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Lot 546
A Royal Worcester ovoid bowl, printed and pained with forget-me-nots red and yellow roses, on a blush ivory ground, wavy rim, 9cm diam, printed crown and circle mark, date code for 1894, shape no.1651; a Royal Worcester lobed goblet, painted by Jas Stinton, with pheasant among grasses, the stem in relief with stiff leaves, 212cm high, printed crown and circle mark, date code for 1908, shape no.G1047 (2) Condition Report: Stinton vase in broken and reglued; pot is in good condition, slight wear to gilding
Lot 555
A Royal Worcester blush ivory flat sided jug, printed and painted with sunflowers, roses and other flowers, reeded gilt loop handle, 16cm high, printed crown and circle mark, date code for 1896, shape no.1094; a Hadley Worcester globular bowl, decorated with pink and yellow roses within raised panels, gilt line border, 8.75cm diam, printed crown and circle mark in green, date code for 1907, shape no.F132; another, smaller, 8.25cm high, printed crown and circle mark in green, date code for 1901; etc (4)
Lot 560
A large Royal Worcester blush ivory figure, of a Moorish water carrier, modelled by James Hadley, he stands wearing a fez, waistcoat, loose shirt, breeches and slippers, pouring from his oversized vessel into a conical well, the base moulded in relief with rocks, 45cm high, puce printed marks, model no. 594, c. 1890
Lot 210
A large Chinese stained ivory tusk vase19th CenturyCarved to one side with a sinuous five-clawed dragon chasing a flaming pearl amid clouds, inscribed with a single character blessing 'Fu', and to the other side with two phoenix birds in flight amid clouds and flowers, inscribed with a shou symbol, all between ruyi-head borders, stained in red, ochre and green and set on a carved hardwood base and with white metal liner.27cm high
Lot 229
A good Chinese embroidered silk pelmet19th CenturyOf horizontal aspect and worked in blue and ivory shaded threads against a black ground with phoenix birds amid flowers and rockwork, accompanied by bats and flanked by two inscriptions, the border above with further flowers and bats arranged around a 'double joy' symbol.FOOTNOTE:The symbolism of good fortune and double joy in the motifs of this panel suggest that it was a wedding gift and may have been part of the pelmet for a bed.
Lot 235
A large Chinese embroidered silk panelLate Qing Dynasty, 19th CenturyWorked with a central roundel containing three fanciful crested birds amid a profusion of peonies, chrysanthemums and other flowers within a mixed flower border and surrounded by organised sprays of flowers, foliage and butterflies, all in shades of pink, green and purple on an ivory ground, the back lined in purple silk, the edges applied with a conforming polychrome fringe.206cm x 220cm
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239713 item(s)/page