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Lot 252
Portrait miniature The Duchess of Devonshire . Oval miniature on bone, under glass, enclosed in an openwork metal frame. The frame of the miniature is made in the Boulle style of tortoiseshell plates inlaid with openwork brass elements. The miniature depicts a lady in a hat, holding a rose in her hand. Creation time: 1900-1910 Image size: 8.5 x 6.5 cm. Frame size: 15.5 x 18 cm. Width: 15.5cm, Height: 18cm, Depth: 3cm, Weight: 0.17kg, Condition: Good, Material: Watercolor, Brass, Turtle, Ivory.
Lot 255
antique chryselepahantine sculpture in gilded bronze and ivory - signed Georges Van der Straeten and with a foundry mark from Paris||VAN DER STRAETEN GEORGES (1856 - 1928) antieke chryséléphantine sculptuur in gedoreerde brons en ivoor : "Buste van een jonge dame" - hoogte : 21,5 cm - op een sokkel in onyx getekend en met gieterijmerk van "Société des Bronzes de Paris" met Cites-attest
Lot 264
19th Cent. European ivory "lady Justice" sculpture on an ivory base with circular temple shape with Doric columns||Negentiende eeuwse Europese sculptuur met de voorstelling van "Vrouwe Justitia" (hoogte : 20 cm) op een ivoren basis met cirkelvormige tempelvorm met Dorische zuiltjes - totale hoogte : 47,5 cm - gewicht : 1804 gram met Cites-attest
Lot 265
19th Cent. or earlier European, probably French, cup/tankard in ivory and marked solid silver (probably with the Dieppe brand) - the ornamentation is in characteristic Baroque style referring to Rubens: with corpus in ivory with particularly finely elaborated continuous bas-relief with typical Bacchanal and with very detailed ornamentation in foreground and background in repoussé and shows different faces, with a finely modeled satyr on the handle and with the lid crowned with a cupid with cup (wine cup). with European Cites certificate||ROUWKOOP FADL HIJAZI Negentiende eeuwse of vroeger te dateren Europese, waarschijnlijk Franse, beker/tankard in ivoor en gemerkt massief zilver (waarschijnlijk met merk van Dieppe) - hoogte : 43 cm - gewicht : 3404 gram de ornamentiek is in karakteristieke barokstijl verwijzend naar Rubens : met corpus in ivoor met bijzonder fijnuitgewerkte doorlopende bas-reliëf met typisch bacchanaal en met zeer gedetailleerde ornamentiek op voor- en achtergrond
Lot 266
19th Cent. German tankard in ivory and silver with its corpus with a battle scene with knights on horses and foot soldiers with European Cites certificate||ROUWKOOP FADL HIJAZI Laat negentiende eeuwse Duitse beker/tankard in ivoor met een montuur in zilver (greep, deksel en basis) - de corpus heeft een fijngesneden decor met een doorlopende gevechtscène met ridders te paard en voetvolk
Lot 332
antique Japanese Shibayama Kodansu miniature cabinet in ivory with refined decor with gold and mother of pearl||Antiek Japans Shibayama "Kodansu" - miniatuurmeubeltje in ivoor met een verfijnd decor deels in goud en parelmoer met twee laden en twee schuifdeurtjes - 17,2 x 15 x 7,5 cm - gewicht : 790 gram met Cites-attest
Lot 336
antique Chinese sculpture in ivory with a courtly scene with three figures and two dogs - typical work from Canton (ca 1900/20)||Antieke Chinese sculptuur in ivoor met een hoofs tafereel met drie personages en twee hondjes in een tuin - 20 x 35 x 25 cm - gewicht : 1470 gram - op sokkel - typisch Cantonees werk van ca 1900/20 met Cites-attest
Lot 1398
5-tlg.; Paar Sofas und drei Sessel. Holz, elfenbeinfarben gefasst und teilw. vergoldet. Gerade Zarge auf ausgestellten Beinen. Schmale Streben mit plastisch gestalteten Schwanenfiguren und gewölbte, godronierte Rückenlehnenrahmung. Allseitig gepolstert und bezogen. Sofa-H. 79 cm. 140 cm x 67 cm. Sitz-H. 44 cm.A five-piece set of French ivory colored Empire style furniture.Frankreich. 20. Jh.
Lot 1537
Nussbaum furniert sowie Einlagen aus unterschiedlichen Hölzern, Elfenbein und Zinn. Gerader, rechteckig angelegter Korpus, flankiert von breiten, schräggestellten Ecklisenen aus schmaler Zarge und Volutenfüßen. In der gegliederten Front von Bandelwerk umgebene figurale Einlagen. Oberhalb dreiseitig verglaster, zweitüriger Vitrinenaufsatz mit vorkragendem, mittig segmentartig aufgeworfenem Profilgesims. Flächendeckend breit gerahmte Furnierfelder, von Bandeinlagen begrenzt. H. 204 cm. 125 cm x 45 cm.A Brunswick walnut veneered Baroque show case with inlays of ivory and tin.Braunschweig. 2. Hälfte 18. Jh.
Lot 1539
Nussbaum und Nussbaummaser, furniert bzw. teilw. reliefplastisch geschnitzt. Flächendeckende Einlegearbeiten aus fein graviertem Zinn und teilw. grün gefärbtem Elfenbein. Gerader, querrechteckig angelegter Korpus auf profiliertem Zargensockel und kräftigen gedrückten Kugelfüßen. In der gegliederten Front zwei große Türen mit breiten, flach angelegten Bastionsfüllungen sowie verdecktem Schloss, flankiert von konischen Pilastern mit fein geschnitzten korinthischen Kapitellen. Auf den Seiten korrespondierende, erhaben profilierte Füllungen. Vorkragendes, teilw. verkröpftes Gesims. Flächendeckende, teilw. quer ausgerichtete Furnierfelder, von verschlungenen Bandeinlagen begrenzt sowie schauseitig reicher Dekor aus von Bandelwerk umrahmten, szenisch gestalteten Zinnkartuschen. Ober- und unterhalb allegorische Darstellungen von Liebe, Glaube, Gerechtigkeit und Treue. Korrespondierender Dekor aus fein gearbeitetem Blattwerk und Voluten sowie intarsierten Blütenmotiven. H. 217 cm. 250 cm x 91 cm.Vgl. hierzu Abb. in: Andrea Schneider: Braunschweiger Möbel, S. 71 sowie Kreisel, Abb. 95.Provenienz: Sammlung Reinhold Hofstätter, Wien.A magnificent Brunswick walnut veneered Baroque wardrobe with inlays of pewter and partly green coloured ivory.Braunschweig um 1735.
Lot 1598
Holz, ebonisiert und teilw. schwarz lackiert sowie reiche Einlagen aus fein graviertem Elfenbein. Dreischübiger Zargenkasten auf schlanken, kannelierten Säulenschäften, unterhalb durch schmale Stege verbunden. Gering überstehende, profilgerahmte Deckplatte. Zurückgesetzter zweitüriger Aufsatz, verbunden durch schmale Schübe. Schauseitig reicher Intarsiendekor aus allegorischen Darstellungen unter Draperiewerk sowie üppige Blattranken mit Genien und Hirschen. Auf zwei Schubladen Ritz-Sign. Hunsinger, Paris bzw. Rue de la Roquette. H. 119 cm. 98 cm x 62 cm. Möbel von Hunsinger befinden sich u.a. im Musée National du Château de Versailles, Musée d'Orsay sowie im österreichischen Museum für Angewandte Kunst, Wien.Vgl. hierzu Ledoux-Lebard. S. 265.A ebonized and ivory inlayed writing cabinet by Hunsinger & Wagner.Frankreich. Paris. Hunsinger & Wagner. Um 1880.
Lot 281
Madonna mit dem Christusknaben, Ende 19. Jhdt. Elfenbein, vollplastisch geschnitzt. Ein Stück. Auf einem achtkantigen Sockel steht aufrecht die bekrönte Gottesmutter mit dem Christusknaben in ihrem linken Arm. Christus hat eine Kugel (Weltkugel) in seiner Linken und hält sich mit seiner Rechten am Gewand seiner Mutter fest. Elfenbein mit Rissen. Rückseite des Sockels mit Einfärbungen. Maße 32,5 x 8 x 7 cm, Höhe Figur 26,8 cm. CITES-Gutachten vom 21.2.2022 vorhanden. Achtung: Ein Export dieses Loses aus der EU ist leider nicht möglich. Keywords: Gottesmutter, Maria An ivory figure of the Mother of God with the infant Jesus, late 19th century An ivory figure of the Mother of God with the infant Jesus, late 19th century Elfenbein, vollplastisch geschnitzt. Ein Stück. Auf einem achtkantigen Sockel steht aufrecht die bekrönte Gottesmutter mit dem Christusknaben in ihrem linken Arm. Christus hat eine Kugel (Weltkugel) in seiner Linken und hält sich mit seiner Rechten am Gewand seiner Mutter fest. Elfenbein mit Rissen. Rückseite des Sockels mit Einfärbungen. Maße 32,5 x 8 x 7 cm, Höhe Figur 26,8 cm. CITES-Gutachten vom 21.2.2022 vorhanden. Attention: This lot can only be shipped within the European Union. Condition: II Keywords: our lady
Lot 398
Elfenbein-Silber-Humpen mit der thronenden Gottesmutter und den vier Evangelisten, deutsch, 19. Jhdt. Silber, partiell vergoldet. Ovaler, gewölbter Fuß mit graviertem Zungendekor. Ausladender, geschweifter Rand. Scharnierdeckel entsprechend dem Fuß gestaltet. Mittig getriebenes Ovalmedaillon mit Fruchtbouqet. Knauf in Form eines Fabelwesens gestaltet. Zylindrische Wandung mit Elfenbeinmantel. Sehr detailliert geschnitzte Heiligendarstellungen, jeweils unter einer Arkade sitzend. Frontseite mit der thronenden Maria mit dem Christusknaben auf ihrem Schoss, umgeben von den vier Evangelisten. Geschwungener Henkel mit plastischer Blattzier. Punziert mit Feingehalt "13". Maße 23,5 x 21 x 14 cm, Gesamtgewicht 1402,4 g. Vorbild ist die Elfenbein-Situla, die 979 von Bischof Gotofredo, Erzbischof von Mailand, für die Krönung von Otto II in Auftrag gegeben wurde. Aktuelles CITES-Gutachten vom 21.2.2022 vorhanden. Achtung: Ein Export dieses Loses aus der EU ist leider nicht möglich. A large silver-gilt ivory tankard showing the Mother of God with Christ and the Four Evangelists, 19th century A large silver-gilt ivory tankard showing the Mother of God with Christ and the Four Evangelists, 19th century Part-gilt silver. Oval, domed foot engraved with a tongue pattern. Wide wavy edge. Hinged lid decorated en suite to the foot. In the centre an oval medallion embossed with a bouquet of fruits. Thumb-lever in the form of a mythical creature. Cylindrical bowl with ivory exterior. Saints carved in great detail, each figure sitting under an arcade. On the obverse Mary with the infant Jesus in her lap surrounded by the four Evangelists. Curved handle decorated with leaves. Stamped with the hallmark "13". Dimensions 23,5 x 21 x 14 cm, overall weight 1,402.4 g. The model is the ivory situla commissioned in 979 by Bishop Gotofredo, Archbishop of Milan, for the coronation of Otto II. With current CITES evaluation from 21 Feb. 2022. Attention: This lot can only be shipped within the European Union. Condition: II
Lot 71
Elegante weiße Ding-Schale mit graviertem Dekor, wohl nördliche Song-Dynastie (960 - 1127) Elegante Schale mit dünner, leicht gerundeter Wandung, innen meisterhaft mit einer gravierten Lotosblüte und Blättern verziert. Innen und außen mit glänzender, blass elfenbeinfarbener Glasur überzogen. Spuren einer Wachs-Zollmarke auf der Unterseite. Äußerst feiner Haarriss an der Wandung. Ansonsten intakt. Keine Chips oder Ergänzungen. Sehr seltenes Exemplar. Durchmesser 18 cm, Höhe 4,4 cm.Ding-Schalen wurden von angesehenen Literaten in der Song-Dynastie wegen ihrer leuchtend weißen Glasur geschätzt, die besonders mit der Farbe des Tees einen attraktiven Kontrast bildete. Su Shi, Gouverneur von Dingzhou, der Region, in der sich die Ding-Brennöfen befanden, schrieb im Jahr 1093 ein Gedicht über die weißen Ding-Porzellane. Da Su Shi ein angesehener Kenner und Künstler war, festigte sein Lob zweifellos den Status des Ding-Porzellans unter späteren Kennern. Der Gelehrte der Jin-Dynastie, Liu Qi (1203 - 1259), schrieb zum Beispiel in seinem Gedicht: "Dingzhou huaciou, yanse tianxia bai" (verzierte Porzellanschalen aus Dingzhou haben die beste weiße Farbe unter dem Himmel).Eine ähnliche Schale, früher in der Sammlung Oppenheim und jetzt im Britischen Museum, ist abgebildet in "The World's Great Collections: Oriental Ceramics", Bd. 5, Abb. 20. Ein weiteres verwandtes Beispiel, abgebildet in "Chinese Ceramics in the Idemitsu Collection", Japan, 1987, Nr. 413, wurde bei Christie's "Hong Kong", 1. Dezember 2009, Los 1863, verkauft. Vgl. auch Christie's "Hong Kong", 26. November 2018, Los 8005. Eine sechseckige Schale von ähnlicher Form und Größe, aber mit Lotus-Dekor in einem etwas anderen Stil geschnitzt und datiert in die Jin-Dynastie, befindet sich in der Sammlung des Pekinger Palastmuseums, abgebildet in "Zhongguo taoci quanji - Dingyao", Shanghai, 1981, Pl. 90. Vgl. auch eine Ding-Schale von ähnlicher Form, aber mit anderen floralen Motiven geschnitzt, die gewundenes Blattwerk zeigen, ehemals in den Sammlungen von Mrs. Alfred Clark und J. T. Tai, verkauft bei Sotheby's New York, 22. März 2011, Los 167. Provenienz: Bayerische Privatsammlung. A fine carved "Lotus" hexafoil Ding bowl, probably Northern Song Dynasty (960 - 1127) A fine carved "Lotus" hexafoil Ding bowl, probably Northern Song Dynasty (960 - 1127) Elegantly potted bowl with thin, slightly rounded sides, fluidly carved on the interior with a lotus blossom and leaves, covered inside and outside with a lustrous, pale ivory-toned glaze. Traces of a customs mark on the base. Extremely fine hairline crack on the wall. Otherwise intact. No chips or additions. Very rare specimen. Diameter 18 cm, height 4.4 cm.Ding bowls were favoured by esteemed literati in the Song Dynasty for their luminous white glaze, which created an attractive contrast especially with tea colour. Su Shi, who was appointed Governor of Dingzhou, the state where the Ding kilns were located, wrote a poem on Ding white porcelain in 1093. Being a well-respected connoisseur and artist, Su Shi’s praise undoubtedly solidified the status of Ding porcelain amongst subsequent connoisseurs. The Jin-dynasty scholar Liu Qi (1203 - 1259), for example, wrote in his poem: "Dingzhou huaciou, yanse tianxia bai" (decorated porcelain bowls from Dingzhou have the best white colour under Heaven).A similar bowl, formerly in the Oppenheim Collection and now in the British Museum, is illustrated in "The World's Great Collections: Oriental Ceramics", vol. 5., pl. 20. Another related example, illustrated in "Chinese Ceramics in the Idemitsu Collection", Japan, 1987, no. 413, was sold at Christie's "Hong Kong", 1 December 2009, lot 1863. Cf. also Christie's "Hong Kong", 26th November 2018, lot 8005. A hexafoil bowl of similar form and size but with lotus carved in a slightly different style, dating to the Jin dynasty, is in the Beijing Palace Museum Collection, illustrated in "Zhongguo taoci quanji – Dingyao", Shanghai, 1981, pl. 90. Compare also to a Ding bowl of similar shape, but carved with different floral motifs featuring curling foliage, formerly in the Mrs. Alfred Clark and J. T. Tai collections, sold at Sotheby's New York, 22 March 2011, lot 167.Provenance: From a private collection in Bavaria.Condition: II
Lot 101
J.W. BENSON 9CT GOLD OPEN FACED POCKET WATCH, c. 1938, case no. 650733, 15 jewel frosted gilt finished Swiss lever movement, cut and compensated bi-metallic balance, steel overcoil spring, white enamel dial with black Roman numerals, black outer minute track, blued steel hands, subsidiary dial at 6 for running seconds, plain caseback signed, 48mm diam., in Benson ivory silk and navy velvet-lined claret case.Comments: caseback and edge with a few shallow dint.
Lot 1133
A Georgian navette miniature portrait mourning pendant, unmarked rose gold closed-back settings with miniature sepia watercolour on ivory panel, depicting female portrait beside obelisk with text "Mourn not for those who are at rest", with white enamel border, navette panel height 30.4mm, 4g. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being a portrait miniature made before 1918 with a surface area less than 320 square centimetres. Ivory declaration submission reference 96A5LTYZVery small section of enamel missing on top edge, otherwise no damage or repair, light wear to high points, unmarked
Lot 436
Late 19th century three piece silver tea service comprising teapot, milk jug and sugar bowl, heavily repousséd body depicting Chinese figural scenes, stylised bamboo handles, spout and finial, character marks and makers mark Luenwo to the base, height of teapot approx 14cm, ivory certificate no. V78LRZS3
Lot 411
William IV three piece silver tea service comprising teapot, milk jug and sugar bowl, the squat melon-shaped bodies each raised on four cast shell and scroll feet, scroll handles, the teapot with two ivory spacers and cast leaf shoulder, the hinged lid with cast berry and vine leaf finial, makers Edward, Edward Junior, John & William Barnard, London 1830 and 1831 (3) Ivory Exemption Certificate no. 6U15Q9UX
Lot 162
Royal Worcester Blush Ivory, including: a pair of vases, a smaller vase, a jug, a pair of figures holding doves, a pair of Royal Doulton plates depicting carriage scenes, and a pair of 20th century continental figures (qty)Good condition throughout, some very minor flakes and light wear only
![[TOPOGRAPHY]. SOMERSET Domesday Book: Somerset, Introduction & Translation, Studies, and Folios & Maps, limited edit](https://cdn.globalauctionplatform.com/571672d5-b8aa-4d38-8aae-aff000a5226c/5e71e8d7-0e39-4c0c-9528-aff200946561/468x382.jpg)
![[CLASSIC LITERATURE]. ILLUSTRATED Rossetti, Christina, & Harrison, Florence, illustrator. Poems, introduced by Alice Mey](https://cdn.globalauctionplatform.com/571672d5-b8aa-4d38-8aae-aff000a5226c/7189b24f-06fb-4a15-871c-aff200942406/468x382.jpg)
Lot 618
[CLASSIC LITERATURE]. ILLUSTRATED Rossetti, Christina, & Harrison, Florence, illustrator. Poems, introduced by Alice Meynell, Blackie & Son, London, no date, ivory cloth gilt, top edges gilt, frontispiece and a further thirty-five paper-protected tipped-in colour plate illustrations (as called for), further black and white decorations, quarto. Condition Report : Good condition; spine evenly toned; plates clean and uncreased. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
![[TOPOGRAPHY]. SOMERSET Burrow, Edward. Ancient Earthworks and Camps of Somerset, subscriber's limited edition 37/1025, SIGNE](https://cdn.globalauctionplatform.com/571672d5-b8aa-4d38-8aae-aff000a5226c/cc443135-fdf9-45bf-a2d0-aff2009470f8/468x382.jpg)
Lot 684
[TOPOGRAPHY]. SOMERSET Burrow, Edward. Ancient Earthworks and Camps of Somerset, subscriber's limited edition 37/1025, SIGNED BY THE AUTHOR, Burrow, Cheltenham / London, 1924, quarter ivory cloth, illustrations throughout, folding map at rear, quarto; Pooley, Charles. An Historical and Descriptive Account of the Old Stone Crosses of Somerset, Longmans, Green & Co., London, 1877, bevelled brown cloth gilt, folding map frontispiece, twenty paper-protected plate illustrations (as called for), large octavo; and seven assorted other works, (9). Condition Report : Burrow: generally good condition; Pooley: generally good condition; spine ends nicked, with small losses; map creased. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
![[ART] Flint, W. Russell. The Lisping Goddess, limited edition 99/275, SIGNED BY THE ARTIST, privately printed, 1968, quarter](https://cdn.globalauctionplatform.com/571672d5-b8aa-4d38-8aae-aff000a5226c/d980ce2f-5461-427d-984c-aff20094195e/468x382.jpg)
Lot 607
[ART] Flint, W. Russell. The Lisping Goddess, limited edition 99/275, SIGNED BY THE ARTIST, privately printed, 1968, quarter blue morocco and ivory cloth by Mansell, top edges gilt, illustrations, tall quarto, in slip-case. Condition Report : Generally good condition; spine evenly faded. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 1252
A Victorian mahogany stick barometer, the silvered rectangular dial with vernier scale and inscribed 'Bithray Royal Exchange, London', the case with swan neck pediment and ivory finial, the trunk fitted with a mercury thermometer above a turned cistern cover, height 97cm. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 120
TWO CHINESE WHITE GLAZED FOLIATE PORCELAIN CUPS AND STANDS. Hexagonal and octagonal lobed cups each with cup stand. The cup stands in the form of a dish on splayed foot with pierced motifs and inverted cup pedestal, covered in a white / ivory tone glaze. Ding-type, Song dynasty style. Cup stands 13cm and 14cm wide. (2)In good overall condition with no signs of damage or repair.
Lot 262
A GROUP OF VINTAGE CHINESE FANS, 20TH CENTURY. Eight fans total of wood, bamboo, paper, silk and faux ivory. Two boxed and two with traditional silk embroidered carrying cases from Suzhou, China. 18cm - 30cm lengths. (8)In good general condition with no major damages. Some wear to paper on one.
Lot 283
A CHINESE EMBROIDERED SILK IVORY GROUND TASSELLED SHAWL, CIRCA 1900. Embroidered with peacocks, peony, chrysanthemum and leafy tendrils, with fan-shaped key pattern cartouches and Shou characters, within a tasselled silk thread border. Approx. 167cm x 170cm With some minor discolouration and wear, some minor loose threads.
Lot 268
A Victorian silver bachelor teapot by Richard Martin & Ebenezer Hall. Of ovoid form, the hinged lid over the stiff leaf embossed band and half fluted body, the fluted handle with ivory insulators, London 1882, height 10cm, 13.50 toz. Ivory exemption certificate number 6B7RWGQSThe hinge appears to have been soldered where it meets the lid. There corresponding metal under the lid has a small crack and area of discolouration. The handle and spout haven't been pushed in. There is a small dent to the base of the spout. See images online.
Lot 372
A George III Scottish silver teapot by George McHattie . Raised on four ball feet, gadrooned rim, square section spout, leaf and scroll handle with ivory insulators, hinged lid, Edinburgh 1816, height 13.5cm, 17.6 toz. Ivory exemption certificate 129GTV36PSoldered repair patch twice on the body in the same opposing places. there are two large dents to the body. The base of the handle has been slightly pushed in. The hollow handle has a split.
Lot 49
A George III silver oval section tea caddy. Oval form, with an ivory finial, height 14cm, London 1791, 12.8 toz. Ivory exemption certificate L2MXBFNGThe middle division may be a later addition. The lid has a slight smile at the front. The base foot at the front is slightly misshapen. No major dents. Two slight splits on both ends of the hinges on the body. Tarnished all over. See extra images online.
Lot 122A
PAIR OF EDWARDIAN PORTRAIT MINIATURES CIRCA 1904 depicting a gentleman and woman, watercolour on ivory, in gold plated surround with date inscription, in original velvet lined gilt fleur-de-lis tooled tan calf case, with interior plaque inscribed FROM DADDY 6TH MAY 1904This lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference BEM1ALWXeach portrait 7cm x 5.6cm
Lot 162A
AFTER SIR JOSHUA REYNOLDS PRA, GEORGINA COUNTESS SPENCER AND HER DAUGHTER VICTORIAN PORTRAIT MINIATURE on ivory, framed and under glass, title versoThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference JHUXKWNL20cm x 17.5cm overall
Lot 166
Huntleys Improved Compound and The Single Microscope, mahogany case with three demonstration slides, The Imperial Family of Russia, £20 Bank Note, and The Lord's Prayer, complete with instruction leaflet.IMPORTANT NOTICE: This lot contains ivory integral to the component parts. Ivory Act 2018 Registration Reference: UG9S18ZYCondition report:Rach and pinion mechanism is good and all teeth are present. Some scratching to the exterior of the main tube. The lenses appear ok and free of damage. There is one sample disc that has a sample in at present that has a very shallow, very small nick to the rim (see the penultimate image which just picks the damage up with light reflecting across the surface). The circular base section appears to have been screwed into the case. As per the paper instructions, the composite parts appear complete. The case doesn't quite close flush but that may be the three demonstration slides standing too proud. The case is also only partly fitted and so a lot of the pieces are very loose and have no set position.
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239691 item(s)/page