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Three alabaster figure groups, including a seated piper, a standing classical maiden, and a sleeping lady, a late 19th century Japanese ivory okimono of a fruit seller, signed to underside, together with a small collection of Geobel figures (one tray). Tallest alabaster group 32cm with fleabite chips, a large chip to the nose. Piper with element lacking from hand, numerous fleabite chips. Sleeping female with numerous chips and some losses to the hand. Okimono with numerous repairs and cracks, head loose, hand repaired, foot lacking. Three coalport ladies each with a chip to the hem of their dress. Doulton lady in good condition. Geobel bird in good condition. Four Geobel figures all in good condition
Follower of Louis L�opold Boilly (French 1761-1845): Collection four miniatures from the series "Les Grimaces et Caract�res", watercolour on ivory signed L. Boilly, together with a miniature lithograph after the artist, a silhouette, 19th century portrait and a portrait print, max 16cm x 13cm (8)
British School (19th/20th century) Four female portrait miniatures, all unsigned, watercolour on ivory, set in original leather case.each 5.5cm x 4.5cm (2.25in x 1.75in)Condition report:The miniatures are all in very good, original condition with no obvious faults to report. Each miniature is framed and glazed. The leather case has some minor scuffs and scratches commensurate with age.
Inscribed on original label verso, oval, miniature, watercolour on ivory.9cm x 7cm (3.5in x 2.75in)Footnote: * Sarah Biffin was born without arms or vestigial legs and was only 94 cm high. At a young age she was contracted under the service of a showman named Emmanuel Dukes, who presented her at fairs and sideshows as an attraction. Mr Dukes taught Miss Biffin how to paint, holding the paintbrush in her mouth, originally in order to increase her appeal for the public who came to watch her. However, she soon became a talented artist, and a demand grew for her work, which initially consisted of mainly landscapes and portrait miniatures. During her appearance at St. Bartholomew’s Fair in 1808, the Earl of Morton paid Miss Biffin a visit. He was so impressed with her skill at draughtsmanship that he sponsored Sarah and arranged private lessons for her by the Royal Academy painter, William Craig. Her popularity grew and she was accepted into the Royal Academy and awarded a medal by The Society of Artists in 1821. She was commissioned by the Royal Family to produce their portraits in miniature, including Queen Victoria. She was even mentioned by Charles Dickens in Nicholas Nickleby and Martin Chuzzlewit. After her patron the Earl of Morton passed away, Queen Victoria awarded her a civil pension, and she retired to Liverpool.Condition report: The miniature is in good, restored condition. There are some areas of paint loss across the miniature with some areas of overpainting on the jacket of the officer. The miniature is laid onto a backing card. The miniature is ornately framed and glazed. The frame has some knocks and losses.
Bronze and ivory figure of a girl skiing on a marble base in the style of Solange Bertrand. Height 17cm (6.5in)Condition report: The top of the ski pole is bent out of shape, face in good condition with a small hairline crack to the top of the head. Even patina throughout with minor oxidization to the figure's undercarriage. The base is loose and the figure can freely rotate about 20 degrees. This is due to a missing fixing that would attach the heel of the shoe to the base.
Early 19th-century Anglo Chinese black lacquered sewing box, sarcophagus shape with chinoiserie gold decoration, lid opening to reveal fitted tray, lower section with single drawer. Contained within the box and the lower drawer section are a number of early 19th-century bone, ivory and treen.width 33cm (13"), depth 24cm (9.5"), height 12cm (5")Condition report: Rubbing and fading to the outer case, one handle damaged but still present, surface damage to the main carcass, left-hand side of the drawer.
18th-century Flemish ebonised and tortoiseshell veneered collectors cabinet, a pair of doors with cushion-shaped mouldings embellished with ivory stringing opening to reveal fitted interior, veneered in floral scagliola, ten drawers surrounding central classical cupboard with ormolu classical figures opening to reveal a miniature mirrored architectural interior with columns and a further eight small drawers, lower part with two slides inlaid with geometric hardwood panels, two further drawers to lower frieze, the entire cabinet stands on 18th-century English gold and black painted Rococo style substantial carved wood base, four cabriole legs with animal paw feet.width 132cm (52"), depth 58cm (23"), height 187cm (74")Condition report: This impressive cabinet has stood in storage for a number of years and therefore the drawers and cupboards do not work as efficiently as they would have originally been made. There are many pieces of veneer missing, the inner cupboard having been broken into at some stage, while most of the ormolu is present, one reclining maiden top left of the interior is missing. Whilst Wilson55 has made every effort to give multiple photographs demonstrating the condition of the cabinet, it is strongly recommended that the cabinet should be viewed in order to be completely satisfied with the condition.
A miniature portrait of a young lady in late Victorian dress, watercolour on ivory, circa 1900, diameter 7.5cms [piece missing from right hand side], along with a similar period miniature of a lady in 18th century dress, watercolour on ivory, within a dark metal ornate frame with marquisite leaves and glass gemstone groups,indistinct signature to right hand lower half, Image width 5.3cms H 6.8 cms [2 stones missing] [2]
Fine Quality Painted Miniature on Ivory of an Elegant Young Lady wearing a flamboyant silk hat with tassels and a white silk dress with blue silk cords; painted in the manner of Cosway; housed in an oval ormolu frame with blue enamel edging, 4 inches (10cms) x 3.5 inches (8.75cms); c1860-80
Cultured Pearl Long Drop Earrings, single fresh water white pearls set within circular, open frames of 14ct gold vermeil and silver to the top and bottom of a long, fine chain, with post and push back fittings to the top, and decorative backs to the larger, lower settings; an elegant pair of earrings, with good quality pearls, 2 inches (app.5cms) long; for bridal wear would be ideal with an ivory or off-white dress
Ivory 19th century Chinese doctors lady figure: Measuring 23cm long, well carved and unsigned. These were used for female patients to advise doctors of the position of their ailments, rather than pointing to body parts or undressing, thus avoiding embarrassment. Bears original sale label from gallery for £445 some number of years ago.
A Georgian silver teapot, oval bulbous form with fluted decoration and gadrooned rim, with ivory insulators and bun feet, indistinct hallmarks, height 13cm, 13.4ozGeneral wear and abrasions all over, a few dents to the body, handle looks to be a replacement, base has some solder marks and alterations, no visible holes, hinge and lid working, hallmarks completely rubbed
A French silver miniature portrait pillbox, circular form with allover engine turned decoration and miniature watercolour painting on ivory inset lid, signed Tever, with gilt interior, diameter 5.5cmNo damage or repair, only very light abrasions, gilding still bright, lid fits perfectly, French marks on lip
A Victorian unmarked yellow metal double rose-cut amethyst pendant, length 43.4mm, 5.7g, and a Danish sterling silver and marine ivory pendant necklace by Jens Johs Aagaard, chain length 48cm, 8.8g (2)No damage or repairs, amethyst fob is missing an attachment from screw-thread base, stone has light facet edge abrasions and is unmarked, ivory pendant engraved 925
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239691 item(s)/page