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Lot 142
A Japanese carved ivory okimono of a man, Meiji period, wearing a robe with Artemesia leaves attached to the rear, carrying a basket of peaches and leaning against a gnarled staff, two character red seal mark, on wood stand, 21cmFootnote: The attributes of the gnarled staff and peaches are unmistakenly those of the Chinese god of longevity Shoulao.Condition report: Pin hole to top of head, some natural cracking and discolouration, no other apparent damage or repair.
Lot 145
A carved ivory Japanese silk fan, Meiji period, painted with figures at a picnic beside a lake, the ivory guards and bats carved in relief with plum blossom, with white metal suspension loop, 42cm open, 22.5cm closedCondition report: Some very small tears at the top of each fold, but nothing too significant. Overall in good order.
Lot 17
A Japanese carved wood and ivory figure of a fisherman, Meiji period,日本，象牙木雕渔夫像一个，明治时期the well carved figure unfurling his net on a rocky mound before a swirling river, on four naturalistic wood post supports, 24.5cm,Condition report: Very fine age cracks to both legs and the right hand side of his face, but otherwise in good condition.
Lot 191
A Chinese ivory puzzle ball on stand, late 19th century, the outer ball carved with three dragons amongst clouds, with a further eight graduated interior balls, on a carved figural stand, the ball 5.5cm diameter, 20cm high overallCondition report: The outer carved ball has no obvious losses. The largest interior ball has some very small chips and cracks. A very small hairline crack to the interior of the stand bowl.
Lot 208
A group of Japanese netsuke, Meiji/Taisho period, comprising Ebisu (signed), Daikoku and Jurojin, an actor with a fan (signed), a crawling child, a bone netsuke carved as an Oni carrying a board, and an okimono of a a man dressed in Artemesia leaves with a double gourd upon his back, tallest 9cmQty: 7Condition report: All ivory with age cracks. Child missing its hands. Tallest figure head has been off and glued on,
Lot 221
Two Japanese ivory netsuke, 19th century, carved as Kashima placing restraining stones on Namazu, signed, the other as Hanasaka Jui raking through a pile of gold coins, signed within a red seal, 3cm & 4.5cm respectivelyCondition report: Old stained cracks around Kashima's face, some age cracks to the rocks. Otherwise no further faults.
Lot 282
Two Japanese marine ivory okimonos, Meiji period, carved as Daikoku holding aloft Ebisu and Benten standing on the shoulders of a fisherman, a crab and egret at his feet, 36cm & 30cm respectivelyCondition report: Ebisu and Daikoku figure broken in half and glued. Otherwise no further obvious faults.
Lot 30
A rare Chinese Canton carved natural and stained ivory figural chess set, 19th century,中国，广雕天然及染色象牙象棋一副，19世纪the white side carved as a European King & Queen, the rooks carved with European style buildings, the red stained side carved as a Chinese Emperor and Empress, the rooks with oriental landscapes, the stems all carved with foliate knops and toungue carved circular bases, the white king 10.5cm, red king 9.5cm (but missing a piece from his headdress)Condition report: Some small losses and signs of repairs. One red Rook with age split. Two pieces of the white Queen ponytail have been off and glued back on. Other small faults but nothing overly significant or instantly obvious.
Lot 48
A Japanese carved wood okimono of five apes on a raft,日本， 木雕饰物，署名Eisu，明治时期signed Eisu, Meiji period, well carved with an adult ape at the stern steering, wearing a jacket inset with ivory roundel, his face in deep concentration, a mother with a protective arm around her young, waves rising all around, each ape with black inset eyes, the base inset with signed bone tablet, 27.5cmCondition report: Three apes each missing an inset eye. Otherwise in good decorative order.
Lot 5
A Chinese carved ivory table screen, 17th/18th century,中国，牙雕桌屏一件，17/18世纪of rectangular form, carved in relief with a man fishing in a boat, beneath pine trees, mountains and clouds, the reverse with character marks and seal mark, all within a pierced border of florets, in a carved and inlaid wood stand, the panel 19.7cm x 11.4cm, overall 29cm high, weight of panel 172.3 grams.Condition report: Some fine age splits to both sides. There is a discolouration down the centre of the panel, stemming from a small repair/infill in the top edge. Some minor chips/losses on the stand but nothing too significant.
Lot 85A
Three Japanese ivory okimono and a netsuke, Meiji/Taisho, comprising a fortune teller reading a clients palm, signed, two scholars reading a scroll before a screen of bamboo, a grinning figure standing beside a stand supporting a censer, signed, and a stag antler netsuke jardiniere stand surmounted by an awakening deer, 2.6cm - 5.3cmQty: 4
Lot 87
A Japanese ivory okimono, Meiji period, well carved as a startled deity seated in a lotus leaf throne above a group of blind men, a further blind man clambering up his back, signed, 12cmCondition report: The figure seated on the left of the standing central figure has lost his left hand. Otherwise no further obvious faults.
Lot 90
A Japanese Tanto dagger, 19th century, the 14cm blade with two character marks to the blade and a signed tang, with a finely carved grip and scabbard depicting samurai warriors in battle on horseback and foot under a hail of arrows, a tied cord with a silver fish ojime, 33cm overallCondition report: Cracks and small losses to the ivory.
Lot 14
A wood netsuke of Okame on a long-nosed tengu maskLate 19th centuryOkame climbing up the long phallic nose of a tengu (crow demon), wearing an amused expression as she recognises the erotic significance, the mask's eyes double inlaid; with an obscure signature and a kao. 8.8cm (3 7/16in).Footnotes:木彫根付 天狗の仮面にお亀 在銘 19世紀後期Provenance:Rolf Schmoll Collection.Isaakson Collection.For an example in ivory of Okame with a shorter-nosed tengu mask, see V. F. Weber, KH, pl.XLII, no.10.For further information on this lot please visit Bonhams.com
Lot 142
A wood netsuke of three shishiBy Sato Masayoshi, mid-19th centuryThe shishi playfully fighting, two rolling on their sides with raised heads, the third climbing over them, biting into the haunch of one, forming a compact composition, one leg forming the himotoshi, the slightly worn wood with a good patina, the eyes inlaid; signed Masayoshi. 3.3cm (1 5/16in).Footnotes:木彫根付 獅子 銘「正義」 19世紀中期Provenance: Scott Meredith Collection.Purchased from Barry Davies Oriental Art, London, 1995.Published:INS convention catalogue, New York, 1995, no.16. Masayoshi and his followers made a number of netsuke depicting shishi, either singly or in groups. A somewhat similar composition in ivory by the artist is illustrated by N. Davey, MTH, p.202, no.612, while a very similar example in wood by Masamitsu is illustrated in ibid., p.203, no.616.For further information on this lot please visit Bonhams.com
Lot 155
A collection of gallery and dealer catalogues from various locations related to netsuke and Japanese artIncluding incomplete runs of the following: Eskenazi (1978-1998), including Eighteenth to Twentieth Century Netsuke (1978), Japanese Netsuke from Private Collections (1979), Japanese Netsuke, Ojime, Inro and Lacquer-ware (1984), Japanese Netsuke, Inro and Lacquer-ware (1986). Japanese Netsuke from the Lazarnick Collection (1990), Japanese Netsuke from the Carré collection (1993), Japanese Netsuke, Ojime and Inro from the Dawson Collection (1997), Japanese Netsuke, Ojime and Inro from a Private European Collection (1998); Barry Davies Oriental Art (1990-2002), including Netsuke Classics (1990), The Netsuke Collection of W.G. Bosshard: Part I (1994), 100 Selected Pieces from the Netsuke Collection of Scott Meredith (1995), Netsuke from the Teddy Hahn Collection (1996), Netsuke Through Three Centuries (1996), The Robert S. Huthart Collection of Non-Iwami Netsuke (1998), Oriental Art (1999), Netsuke and Inro from European Collections (2002); Sydney L. Moss (1989-2006), including Japanese Netsuke: Outstanding Works Selected from American Collections (1989), Japanese Netsuke for Connoisseurs (1993), Unique Works by Individualist Japanese Artists (1998), Aesthetics and Connoisseurship in Japanese Netsuke (2000), two copies of Netsuke from the Willi G. Bosshard Collection (2008), Japanese Netsuke and Lacquer (2004), Japanese Netsuke and Ojime (2006); Sagemonoya (1975-2013), including Netsuke, Ojime and Masatoshi's Kabuki (1975), Sagemono and Netsuke Selection (1997), Netsuke and Sagemono (1998), Netsuke That Never Left Japan (2001), Ninety-Nine Netsuke and One Inro (2004), Sagemono and Netsuke (2004), The Netsuke Dancers (2005), Netsuke at the Miami Kappa Convention (2007), Netsuke and Sagemono Omnibus (2008), Sans Ivoire [Non Ivory] Netsuke and Sagemono Selection (2009), Netsuke Opus 20 (2011), Masatoshi Netsuke (2013), Netsuke and Sagemono (2013), So School Netsuke, Netsuke Selection (the first publication by Sagemonoya in the series of catalogues entitled 'Selection'); Rutherston and Bandini (2010, 2011), including Japanese Netsuke, Inro and Works of Art (2011), The Sheila M. Baker Collection of Japanese Netsuke and Inro (2011); Rosemary Bandini (2010-2016), including Japanese Netsuke, Inro and Works of Art (2010), Japanese Netsuke, Inro and Lacquerware (2013), Japanese Netsuke from the collection of Teddy Hahn (2014), Japanese Netsuke, Ojime, Kiseruzutsu and Inro (2015), Japanese Netsuke and Kiseruzutsu (2016); several duplicates of the above catalogues listed are included. (46).Footnotes:ギャラリー・ディーラー日本美術・根付カタログコレクション 46冊For further information on this lot please visit Bonhams.com
Lot 28
A wood netsuke of BenkeiBy Mitsushige, early 19th centuryBenkei wearing the garb of a Yamabushi warrior-priest, sitting in large conch shell, blowing a smaller conch horn, the slightly worn wood with a good patina, slight details inlaid in ivory; signed Mitsushige. 5.6cm (2¼in).Footnotes:木彫根付 弁慶 銘「光重」 19世紀前期Provenance:A. Brockhaus Collection.Purchased at Beaussant-Lefèvre, Hotel Drouot, April 1997.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Lot 32
A wood netsuke of a coral fishermanBy Soichi, late 19th centuryThe fisherman standing, arms crossed over his chest, his curly hair flowing down to his shoulders, brow furrowed and lips pursed, a large piece of red coral strapped to his back, a small tabako-ire (tobacco pouch) of amber hanging from his belt, his eyes inlaid and the himotoshi lined with ivory; signed on a green-stained ivory tablet Soichi. 8.2cm (3¼in) high.Footnotes:木彫根付 珊瑚漁師に蛸 銘「奏一」 19世紀後期Provenance:René Vassal Collection.Purchased at de Ricqlès, Hotel Drouot, 13 April 1994, lot 329.The artist is likely Shibayama Soichi, a student of Kyokusei. For a similar example by Kyokusei, see N. Davey, MTH, p.171, no.511.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Lot 34
A wood netsuke of Kawazu Sukeyasu and Matano KagehisaBy Masakazu, Gifu, late 19th centuryThe two famous sumo wrestlers locked in combat, Sukeyasu slightly lifting the resisting Kagehisa, using the Kawazu throw, the wood stained, the eyes inlaid; signed Masakazu. 5.4cm (2 1/8in) high.Footnotes:木彫根付 河津祐安と股野景久 銘「正一」 19世紀後期Provenance:Anne Papillon Collection.Purchased at Tajan, Paris, November 2009.For similar examples in ivory signed Masakazu, see M. Coullery, Baur, p.155, C350. Another similar example by Hidemasa is illustrated by F. Meinertzhagen, MCI, p.141.For further information on this lot please visit Bonhams.com
Lot 284
Rare boxed educational Musical Game by Ann Young, patented 1801, the mahogany veneered box with inlaid borders, opening to reveal two parts of the playing board with paper printed with staves, keyboards, key signatures with pierced holes, one side with central lidded partition with paper label ‘The Newly Invented MUSICAL GAME, Dedicated by Permission to Her Royal Highness The Princess Charlotte of Wales, by Ann Young, Edinburgh’, two small drawers to each end with compartments containing various ebony and ivory pegs, white and stained counters and thirty musical dice, 17 ¼”x10 ½” (44x27cm) when closed, (condition: generally good, some loss to paper label, one counter container lid broken), Note: Ann Young, of St James Square, Edinburgh, was awarded the patent for this games box in 1801. It was the first British patent awarded to an educational game designed for amusement and instruction. It contained six games which were designed, not only to be amusing and interesting but also to teach the fundamental principles of the science of music.
Lot 326
Victorian bone and Ivory miniatures, including novelty saw, scissors, bat, cup and ball, tape measure, set of nine pins and two balls, fret work barrel shaped box (some minor loss), another screw top box, miniature dominoes, leg shaped penknife, wooden shoe penknives, various miniature cutlery and more (lot).
Lot 50
A four-piece set of decorative French miniature furniture, 1880s, the painted white wooden furniture decorated with gold embossed paper borders and lithographed flowers, comprising oval table with pillar support, dining chair, glass fronted cabinet with filigree finial, and day bed with ivory silk mattress and drapes, (condition: good), wardrobe 8 ¼” (21cm) tall, (4 items).
Lot 54
Group of miniature wooden dolls house furniture with carved decoration, German circa 1890, including a pair of single beds with green quilts and pillows, wardrobe with hinged door and ivory handle, chest of draws with three draws and ivory handles, crib on rockers with green mattress, bureau, oval table with scrolled feet, dining chair, hall-stand mirror and settee, all pieces with intricate carving and highly decorative pattern, (condition: excellent), wardrobe 6 ¼” (16cm), (10 items) .
Lot 95
A triple tray cased canteen of silver cutlery, with twelve place settings, of various silver dates and makers, to include Carrington & Co, Holland Aldwinkle & Slater and George Aldwinkle, all late 19th/early 20th century dates, the forks, spoons and serving spoons all in the Kings pattern, the top tray of knives by A.T Barnes with ivory handles, combined silver weight 4749 g
Lot 133
Y A fine Vizagapatam ivory veneered, lac heightened and sandalwood work box, circa 1780, of rectangular form, the hinged cover and sides engraved with houses and trees within broad lotus borders, with a frieze drawer to the front and swing handles to each side, raised on bracket feet engraved with beasts; opening to a fitted interior with hinged writing surface and enclosing two conforming paperweights, 17 x 42.5 x 31cm overallThe use of architectural decorative motifs is typical of later 18th century Vizagapatam engraved works. See for example Christie's South Kensington, 1 April 2014, lot 207 (£10,000) for a similar box raised on bracket feet. Related literature: A. Jaffer, Furniture From British India and Ceylon, London, 2001, pp. 204, fig. 48
Lot 231
A fine Victorian parcel-gilt satinwood centre table, attributed to Holland & Sons, circa 1860, with figured circular tilt-top on a baluster stem and tripod base carved with foliage, 74cm high, 142cm diameter Provenance: The Dukes of Leeds, Hornby Castle, YorkshirePossibly acquired by Sir George Godolphin Osborne, 8th Duke of Leeds (1802-72), for the principal family seat, Hornby Castle, North YorkshireThis table can be ascribed to Holland & Sons, one of the largest and most prestigious cabinet-making firms in the 19th century, based on a number of stylistic attributes; the superb choice of timbers, the figuring of the satinwood tilt-top, the fine foliate giltwood carving and the distinctive giltwood borders. Holland & Sons were known for their diversity of style - in the mid-1860s, supplying furniture in the fashionable 'Louis XVI-style', such as the table offered here, but also making 'Elizabethan' furniture, neo-Gothic and furniture inspired by Robert Adam, Sheraton and Chippendale (S. Jervis, 'Holland & Sons, and the furnishing of the Athenaeum', Furniture History, 1970, p. 46). First established in 1815 as Taprell & Holland at 25 Great Pulteney Street, London, the firm was renamed Holland & Sons in 1843 when William Holland, a founding member, and probably related to George IV's architect-designer, Henry Holland, took over the firm. In the 1850s, William was replaced by his son, James Holland, and the firm moved to 19 Marylebone Street and Ranelagh Works, Lower Belgrave Street, and from 1852, 23 Mount Street. They exhibited at all the major international exhibitions, including London 1851, Paris 1855, London 1862 and Paris 1867; for example, at the 1862 London International Exhibition, they exhibited a fine marquetry and gilt-bronze centre table veneered with tulipwood, kingwood, New Zealand spicewood, boxwood and purple heart to a design by a 'Mr. Rosenberg' that included engravings by Old Masters, all centred by a spider's web in silver and ivory (J. Meyer, Great Exhibitions: London, Paris, New York, Philadelphia 1851-1900, Woodbridge, 2006, p. 122). The firm worked on the interiors of several of the London gentlemen's clubs, the Army & Navy, the Athenaeum, the Carlton and the Reform. They undertook Royal commissions at Buckingham Palace, Osborne House and Windsor Castle, and were a major contractor for H.M. Works until circa 1852, including the Palace of Westminster. Other significant contracts were for the Great Western Railway and the Royal Academy of Arts. The firm employed many well-known, independent designers, Sir Charles Barry, Gottfried Semper and J.K. Collins. The Holland & Sons ledgers comprising 235 volumes dating from 1824 to 1942 and covering most of their major commissions are held in the Archive of Art & Design at the Victoria & Albert Museum, London.Hornby CastleThis table was possibly acquired by Sir George Godolphin Osborne, 8th Duke of Leeds (1802-72), for the principal family seat, Hornby Castle, North Yorkshire. Built in the 15th century as a fortified house, it was significantly remodeled by the architect John Carr of York, and probably James 'Athenian' Stuart, in the 1760s, for Robert Darcy, 4th Earl of Holdernesse. The mansion was altered to Classical proportions and regular, enlarged sash windows were installed combined with gothic architectural detailing. When the 4th Earl's only daughter, Amelia Darcy, married Francis Godolphin Osborne, Marquess of Carmarthan, and later 5th Duke of Leeds, a new family arrived at Hornby by inheritance, and the house became a ducal seat. Due to a series of important family relationships, Hornby Castle became a repository for a magnificent collection of Restoration furniture that embodied their glorious political past. The halcyon days of Hornby Castle were undoubtedly in this period but also in the early to mid-19th century when the 7th Duke of Leeds commissioned A.W.N. Pugin to prepare a set of drawings for the remodeling of Hornby Castle. Although never executed, Pugin submitted detailed plans on a grand scale for two floor of the castle courtyard, and perspective sketches for the rest.Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Gilt elements have been refreshed in areas. Gilding with some rubbing and small losses. Some evidence of old worm to undersides of legs. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 256
Y An Anglo-Indian, probably Vizagapatam, ivory, lac heightened ansandalwood folding games board, early 19th century, therectangular body unfolding to form a chequer board on one side, anda backgammon board on the other, the borders engraved with trailingvine; containing conforming backgammon counters and an ivory andsandalwood chess set, the board 44.5 x 45.5cm, the Kings 9cm high Condition Report: The counters are 31mm each, one counter is chippedWhite pieces:1 Castle/rook 'crown' damaged, 1 knight damaged, the Queen with a chip to the crownOther small chips and losses to some pieces alsoBrown pieces:1 knight broken and held together with blutak, 2 castle/rook 'crowns' damaged. the King with damage to the crownOther small chips and losses to some pieces alsoBoard/case:Marks, knocks, scratches, abrasions consistent with age and use The lock to board is not working, there is no key present. Some cracks to the white squares, there is minor shrinking of the squares, One piece of trim is present but detached - this is in the box of draughtsmenPlease refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 503
A quantity of Edwardian textiles to include a child's ivory silk and embroidered smock dress, a nightdress, pair of pantaloons, a partially finished tapestry and a quantity of needlecraft related books to include 'The New Guide to Needlecraft Skills and Techniques' and a silver carrying vanity case containing a quantity of essential oils for aromatherapy, etc (2).
Lot 530
WIDENHAM & ADAMS; a good mid-19th century rosewood and brass inlaid marine chronometer with outer mahogany case bearing ivory plaque numbered 228 and with leather straps enclosing the rosewood two-sectioned brass inlaid main case, the upper glass bearing a handwritten label 'Cleaned 6/1913.J.Sewill' with Sewill label to the lid, the chronometer itself with silvered dial inscribed 'Widenham & Adams Makers to the Royal Navy, Lombard St. London 1943' and with twin brass carrying handles. CONDITION REPORT Width of outer case 23cm, width of rosewood case 17.25cm, diameter of bezel of dial 12cm, diameter of silvered dial itself 9.25cm. The piece is complete with the winding key, the gimbal all works well and it does tick when wound. There are a few spots to the silvered dial and some pitting and light rusting to the gimbal and metal framework throughout. There is one tiny screw missing to the plate that covers the winding hole underneath the chronometer. The case itself has a split running horizontally from the rear brass corners and a very fine split starting to form halfway along at the front of the lid. Otherwise general surface wear to the case and some pitting to the brass. The circular ivory roundel is missing beneath the escutcheon and we do not have the key for the case itself. The outer mahogany case has a split to the base and the leather strap is somewhat perished. General surface wear throughout, as you would expect. Appears to be the original lid. Provenance: this piece is from a private collection in Surrey and the vendor's father taught at Liverpool Maritime College many years ago.
Lot 535
SPENCER BROWNING & RUST OF LONDON; a George III ebony, ivory and brass octant with central plaque inscribed 'Spencer Browning & Rust London, John Taylor 1801' with initials engraved to the outer scale, length approx 39cm, unboxed. CONDITION REPORT A couple of fine hairline cracks around the outer scale, which is set beneath the brass 'arm'. Surface wear throughout, one of the coloured lenses is missing. The whole thing is very dirty. To the side brass plate there are rectangular and circular apertures, which presumably would have had something original. As mentioned, no box with this lot. Underneath one of the brass screws is missing. Provenance: this piece is from a private collection in Surrey and the vendor's father taught at Liverpool Maritime College many years ago.
Lot 542
DOBBIE OF GLASGOW; a George III ebony, ivory and brass octant, length approx 30cm, unboxed and lacking lenses. CONDITION REPORT As you can see, this is missing the lenses. There is perishing to the mirror. Surface wear throughout and general marks. There is also a split to the circular end section wooden frame. Provenance: this piece is from a private collection in Surrey and the vendor's father taught at Liverpool Maritime College many years ago.
Lot 549
A large nickel silver parallel rule, length 61cm, a 19th century ebony and ivory rolling rule, length 31.5cm, a mahogany-cased bob thermometer numbered 4815, length of case 26cm and a further cased scale, length 45.5cm. CONDITION REPORT The mahogany cased bob thermometer has two sections of the wooden base missing and heavy surface wear. All four have general surface wear throughout. Provenance: this lot is from a private collection in Surrey and the vendor's father taught at Liverpool Maritime College many years ago.
Lot 809
M HAMMER; a silver and enamel chocolate cup and saucer, ivory enamel with floral swags and bow decoration, marked to the base of cup and saucer 'M. Hammer 930S'. CONDITION REPORT Some scratches to saucer, otherwise good, base marked M Hammer 930SCup appears good , some slight discolouration to stem near metalworkNorwegianNo chips or dentshallmarked
Lot 210
White glazed famille rose porcelain snuff bottle Chinese, Republican period Meiping style, decorated with a black bird perched upon a flowering peony branch looking back and upwards to a ten character inscription with artists seals, foot with four character Qianlong mark, green glass stopper with stained ivory spoon
Lot 234
Ivory bird cage ornament Chinese, 17th/18th Century pierced and carved as a standing figure of a court lady accompanied by three Buddhist figures all posed beneath a canopy formed by a pine tree with a building in the background, 3.8cm x 2.5cm and a miniature ivory recumbent ram looking forward and with a rug over its back, pierced for a cord, 19th Century, 2cm x 3.5cm
Lot 254
Six carvings Chinese comprising a horn seal with calligraphy to one side, the finial depicting a kylin, 6cm high, a hard stone seal with a mythical creature to the top, with carved seal calligraphy to base, 4.5cm high, two amber carvings of figures, 5.5cm high, 6cm high, a green stone carving of Buddha, 5cm high and a horn case containing an ivory seal, 5.5cm across (6)
Lot 313
Group of three pieces Chinese including a small soapstone painted figure of an oarsman, wearing a wide brimmed hat, on an hardwood stand, figure 10cm high, a pottery torso, possibly Tang, 9cm high (excluding stand), and a carved ivory model vase of flowers, Chinese circa 1920/30, 14cm high. (3)
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