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A 19TH-CENTURY SILVER-PLATED TEA URN, E.P. on copper, in the neo-classical style, the two-handled ovoid body, with engraved shield inscribed "C & A. Bradbury", raised on four scroll supports and incurved on four scroll supports and incurved four-sided base with button feet, the reel-shaped cover having an urn finial and enclosing an iron heater, the spigot having an ivory handle, the whole having beaded border, 37cm, (14.7in) high
THREE VARIOUS 19TH-/EARLY 20TH-CENTURY CABINET PLATES, comprising: a Copeland octagonal plate with central classical-style panel within alternate segments of foliate designs of a salmon pink ground and gilt figural medallions on a green ground, gilt wavy rim, impressed arched mark with date [18]79, 22.5cm, (8.8in) high; a Minton's plate, finely decorated with gilt flowers and foliage on an ivory ground, with "jewelled" mazarin blue central medallion and border, pink printed mark and impressed mark plus painted number G5712, 24.2cm, (9.5in) diameter, and a Coalport plate, the broad mazarin blue border with scroll-edged floral panels and fine foliate gilding within wavy gilt-edged foliate scroll border, green printed mark and orange painted number X2219, 22.8cm, (9in) diameter
A LATE VICTORIAN ROYAL WORCESTER PORCELAIN VASE of shouldered ovoid form with castellated gilt rim, decorated in gilt, pink and green with various sprays of flowers, on an ivory ground, the spreading circular foot with gilt footrim, puce printed mark (Godden 4350, c.1876-91), Rd. No 83492 (registered 1888-9) and model number 1268 plus orange painted initials AG to base, 23cm, (9in) high
A LATE VICTORIAN ROYAL WORCESTER PORCELAIN "BLUSH IVORY" JAR AND (INNER) COVER, of inverted pear form with spiral fluting beneath floral sprays on a lattice-moulded spreading circular foot, the dished inner cover with gilt finial, puce printed mark with date code for 1897, Rd. No 227399 (registered 1894), model number 1720, 17cm, (6.7in) high
Gaillot: A FINE LATE 18TH-/EARLY 19TH-CENTURY OVAL PORTRAIT MINIATURE in watercolour on ivory of a young man, three-quarter length facing, in grey coat with tan facings and collar, with white stock holding a twitch or crop, signed Gaillot, in gilt metal bezel, horn or tortoiseshell backed, 11.5cm, (4.5in) (excluding suspender)
A HIGH QUALITY 19TH-CENTURY OVAL PORTRAIT MINIATURE of a gentleman, bust length facing, in black coat with white stock, in watercolours on ivory, indistinctly signed, in gilt-metal-mounted tortoiseshell frame with reverse medallion under glass having applied cypher HS(?) in foliate cursive, 11cm, (4.3in) excluding suspender
AN 18TH-CENTURY OVAL PORTRAIT MINIATURE in watercolours on ivory of a lady bust-length three quarters right, in the style of Jeremiah Meyer, in mother-of-pearl-backed gold bezel 4.5cm, (1.75in) excluding suspender, and AN EDWARDIAN OVAL PORTRAIT MINIATURE in watercolours on ivory of a young lady holding a rose, in gilt-metal frame, 7.5cm, (3in) high, excluding suspender (2)
A LATE 19TH-CENTURY CIRCULAR ENAMELLED PORTRAIT MINIATURE of Mary Queen of Scots, painted in polychrome enamels on an amber coloured moire ground, in ermine-trimmed dress and wearing jewelled headdress and necklace, of convex form with gold-tooled leather backing labelled "Miss Marey" in gilt metal frame with "ribbon" surmount, and A 19TH-CENTURY OVAL PORTRAIT MINIATURE of a bride, watercolour and Chinese white on ivory, in gilt-metal ornamental frame, 92mm, (3.6in) high (2)
John Broadwood & Sons, London A GOOD VICTORIAN ROSEWOOD-CASED GRAND PIANO, 7 octaves (50 natural ivory keys, 35 ebonised sharp/flats), No 10274, with finely-pierced easel-form music-rest, on tapering octagonally facetted legs with acanthus-carved knops, on brass caps and brass castors, lyre-form frame for pedal rods, sold by J. Muir Wood & Co., Glasgow, stamped beneath lid "10274/W & G (Waring & Gillows?), 139cm x 240cm x 94cm high
A LATE VICTORIAN/EDWARDIAN INLAID MAHOGANY OPEN ARMCHAIR having a wing back, the toprail centred by a flowerhead patera between foliate scrolls, the shaped wings with flowerhead medallions and ivory stringing, the padded back having a pierced midrail carved with flowerheads, between scrolled-over open arms on ivory-strung splayed square section legs, with castors, and AN INLAID NURSING-TYPE CHAIR of similar period (2)
A LATE 19TH/EARLY 20TH-CENTURY INDIAN IVORY-INLAID X-FRAME OPEN ARMCHAIR of Vizapatnam type, the pierced back decorated with two figures in flowing robes, profusely inlaid with foliage and quatrefoil diaperwork, the chequer-edged arms terminating in tiger masks, each on five inlaid supports extending as legs, the removable solid seat with foliage-inlaid front, all on twin platform feet
A SHAHSAVAND CRADLE BAG of rectangular form, the sided worked with tesselating hooked concentric lozenges in red, yellow, ivory and cobalt blue, the base of flat-woven (Kelim) form in dark brown and yellow stripes, with five loop handles/fasteners, 94cm x 53cm x 50cm high, (37in x 21in x 19.7in)
A MAHOGANY FRAMED SITTING ROOM SUITE of tub form in pink and ivory floral tapestry covering comprising a sofa, the channelled leaf carved frame with rope twist edging, padded back and squab cushions, on squat cabriole legs and scrolled feet, 83" wide, and a pair of chairs to match, early to mid 20th century (3)
AN ENGLISH MAHOGANY PART SALON SUITE with ivory stringing and foliate marquetry, upholstered in a cream damask covering, and comprising a twin chair back settee with a pierced fan shaped central panel with foliate marquetry, scrolled open arms on shaped supports, padded seat, on cabriole front legs and padded feet, 56" wide and a pair of chairs to match (3)
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239691 item(s)/page