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A collection of cameos, comprising; a Victorian ivory cameo brooch carved in high relief with a classical female bust probably Flora with flowers and leaves in her hair, an oval shell cameo brooch depicting a female head and shoulders in Elizabethan dress, a sardonyx cameo brooch depicting a male bust, and two pink coral cameo oval brooches depicting classical females
A collection of Victorian and later jewellery, comprising; a red Aberdeen granite twin cabochon cloak clip, a citrine and yellow enamel brooch in the manner of Bernard Instone, an Arts and Crafts stick pin centred with a hessonite garnet and three green aventurines with a penannular loop, possibly by the Gaskins, a garnet and paste cluster bar brooch, a carved ivory panel brooch possibly emblematic of charity, a paste forget me not brooch, and a banded agate cluster brooch, in a green leather jewellery case
English School (mid 19th century), Portrait of a lady, three-quarter length, believed to be Hariette, Vicountess Bangor, god-mother to Mrs Mary Hariette Mahony, watercolour and gum arabic on ivory, 12 x 9 cm, bears paper label verso detailing sitter,. And English School (mid 19th century), Portrait of a lady, half length, believed to be Mrs Katherine Mahony wife of Rev. Denis Mahony, watercolour on ivory, 10 x 7.5 cm, bears paper label verso detailing sitter
English School (mid 19th century), Portrait of a lady, wearing a burgundy silk dress trimmed with lace, seated before a landscape, watercolour on ivory, 9.5 x 7.5 cm, in a leather case,. And. After Sir Joshua Reynolds (1723-1792), Self portrait wearing a velvet cap; Portrait of the artist's mother, each watercolour on ivorine, the first oval 8.5 x 7 cm, the second oval 8 x 6 cm, each inscribed verso with artist's name, the second inscribed with titles
After Heinrich Fuger, Portrait of a gentleman, half length, oil on ivory, 6.5 cm diameter, mounted in the lid of a papier mache and gilt metal (CHECK) bound box, the lid inscribed CUM EO INTERIIT GLORIA DECUS-QUE BERNATUM (1799), French School, 19th century, L'harmonie, hand coloured stipple engraving, 5.5 cm diameter, mounted in the lid of a papier mache, and gilt metal mound box
English School (19th century), Portrait of a gentleman, seated half length, believed to be the Rev. Scarsdale, watercolour and gum arabic, 10 x 7.5 cm, Fetta, Portrait of a lady, half length, in a garden, watercolour on ivory, signed mid right, oval 5.5 x 4.5 cm, English School (19th century), Portrait of a lady, in profile half length, pencil, 9 x 7.5 cm,. After Bartolozzi, Portrait of a lady en deshabille, stipple engraving, oval 7.5 x 6 cm,. And English School (18th century), Portrait of a gentleman, half length, wearing a red waistcoat, watercolour on ivory, oval 7 x 5.5cm in a gold mount with opaline glass verso
English School, 19th century, Portrait of a gentleman, half length, wearing a black jacket, oil on ivory, 10.5 x 8.5 cm,. And English School, 19th century, Portrait of a young lady, three-quarter length, wearing a blue dress; Portrait of an elderly lady, three-quarter length, wearing a black dress, each oil on ivory, each 7.5 x 6 cm
English School (early 20th century), Portrait of a gentleman wearing a white tie, watercolour on ivory, 12 x 9.5 cm, in a gold frame, within a leather case,. Attributed to Frederick Buck, Portrait of a gentleman wearing a white stock, watercolour on ivory, oval 6.5 x 5 cm, English School, Portrait of a gentleman wearing a powdered wig, watercolour on ivory, oval 7 x 5.5 cm,. And two other miniatures of gentlemen
A rosewood and brass bound and inlaid dressing table box with Bramah lock, enclosing nine cut glass bottles and jars with engine tuned and foliate engraved covers with crests, two similar travelling ink bottles, a shaving brush, a similar oval box with ivory side handle, and two bottle covers, the mounts with various dates and makers and some unmarked, and various mother of pearl handled manicure, shaving and other accoutrements (lacking two scissors and a nail buff), 37 x 26.75 x 15.5cm (14.5 x 10.5 x 6 in)
A collection of small silver, comprising; a pair of silver and ivory mounted cow-horn shaped knife rests, Birmingham 1906 by Thomas Walker, a George IV foliate engraved vinaigrette, 1829 by Edward Smith, a mother of pearl handled butter knife, 1899 by Hilliard & Thomason, a horn handled caddy spoon, 1802 and a similar sifter ladle, 1803 both by Joseph Taylor, an oblong decanter label, London 1821 by Charles Rawlings, a pair of fiddle pattern salt spoons with monograms, London 1861, a salt shovel and a sugar tongs
A Victorian shaped-oval sweet dish with pierced sides, and gadroon and scroll chased border and foliate foot, London 1894 by Samuel Watton Smith, 16cm long (6.25 in), 185g (6 oz), a silver mounted clear cut glass cylindrical scent bottle, the floral embossed mounts, Birmingham 1890, and a pair of silver mounted crested ivory knife rests, Sheffield 1888-90
An Elkington & Co crested rat tail pattern table service for eighteen, comprising, table spoons, dessert spoons, tea spoons, dessert forks, 24 table forks, 24 table knives and 18 cheese knives with ivory handles, a soup ladle, a pair of sauce ladles, three skewers, and a three piece carving set, in an oak canteen with two trays
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239713 item(s)/page