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Lot 209

A PAIR OF CHINESE HARDWOOD FIGURES OF HE-HE GODS / TWIN GODS UPON LION DOGS, both of the gods are seated upon lion dogs with one hand aloft, the eyes of the dogs formed of glass, the teeth of the gods formed of bone / ivory, 39.5cm high x 20cm wide. (2)

Lot 211

A PAIR OF 19TH CENTURY CHINESE CANTONESE CARVED & PIERCED IVORY VASES, carved and pierced sections with scenes of figures surrounded by temples and trees, the main body of each vase comprising of 12 panels, the top with a solid ring of carving, with dragon formed handles to each side, 21cm high, 9.5cm wide.

Lot 269

A GOOD JAPANESE MEIJI PERIOD CARVED HARDWOOD MONKEY GROUP OKIMONO, carved in great detail to depict ten monkeys climbing amongst a rocky outcrop, below carved waves and a peering octopus, the base with a carved ivory signature tablet. 20.7cm high x 10.5cm wide

Lot 270

A GOOD PAIR OF JAPANESE MEIJI PERIOD CARVED IVORY & SHIBAYAMA TUSK VASES ON ROTATING HARDWOOD STANDS, both sections well inlaid with various precious stones and shell to depict scenes of birds & butterflies amongst prunus trees, the lower section of each tusk with a mother of pearl inlaid tablet signature, and with silver mounts below, both have there companion rotating stands carved and pierced in hardwood to depict floral scenes, the tusk sections measure 25cm high x 9cm wide, overall approx. 55cm high x 26cm diameter.

Lot 273

A JAPANESE MEIJI PERIOD IVORY & SHIBAYAMA GILT METAL PHOTO FRAME, the ivory front sections with Gold lacquer & inlaid with various semi precious shells and stones to depict the scenes of birds and manchurian cranes amongst cherry blossom and other native flora, the sections opening to reveal two oval shaped slots for photos, the rear strut bearing the original retailers mark reading ' Hallstaff & Hannaford 228 regent street ' closed measurement: 14.6cm wide x 11cm high, the photo slots measure 5.8cm wide x 9cm high, opened measures 29cm.

Lot 285

A 19TH CENTURY QING DYNASTY CHINESE RHINOCEROS HORN, IVORY & AMBER ROSARY BEADS / NECKLACE, comprising of 44 spherical beads (approx. 1.5cm each) and 1 amber spacer & and an ivory spacer together with a blue & white tassel set, total approximate length: 64cm.

Lot 293

A JAPANESE MEIJI PERIOD CARVED IVORY OKIMONO OF A MONKEY RIDING A STAG - SIGNED, the money is riding upon the back of a recumbent stag whilst holding a rope that is wrapped around his antlers, the base signed and reads 'Gyokudo', 12cm high x 9.5cm wide.

Lot 345

A FINE QUALITY JAPANESE CARVED IVORY PIPE IN ITS BOX, with a gold band on the stem, carved with a three clawed dragon around the bowl, signed in red characters to the underside of the bowl, pipe itself 15cm long, 3cm diameter bowl.

Lot 348

A 19TH CENTURY JAPANESE CARVED IVORY FOLDING FRAME, the latched doors carved and pierced with scenes of geese and foliage, the interior deeply carved with scenes of floral displays, 13.5cm high x 9cm wide.

Lot 383

A GOOD PAIR OF JAPANESE PAINTINGS / PRINT HANGING SCROLLS, one scroll with ivory roundel's depicting birds sat amongst cherry blossom bearing a signature, the other with birds sat upon maple trees again signed, one with lost ivory roundel's.

Lot 385

A FINE QUALITY JAPANESE MEIJI PERIOD CARVED IVORY & SHIBAYAMA TUSK VASE ON STAND, profusely decorated depicting two birds in trees amongst chrysanthemums and other native flora, the side of the vase with a red seal signature, the tusk section distinguished in high relief using carved inlays most commonly made up of sea-shells, horn, stained ivory and wood, the tusk section 25.5cm high x 11cm wide, overall 36.2cm x 20cm.

Lot 388

A GOOD JAPANESE MEIJI PERIOD CARVED IVORY & GOLD LACQUER CHRYSANTHEMUM FORM DISH, the petals formed of a carved ivory section the petals simulating separation with lacquer work, the centre roundel of the dish decorated with a scene of a cockerel stood up

Lot 389

A 19th CENTURY CHINESE CARVED IVORY JUNK, the boat housed within its original case, with figures and plants, cased 28.2cm high x 48.6cm wide x 21.5cm deep.

Lot 390

A GOOD QUALITY JAPANESE MEIJI PERIOD SHIBAYAMA FRAMED PANEL, depicting a cockerel sat upon a tree branch surrounded by flora, the main section distinguished in high relief using carved inlays including ivory, wood, abalone shell, set upon a lacquered backing, the stamen of the surrounding flower buds inlaid using pearls, housed within a floral decorated hardwood frame, 70.6cm high x 53cm wide.

Lot 391

A PAIR OF GOOD JAPANESE MEIJI PERIOD SHIBAYAMA & WOOD CIRCULAR PANELS, both panels distinguished in high relief using carved inlays including ivory & abalone shell to depict a young boy knelt holding a bird in his hands amongst native flora, each panel with a signature and circular carved shell tablet, 54.4cm diameter.

Lot 392

A JAPANESE MEIJI PERIOD WOOD & SHIBAYAMA PANEL, the panel decorated in high relief with carved ivory and wood to depict the scene of a lantern housing a birds nest and young amongst native trees and foliage, the adult bird flying towards the nest, the bottom right bears a carved and stained ivory tablet seal signature, 61cm x 37.4cm

Lot 394

A GOOD QUALITY JAPANESE MEIJI PERIOD WOODEN MONKEY GROUP OKIMONO, finely carved to depict four monkeys and one young upon a wooden log raft, with carved waves to the side, one monkey to the rear using an ore to control the raft, all eyes inlaid with horn, artist signed within an ivory seal to the base ' lisev ', 27.5cm wide x 9.5cm.

Lot 397

A LARGE JAPANESE MEIJI PERIOD LACQUER & SHIBAYAMA DISH, the dish finely decorated with scenes of two warriors in battle amongst a lake scene with mount fuji and temples in the distance, the figures picked out with carved ivory faces and carved weapons using shell and ivory, the dish with five gold lacquer decorated panels each depicting a different tranquil scene and geometric designs, 50cm high x 10.5cm.

Lot 398

A LARGE JAPANESE MEIJI PERIOD TWO-FOLD HARDWOOD & SHIBAYAMA SCREEN, , the panels decorated in high relief using carved ivory depicting birds flying amongst chrysanthemum sprays of flora, the frame formed of hardwood and well carved to depict scenes of phoenix / Ho Ho birds amongst flora, the lower section of the screen with carved and pierced scenes of Ho Ho birds amongst flora, the top sections of the screen again carved and pierced with scenes of intertwining dragons, the screen on castor wheels, each panel measuring 196cm high x 87cm wide

Lot 408

A SIGNED JAPANESE MEIJI PERIOD WOOD & IVORY OKIMONO OF A SEATED ARTISAN, holding a chisel above a circular block, the base with an engraved signature on a red lacquer reserve, 8.1cm wide at widest point of base & 7.1cm high.

Lot 412

AN UNUSUAL 19TH CENTURY CHINESE IVORY BRUSH REST, carved in the form of a sage and his attendant, seated on rockwork plinths beside pine, 9.1cm long, 3cm high.

Lot 413

AN UNUSUAL 19TH CENTURY GOANESE IVORY CARVING OF A SEATED LADY, possibly the Virgin Mary, suckling her infant, 10cm high.

Lot 417

A SIGNED JAPANESE MEIJI PERIOD IVORY TANUKI RACOON DOG NETSUKE, beating his enlarged belly, the fur stained and engraved, the base with an engraved signature, 3.5cm high.

Lot 418

A 19TH CENTURY CHINESE CANTON IVORY BODKIN CASE, with screw-action top, the interior with a variety of implements, the sides carved with a dragon and with birds, 15.2cm.

Lot 419

A PAIR OF ORIENTAL CARVED IVORY FAN HANDLES. 20.1cm long.

Lot 42

A NEAR PAIR OF EARLY 20TH CENTURY INDIAN IVORY FIGURES OF GANESH, the elephant-headed God seated on a lotus plinth, 12.7cm & 11.6cm high.

Lot 421

AN UNUSUAL 19TH CENTURY STAINED IVORY DOUBLE GOURD SNUFF BOTTLE & STOPPER, the ivory with a good grain and traces of red staining, 2.75in high overall.

Lot 443

A FINE QUALITY JAPANESE MEIJI PERIOD GOLD LACQUER & SHIBAYAMA TWO-FOLD SCREEN, both panels housed within a carved and pierced hardwood frame, the panels distinguished in high relief using carved inlays including ivory, coral, abalone shell and tortoise shell, the panel depicts a musician playing his instrument beneath a cherry blossom, with a geisha and child watching, the lower section with two smaller ivory panels, with scenes of chrysanthemums and blossom, the reverse with panels of lacquer work depicting hanging wisteria above a bird, and the second with scenes of a bird sat amongst prunus blossom, the lower panels depicting swimming koi carp, open 43.6cm wide x 54cm high.

Lot 444

A LARGE & FINE QUALITY JAPANESE MEIJI PERIOD CARVED IVORY TUSK VASE ON ROTATING HARDWOOD STAND, the large tusk section varved in very fine details to depict a series of samurai warriors and archers commencing battle, surrounded by scenes of temple buildings and native trees and flora, also one carved geisha girl stood within the temple building, the tusk section itself measures n45.5cm high x 15cm wide, overall on stand 67.5cm high x 28.5cm wide.

Lot 460

A GOOD 19TH CENTURY ORIENTAL CARVED IVORY BOX ON CARVED FEET, carved with floral scenes and with to fitted lids, 10.1cm

Lot 462

A SET OF TWELVE 19TH CENTURY CHINESE EXPORT CARVED AND STAINED IVORY DRAUGHTS COUNTERS, the upper central roundel carved with Manchu busts,elephant head, horses heads and various figures, within pierced borders, the underside with carved floral scenes, 3cm each. (12)

Lot 463

A GOOD 19TH CENTURY CHINESE CARVED & STAINED IVORY MACAU CHESS SET, king measuring 8.7cm, pawn measuring 4.9cm.

Lot 465

A GOOD 19TH CENTURY CHINESE EXPORT CARVED IVORY CASKET, carved with scenes of oriental figures amongst pagodas willow and prunus trees, 8.7cm high x 13.5cm wide x 9.8cm deep.

Lot 519

TEN CANTON IVORY AND STAINED IVORY CHESS PIECES, 16 & 17cm high.

Lot 525

A GOOD JAPANESE MEIJI PERIOD CARVED IVORY & METAL KAGAMIBUTA NETSUKE, the artist signed metal insert incised with fukurokuju holding his hand out to a minogame one of the seven lucky gods of good fortune, 4cm diameter.

Lot 572

AN EARLY 20TH CENTURY CHINESE CARVED IVORY FIGURE OF SHOU LAO, together with a fixed wood stand, the deity bearing a peach and a dragon-headed staff, his robes with a Shou character, 27.9cm high overall, the ivory itself 24.3cm high.

Lot 59

A GOOD 19TH CENTURY CHINESE CANTONESE CARVED IVORY PARASOL, the handle carved with intricate scenes of dragons and foliage, with silver banding and sleeves, the ivory section with a cartouche with an engraving, with original remains of the silk with the wooden arms and ivory stops, 92.2cm.

Lot 85

A SET OF ORIENTAL CHOPSTICKS & KNIFE IN SHAGREEN AND METAL CASE, the shagreen holder mounted with carved metal mounts featuring geometric border designs housing three bone / ivory chopsticks mounted with metal ends, and one knife with a leather handle and matching mounts, overall 30cm long.

Lot 92

A LARGE MEIJI PERIOD JAPANESE IVORY OKIMONO OF KWANNON & A SEA DRAGON, she is modeled stood upon a lotus base amongst a sea dragon that is elevating, she is stood with a flower in her right hand and in a meditation pose, signed to the base within a red seal tablet. 41cm high, 9.3cm wide.

Lot 93

A CHINESE CANTONESE CARVED IVORY BROOCH, depicting scenes of deer surrounded by flora, 6.7cm wide x 4.7cm high.

Lot 94

A GOOD CHINESE 18TH / 19TH CENTURY HAND PAINTED ON TEXTILE SCROLL, the ends with ivory roundel's, the painting depicting scenes of birds flying amongst native flora, the painting bears artist signature.

Lot 107

Zulu / Tribal Throwing Spear “Isijula”, interesting example probably dating from the early part of the last century. Small spear tip and long stem. The shaft is decorated with two ivory bands and carved with section of geometric pattern. Spear tip 37cms, overall 107 ½ cms.

Lot 98

Soul / Funk LPs, approximately seventy albums of mainly Motown, Soul and Funk with artists including Martha Reeves & The Vandellas, Black Ivory, Mastermind, Esther Philips, Eddie Kendricks, War, Ohio Players, Joe Simon and more - various years and conditions

Lot 144

20th Century North Indian Sitar - the string and gourd instrument inlaid with ivory, bone and mother of pearl. 

Lot 175

Seven Chinese Antique Ivory 'Horses of Wang Mu' Carvings. The horses depicted in various poses, approx 5 x 6.5 cms.

Lot 188

A 19th Century Indian "Sadeli" Micro-mosaic Mirror. The mirror surround made with ebony, ivory, green stained ivory and pewter, approx 40 x 20 cms., together with an ivory pot with a micro-mosaic with lid. 

Lot 249

Miscellaneous Jewellery. This lot includes a mourning bracelet (af) mourning brooch (af), brooch, silver locket, four part-earrings, ivory pill box, the brown cords have 9ct gold ends.(tested)

Lot 277

A Roberto Cavalli Time Piece. The watch with ivory strap and ivory face, in the original box with papers.

Lot 324

A 19th Century Portrait Miniature of a Gentleman. The portrait on ivory depicting a portly gentleman, approx 7 x 9 cms.

Lot 200

A Regency teak Davenport in the manner of Gillows, with pierced brass gallery, tooled leather slope, revealing a fitted interior having ivory handled drawers, swivel draw front, slides to each side and panelled door revealing four drawers with brass campaign handles, on turned feet, 90cm H, 49cm W, 55cm D.

Lot 64

A Regency mahogany bowfront chest, of four graduated drawers with boxwood strung and rosewood crossbanded top, over four drawers with brass circular pressed handles, ivory escutcheons and splay feet, 107cm H, 105cm W, 58cm D.

Lot 1143

BOX CONNOISSER ALESSANDRO IVORY PAPER ETC

Lot 651

5 PIECES OF IVORY INCLUDING A NUMBER OF HAIR PINS

Lot 103

A George III tall standing corner cupboard, with canted sides and plain moulded cornice and frieze, with three serpentine shaped shelves to the upper cabinet and enclosed with panelled doors, having ivory escutcheons, on low bracket feet, 228cm H, 106cm W across canted sides.

Lot 1033

A Victorian silver fruit knife, with mother of pearl handle, Birmingham 1888, a 19thC slender folding ivory ruler 6 1/2", and a penknife. (3)

Lot 1094

A George III silver coffee pot, by Francis Crump with a domed lid and flame finial with repousse decorated teardrop body and ivory thumb mould handle on a circular foot, London 1769, 23cm high, 16oz all in.

Lot 110

A George III Sheraton flame mahogany dressing table mirror, with ivory roundel shaped supports to a ball finial shield shape and satin wood banded plate, the serpentine base crossbanded with rosewood and having three shaped drawers with ivory knob handles and escutcheon, on ogee bracket feet, 70cm H, 50cm W, 21cm D.

Lot 132

A small Regency mahogany pier glass by Hobster of Boston, with moulded and recessed pediment having ivory ball ornaments and a figured mahogany panel with lattice line inlay to the top, flanked by two reeded half pilasters, bears note verso for 'Hobster Upholsterer & Undertaker, General Cabinet Furnishing Warehouse, Emery Lane, Boston....', 68cm H.

Lot 133

A small Regency mahogany pier glass by Hobster of Boston, with moulded and recessed pediment having ivory ball ornaments and a figured panel with lattice line inlay to the top, flanked by two reeded half pilasters, 74cm H.

Lot 256

A fine Victorian dining room side cabinet in the manner of Jackson & Graham, having string inlaid and parcel gilt ormolu moulded top, ivory and boxwood inlaid frieze and uprights, rounded ends with shelves and central mirrored door, with a mahogany adjustable shelf interior, 98cm H, 125cm W, 46cm D. Thomas Jackson and Peter Graham established their partnership at 37 Oxford Street London in 1836. They produced predominately high quality furniture and represented Britain at many of the international exhibitions. Their clients included Queen Victoria, Napoleon III, the Grand Khedive at Cairo and the royal palace in Siam. Their fine marquetry work, the use of Wedgwood plaques, ivory inlay, rare woods, and fine casting of gilt-bronze mounts were the benchmark of their cabinet making prowess. For design to be of the highest quality and in the latest taste and fashion they collaborated with the leading designers of the period, including Owen Jones, Alfred Lorimer, Eugene Prignot and Bruce Talbert until the company was acquired by Collinson and Lock in 1885. Jackson & Graham were exhibitors, and prize winners at many of the Great Exhibitions of the Victorian period including when, 'the workmanship is so perfect that even with the aid of a magnifying glass scarcely the slightest imperfection is to be found', was the view of their entry at the Paris International Exhibition of 1878.

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