λ A Victorian silver coffee pot, by William Hunter, London 1837, lobed baluster form, a domed hinged cover with a flower finial, scroll handle with ivory insulators, with a tapering lobed spout, on four scroll and foliate feet, height 22.5cm, approx. weight 26.5oz.Ivory registration number CM8858CH.
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λ A Victorian silver coffee pot and hot milk pot, by Charles Reily & George Storer, London 1838, octagonal bellied form, engraved stylised scroll decoration, hinged cover with a knop finial, scroll handle with ivory insulators, wicker bound scroll handle to the hot water pot, on a stepped octagonal base, height 24.2cm, total approx. weight 41.3oz. (2)Ivory registration number HQCNZ7ZT.
λ A George IV silver four piece silver tea and coffee set, by William Traies, London 1824, circular baluster form, with beaded and gadrooned borders, embossed with foliate decoration, scroll handles with ivory insulators, domed hinged covers with flower finials, on four foliate and paw bracket feet, the coffee pot on a raised circular foot, height of coffee pot 21.5cm, total approx. weight 78oz. (4)Ivory registration number 9WN5DWQF.
λ A Victorian silver teapot, by Edward, John & William Barnard, London 1849, lobed circular form, with engraved scroll foliate decoration, a domed hinged cover with an acorn finial, scroll handle with ivory insulators, on four foliate bracket feet, length handle to spout 25.6cm, approx. weight 23.8oz.Ivory registration number ZS5E9FHZ.
λ A George III Irish silver teapot, mark of Christopher Haines, Dublin 1809, rectangular form, gadrooned border with part lobed decoration, raised hinged cover with kop finial, scroll handle with ivory insulators, on four ball feet, length handle to spout 30.6cm, approx. weight 22oz.Ivory registration number YDG4CC9F.
λ A George III silver teapot, by Robert Hennell, London 1793, oval form, bright-cut foliate decoration and borders, hinged domed cover, scroll handle with ivory insulators, and with an ivory finial, engraved with two cartouches, one initialled and one with a crest, with a tapering spout, length handle to spout 28.5cm, approx. weight 17.8oz.Ivory registration number 8WLBVEZL.
λ A three-piece George IV Scottish silver tea set, by George Fenwick, Edinburgh 1823, circular form, chased foliate scroll decoration on a matted background, the scroll handles with female masks, the hinged cover with a flower final, on raised circular bases with rope-work borders, length handle to handle 27.5cm, approx. weight 60oz. (3)Ivory registration number YE42G9CS.
λ A matched William IV and Victorian silver three-piece tea set by John James Keith, London 1836 and 1838, circular form, scroll handles with ivory insulators to the teapot, bands of reeded decoration and borders, with a greyhound finial, on foliate and shell bracket feet, length handle to handle 27.5cm, total approx. weight 39.9oz. (3)Provenance: The Barry Lock Collection part II.Ivory registration number TAF3S8NV.
λ A matched three-piece silver tea set, comprising: a George III teapot, by Alice & George Burrows, London 1818, a George III cream jug by William Burwash & Richard Sibley, London 1809 and an Edwardian sugar basket by George Nathan & Ridley Hayes, Chester 1903, oblong bellied form, part-fluted decoration, gadroon border, engraved inscriptions, scroll handles with ivory insulators to teapot, on bracket and circular feet, length handle to spout 28.8cm, total approx. weight 38.8oz. (3)Ivory registration number for the teapot MM1PNKPV.
Large Mahogany & Brass Magic Lantern, English, C.1880, plaque to the front for 'HUSBANDS & SOS, St AGUSTINES PARADE, BRISTOL' and engraved the same to the lens, with French polished mahogany body with double doors, with a Husbands Slide Carrier, condenser lens, triple extension lens, height 46cmFootnote: This lot contains ivory and has been registered in accordance with the Ivory Act (Section 10), Ref.56WBFHTZFlints Auctions CANNOT ship this item out if the UK..
A small George III silver tea urn, William Holmes, London, 1783 The lid with acorn finial above an ovoid twin-handled body and square spout with ivory knob, with bead borders, on a turned socle and pedestal base, with four ball feet, engraved with a contemporary neo-classical coat of arms and the motto 'CONCIPE. APES. CERTAS', the cover with a different crest coronet with motto above, 'CON FIDO) and an artichoke finial, the spigot with an ivory mounted tap, the interior applied with three vertical steel straps to hold in place a straining muslin, 36cm high. (1212g) N.B: This lot is subject to CITES regulations Ivory Act Registration ESHCR3T3
A George III mahogany and tulipwood banded and chequerbanded marquetry work table In the manner of Mayhew and Ince, the hinged rectangular lid inlaid with paterae, above a simulated and a real drawer, on slender cabriole legs and square feet, with ivory escutcheons, 54cm wide, 38cm deep, 75cm high. Provenance: Purchased from Peter Dryden Ltd, Dorset, October 1971. Ivory Act Submission Reference 18H379Y6.N.B: This lot is subject to CITES regulations
Ferdinand Preiss (German 1882-1943) 'Russian Dancer' a cold painted bronze and carved ivory female figure, circa 1925 Modelled in short dress, red boots and headdress, holding a tambourine in one hand the other resting on her hip, on a portor marble square plinth base, signed F.Preiss on the reverse, 31cm high. Ivory act submission reference S8YPE3A4 For similar examples please see: A. Shayo, Ferdinand Preiss Art Deco Sculptor, The Fire and the Flame, Suffolk, 2005; B. Catley, Art Deco and Other Figures, Suffolk, 2003, p. 304. See also Christies, London, 20th century Decorative Art & Design, 30 April 2014, lot 165. N.B: This lot is subject to CITES regulations Ivory Act submission reference S8YPE3A4
*SALEROOM ANNOUNCEMENT - PLEASE NOTE THAT THIS PARASOL HAS BEEN WITHDRAWN FROM THIS LOT AS THE HANDLE IS IVORY.*A very rare ‘Lily’ Madame Lavallee-Peronne swivel head fashionable doll with label, of pressed pale bisque with deep blue striated glass eyes, fine arched brows, full pink mouth with darker pink accents, ears pierced into the head, original long light brown mohair wig on cork pate, kid covered jointed wooden body, bisque arms, painted wooden lower legs and rare paper label on front, original dark brown ribbed silk two-part bustle military style dress with black and yellow ribbon trim, separate lace and ribbon collar, straw hat with artificial flower trim, brown parasol, a white kid and white metal bag, petticoat, drawers, white socks and black oil-cloth heeled boots —17 ¾in. (45cm.) high (very feint branching hairline to forehead, four damaged fingers and thumbs, one boot with moth holes and slight moth damage to back of wig) - see The Panorama of Parisienne Dolls , Theimer, pages 358 to 369 Condition Report - please note that this parasol has been withdrawn from this lot as the handle is ivory.
A rare Danel & Cie Paris Bebe No.9, with fixed blue glass eyes, brown feathered brows, closed mouth with slight gap between, pierced ears, original brown mohair wig on cork pate, back of head stamped in red ‘PARIS-BEBE TETE DEPOSE 9’, jointed papier-mache body with Eiffel Tower blue stamp to lower back, original ivory satin and figured cream silk two-part wedding gown with long train, original white cotton underclothes and white kid shoes —21 ½in. (55cm.) high (missing one finger, two fingers glued and a very tiny eye chip to left eye, parts of dress perished)
SMALL ART DECO WALNUT BUREAU & TABLE the bureau with single drawer on octagonal supports, 102 (h) x 68 (w) x 48cms (d) and a mahogany fold over card table with ivory escutcheons, 75 (h) x 84 (w) x 41cms (d - closed), 91cms (d - open)Provenance: private collection ConwyGOV.UK Ivory content- to comply with current regulation - self-declaration form completed for the sale of this item - Submission reference EDYYTHZ5
OAK SIDE TABLE WITH MULTIPLE DRAWERS 19th century, on tapered supports, 79.5 (h) x 75.5 (w) x 56cms (d)Provenance: private collection DenbighshireGOV.UK Ivory content- to comply with current regulation - self-declaration form completed for the sale of this item - Submission reference G5AFSGGU
A Locke & Co. Worcester reticulated vase, painted with birds against clouds on an ivory ground, 14cm high, printed marks; a Royal Worcester globular vase, painted with a bird on a raised gilt branch on ivory ground, 7cm high, printed mark in green date code for 1922; a Royal Worcester spill vase, moulded as bamboo, 12.5cm high, printed mark in puce, shape no. 1049, date code for 1929 (3)
A Royal Worcester blush ivory miniature two-handled vase, decorated with flowers, reticulated slightly flared rim, 11.5cm high, shape H288, printed crown and circle mark in puce, date code for 1918; other early 20th century Royal Worcester blush ivory miniatures, including loving cup, jugs and cups (6)
A Royal Worcester flat back ovoid jug, painted with Hadley style roses on a blush ivory ground, 10.5cm high, printed crown and circle mark in puce, date code for 1913; a similar Royal Worcester cup and saucer, printed mark in green, date code for 1907; a Royal Worcester leaf shaped bowl, decorated in the Aesthetic manner with flowers and foliage in muted tones picked out in gilt on ivory ground, broad gilt line border, 24cm wide, printed crown and circle mark in puce, c.1890 (3)
Sarah Wright Biffin (1784-1850) portrait miniature on ivory, portrait of a Gentleman named as Thomas Pym Weekes, 1817, the accompanying pen on paper note states 'drawn by Miss Biffin, born without hands or feet', image 7 x 6cm, in folding leather case. NB: Sarah Biffin was born in Somerset in 1784, she had a condition now recognised as phocomelia and was born with no arms and only vestigial legs, but displayed remarkable perseverance, learning to sew, write and draw using her mouth. At the age of 13 she was recruited by a travelling fairground and became a fairground amusement for the following 16 years. Billed as ‘the eighth wonder of the world’, her skills as a painter to the fore, customers were charged three guineas for her miniature portraits, a raw deal for Sarah, who it is recorded, received £5 salary per year. Aged 30 her fortunes changed when the Earl of Morton sat for her at a country fair, he was so impressed with her skills that he became her patron, paying for her to have lessons with royal watercolourist William Craig and ultimately establishing her in a studio in Bond Street, where her customers included Queen Victoria and Prince Albert, aristocrats and members of the European royalty. The death of her patron, coupled with failing eyesight and physical deterioration prompted retirement to Liverpool where she was buried in 1850, aged 66. A series of dedicated exhibitions in recent years have resulted in a refreshed recognition of her legacy and her remarkable career. APHA Ref: CBWTU55D
Nicholas Freese (active 1794-1814) portrait miniature on ivory - Portrait of an Officer named verso as Joseph Potts, who was at the Battle of Waterloo, uncle to Major C Potts Rosser of 29th Regiment, artists label verso, oval, 7 x 5.5cm, papier mâché frame. APHA Ref: NA7RTK2SPlease see further images of the portrait now removed from the frame. The condition is good overall - however there does appear to be an area of rubbing beside his nose to the left, but not particularly to the detriment of the portrait.
Group of portrait miniatures, including 19th century miniature on ivory after Domenichino, in gilt frame, total size 23 x 19cm - APHA Ref: PRNDUUF1, French portrait miniature on paper of a card player, inscribed verso, miniature on ivory of a child with dove - APHA Ref: YALJV76A, two lacquered portrait miniature frames, one containing a print (5).
A 1979 Gibson Les Paul 'Standard' electric guitar, serial number '71*****0', of typical single cutaway form, in natural finish with ivory pickguard and complete with original 'Gibson' hard caseCondition ReportSigns of use but not abuse. Some light surface scratches and knocks to the top and some heavier knocks to the back and sides
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239713 item(s)/page