 12. M. Papier Collection, no.28. Private collection, West Dorset. Literature: Michael Tomkinson ""A Japanese Collection in Two Volumes"", 1898, Vol.I, page 162.
A FINE SILVER AND SHIBAYAMA FOLIATE DISH, the centre with a decagonal panel of fish and flowers finely rendered in mother of pearl on a gold lacquer ground, the surrounding pierced petals each with small ivory ogee panels with further shibayama inlay, the base in speckled gold lacquer, signed Jinko, Meiji, 10"" dia. Provenance: Private collection, West Dorset.
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239691 item(s)/page