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Click here to subscribeA Royal Worcester oval box and cover 1910, painted with a peacock, 10cms, a similar circular box and cover 1909-1910, a blush ivory patchbox and cover 1909, a small Royal Worcester vase, a Royal Worcester tea service, 1907 each piece decorated with ribbon tied garlands of leaves and flowers, teapot and cover, milk jug, sugar bowl, four cups, four saucers and three Royal Worcester covers (18)
An Edwardian rosewood and ivory inlaid mirror back chiffonier with an architectural pediment inlaid with ivory centred with a vase above an arrangement of bevelled mirrors and shelves with a pair of glazed cabinet doors, the lower part of inverted breakfront form with a niche flanked by a pair of bevelled glass panelled cupboard doors inlaid with ivory spandrels flanking a panelled cupboard door, finely inlaid with ivory vase and shells, pendent leaves and scrolls raised upon tapering legs, overall inlaid with ivory line inlays, 230cms high x 153cms, (illustrated)
A Worcester Hadley`s quatrelobed vase painted with a swallow in flight amidst branching trees, leafy moulded base, green printed marks, Hadley`s, Worcester, England 9cms, a small Royal Worcester blush ivory vase painted with flowers and leaves, leaf moulded base, red printed marks 9.5cms and a Royal Worcester Flavelle Brothers jar and cover, signed E Phillips, hairline crack to base
A GB keep book Victorian to George V including Penny Black (no margins) imperf two pences blues and reds including Ivory heads, SG7 plates 1, 3, 4, 5, 10, 11, 12, 13, 14, 15, 19, 20, SG various plates 1 and 3, SG58 four 2 shillings and sixpence and six 5 shillings, a wide range of surface printed issues including SG63 six pence (4) and nine pence, 1887 issue all values, SG90 two shillings and sixpence (3) and five shillings (2)
A French silver gilt campaign set in a case, the beaker by Armand-Camille Tonnellier, 1st standard mark for Paris 1819-1838, the knife, fork and spoon by Joseph-Baptiste Fuchs, Paris, 1st standard marks for 1838-1972, the case by Taulin, 131 Palais Royal, the twin bladed knife, fork and spoon each folding with mother of pearl handles terminating in anthemion and scrolls, with a steel peg and worm corkscrew and a circular tapered mother of pearl salt and pepper container, all in a leather covered fitment sitting in the beaker, the ten sided case in padouk with ivory lines, all engraved with an unidentified crest and E d`E or C d`C, 15cm (6in) high. Tonnellier registered his mark in 1838. Fuchs registered his mark in 1833 and traded from 29 rue Michel le Comte.
A late 18th century circular snuff or bonbonniere box mounted with a miniature equestrian portrait of Frederick II the Great, probably German, in papier mache painted to simulate tortoiseshell, the oval portrait painted on mother of pearl with a gold bezel, the cover and base mounts in gilt metal, 8.3cm (3 1/4in) diameter. See le Corbeiller, Clare European and American Snuff Boxes 1730-1830, New York 1966, no. 661 for a very similar equestrian portrait of Frederick mounted on an ivory box in the Osterrichische Tabakregie, Vienna.
A Chinese export ivory rectangular card case, Macau circa 1860, carved overall with figures in a pavilion filled wooded landscape, 10.5cm (4 1/4in) long, in a fabric covered box labelled Vochon Faz Leques (makes fans). Vochon was a specialised fan maker in Macau. Only a handful of these artists` names have been passed down to us: Hoaching, Hipqua, Shong shing, Luenchun and Lunshing in Canton, as well as Assan and Vochon in Macau.
A George III gilt metal chatelaine, the scroll edged figural clip with two conforming panels beneath hung with an ogee sided necessaire worked in high relief with Hercules standing with his club, a lady with lute verso, each amidst scrolls on a matted ground, opening to reveal complete implements, comprising: an ivory twin blade aide memoire, a snuff spoon, a scissors, a needle, a pencil holder and a folding knife, with a subsidiary bloodstone mounted scent flask and a later banded agate heart pendant, the etui 10cm (4in) high, the overall drop 19cm (7 1/2in), in a later leather covered case
After Francois Dumont, circa 1780. Portrait of a gentleman wearing a blue coat, shoulder length. Indistinctly signed middle right. 5.5cm diameter. In a circular brass frame; Continental School, late 19th century. Portrait of a lady wearing a blue hat and jacket. 8cm x 5.5cm, oval. In an oval brass frame (glass cracked); Continental School, circa 1810. Portrait of a gentleman wearing a blue jacket, half length. 5.6cm diameter. In a circular ivory frame (3)
A George III silver serpentine outline straight-sided tea pot and stand by George Burrows I, London 1792, the tea pot with an ivory pineapple finial to the domed cover, a wooden loop handle, bright-cut engraved banding, engraved with an armorial and a crest, 29.5cm (11 1/4in) long; the stand with conforming decoration, on four bracket feet, 17.8cm (7in) long, 628g (20.2 oz) gross. The shield and crest of GEE. These were registered in 1619 for Eustace Gee of Rathley, Leicestershire, seventh in descent from Alexander Gee of the same location, temp. Henry V.
Montblanc, Patron of the Arts 888 Series, Max Von Oppenheim, a limited edition fountain pen, no.638/888, issued in 2009, the cap and barrel with ivory coloured lacquer inlay throughout and the mountings in 750 solid gold, the nib stamped 18K, with a piston filling system, uninked, in a Montblanc black lacquer box with paperwork and outer card packaging
A Japanese carved ivory okimono Meiji period, depicting a male figure seated on the side of a low bamboo table holding aloft a box, a child to his left sat upon the table, a mask and tiffin box strewn on the table top, recessed red lacquered rectangular two character mark to underside, 4½in x 3in. (11.4 x 7.6cm.).
An Anglo-Indian ivory and tortoiseshell veneered box early 20th century, Vizagapatam region, lid of rectangular form with canted edges, the central pane bearing a reticulated ivory plaque with a lion passant to a central reserve encased within a finely pierced ivory frame, ivory strapwork, conforming reticulated ivory panels to front and sides of body, purple velvet interior, on four lion paw supports, 8 x 6in. (20.3 x 15.3cm.), 3¼in. (8.3cm.) high; together with a smaller similar Anglo-Indian sandalwood and ivory box, canted lid with reticulated border encasing an ivory frame with floral and foliate trails, conforming decoration to body, lined in purple velvet, on four lion paw feet, 6 x 4½in. (15.3 x 11.5cm.), 2¾in. (6.6cm.) high. (2)
A large Persian carpet mid-20th century, the central, eight pointed floral medallion with entwined floral decoration in dark and pale blue, claret red, ochre, ivory, pink and brown on a dark red field, surrounded by pale blue and dark blue floral meander borders, 186 x 150in. (472.5 x 381cm.).
A Dieppe carved ivory paper knife rounded elongated blade, the top of which is carved with a floral display, the neck of the handle modelled as it`s waisted woven basket, relief carved tapering handle 9½in. (24.2cm.) long; together with a 20th century fan, mother of pearl stick guards with pique work decoration, beige material with sequins and mesh decoration, 9in. (22.8cm.) long. (2)
A 1960s Meccano Outfit No. 10 in the original four drawer oak cabinet the set believed to be complete and the parts in very good with little use, complete with the manuals 1, 2/3, 4/5/6/ and 7/8, a complete set of ten `Special Model Leaflets` in their folder, twenty further Special Model Leaflets and reprinted c.1949 Set 10 manual, the four drawer cabinet with gold decal to top and ivory plastic drawer handles, rebated handles to sides, 23½ x 14½in. (59.5 x 37cm.), 11¼in. (28.5cm.) high. * Condition: The case in good condition, with some scratches, scuffs and marks to the exterior consistent with age. Contents in very good condition with some minor chipping to paint. Parts not strung and the yellow cards are reproductions. Contents believed to be complete, but this is not guaranteed. No repainting to parts. Original decal to top in good condition, with just two small chips. Manuals and Leaflets in good condition - No.7/8 Manual has a detached cover with splits to spine.
A mahogany cased games compendium early 20th century, brass hinge and lifting mechanism to lid, recessed lid interior containing a tooled leather cream and red chess board, five deep deposits to rear of base, cream and red stained ivory chess pieces seated on a central detachable brass handled tray that when lifted reveal a compartment for storage of playing cards etc., flanked by two columns of red and ivory draughts counters, the front holds a removable box containing a set of ivory dominoes with a storage compartment to each side, the ebony and satin wood lids of which bear two recessed ivory markers with brass arrow pointers, 15¼ x 11¼in. (38.75 x 28.5cm.), 5½in. (14cm.) high.
English School (circa 1820) a portrait miniature of Rebecca Gillman of Hoveton, Norfolk, wearing a yellow dress, white chemise with blue and gilt brooch, pale pink sprigged shawl, white lace ruff collar and white lace bonnet, watercolour on ivory, 9.2 x 6.9cm., ivory split, in a black papier-mâché and gilt frame with gilt metal hanging mount.
Miss Florence Hannam (British, fl.1890-1898) a portrait miniature of Constance May Baker, wearing a blue dressed with ruched sleeves, a pearl necklace with cross pendant around her neck and her hair parted with curled fringe, oval watercolour on ivory, 9.2 x 7.3cm., the reverse glazed with ivory silk lining and tied lock of hair within, in a gilt metal frame with tied ribbon surmount. * Constance was the great grand daughter of Sir Robert Baker. The lot also includes one of his visiting cards, inscribed verso.
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