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A Three-Piece William IV Silver Tea-Service, The Teapot by Jonathan Hayne, London, 1830, The Cream-Jug and Sugar-Bowl by Edward, Edward, John and William Barnard, London, 1832 each piece melon-fluted and on foliage, flower and shell-cast feet, the lobes chased with foliage and flowers, with rocaille border and engraved with a crest, comprising a teapot with ivory-insulated handle; a cream-jug and a sugar-bowl, each with gilt interiorthe teapot 29cm wide over handle, total gross weight 61oz 15dwt, 1,920gr (3)With non-transferable standard ivory exemption declaration number KRE3YKAR.Each piece fully marked underneath. The teapot further part marked on handle and finial and inside cover. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There are some bruises to the lower body of the sugar-bowl and it rocks slightly when placed on a flat surface. There are some bruises to the teapot. The cream-jug rocks slightly when placed on a flat surface. There are some cracks and some discolouration to the ivory insulators.
A Victorian Silver Teapot, by Charles Thomas Fox and George Fox, London, 1842 tapering cylindrical and on four shell and scroll cast feet, with leaf-capped ivory-insulated handle, the hinged cover with foliage and flower finial 25.5cm wide over handle, gross weight 21oz, 653grWith non-transferable standard ivory exemption declaration number 4LGH2N9B.Fully marked under base and further part marked on handle, inside cover and on finial. The marks are generally clear, though there is a hole in the maker's mark on the handle. There is some overall surface scratching and wear, consistent with age and use. There is some unevenness on each side, perhaps due to an erasure. There is a more obvious scratch on the top and a few small dings to the surface. There is some cracking and discolouration to the ivory insulators.
A Four-Piece Victorian Silver Tea and Coffee-Service, by Stephen Smith, London, The Coffee-Pot 1877, The Other Pieces 1878, Retailed by Goldsmiths' Alliance, Cornhill, London each piece tapering oval and engraved with foliage and scroll strapwork, each side with a cartouche, one side engraved with a crest and the other side vacant, comprising a coffee-pot; a teapot, each with ivory-insulated handle; a cream-jug and a sugar-bowlthe coffee-pot 21.5cm high, total gross weight 72oz 19dwt, 2,268gr (4)With non-transferable standard ivory exemption declaration number 1V2JHY55.Each piece fully marked near rim. The teapot and coffee-pot each further part marked on handle, inside cover and on finial. There is some wear to the marks but in general they are all still legible. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the engraving, more obvious on some pieces than on others. There are some bruises overall, most noticeable to the cover of the coffee-pot. The top ivory insulator on the coffee-pot is broken. All pieces except the teapot have the retailers name underneath. The teapot has possible had something erased from underneath.
A Three Piece Chinese Export Silver Tea-Service, With Artisan Workshop Mark for Ren An, Canton and Hong Kong, Retailed by Wing Nam, Hong Kong, Early 20th Century each piece tapering lobed, engraved with differing birds among differing foliage, each with cast bamboo handle, comprising a teapot with ivory-insulated handle; a cream-jug and a sugar-bowl and coverthe teapot 25cm wide over handle, total gross weight 27oz 6dwt, 849gr (3)Tennants are grateful to Adrien von Ferscht for his assistance in identifying the marks.With non-transferable standard ivory exemption declaration number 79D6SXGN.The teapot and cream-jug each marked underneath with Artisans mark and maker's mark. The sugar-bowl is apparently unmarked. The marks have some minor wear but are generally clear. There is some overall surface scratching and wear, consistent with age and use. There is some minor discolouration and cracking to the ivory insulators.
A Chinese Export Silver Teapot, With Artisan Workshop Mark for Wen Wei Ji, Canton and Hong Kong, Retailed by Wang Hing, Canton and Hong Kong, Early 20th Century globular, the sides applied with birds in flight above foliage and flowers, the hinged cover similarly applied and with branch form finial, with ivory-insulated branch form handle24.5cm wide over handle, gross weight 16oz 17dwt, 524grTennants are grateful to Adrien von Ferscht for his assistance in identifying the marks.With non-transferable standard ivory exemption declaration number XK9A9CZ8.Marked underneath with Wang Hing mark and Chinese Character Artisan mark. Further marked '90'. There is some overall surface scratching and wear, consistent with age and use. There is a bruise to the lower body on one side and the foot is pushed slightly up into the body. There is some discolouration and cracking to the ivory insulators.
An Indian Ivory-Mounted Hardwood Box and Cover, mid 19th century, set with various ivory oval plaques, painted with scenes and famous buildings in India on a foliage and scroll-carved ground24.5cm wideWith non-transferable standard ivory exemption declaration number W6YNHEQP.Missing one foot. Eleven miniatures loose. Sectio of silver moulding lacking, the remaining loose. Some minor splits. No key.
Kashan CarpetCentral Iran, circa 1950The ivory field sparesly decorated with scrolling vines centred by a cusped medallion framed by borders of meandering vines and similar guard stripes400cm by 277cmBoth ends complete, selvedges with minor losses to the binding cords, pile is in fair condition
Bakhtiari RugWest Iran, circa 1950The maroon field of vines centred by an ivory flowerhead medallion enclosed by meandering vine borders and a carnation guard stripe288cm by 158cm Both ends complete, selvedges wearing and with losses to sections of the binding cords, pile is generally good, small areas with minor colour run.
Ghom RugCentral Iran, circa 1950The ivory field of lattice boteh enclosed by terracotta borders and meandering vine guard stripes224cm by 141cmBoth ends and selvedges virtually complete, pile close clipped and in good condition, minor to one corner (one tear into sky blue guard stripe appox. 2.5cm and minor damage to selvedge
Saroukh CarpetWest Iran, circa 1950The ivory field with an allover design of vines and palmettes enclosed by crimson borders of meandering vines flanked by carnation guard stripes313cm by 223cmBoth ends complete, with slight fraying to the web, selvedges original and complete, pile good/fair might benefit from a wash
Isfahan CarpetCentral Iran, circa 1950,The ivory field of scrolling vines centred by a flowerhead medallion framed by indigo spandrels and brick red meandering vine borders flanked by double guard stripes442cm by 326cm Both ends complete, selvidges rebound, pile fair but low in a number of areas where foundation is visible
Isfahan RugCentral Iran, circa 1930The raspberry field of meandering vines around an ivory cusped medallion framed by spandrels and flanked by ivory borders of floral design and palmettes and bordered by narrow navy guard stripes216cm by 152cmBoth ends complete, selvedges complete, pile close clipped generally fair, slightky low in a couple areas
English School (mid 19th century): Portrait Miniature of a Gentleman, bust length, wearing a white collar, black tie and jacket, oval, on ivory5.5cm by 4.5cm, in glazed leather case with gilt filet A Similar Miniature, of a young girl with white collar, oval, on ivory7.5cm by 6cm, in glazed leather case (2)With non-transferable Standard Ivory Exemption Declaration number N1VRCR2A
Saroukh RugWest Iran, circa 1930,The strawberry field richly decorated with flowering plants enclosed by deep indigo borders of meandering vines flanked by ivory guard stripes163cm by 106cmOne end with web folded beneath and glued to the reverse, some fray, other end similar, small areas of selvedges where binding areas are absent, pile in good condition, two areas with material stuck to the reverse
Isfahan RugCentral Iran, circa 1920The ivory field with a one-way design of plants and birds and animals with a lake beaneath enclosed by charcoal borders with further plants, bird and animals204cm by 137cmBoth ends complete, selvedges are original but some curling and folding, pile is generally good, two small cuts both rejoined, one small area of mold (inactive moth), and one small stain
A Mid 18th Century Italian Walnut Serpentine Commode, the crossbanded and featherbanded top inlaid with marquetry scrolls above three pine-lined drawers with later brasses, on splayed bracket feet112cm by 61cm by 90cmWith non-transferable Standard Ivory Exemption Declaration number VSKBVA5JSome old? Wormholes visible throughout sections of timber also missing as photographed and top. escutheon is missing on top drawer section of moulding missing front right and corner variations in colour with old splits, which have been partly filled and polished.traces of paint around the base
Chinese Carpet, 20th centuryThe ivory ground with three roundel medallions surrounded by boughs in blue enclosed by borders of meandering vines flanked by outer floral guard stripes366cm by 277cmBoth ends complete, selvedges with minor losses, pile is generally good, evidence of old inactive moth to reverse
Kirman CarpetSouth East Iran, circa 1940The sky blue field of flowering vines centred by an ivory medallion framed by claret floral borders294cm by 240cmEnds fraying slightly, selvedges with losses to binding boards and minor damage, pile is generally fair but several areas of wear and one hole (approx. 3cm by 2cm)
Narrow North West Persian Runner, 20th centuryThe madder field with columns of boteh and flowers enclosed by an ivory border of angular vines and boteh flanked to one side by a polychrome barber pole guard stripe374cm by 92cmEnds complete, selvedges rebound, pile and areas of localised light ware otherwise fair
A Victorian Provincial Silver Teapot and Cream-Jug, by John Walton, Newcastle, 1861 each piece pear-shaped and on shell and scroll cast feet, the sides chased and engraved with foliage and scroll strapwork and with a vacant cartouche on each side, the teapot with ivory-insulated scroll handle and foliage cast finial on the hinged coverthe teapot 25.5cm wide over handle, total gross weight 30oz 13dwt, 953gr (2)With non-transferable standard ivory exemption declaration number LULS6E8U.The teapot and cream jug each fully marked underneath. The teapot further part marked on handle and inside cover. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. There is some cracking and discolouration to the ivory insulators. Each with a vacant cartouche on each side which has possibly been erased.
A Five-Piece George III Silver Tea-Service, by Robert and Samuel Hennell, London, 1805, 1806 and 1807 each piece with engraved bands of Greek-key and wriggle-work ornament, later engraved with a crest, comprising a hot-water jug, stand and lamp, lamp cover lacking; a teapot, each with ivory-insulated handles; a tea-caddy; a cream-jug and a sugar-bowl, the hot-water jug, stand and lamp 29cm high, total gross weight 84oz 10dwt, 2,722gr (5)With non-transferable standard ivory exemption declaration number D67AT2XW.Each piece marked as noted below. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the high points and the engraving. There are some mostly minor bruises overall, most noticeable to the cover/finial of the tea-caddy. The crest is probably engraved later in the 19th century. The cover of the lamp on the stand is lacking.The hot-water jug, stand and lamp, by Robert Hennell and Samuel Hennell, London, 1805. Fully marked near rim and on rim of stand. Further part marked inside cover. The handle apparently unmarked but probably contemporary to the hot-water jug. The marks are generally clear, though the part marks inside the cover with some wear. The ivory with some discolouration and cracking. The ivory seems to be original with no sign of additions or alterations. The teapot, by Robert Hennell and Samuel Hennell, London, 1806. Fully marked underneath and further part marked inside cover. The marks are generally clear. The handle apparently unmarked but probably contemporary to the teapot. The ivory with some discolouration and cracking. The ivory seems to be original with no sign of additions or alterations. The tea-caddy, by Robert Hennell and Samuel Hennell, London, 1807. Fully marked underneath and further part marked inside of cover. The marks are generally clear, though with some more obvious wear to the marks inside the cover. The cream-jug, by Robert Hennell and Samuel Hennell, London, 1806. Fully marked under spout. The marks are generally clear with only some minor wear to the maker's mark. The sugar-bowl, by Robert Hennell and Samuel Hennell, London, 1806. Fully marked underneath.
An early 19th century yellow metal mounted hair backed portrait miniature brooch on ivory depicting Miss Cobb of Cobb Hall, 5.5 by 6cms. ( Ivory exemption submission reference RU6UZCSR)Condition ReportThe total weight is 39.1grams. There are some marks which look to be on the glass, the painting and hair both look to be in good condition and the brooch pin is slightly misshapen, otherwise good condition.
Stuckiert, elfenbeinfarben gefasst und teilw. vergoldet. Hochovale, profilierte Spiegelrahmung mit Perlstab. Durchbrochen gearbeitete Bekrönung aus kranzartig angeordneter Blütengirlande und Köchermotiven. Facettiertes Spiegelglas. 119 cm x 60 cm.A French ivory coloured and partly gilt stucco Louis XVI style mirror.Frankreich. Um 1900.
Britains Modern Issues - Trooping the Colour Range, comprising: Set 40111 - HM Queen in the Ivory Mounted Phaeton, 2 x Set 40116 - Colonel Lifeguards - Mounted, Set 40392 - Irish Guards Colour Party & Set 40393 - Irish Guards - Colour Party. Mint overall, contained in near Mint to Mint set boxes. [5]
Ernst Wahliss Turn Vienna Superb Pair of Hand Painted Lidded Twin Handled Reticulated Globular Shaped Vases, c1900, decorated with still life floral images on a blush ivory ground; printed stamp mark to bases, each 12 inches (30cms) high, Condition Report - 1st Vase has hairline crack to top, Light crazing and some scuff Marks, the 2nd Vase Light crazing and a few scuff marks.
Ray Finch (1914-2012) Winchcombe Pottery bowl, oatmeal glaze with ivory trailing decoration, approx 32 diameter x 7.5 cms h, impressed mark to base; together with a Troika Cornwall square potted vase decorated by Simone Kilburn (active 1975-1977) and another square footed vase possibly West German approx 7 cms h. (3)
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239220 item(s)/page