A GROUP OF TEN HOUSEHOLD ITEMS, comprising two retro style Bush radios, an ivory coloured push button retro phone, a Mathos Telstar Rocket lava lamp with a silver base, a metal six bottle wine rack, an ivory coloured adjustable desk lamp, two large candle lanterns, a silver coloured candle stand, a red novelty cupboard in the shape of a Texaco gas pump (s.d) (10)
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A set of four Edwardian lignum vitae turned lawn bowls, each with an ivory insert plaques numbered 1 & 2, including presentation ‘B.B.T, won by TD Russel, 1911; number 3 size balls, British Bowling Association stamps; together with two modern sets of four bowls, a bowls storage bag, a leather case and small oval bucket (15)IVORY CERTIFICATE for sale of this item has been approved under the new Ivory Act regulations. Reference number: NG5DCM9M
1998 Daimler 4.0 V8 Auto LWBMake: Daimler Model: V8 LWBYear: 1998Mileage: 145975VIN: SAJDKALD3CH860007Configuration: Right Hand DriveRegistration: S696GGCTransmission: automatic This 1998 Daimler long wheelbase saloon, with 4.0-litre V8, is finished in Westminster Blue with Ivory leather seats and brown piping. The vendor describes it as being in 'very good condition in all aspects and driving as a Daimler should'. This example has four previous registered keepers showing on its V5C and is MoT'd through until January 2023. The odometer reads 145,975 miles. The car has its original service book present showing 11 services from its supplying dealer R A Creamer & Sons of Kensington through to 76,000 miles. There are further service bills through to 2020, as well as various MoTs back to 2013. A new battery was fitted in February 2022. The vehicle also comes with spare keys. PLEASE SEE BELOW FOR VIDEO PRODUCED 16TH AUGUST BY ACA OF THIS CAR.
A group of three portrait pendants, comprising Victorian gold portrait miniature of a baby, with a locket of hair to the reverse, 10.8g, an 18th century silver oval pendant, paste set with blue enamel border, with an image of a lady with bouffant hair, hinged back opening, 4.5 by 4cm, 26.1g, and a 19th century silver framed portrait miniature of a young lady, 20.8g. (3)Notes: Ivory Exemption Submission Reference 8PY3DHY5
19TH CENTURY OVAL PENDANT ON LOOP, depicting hand-painted portrait of a lady within border of seed pearls to the yellow metal frame, the reverse with hairwork wheat sheaf shaped motif and six believed rose cut diamonds, 11.7gmsProvenance: deceased estate Ceredigion, consigned via our Carmarthen OfficeComment: VS39JDD4 ivory registrationCondition Report:The glass has a small chip to the centre.A few pearls are cracked.The loop fitting is later.Painting looks good.
ENGLISH VIOLIN, L.O.B. 36cms, labelled 'Thomas Richer Francis, Mendlesham, Suffolk, 1880 - No.9', two-piece back, with a bowComments: edges with very minor scrapes, bow lacks over 50% horsehair, bears stamp (worn), abalone shell on frog damaged.Provenance:private collection mid-Wales, consigned via our Cardiff officeCondition Report:The ivory frog is less than 20% of the total volume of the bow
Approx 80 LPs Pop, Disco, Reggae, Soul etc including Ishan People (BAAL 89003 white label), Marti Caine (N 114 white label), Raymond Carley (Norlp 1003 white label), The Mike Batt Orchestra (PAGS 534 white label), Ivory, Jimmy James and more.From the collection of Mr. Vic Dawton (1915 - 2003) who joined Pye Records in Mitcham in the 1960s - firstly as a sales representative and then as Stocks Control Manager. As such he attended company board meetings and received advanced promotion copies of every record the company pressed and/or distributed until he retired in 1980. Condition Report: Vinyl condition VG to Near mint across all LPS. Sleeves VG to Excellent.
A George III cased square piano, Circa 1795, by Longman & Broderip Musical Instrument Makers, Cheapside, London, the keyboard with ebony and ivory keys, the case above two drawers and supported on brass topped turned legsThis items has been offered for sale in accordance with the ivory Act 1028, certificate 1JVDKZHR
Corden (William, 1795-1867). Portraits of Cornelius Birch Bagster (1815-1893) and his wife Susanna Maria née Aitken (1815-1873), 1860, a pair of oval head & shoulder portraits, the first of a bearded gentleman half-profile to right, wearing a black coat, signed and dated in red to left margin, oval aperture 49 x 49 cm, stretcher 64.7 x 54.5 cm, the second of a lady with dark ringlets, half-profile to right, wearing a black dress with white lace collar and a black lace stole on her head, oval aperture 58.5 x 49 cm, stretcher 61 x 51 cm, each relined, matching gilt oval mounts and frames (77.5 x 68 cm), together with:English School. Portrait of George Bagster (1739-1819), circa 1800, oil on canvas, half-length portrait of a gentleman wearing a wig and a navy blue coat over a striped waistcoat, seated in a carved wooden chair with red upholstery, before a desk covered in a green cloth bearing papers and an ink well with quills, some superficial marks, relined, 89.5 x 69.5 cm, gilt moulded frame (109.7 x 89 cm), with old manuscript label on verso 'The Rev: Canon & Mrs Jolly, The Vicarage, Kidderminster, Worcester' QTY: (3)NOTE:Cornelius Birch Bagster was the son of publisher Samuel Bagster (1772-1851). He married Susanna Maria Aitken on 22nd November 1843 on Prince Edward Island (now a Canadian province).George Bagster was the father of publisher Samuel Bagster (1772-1851).William Corden trained as a porcelain painter at the Derby Porcelain Works before turning to portrait painting, producing large-scale works in oils as well as miniature likenesses on porcelain, enamel and ivory. In 1829 Corden executed an oil portrait of Mr Batchelor, one of King George IV's pages, as well as a portrait of Admiral Sir Edmund Nagle for the King, and in the 1830's the artist moved to Windsor. In 1838 he painted a watercolour of Queen Victoria on the East Terrace of Windsor Castle, and the Queen subsequently employed Corden to produce oil copies of many portraits in the Royal Collection. In 1844 he was commissioned to paint '7 pictures of the Duchesses, Princes and Princesses of Saxe-Coburg'; for this undertaking he travelled to Coburg with his son, William Corden the Younger (1819-1900), and was paid the then princely sum of £112 5s.
Y AN EARLY VICTORIAN COFFEE POT JAMES & WALTER MARSHALL, EDINBURGH 1838 of baluster form, heavily chased floral and scroll decoration throughout, stylised cartouche to one side with crest and motto, vacant to other side, S-scroll handle with ivory inserts, the curved spout with shell detail, the domed lid with pineapple finial, all raised on a stepped circular footDimensions:30.5cm high, 30.8ozNote: With non-transferable CITES self-certification number QSJDBQLC Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y A MATCHED GEORGE III THREE-PIECE TEA SERVICE ADAM ELDER AND ROBERT KEAY, EDINBURGH 1801 the teapot Adam Elder, the twin handled sugar basin and milk jug Robert Keay (of Perth), each of circular outline, heavily embossed floral decoration to body with vine border to rim, vacant cartouches to either side of the body, C-scroll handles, the teapot with ivory insulators, all with leaf clasped and floral decoration, budding finial to teapot, each raised on a circular footDimensions:19cm high teapot, 51oz (combined)Note: With non-transferable CITES self-certification number F63ZL9WC Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y FRENCH SCHOOL, A NOBLEWOMAN, PROBABLY MARY QUEEN OF SCOTS (1542-1587) 17TH CENTURY the sitter wearing a black dress, cut square at the breast, the sleeves decorated with white bows and jewels, the bodice decorated with further jewels and a cross, starched white ruff collar, a pink lined cap over her auburn hair, pearls at her neck and waistband, within a gold border; watercolour on vellum stuck to card, within a gilt metal frame, the reverse with ivory panel inlaid with tortoiseshell and silver pique workDimensions:10.5cm high, 7.5cm wideNote: With non-transferable CITES self-certification number APCVN6ZB Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y A SET OF SILVER PLATED AND IVORY MOUNTED BAGPIPES turned black hardwood with turned ivory mounts and engraved plated collars, plain black velvet bag, chanter lacking, in a modern travel caseNote: With non-transferable CITES self-certification number GQAT6YLSNote: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
A pair of vintage 20th century Carlton Ware blush ivory style vases having scalloped edges over waisted necks on baluster bodies raised round bases. Each measuring approx. 23cm high. The lot appears in overall fair conditions with minor wear commensurate with age, in particular a chip to the glaze on the rim of one vase.
A Royal Worcester blushed ivory figure of a gentleman wearing a tricorn hat, signed Hadley, impressed and printed factory marks to base, date 1886, no.1052, 21.5cm high and another Royal Worcester blush ivory figure of a female water carrier, impressed and printed factory marks to base, date 1887, no.1206, 20.5cm high, (2).
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239713 item(s)/page