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AN ART DECO COLD PAINTED BRONZE FIGURE, cast as a jester wearing red motley with a lute slung over his shoulders, with carved ivory face and hands, unsigned, fixed to a stepped circular base, figure 6 1/2" high, 8 1/2" high overall (Illustrated) (Est. plus 21% premium inc. VAT)One finger to left hand missing and hand has some cracks, right hand good, face good, some glue(?) showing around the edge, some wear to colour especially both red shoes, bottom of tunic and legs, wire "strings" of lute quite bent but appear original, not straight on base (leaning forward), two small chips to base
A VICTORIAN MALACCA WALKING STICK, the ivory grip carved as a bulldog's head with glass eyes, leaf chased silver collar (London 1887), tapering shaft with copper tip, 36 1/4" high (Illustrated) (Est. plus 21% premium inc. VAT)Hairline cracks to ivory - good, some knocks to both silver and copper mounts
A VICTORIAN MALACCA WALKING CANE, the ivory grip carved as a mastiff's head with glass eyes, white metal collar repousse with flowers and foliage and centred by a shield with monogram, tapering shaft with brass tip, 36 1/2" (Illustrated) (Est. plus 21% premium inc. VAT)Hairline cracks to ivory and very minor loss to base of back of head and to back of both ears, head may have been reset into top of stick at one time, collar and tip good
A LADY'S VICTORIAN WALKING CANE, the ivory grip carved as the head of a young maiden wearing a veil, the tapering ebony shaft with silver collar, London marks rubbed, 35 1/4" (Illustrated) (Est. plus 21% premium inc. VAT)Very good, no cracks/losses to ivory, shaft may have been reduced slightly - no tip
AN IVORY OBLONG BOX, possibly Singhalese-Portuguese, with stamped and pierced metal spandrels and angles, 10" x 7" x 3 1/2", together with an ivory box in the form of a book, 7" x 4 1/4" x 1 3/4" (2) (Part Illustrated) (Est. plus 21% premium inc. VAT)Box lacks one spandrel, the other three have red velvet(?) beneath but very worn, NOT silver/white metal it is base metal, lock does not work and so does not close correctly, lid and base made out of two pieces each, one front metal angle missing and front stud, fair.Book is generally good, the top is not and does not appear to have been hinged, a little shrinkageThis was sold in sale 26th March 2021, but was unpaid by purchaser...
A ROYAL WORCESTER CHINA POT POURRI AND COVER, c.1910, of lobed circular form, painted in colours by Gertie Taunt, with full blown pink and yellow roses, signed, green mark, shape 291/H, 6 1/2" high, together with a similar small pot pourri and cover, unsigned, 4 1/2" high, two others, a vase, 5 1/2" high, and a blush ivory pot pourri and cover, 8" high (6) (Est. plus 21% premium inc. VAT)Gaunt cover badly damaged and glued with major losses to flange, the pot itself is good. The 2 pot pourris lack covers, vase has chip to rim. Blush ivory lacks inner cover but otherwise good.
A VICTORIAN WALNUT SALON CHAIR of spoonback form button upholstered in pale green and ivory damask, leaf carved crest, overstuffed bowed seat with carved front rail, raised on cabriole legs with scrolled feet and brass castors, 22" x 18 1/2" x 34 1/2" (Est. plus 21% premium inc. VAT)Very good condition throughout, no repairs or damage, upholstery newly done
A VICTORIAN ROSEWOOD NURSING CHAIR upholstered in ivory damask, the channelled shield back with shell and leaf carved crest, bowed overstuffed seat, on turned and fluted front legs with china castors, 18" x 16 1/2" x 35" (Est. plus 21% premium inc. VAT)very good condition throughout, possibly newly upholstered
A FRENCH MAHOGANY WORK TABLE, late 19th century, the moulded edged oblong serpentine top opening to a drawer fitted with both lidded and open compartments, raised on scrolled carved cabriole legs and knurl feet, 22 1/2" x 17 1/2" x 29 1/2" (Est. plus 21% premium inc. VAT)Generally good with good colour, slight bubble patch to veneer centre top, also two spot marks without polish and four very minor areas with veneer loss, minor fading, interior good, all turned ivory handles intact, one lid very slightly warped, divisions for the open compartments missing, hinge good, very slight shrinkage to top of rear right leg
Late century German School, seven framed oval panels, containing portrait miniatures, groups of scholars, philosophers, artists etc. Each miniature 49 mm x 40 mm with gilt and mahogany surround, nine in each oval glazed frame. 36 cm x 27 cm (see illustration). CONDITION REPORT: It is very difficult to tell what the panels are painted on. We are fairly confident that they are on ivory laid onto wood. Looking at some of the stress fractures on some of the miniatures it would indicate either ivory or bone or something similar. Whilst we are fairly confident of this we are not making any guarantee that this is the case.
Mid 1980s Tokai Breezysound electric guitar, made in Japan, ser. no. 2xxxx7; Finish: ivory, scratches to the back, blemishes throughout but mainly to the edges, minor buckle scratching to back; Fretboard: rosewood; Frets: mild wear with indent wear to first position; Electrics: working; Hardware: good; Case: later hard case; Weight: 3.36kg; Overall condition: good
1980s Maison RBA-380 fretless conversion bass guitar, made in Korea; Finish: ivory/silver burst, stickers applied to top, dings, surface scratches; Fretboard: rosewood, frets removed and filled; Electrics: require minor attention; Hardware: generally good, some rusting/oxidisation to smaller metal parts; Case: old generic oblong hard case: Weight: 3.37kg; Overall condition: Fair
An ivory and lapis lazuli pendant possibly by Dagobert Peche, Wiener Werkstätte, first quarter 20th century, the ivory carved to depict an openwork floral and foliate spray, with three circular lapis lazuli cabochon accents, applied to a silver reverse, the whole enclosed within a modelled and beaded silver frame, suspended from an associated fancy-link chain, reverse stamped‘HANDBETRIEBEN’ (misstruck) and ‘900’, pendant length 6.3cm, chain 50cm. £300-£500 --- Dagobert Peche (1887-1923) was an Austrian artist and jewellery designer. Having initially trained as an architect, Peche joined the Wiener Werkstätte in 1915. He was a prolific designer in all media and went on to produce the most jewellery designs for the firm, second only to Josef Hoffmann. Peche’s designs are noted for their sculptural qualities, often based on mythological themes or featuring an abundance of foliage and floral motifs, “threatening to spill out of their allotted space”. During the war, material restrictions inspired the sculptor and master craftsman Friedrich Nerold to render many of Peche’s designs in ivory. Many jewels produced by the Wiener Werkstätte during this time also feature collet-set cabochon gemstones, as seen here, not only to further the sculptural qualities of the piece but also enhance the colour palette used. Literature: Staggs, Janis, Ed., Wiener Werkstätte Jewelry. (Neue Galerie: Museum for German and Austrian Art.) Germany, Hatje Cantz Verlag, 2008. Please note ivory is covered by CITES legislation and may be subject to import/export and trade restrictions.
An Edwardian silver memorandum case by George Unite, both sides engraved with scrolling foliage with vacant central cartouche, opening to reveal a fitted maroon leather interior, with ivory writing sheet and propelling pencil, maker’s mark, hallmarked for Birmingham 1900, in outer fitted case, dimensions 10.2 x 7.8cm. £100-£120
ELFENBEINSCHNITZEREI: "ELEFANTENPARADE" / ivory elephants, 1. Hälfte 20 Jh.; durchbrochen gearbeiteter Stoßzahn mit einer Parade von 7 in leichter Stilisierung geschnitzten Elefanten und einem Blatt- oder Baummotiv am Ansatz. H. ca. 13 x L. ca. 57,5 x B. 6 cm; Gewicht 714 g (mit montierter Kette gewogen). Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes: ein Versand ins EU-Ausland ist bei diesem Artikel leider nicht möglich).
AN AUBUSSON CARPETThe ivory ground with cameo medallion bounded by festoons of Summer flowers, within a main sang-de-boeuf and walnut acanthus border with addorsed lotus head out slipApproximately 680cm x 400cmProvenance: Supplied by Robert Kime Condition Report: Wear commensurate with age.This is later backed with linen, therefore the back of the Aubusson has not been inspected.Originally a larger size, visible stitching centrally across the width. Other later stitching, repairs.Open seams along the construction lines of the design of the carpet.Sun fading including to one side length and elsewhere, the condition also affected by the effects of the sun.Marks and stains.Worn including with footfall.Some evidence of moth.Tears and lacking some sections.Please refer to additional images for visual reference to images. Condition Report Disclaimer
A MAHAL CARPETOf Fereghan design with an Indigo 'Herati' pattern field, with ivory spandrelsApproximately 310cm x 280cmProvenance: Supplied by Robert KimeCondition Report: Wear to carpet overall. Wear reveals underlying weft in areas throughout. Fringing has been trimmed to an even length at one end and has been secured with later thread. To the other end, the fringing is very short and has significant wear, losses, and loose threads. It has also been secured with later thread but the wear has encroached into the guard stripe in places. Longest edges are untidy with wear, fraying and some sections of loss. Sections have been re-bound in varying colours of thread. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Y AN OAK SIDE TABLE19TH CENTURYMade from salvage from Old London Bridge, the fossiliferous limestone top above two drawers, on octagonal tapering legs, the apron with an ivory label engraved with the image of London Bridge76cm high, 95cm wide, 56cm deepProvenance: Supplied by Robert Kime Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use.Old splits and chips.Losses and chips to the outer edges of the marble top (see additional images)Various additional scratches, staining, fading, discolouration and marks to the marble top surfaceSympathetic restoration by a qualified restorer would noticeably improve the appearanceThe handles are likely originalOf solid structure overallPlease refer to additional images for visual reference to condition.Condition Report Disclaimer
A WALNUT STEINWAY MODEL 'S' PIANO WITH SERIAL NUMBER 373567Together with stool, not pictured in catalogue98cm high, 142cm wide, 156cm longCITES Licence Number 600898/01Condition Report: Two separate stains on the top, keys are not ivory. We are not a piano experts so cannot comment on the workings of the piano.The stool does not match, it is a mid-18th century style stool with a large piece of edging missingCondition Report Disclaimer
Y A PAIR OF ITALIAN EBONY, IVORY, BONE AND TORTOISESHELL MARQUETRY MIRRORSLATE 19TH CENTURYIn 17th century style, the oblong plates in arched frames, inlaid with panels of scrolling foliate arabesques and with moulded segmented pediments,the crestings and aprons with circular profile medallions104cm high, 73cm wideProvenance: Supplied by Robert KimeCondition Report: Both mirrors with marks, knocks, scratches, and abrasions commensurate with age and use. Various old chips, splits, and losses (see images). Both mirror plates with depletion and losses. Some areas of lifting to veneers and inlay. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
19th century ivory-handled Malacca walking cane with 18ct gold collar, stamped SM, engraved 'M Jamieson', together with three others.CONDITION REPORT: Ivory handle: 91cm longShamrock covered: 87cm longSilver-capped: 91cm longFlared silver-capped: 86cm longThey all have general scuffs and scrapes, as with age and use. Some dents to the silver caps.
A Collection of Various English and Continental Ceramics to comprise Blush Ivory Bowl by Crown Ducal, Studio Pottery Blue Glazed Bowl, Coalport Indian Tree Bowl, Wedgwood Lidded Pot, Royal Worcester Pin Dish, Bavarian Gilt Decorated Ewer, Limoges Cabinet Plate, Set of Four Transfer Printed Country Life Pattern by Myott, Trefoil Dish, Coalport Countryware Bowl and Oval Dish together with Seven Royal Doulton Old Leeds Spray Plates (Some Condition Issues)
AN FINE IVORY CARVING OF AVALOKITESHVARA SHADAKSHARITibetan-Chinese, c 1900. Carved, seated in dhyanasana on a double lotus base with vajra, the principal hands in anjalimudra in front of the chest, the other right hand holding a lingzhi stalk and the other left hand a lotus blossom, wearing richly adorned clothing and jewelry. The ivory bearing a stunning patina.Condition: Very good condition with fine wear and a tiny chip to one fingertip. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 502.4 g Dimensions: Height 14.5 cmThis item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore this item can only be shipped within the EU or picked up in our gallery in person.
A CORAL FIGURINE OF GUANYINChina, c. 1920. Of even dark pink color with sparse white inclusions. Guanyin, dressed in a long robe, is holding a vase containing the elixir of longevity in her left hand and a rosary in her right.Condition: Overall fine condition with some chips to exposed areas. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 165 g Dimensions: Height 15 cmThis item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore this item can only be shipped within the EU or picked up in our gallery in person.
A MING-STYLE IVORY FIGURE OF GUANYIN, QING DYNASTYChina, Qing dynasty (1644-1912). Carved seated with the arms resting on her knee, wearing a long flowing robe with voluminous folds, the serene face with heavy-lidded downcast eyes, urna, and slender lips forming a benevolent smile, the hair arranged in an elaborate chignon. The base with a two-character signature or inscription, possibly of later date. With an associated wood base.Condition: Overall good condition with wear, extensive age cracks, few small nicks, good patina.Provenance: Private collection, Austria.Weight: 555 gDimensions: Height 17 cmThis item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore this item can only be shipped within the EU or picked up in our gallery in person.
A ROSEWOOD AND SILVER JEWERLY BOX WITH COVER AN IVORY HANDLEVietnam, c. 1920. Of elegant, rectangular form with two S-shaped walls raised slightly to the top and on the sides. Decorated with silver repousse applications (90 purity) depicting dragons amongst clouds to the top of the cover and floral and daily life scenes to both, longer sides. Small ivory handle on the cover.Condition: Good condition with expected wear. Ivory handle somehow loose. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 302 g Dimensions: Height 5 cm, Width 11.4cm, Length 21 cmThis item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore this item can only be shipped within the EU or picked up in our gallery in person.
A BURMESE IVORY BANGLEBurma/Myanmar 19th century. The simplistic tribal bangle shows a smooth surface and a beautiful shiny honey patina.Condition: Good condition with expected surface wear and scratches as well as natural old craquelure. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 206 g Dimensions: Approximate inner diameter 7.5 cmThis item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore this item can only be shipped within the EU or picked up in our gallery in person.
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239220 item(s)/page