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A JAPANESE IVORY OKIMONO of a fisherman drawing in his net, 19.5cm h, signed Isshin no koku, wood stand, early 20th c Shrinkage crack in the base resulting in the signature disc having become dislodged. Minor hairline crack extending through the rock into the man`s right foot. The ivory clean with only slight yellowing on the back and complete.
A JAPANESE SECTIONAL IVORY OKIMONO OF A MONKEY TRAINER smiling broadly having captured and bound by its hind legs the monkey carried in his right hand, holding his matchlock rifle in his left hand and carrying a bundle of faggots on his back, 34cm h, signed Hozan on a red lacquer reserve, Meiji Shrinkage crack through base and red lacquer reserve which has been stabilised by the injection of resin or adhesive the ivory with some discolouration and traces of adhesive where some of the sections have worked loose, crack across the mat around the faggots, some slight uneven yellowing and accretion of dust and dirt on the upper surfaces
A JAPANESE SECTIONAL IVORY OKIMONO OF A FISHERMAN holding a fish and carrying a net over his right shoulder, 16.5cm h, signed Rikyu or Toshihisa, early 20th c One or two minor shrinkage cracks mostly confined to the back of the net and a wide shrinkage crack to the inside of the upper left leg, much accretion of dust and dirt on the base
A JAPANESE SECTIONAL IVORY OKIMONO OF A FARMER AND BOY the man carrying a foal in his left arm and holding a mattock in his right hand, a basket of fruit at their feet, 17cm h, early 20th c Two cracks in man`s head and a tiny crack under the boy`s chin, some accretion of dust and dirt, natural flaws in the ivory disguised by penwork, one or two further minor cracks in the robe and limbs but in satisfactory overall condition
FOUR JAPANESE IVORY OKIMONOS of a man and boy attacked by birds, a Bejin, another playing the Samisen and Jurojin and three boys, 8.5-19cm h, two signed on a red lacquer reserve or otherwise, one unsigned, early 20th c Figure of the musician with loss to the upper part of the samisen, the three other items with the odd minor crack or other fault but in good overall condition, all with some accretion of dust and dirt
A JAPANESE IVORY AND SHIBAYAMA MINIATURE TABLE CABINET of arched form with `bamboo` frame and enclosed by a pair of doors with silver fittings revealing three drawers, a further drawer below, decorated overall with lacquer, coral, mother of pearl and abalone birds and flowering peony, 14cm h, signed Kogyoku on a reserve, Meiji
A JAPANESE GOLD LACQUER FOUR CASE INRO decorated in various techniques to either side with The Three Wise Monkeys (Mizaru, Kikazaru and Iwazaru), 6cm h, suspended from cords with carved ivory manju of flowers and leaves, signed Kogyoku and an ivory mask ojime signed Sangyoku, Meiji Slight wear and tiny chips to the edges of several of the lacquered compartments of the inro
A CHINESE EMBROIDERED SILK PANEL of peonies in a lotus decorated jardiniere on a stand beside peaches, berries and a sceptre, worked in a variety of stitches in subtly shaded hues on an ivory silk ground and intricately woven applied border, 125 x 85cm, 19th c, framed Light but not excessive fading, a few horizontal creases but unrestored in c1960s frame, highly decorative and most attractive
A VICTORIAN EPNS MOUNTED AND TURNED IVORY CRUET with ring handle and pierced feet and four contemporary faceted glass condiment bottles, two with plated mounts, the other with ivory stopper In good condition, the bottles possibly original and well fitting, the ivory free from shrinkage cracks or other damage
A GEORGE III TEA AND COFFEE SERVICE BY PAUL STORR the form derived from a Roman oil lamp with cast and chased band of double shells alternating with palmettes, beaded shoulder and entwined snake handles on low domed and reeded foot engraved with the arms of the Duke of Manchester, comprising teapot, the domed lid with integral hinge, anthemion spout and carved ivory handle, 17cm h, marked on base and stamped 562/S, sugar bowl, 11cm h, cream jug with anthemion spout, 11cm h, London 1810 hot water jug or coffee pot and lampstand with domed lid, carved body handle, the stand on three incurved acanthus capped lion monopodiae, platform and three feet, shallow urnular lamp with chained cap, 28cm h, marked on base, stand and lamp, London 1810, hot water urn with domed cover with rising cast flower finial with steam vent, the interior with plain cylindrical seamed sleeve with ring handles, cover and hot iron, acanthus clad reed loop handles issuing from lion masks, conforming spout with carved ivory palmette tap, on reeded foot, square plinth stamped RUNDELL BRIDGE ET RUNDELL AURIFICES REGIS ET PRINCIPIS WALLIAE, on outset curling stiff leave paw feet flanked by volutes, 38cm h, marked on base and cover, London 1810, (urn 1809) sleeve and cover unmarked, 348ozs gross Provenance: William Montagu, 5th Duke of Manchester (1771-1843). He married in 1793 Lady Susan Gordon, third daughter of Alexander Gordon, 4th Duke of Gordon. Manchester held office as Governor of Jamaica for nineteen years from 1808, where he prepared the colony for the emancipation of slaves. It is possible that he commissioned the present service from Rundells in connection with his new posting to the Caribbean; thence by descent at Kimbolton Castle until the 20th century and acquired by the present vendor by private treaty in 1996. The design of this elegant serpent handled tea service by Paul Storr was one of the most popular marketed by his firm, Rundell, Bridge & Rundell. Such was the demand that Penzer (1954) recorded no fewer than nineteen examples of the hot water jug or coffee pot alone. The most prestigious goldsmiths of the age, they employed leading artists as designers and their craftsmen were highly skilled in all branches of the craft - raising, casting, chasing and engraving. Based on the ancient Roman oil lamp, its adaptation to the individual forms of a tea service was probably executed by the French painter and designer Jean-Jacques Boileau (1787-1851). His design for a very similar hot water jug or coffee pot is in the Victoria & Albert Museum. Boileau was in England at the time, having been employed by Henry Holland in the redecoration of Carlton House for the Prince of Wales. A similar service in the Gilbert Collection is fully discussed and illustrated Schroder (Timothy B), The Gilbert Collection of Gold and Silver, Los Angeles 1988, pp 371-7. An earlier hot water urn made by Paul Storr for the Duke of Manchester (London 1802) was sold, Christie`s, 16 March 1949, lot 38. It is illustrated Penzer (N M), Paul Storr, 1954, plt XVIII. Each piece in very good condition and complete
A GEORGE III TEAPOT compressed circular and spirally lobed and fluted, with domed lid, on collet foot, crested, 11.5cm h, by George Burrows and Richard Pearce, London 1826, 17ozs gross The ebonised pearwood handle original but cracked, the ivory finial original but stained and cracked, general wear but not holed or repaired. The marks satisfactory
A SET OF TWELVE GEORGE III/WILLIAM IV IVORY HAFTED TABLE FORKS initialled H, by Robert Peppin, London, eight 1818, four 1830 All in very good condition, the tines not noticeably worn and of equal length, the ivory hafts yellowing slightly with the passage of time, on one haft a faint hairline split on one side
A VICTORIAN PRESENTATION TROWELL OF NOTTINGHAMSHIRE INTEREST with turned ivory handle, 29cm l, by Martin, Hall & Co Ltd, Sheffield 1894, cased The inscription reads: BOROUGH OF MANSFIELD PRESENTED TO MR ALD[ERMAN] BARRINGER ON THE OCCASION OF LAYING THE FOUNDATION STONE OF THE NEW WATERWORKS AT RAINWORTH JUNE 25TH 1895 As new, the maroon morocco case scuffed on the lid
A VICTORIAN BACHELOR`S TEAPOT of sack shape with studded strapwork and engraved flowerheads, ivory knop and handle, 11.5cm h, by Charles Edwards, London 1876, 9ozs gross A good quality teapot in good condition but for some old stained cracks in the ivory, the ivory knop with part loss to the lower turning where it is in contact with the lid
A SWISS GOLD AND ENAMEL CARNET DE BAL the front inset with an oval enamel miniature of a lady wearing black lace ruff and rose corsage, the reverse with a later miniature on ivory of a semi named young woman clasping a dove to her bosom, the lid with oblong idealised landscapes with fishermen on a blue ground in white borders and fine trailing frame, the top and sides with gold husks on turquoise panels, the interior containing an ivory tablet with gold rivet and inscribed in ink Remember your true Friend, 9cm h, c1800 In good condition
A PAIR OF MALACHITE EARRINGS the slender drop suspended from a cultured pearl and wire loop, a pair of Victorian carved ivory rose and leaf drop earrings, a pair of Victorian pinchbeck drop earrings and another pair, set with coral in scroll frame (8) Pinchbeck earrings lacking suspension loops
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239220 item(s)/page