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A ROYAL WORCESTER VASE, having fluted trumpet neck above a green man mask band with acanthus shoulder handles, tear drop body in primrose yellow with hand painted floral design, factory marks to base include code for 1893, ref. No. 1327 and 114303, 2 3cm high, together with a lobed WORCESTER VASE, having hand painted flowers on a blush ivory ground, 19cm high (missing cover)
TWO SETS OF TWELVE EARLY 20TH CENTURY SILVER PLATED DESSERT KNIVES AND FORKScomprising a Mappin & Webb Prince's plate set, with floral engraved blades and square ivory handles, inside original fitted oak case and a Walker & Hall set, with floral spray engraved blades, embossed collars and mother of pearl handles, inside original mahogany case, larger box 34cm long
EARLY 20TH CENTURY SILVER PLATED CANTEENmaker Elkington & Co Ltd, in simplified Old English pattern, comprising six table forks, twelve dessert forks, twelve table spoons, twelve dessert spoons, two sauce ladles, a soup ladle, six fruit knives and forks, six fish knives and forks, six ivory handled table knives, twelve ivory handled dessert knives and two pairs of ivory handled carving knifes and forks with a sharpening steel and four knife rests, inside a mahogany fitted two drawer canteen side table with cabriole legs, presentation brass plaque to drawer interior dated 1925, soup ladle 31.5cm long, canteen side table 77cm high, 72cm wide
GEORGE III SILVER TEA CADDYmaker's mark partially rubbed, possibly William Bateman I, London 1814, of rectangular form engraved with laurel wreaths and repeating borders, on four paw feet, original lock, convex double doom lid with gadrooned rims and silver and ivory finial, approximately 543g, 16cm high
A matched pair of 1920s African elephant tusk ivory table lamps, converted from vases, carved in depiction of the Old Fort in Accra, mounted on ebonised wooden plinths, approximately 24 cm high Brought back in the 1930s by the vendor's great, great Aunt and Uncle, the latter of whom worked for Barclay's Bank and was stationed at the branch in Accra during this period. Thence by descent to the present owner. Sold with a note confirming provenance.
A late Victorian Doulton Burslem blush ivory porcelain dessert service for twelve, comprising two square footed dishes, two oval footed dishes, and two heart shaped dishes, together with twelve plates with cusped rims, all transfer printed and hand tinted with summer flowers, reserved within an ornate gilt and jewel enamelled border, printed marks
A Northern Goldsmith's Company marine chronometer deck watch, the lid of the mahogany box inset with an ivory panel inscribed The Northern Goldsmiths Co. with the initials CW beneath a broad arrow and the number 2070, with the corresponding number on the movement, case and brass housing, 12cm x 9.5cm
Elis, Olympia AR Stater. 'Hera' mint, 105th Olympiad, 360 BC. Head of Hera left, wearing pendant earring and low stephane ornamented with F-A between palmettes / Eagle with closed wings standing to left; thunderbolt behind, olive wreath around. Seltman 334 (FE/ιρ). 12.05g, 24mm, 6h. Extremely Fine. Extremely Rare. Ex P. Gérard Collection, Roma Numismatics VIII, 28 September 2014, lot 246. In 476 the Greeks convened an arbitration court in Olympia to act as a mediator between their cities in cases of disputes to try to end the inter-city warfare that kept the Greeks divided and fractious. In commemoration of this newly found place at the heart of Greek politics the Eleans erected a massive new temple to Zeus built of marble (which would later house the gold and ivory statue by Phideas). The humble old temple was rededicated to Hera, who had no important cult at Olympia until then. It was in this rededicated temple that the ‘Hera mint’ coins were supposedly struck. A substantial coinage was struck for the 105th Olympiad in celebration of the sanctuary of Olympia having been liberated from Arkadian occupation in 363 BC. Master engravers were employed to create dies for both workshops, one of which had been closed since 380 BC. An extremely rare stater struck at the Zeus workshop (see Roma Numismatics IV, 30 September 2012, lot 141) formalises the celebratory nature of the coinage by depicting the nymph Olympia for the first time along with the legend FAΛEIΩN OΛYMΠIA - ‘Olympia belongs to the Eleians’.
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239713 item(s)/page